4541. 芥川丰久二世(丰治,1777-1835年) 三幅木版版画多时期,约1806年和1802年 高清作品[36%]

Three woodblock printsEdo period , circa 1806 and 1802

图片文件尺寸 : 4066 x 5133px

UTAGAWA TOYOKUNI II (TOYOSHIGE, 1777-1835):Three woodblock prints
Edo period (1615-1868), circa 1806 and 1802
Oban tate-e prints including two from the series Shin nishikide Inoguchi, the fist depicting a courtesan lighting a pipe from a brazier, the second depicting a beauty carrying a child on her shoulder as he plays with a toy, each signed Ichiryusai Toyoshige ga, published by Nishimuraya Yohachi, the third from an unknown series depicting a beauty holding a fan, and a landscape cartouche, signed Toyokuni ga, published by Izumiya Ichibei (3)
14 3/8 x 9 3/4in (36.5 x 24.7cm) each approximately

芥川丰久二世(丰治,1777-1835年) 三幅木版版画多时期,约1806年和1802年

4542. 路易斯·阿尔伯托·奎斯佩·阿普里西奥(Luis Alberto Quispe Aparicio)的鹰眼石英雕刻作品 无 题 高清作品[36%]

图片文件尺寸 : 4120 x 5538px

Fine Hawk\'s Eye Quartz Carving Depicting a Galloping Horse by Luis Alberto Quispe Aparicio :Carved from a single large specimen of blue tiger\'s eye, known in the mineral trade as \"hawk\'s eye\" quartz from South Africa, the rich coloration and banding distinguishing the musculature and motion of the galloping horse with three legs in the air above the grassy turf. Raised on an octagonal-form base carved of a single large specimen of black obsidian. Measuring 14 x 6 x 11in (35.6 x 15.3 x 28cm)

路易斯·阿尔伯托·奎斯佩·阿普里西奥(Luis Alberto Quispe Aparicio)的鹰眼石英雕刻作品 无 题

4543. KAJIKAWA谱系 19世纪江户时期的黑漆四箱 高清作品[36%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 5190 x 4783px

KAJIKAWA LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold and colored hiramaki-e, takamaki-e, and sumi-e togidashi maki-e against a black lacquer ground liberally sprinkled with hirame, depicting an oni (demon) fallen to the ground in shock as Shoki the Demon-Queller comes to life from a large hanging scroll painting, his two companions shown on the reverse fleeing in fear, the interior rich gold nashiji, signed Kajikawa saku (Made by Kajikawa) with a pot seal Ei; ojime stained bone
3in (7.6cm) high

KAJIKAWA谱系 19世纪江户时期的黑漆四箱

4544. 埃尔拉赫` by Johann Bernhard Fischer von Erlach 高清作品[36%]

DO-Johann Bernhard Fischer von Erlach - Meisterzeichnungen und Druckgraphik bis 1900
图片文件像素:4600 x 3500 px

埃尔拉赫-

-

(Graz 1656-1723 Wien)"Entwurff einer historischen Architektur, In Abbildung unterschiedener berühmten Gebäude, des Althertums und fremder Völcker...", Gesamtausgabe, 5 Teile in einem Band, 2. Leipziger Ausgabe 1742, mit dem gestochenen Titelblatt (identisch mit dem Titelblatt der 1. Leipziger Ausgabe 1725), der gestochenen Widmung an Karl VI., jedoch ohne das kaiserliche Privileg, Vorwort und Beschreibungen in Französisch, typographischer Text unterhalb der Tafeln in Deutsch-Französisch, Kupfertafeln von J. A. Delsenbach, B. Kneckel, J. U. Kraus nach J. B. Fischer von Erlach, 22 Kupfertafeln aus anderen Ausgaben beigebunden, Blattgröße des Albums 40 x 50 cm, Bildausschnitt ca. 30 x 42 cm, Nebehay/Wagner I, 176, Drucke gebräunt und teilweise stark fleckig, Randeinrisse, Fehlstellen und Eckabrisse, in Original-Einband (stark beschädigt, Ecken bestoßen), (Sch)

