图片文件尺寸 : 3993 x 4483px

Pablo Picasso:Antipodistes observés par une Paysanne et sa Petite Fille, from \'El Entierro del Conde de Orgaz\' (Bloch 1473; Baer 1384; Cramer books 146)
Etching, 1966, on wove, an impression from the unsigned book edition of 263 (there was also a suite of 12 signed impressions on japon nacré), with the \'Conde Orgaz\' watermark after a drawing by Picasso, printed by Gustavo Gili S.A., Barcelona, published by Ediciones de la Cometa, Barcelona, with full margins, 218 x 320mm (8 1/2 x 12 1/2in)(PL)

巴勃罗·毕加索 一名农民和她的小女儿从“El Entierro del Conde de Orgaz”观察到的反犹太主义者

图片文件尺寸 : 5080 x 4062px

BIBLE IN ENGLISH: THE GREAT \"SHE\" BIBLE.:The Holy Bible, Conteyning the Old Testament, and the New. London: Robert Barker, [1613] - 1611. Folio (390 x 257 mm). title and final leaf supplied in facsimile, lacking 2 quires A and F, and with 19 leaves supplied from a later edition, engraved map of Canaan by John Speed, loosely inserted, and with its margins restored with some loss. Title to New Testament title dated 1611, set within wide woodcut pictorial borders, wood-cut head and tail pieces, calendar and almanack printed in red and black, occasional light toning, a few upper margins cut slightly close to border line. Paneled calf, antique, red speckled edges.
Collation: A1 (General Title, a facsimile of the He Bible and dated 1611), A2-4 (a2 margin slightly restored, a few restored holes affecting letters), B1-4, C1-6, D1-4: Quire A1-6 lacking (Title to genealogies and first 11 pages), B-E6, (Lacking quire F1-6), G-Z6, Aa-Zz6, Aaa-Zzz6 (rrr1 outer and lower margins torn with loss), Aaaa-Zzzz6, Aaaaa-Ccccc6;
New Testament: A-Z6 (with 15 leaves P1-6, S3-4, V5, X2-6 and Z3 all silked and damaged, and supplied from a shorter later edition, possibly the 1617 folio edition), 6A 1-5 supplied from another folio edition, 6A6 a facsimile leaf.
Provenance: Exhibited by Mr. Young (of Leicester, UK) in the early 20th Century, with a printed and manuscript exhibition label, containing manuscript notes on the typographical errors in the \"SHE\" Bible, the label loosely inserted at the front.

THE KING JAMES\' GREAT \"SHE\' BIBLE, THE SECOND FOLIO EDITION, with the reading in Ruth 3:15 corrected to \"She went into the citie,\" and with other errors including Matthew 26:36 where Judas appears for Jesus, but in this copy that error has been a corrected in an 18th century manuscript hand.

The King James Great Bible is considered to be the most important English Bible to have been printed. The biblical scholar Francis Fry described the \"SHE\" Bible as the first edition second issue without reprints, printed within two years of the first issue to correct typographical errors that were found in the text. The King James Bible was drawn up to reconcile the versions of the bible used by the Clergy, on the one hand, and the laity on the other. The translators, who numbered around 50, were divided into committees based in Oxford. Cambridge and London, and they were instructed to take the Bishops Bible as their basis and then consult with Tyndale\'s, Coverdale\'s, Matthew\'s, Whitchurch\'s and the Geneva versions to come up with an authorized text. This copy, although with facsimile first and last leaves, and two quires lacking, is substantially complete. \"From about the middle of the seventeenth century until the appearance of the Revised Bible of 1881-5, the King James\' version reigned without rival\"(Herbert 319). cf. PMM 114; STC 2224.