4545. 古斯塔夫·鲍曼 工艺,1930年13 x 12 7/8英寸纸张16 1/8 x 14 7/16英寸框架21 x 21 1/2英寸 高清作品[36%]

Processional, , 1930  13 x 12 7/8in  sheet 16 1/8 x 14 7/16in framed 21 x 21 1/2in

图片文件尺寸 : 4889 x 4887px

Gustave Baumann: Processional, (Chamberlain 136), 1930
Woodcut in colors with aluminum leaf, on Zanders laid paper, signed in pencil, titled, and numbered \'III 79/125\', from the third (final) edition printed in 1951, with the artist\'s Hand-in-Heart inkstamp, with margins, in an original Baumann frame.
13 x 12 7/8in
sheet 16 1/8 x 14 7/16in

framed 21 x 21 1/2in

古斯塔夫·鲍曼 工艺,1930年13 x 12 7/8英寸纸张16 1/8 x 14 7/16英寸框架21 x 21 1/2英寸

4546. 八月日 裸体女性坐着,小模特也说“小动作研究”30.2厘米高 高清作品[36%]

Nu féminin assis, petit modèle dit aussi \'Petite étude de mouvement\' 30.2cm . high

图片文件尺寸 : 4294 x 4781px

AUGUSTE RODIN:Nu féminin assis, petit modèle dit aussi \'Petite étude de mouvement\'
signed \'A. Rodin\' (to the front), inscribed \'© by Musée Rodin 1962\' (on the rim), inscribed with the foundry mark \'Georges Rudier Fondeur Paris\' (on the reverse), imprinted with the Musée Rodin reference number \'619\' (on the reverse) and stamped with the raised signature \'A. Rodin\' (on the inside)
bronze with black-green patina
30.2cm (11 7/8 in). high
Conceived circa 1885, this bronze version cast by the Georges Rudier Foundry in 1962 in an edition of 11.

八月日 裸体女性坐着,小模特也说“小动作研究”30.2厘米高

4547. 香港和中国-照片全景 MEE CHEUNG。”5日拍摄的香港港全景。1922年2月,海员罢工期间,[c.1902]20世纪初的中国城市全景,马尼拉和中国的50张彩色照片,相册等 高清作品[35%]

MEE CHEUNG. \'Panorama of the Hong Kong Harbour Taken on the 5th. Feb. 1922 during the Seamen\'s Strike\', [c.1902]; and an early twentieth century panorama of a Chinese city, 50 tinted photos of Manila and China, albums, and others

图片文件尺寸 : 4307 x 5055px

HONG KONG AND CHINA - PHOTO PANORAMAS:

香港和中国-照片全景 MEE CHEUNG。”5日拍摄的香港港全景。1922年2月,海员罢工期间,[c.1902]20世纪初的中国城市全景,马尼拉和中国的50张彩色照片,相册等

4548. 扎恩灰色的钓鱼线轴。 Pflueger…Oceanic Free线轴表面铸造卷筒, 高清作品[35%]

Pflueger ... Oceanic Free Spool Surf Casting Reel,

图片文件尺寸 : 4351 x 5993px

A ZANE GREY FISHING REEL.:Pflueger ... Oceanic Free Spool Surf Casting Reel, 135 x 115 (dia) mm, stamped \"400,\" patented 1920s, housed in fitted leather case blindstamped \"Mills\" and stenciled \"Z.G.\" in red ink to lid.
Provenance: estate of Zane Grey; purchased by the owner from Houle Rare Gallery, 1990s.

Author and adventurer Zane Grey was also an avid fisherman, and today his best-remembered writings record his experiences fishing around the globe in both fresh- and saltwater bodies. Like any avid fisherman, Grey had a large collection of rods and reels which were sold off over the years by his heirs. Though he is often associated with the Hardy brand, he also used Pflueger, another popular purveyor of the early 20th century.

扎恩灰色的钓鱼线轴。 Pflueger…Oceanic Free线轴表面铸造卷筒,

4549. 克里斯托(Javacheff Christo,当代艺术I 高清作品[35%]

DO-Christo  (Javacheff Christo) - 现代艺术 I
图片文件像素:6353 x 5789 px

克里斯托(Javacheff Christo,当代艺术I-

Christo * (Javacheff Christo) - Zeitgenössische Kunst I-

(Gabrovo, Bulgaria 1935–2020 New York)
Wrapped Snoopy House (Collage), 2004, signed, dated Christo 2004, cloth, threads, charcoal, pencil, color crayon, paint and adhesive tape on cardboard, 61.2 x 55 cm,
framed under plexiglass

The wrapped Snoopy House is registered in the Christo and Jeanne-Claude Archives, New York.

We are grateful to Jonathan Henery, Christo and Jeanne-Claude Archives, New York, for his scientific support in cataloguing the work.

Provenance:
Studio of the artist
Collection of the printer and fabricator Jack Lemon, Chicago
Private collection, 德国y

Literature:
This work is the prototype for the multiple, published by Schulz Museum, Santa Rosa, California see: Matthias Koddenberg, Jörg Schellmann: Christo and Jeanne-Claude: Prints and Objects. Catalogue Raisonné, p. 213, no 188

Charles M. Schulz (1922-2000) was the cartoonist of the globally successful comic series \"Peanuts\". The 美国 author and illustrator portrayed 美国 suburban life from the perspective of a group of children in the daily comic strips, which ran for decades. Peanuts was special in that it combined pointed wit with philosophical reflection.

Most of the comic strips focus on the main characters Charlie Brown and his dog Snoopy. Snoopy, the white dog with the black floppy ears, is now considered an integral part of our popular culture.
Snoopy lives in a kennel in Charlie Brown\'s garden. There, the beagle spends most of his time lying lazily on the roof of his hut, the so-called Snoopy Dog House, pondering his philosophical thoughts while waiting for his next meal.

In 1975, Charles M. Schulz met the packaging artists Jeanne-Claude and Christo at a discussion group in Colorado. The cartoonist then paid tribute to the artist couple by creating a Peanuts comic strip in 1978 in which Christo wraps Snoopy‘s House in fabric. In the comic strip, Snoopy wonders what Christo will cover next and finds his house wrapped at the end of the sequence. Christo returned the cartoonist\'s compliment by turning the comic image into reality decades later, designing a life-size, three-dimensional doghouse for the Charles M. Schulz Museum and wrapping it in tarpaulin, polyethylene and rope.
The work offered here is an original collage with real fabric wrapping, created by Christo in 1994 as a prototype for the later multiple. The multiple is number 188 in the catalogue raisonné.
This original work came from the estate of printer Jack Lemon, who founded his life\'s work, the Landfall Press, in Chicago in 1970. Lemon and his team printed lithographs by Christo, Philip Pearlstein and Sol LeWitt, among others.

4550. ChristoJeanne Claude之后 河上,科罗拉多州项目,阿肯色河,俯视图河上,科罗拉多州项目,阿肯色河,从下面看 高清作品[35%]

Over The River, Project for Colorado, The Arkansas River, seen from above; Over The River, Project for Colorado, The Arkansas River, seen from underneath

图片文件尺寸 : 3989 x 5999px

After Christo Jeanne-Claude:Over The River, Project for Colorado, The Arkansas River, seen from above; Over The River, Project for Colorado, The Arkansas River, seen from underneath
Two offset lithographs printed in colours, 1992, on smooth wove, each signed in pencil, from the edition of an unknown size, published by Schumacher Edition Fils, Düsseldorf, each with margins, 507 x 760mm (19 7/8 x 29 7/8in)(and similar)(SH)(unframed)(2)

ChristoJeanne Claude之后 河上,科罗拉多州项目,阿肯色河,俯视图河上,科罗拉多州项目,阿肯色河,从下面看

anning油画图片- 高清anning绘画作品- 代表作全集 中艺名画下载


4541. 芥川丰久二世(丰治,1777-1835年) 三幅木版版画多时期,约1806年和1802年 高清作品[36%]