英语圣经：伟大的“她”圣经。 《圣经》、《旧约》和《新约》。伦敦：罗伯特·巴克，[1613]-1611。

图片文件尺寸 : 4890 x 4508px

Salvador Dalí:Two plates from Purgatory, Canto 24, from The Divine Comedy, wood engraving and corresponding etching on silk (2 works) (Field pp. 189-193), 1951
Wood engraving in colors on Rives paper and an etching printed in red ink on silk, the engraving signed and dated in ballpoint pen, \'Salvador Dali 1963\', from the French edition published in 1959-1963 by Jean Estrade, Les Heures Claires, Paris in a total edition of 4765, the etching on silk with the artist\'s printed signature, from the deluxe edition of 33, published by Joseph Foret, the engraving with full margins. (2 works)
9 7/8 x 7in (25 x 18.4cm); silk image 10 1/8 x 7 7/8in (25.7 x 19.9cm)
sheet 13 x 10 3/8in (33 x 26.3cm) silk 12 x 10in (30.4 x 25.4cm)

萨尔瓦多·达利 《炼狱》第24章《神曲》中的两个盘子，木刻和相应的丝绸蚀刻

图片文件尺寸 : 5445 x 4408px

DANTI, EGNATIO. 1536-1586.:PROCLUS. c.412-485. La sfera di Proclo Liceo. Florence: Giunti, 1573.
2 parts in 1 volume. 4to (215 x 158 mm). Woodcut Medici arms on first title page, woodcut illustration of an astrolabe on verso of second title page, woodcut diagrams in text, woodcut initials. Later vellum, paper lettering piece on spine. Covers slighlty soiled, scattered browning, spotting and marginal staining.

FIRST EDITION of Danti\'s translation of the influential astronomical text by Proclus, the Neo-Platonic philosopher who lived and wrote in a time that was on the threshold between the ancient world and the Middle Ages. Danti taught at the University of Pisa, and was Cosmographer to the Medici court. His treatise on the use of the astrolabe, bound here after the work of Proclus, was the first book on the subject published in Italy. Adams P-2137; Brunet IV, 896; Camerini 22; Houzeau Lancaster I, 913.

丹蒂，埃格纳西奥。1536–1586. Proclus高中的范围。佛罗伦萨：Giunti，1573年。

图片文件尺寸 : 4197 x 4805px

THOMSON, GEORGE. Fl. 17th CENTURY.:Loimotomia [in Greek]: or, the Pest Anatomized. London: Nathaniel Crouch, 1666.
12mo (145 x 87 mm). Engraved frontispiece (small closed tear and shaved, with loss to imprint). Contemporary speckled sheep; rebacked, title finger soiled, some toning to text
Provenance: Library of the Medical Society of Abderdeen (donor\'s inscription on front paste-down, August 22, 1820, and ink stamp to recto of frontispiece and rear blank, ink shelf mark to frontispiece)

FIRST EDITION of the first account of an autopsy on a plague victim. The author remained in London during the plague of 1665, during which he treated several cases and contracted the illness himself. Wing T1027; Krivatsy 11830.

汤姆森，乔治。佛罗里达州17世纪。 Loimotomia[希腊语]：或，被解剖的害虫。伦敦：纳撒尼尔·克劳奇，1666年。

图片文件像素：4600 x 3500 px

恩斯特·格兰纳（Ernst Graner），1900年以前的绘画大师和版画，水彩画，微缩画-

-

(Werdau, Sachsen 1865-1943 Wien) Der alte Albrechtsplatz (heute Albertinaplatz) in Wien mit dem Philipphof und dem Mozartdenkmal, verso betitelt und datiert "Albrechtsplatz in Wien, Philipphof mit Mozartmonument, 7. Novber 1899", signiert E. Graner, Aquarell auf Karton, 38 x 31,5 cm, gerahmt, ohne Glas, gebräunt, (BH)

Der Philipphof wurde nach Plänen von Karl König für den Bankier Philipp Zierer errichtet. Der an allen Seiten freistehende Hof war eines der architektonisch wertvollsten Mietshäuser Wiens. Am 12. März 1945 wurde der Philipphof von Bomben getroffen und zerstört. Das Mozart Denkmal wurde ebenfalls von Karl König und Viktor Tilgner geschaffen und 1896 enthüllt. Der Bombenangriff von 1945 beschädigte das Monument. Nach der Restaurierung wurde das Denkmal 1953 am heutigen Standort im Burggarten aufgestellt.