Three woodblock printsEdo period , circa 1806 and 1802

图片文件尺寸 : 4066 x 5133px

UTAGAWA TOYOKUNI II (TOYOSHIGE, 1777-1835):Three woodblock prints
Edo period (1615-1868), circa 1806 and 1802
Oban tate-e prints including two from the series Shin nishikide Inoguchi, the fist depicting a courtesan lighting a pipe from a brazier, the second depicting a beauty carrying a child on her shoulder as he plays with a toy, each signed Ichiryusai Toyoshige ga, published by Nishimuraya Yohachi, the third from an unknown series depicting a beauty holding a fan, and a landscape cartouche, signed Toyokuni ga, published by Izumiya Ichibei (3)
14 3/8 x 9 3/4in (36.5 x 24.7cm) each approximately

芥川丰久二世(丰治,1777-1835年) 三幅木版版画多时期,约1806年和1802年

4542. 路易斯·阿尔伯托·奎斯佩·阿普里西奥(Luis Alberto Quispe Aparicio)的鹰眼石英雕刻作品 无 题 高清作品[36%]

图片文件尺寸 : 4120 x 5538px

Fine Hawk\'s Eye Quartz Carving Depicting a Galloping Horse by Luis Alberto Quispe Aparicio :Carved from a single large specimen of blue tiger\'s eye, known in the mineral trade as \"hawk\'s eye\" quartz from South Africa, the rich coloration and banding distinguishing the musculature and motion of the galloping horse with three legs in the air above the grassy turf. Raised on an octagonal-form base carved of a single large specimen of black obsidian. Measuring 14 x 6 x 11in (35.6 x 15.3 x 28cm)

路易斯·阿尔伯托·奎斯佩·阿普里西奥(Luis Alberto Quispe Aparicio)的鹰眼石英雕刻作品 无 题

4543. KAJIKAWA谱系 19世纪江户时期的黑漆四箱 高清作品[36%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 5190 x 4783px

KAJIKAWA LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold and colored hiramaki-e, takamaki-e, and sumi-e togidashi maki-e against a black lacquer ground liberally sprinkled with hirame, depicting an oni (demon) fallen to the ground in shock as Shoki the Demon-Queller comes to life from a large hanging scroll painting, his two companions shown on the reverse fleeing in fear, the interior rich gold nashiji, signed Kajikawa saku (Made by Kajikawa) with a pot seal Ei; ojime stained bone
3in (7.6cm) high

KAJIKAWA谱系 19世纪江户时期的黑漆四箱

4544. 埃尔拉赫` by Johann Bernhard Fischer von Erlach 高清作品[36%]

DO-Johann Bernhard Fischer von Erlach - Meisterzeichnungen und Druckgraphik bis 1900
图片文件像素:4600 x 3500 px

埃尔拉赫-

-

(Graz 1656-1723 Wien)"Entwurff einer historischen Architektur, In Abbildung unterschiedener berühmten Gebäude, des Althertums und fremder Völcker...", Gesamtausgabe, 5 Teile in einem Band, 2. Leipziger Ausgabe 1742, mit dem gestochenen Titelblatt (identisch mit dem Titelblatt der 1. Leipziger Ausgabe 1725), der gestochenen Widmung an Karl VI., jedoch ohne das kaiserliche Privileg, Vorwort und Beschreibungen in Französisch, typographischer Text unterhalb der Tafeln in Deutsch-Französisch, Kupfertafeln von J. A. Delsenbach, B. Kneckel, J. U. Kraus nach J. B. Fischer von Erlach, 22 Kupfertafeln aus anderen Ausgaben beigebunden, Blattgröße des Albums 40 x 50 cm, Bildausschnitt ca. 30 x 42 cm, Nebehay/Wagner I, 176, Drucke gebräunt und teilweise stark fleckig, Randeinrisse, Fehlstellen und Eckabrisse, in Original-Einband (stark beschädigt, Ecken bestoßen), (Sch)