图片文件尺寸 : 5242 x 5650px

LARTIGUE, JACQUES-HENRI. 1894-1986.:The Photographs of Jaccques-Henri Lartigue [Collector\'s Portfolio]. New York: Time-Life Books, 1978.
Folio (450 x 332 mm). 16 pp booklet and 10 gelatin silver print photographs, each numbered \"185/5000\" in pencil in lower margin, each mounted to mat with gilt titles and blindstamp to overmat. Lacking portfolio, slight soiling to wrapper of text booklet, light foxing to mats. Together with an unused florentine paper mat board.

Lartigue began taking photographs as a boy in France, and continued it as a lifelong pursuit, in spite of studying painting at the Academie Julian in Paris, and considering himself a painter, rather than photographer. His photographs capture playful and often kinetic images of everyday life, including racing cars, airplanes, and people at leisure.

拉蒂格，雅克-亨利。1894-1986. Jaccques Henri Lartigue的照片[收藏家的作品集]。纽约：时间生活图书，1978年。

图片文件尺寸 : 4694 x 5330px

MYOCHIN TAKAYOSHI (ACTIVE 1504-1550):A 62-plate suji kabuto
Muromachi period (1333-1573), 16th century
Russet-iron, constructed of 62 vertical plates riveted together, each plate with a vertical standing flange, the crown finished with a shakudo and gilt tehen kanamono pierced with scrolling vines, signed on the interior at the rear Myochin Takayoshi, the front mounted with a lacquered-wood maedate formed as an archery target decorated in rogin-nuri and black and red hiramaki-e, the interior inscribed with the character oni (demon), the bowl fitted with a four-lame solid-plate shikoro ending in large fukigaeshi, laced in sugake style in blue with white, purple, and green trim
10in (25.4cm) wide (across the helmet bowl)

肌球蛋白TAKAYOSHI（活性1504-1550） 公元16世纪，一个62个板块的suji kabuto室町时期

图片文件像素：4914 x 5813 px

阿里吉耶罗·波提-

Alighiero Boetti * - Zeitgenössische Kunst I-

(Turin 1940–1994 Rome)
Perché la testa è amica del piede ed entrambe di lune e maree (Because the head is friend of the foot and both of moons and tides), 1988, signed and dated on the reverse, embroidery on canvas mounted on board, 29.5 x 29.5 cm, in plexiglass case

This work is accompanied by a photo certificate signed by the artist

This work is registered in the Archivio Alighiero Boetti, Rome and is accompanied by a photo certificate of authenticity

Provenance:
Galleria Ariete Arte Contemporanea, Lecco (label on the reverse)
European Private Collection (acquired from the above in 1989)

I designed some 150 words that could be arranged in a square.
Today when I come across expressions like “la forza del centro” (the force of the center), a yoga concept, I know intuitively that the number of its letters allows it to form a square.
I produced up to a hundred examples of each of these pieces. Each one is different in coloring and the special style of the woman who made it. So it is neither an original work nor a multiple.
(“Afghanistan”, Alighiero Boetti interviewed by Nicolas Bourriaud, in Documents, no. 1, October 1992)

图片文件尺寸 : 4995 x 4950px

WALEAD BESHTY: Travel Picture Meadow [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27 - April 3, 2006] *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000
2012

chromogenic print

227 by 126 cm.
89 3/8 by 49 5/8 in.

This work was executed in 2012, and is from an edition of 5.

威尔士人 Travel Picture Meadow[Tschaikowskistrasse 17多次曝光*2006年3月27日至4月3日]*Contax G-2、L-3 Communications eXminer 3DX 6000和InVision Technologies CTX 5000 2012