4545. 古斯塔夫·鲍曼 工艺,1930年13 x 12 7/8英寸纸张16 1/8 x 14 7/16英寸框架21 x 21 1/2英寸 高清作品[36%]

Processional, , 1930  13 x 12 7/8in  sheet 16 1/8 x 14 7/16in framed 21 x 21 1/2in

图片文件尺寸 : 4889 x 4887px

Gustave Baumann: Processional, (Chamberlain 136), 1930
Woodcut in colors with aluminum leaf, on Zanders laid paper, signed in pencil, titled, and numbered \'III 79/125\', from the third (final) edition printed in 1951, with the artist\'s Hand-in-Heart inkstamp, with margins, in an original Baumann frame.
13 x 12 7/8in
sheet 16 1/8 x 14 7/16in

framed 21 x 21 1/2in

古斯塔夫·鲍曼 工艺,1930年13 x 12 7/8英寸纸张16 1/8 x 14 7/16英寸框架21 x 21 1/2英寸

4546. 八月日 裸体女性坐着,小模特也说“小动作研究”30.2厘米高 高清作品[36%]

Nu féminin assis, petit modèle dit aussi \'Petite étude de mouvement\' 30.2cm . high

图片文件尺寸 : 4294 x 4781px

AUGUSTE RODIN:Nu féminin assis, petit modèle dit aussi \'Petite étude de mouvement\'
signed \'A. Rodin\' (to the front), inscribed \'© by Musée Rodin 1962\' (on the rim), inscribed with the foundry mark \'Georges Rudier Fondeur Paris\' (on the reverse), imprinted with the Musée Rodin reference number \'619\' (on the reverse) and stamped with the raised signature \'A. Rodin\' (on the inside)
bronze with black-green patina
30.2cm (11 7/8 in). high
Conceived circa 1885, this bronze version cast by the Georges Rudier Foundry in 1962 in an edition of 11.

八月日 裸体女性坐着,小模特也说“小动作研究”30.2厘米高

4547. 香港和中国-照片全景 MEE CHEUNG。”5日拍摄的香港港全景。1922年2月,海员罢工期间,[c.1902]20世纪初的中国城市全景,马尼拉和中国的50张彩色照片,相册等 高清作品[35%]

MEE CHEUNG. \'Panorama of the Hong Kong Harbour Taken on the 5th. Feb. 1922 during the Seamen\'s Strike\', [c.1902]; and an early twentieth century panorama of a Chinese city, 50 tinted photos of Manila and China, albums, and others

图片文件尺寸 : 4307 x 5055px

HONG KONG AND CHINA - PHOTO PANORAMAS:

香港和中国-照片全景 MEE CHEUNG。”5日拍摄的香港港全景。1922年2月,海员罢工期间,[c.1902]20世纪初的中国城市全景,马尼拉和中国的50张彩色照片,相册等

4548. 扎恩灰色的钓鱼线轴。 Pflueger…Oceanic Free线轴表面铸造卷筒, 高清作品[35%]

Pflueger ... Oceanic Free Spool Surf Casting Reel,

图片文件尺寸 : 4351 x 5993px

A ZANE GREY FISHING REEL.:Pflueger ... Oceanic Free Spool Surf Casting Reel, 135 x 115 (dia) mm, stamped \"400,\" patented 1920s, housed in fitted leather case blindstamped \"Mills\" and stenciled \"Z.G.\" in red ink to lid.
Provenance: estate of Zane Grey; purchased by the owner from Houle Rare Gallery, 1990s.

Author and adventurer Zane Grey was also an avid fisherman, and today his best-remembered writings record his experiences fishing around the globe in both fresh- and saltwater bodies. Like any avid fisherman, Grey had a large collection of rods and reels which were sold off over the years by his heirs. Though he is often associated with the Hardy brand, he also used Pflueger, another popular purveyor of the early 20th century.

扎恩灰色的钓鱼线轴。 Pflueger…Oceanic Free线轴表面铸造卷筒,

4549. 克里斯托(Javacheff Christo,当代艺术I 高清作品[35%]

DO-Christo  (Javacheff Christo) - 现代艺术 I
图片文件像素:6353 x 5789 px

克里斯托(Javacheff Christo,当代艺术I-

Christo * (Javacheff Christo) - Zeitgenössische Kunst I-

(Gabrovo, Bulgaria 1935–2020 New York)
Wrapped Snoopy House (Collage), 2004, signed, dated Christo 2004, cloth, threads, charcoal, pencil, color crayon, paint and adhesive tape on cardboard, 61.2 x 55 cm,
framed under plexiglass

The wrapped Snoopy House is registered in the Christo and Jeanne-Claude Archives, New York.

We are grateful to Jonathan Henery, Christo and Jeanne-Claude Archives, New York, for his scientific support in cataloguing the work.

Provenance:
Studio of the artist
Collection of the printer and fabricator Jack Lemon, Chicago
Private collection, 德国y

Literature:
This work is the prototype for the multiple, published by Schulz Museum, Santa Rosa, California see: Matthias Koddenberg, Jörg Schellmann: Christo and Jeanne-Claude: Prints and Objects. Catalogue Raisonné, p. 213, no 188

Charles M. Schulz (1922-2000) was the cartoonist of the globally successful comic series \"Peanuts\". The 美国 author and illustrator portrayed 美国 suburban life from the perspective of a group of children in the daily comic strips, which ran for decades. Peanuts was special in that it combined pointed wit with philosophical reflection.

Most of the comic strips focus on the main characters Charlie Brown and his dog Snoopy. Snoopy, the white dog with the black floppy ears, is now considered an integral part of our popular culture.
Snoopy lives in a kennel in Charlie Brown\'s garden. There, the beagle spends most of his time lying lazily on the roof of his hut, the so-called Snoopy Dog House, pondering his philosophical thoughts while waiting for his next meal.

In 1975, Charles M. Schulz met the packaging artists Jeanne-Claude and Christo at a discussion group in Colorado. The cartoonist then paid tribute to the artist couple by creating a Peanuts comic strip in 1978 in which Christo wraps Snoopy‘s House in fabric. In the comic strip, Snoopy wonders what Christo will cover next and finds his house wrapped at the end of the sequence. Christo returned the cartoonist\'s compliment by turning the comic image into reality decades later, designing a life-size, three-dimensional doghouse for the Charles M. Schulz Museum and wrapping it in tarpaulin, polyethylene and rope.
The work offered here is an original collage with real fabric wrapping, created by Christo in 1994 as a prototype for the later multiple. The multiple is number 188 in the catalogue raisonné.
This original work came from the estate of printer Jack Lemon, who founded his life\'s work, the Landfall Press, in Chicago in 1970. Lemon and his team printed lithographs by Christo, Philip Pearlstein and Sol LeWitt, among others.

4550. ChristoJeanne Claude之后 河上,科罗拉多州项目,阿肯色河,俯视图河上,科罗拉多州项目,阿肯色河,从下面看 高清作品[35%]

Over The River, Project for Colorado, The Arkansas River, seen from above; Over The River, Project for Colorado, The Arkansas River, seen from underneath

图片文件尺寸 : 3989 x 5999px

After Christo Jeanne-Claude:Over The River, Project for Colorado, The Arkansas River, seen from above; Over The River, Project for Colorado, The Arkansas River, seen from underneath
Two offset lithographs printed in colours, 1992, on smooth wove, each signed in pencil, from the edition of an unknown size, published by Schumacher Edition Fils, Düsseldorf, each with margins, 507 x 760mm (19 7/8 x 29 7/8in)(and similar)(SH)(unframed)(2)

ChristoJeanne Claude之后 河上,科罗拉多州项目,阿肯色河,俯视图河上,科罗拉多州项目,阿肯色河,从下面看