图片文件尺寸 : 5055 x 5879px
George Phippen:On Company Time
signed with the artist\'s device and dated \'Geo Phippen / 56\' (lower right) and signed again, titled and numbered \'#2\' on an artist\'s painted label (on the reverse), titled and numbered again \'No. 12\' on the original cardboard backing (on the reverse)
gouache and pencil on cream paperboard
sight 13 1/2 x 15 1/2 in.
framed 19 3/4 x 22 in.
乔治·菲彭 时间瞄准镜13 1/2 x 15 1/2英寸。框架19 3/4 x 22英寸。
图片文件尺寸 : 4242 x 4132px
Salvador Dalí:Imaginations and Objects of the Future (10 works) (Field 75-11A-J; Michler/Lopsinger 822-851), 1975-76
The complete portfolio comprising of 10 etchings with lithograph and screenprint in colors (6 with collage), on wove paper, with text in English (there was also an edition of 250 with text in French), each signed in pencil and numbered 164/250, published by Merrill Chase, Chicago, lithography by Desjoubert, Paris, etching by Ateliers Rigal, Paris, screenprint by Chicago Serigraphy Workshop, Chicago, with six text folders (lacking four) and lacking the wooden portfolio box, each with full margins. (10 works)
each 30 3/8 x 22in (77 x 56cm)
each sheet 34 1/4 x 26 3/4in (87 x 68cm)
萨尔瓦多·达利 未来的想象和目标
图片文件尺寸 : 4308 x 4789px
Karel Appel:Bedized Pudding, Canadian Suite (6 works), 1979
The complete suite of 6 mixed media prints with embossing in color on Arches paper, each signed in pencil, each dated and each numbered AP VII/ XXV (aside from an edition of 130), with the blindstamp of the publisher Editions Canada, London, Ontario, each with full margins, housed in the original screenprinted fabric-covered portfolio.
Titles Include: Lying in Red; The Falling Face; Purple Owl; Face; Sound; The Soft Oriental (6 works)
each 30 5/8 x 20 7/8in (77.8 x 53cm)
each sheet 35 x 26in (88.9 x 66cm)
卡雷尔.阿佩尔 床上用品布丁，加拿大套房
图片文件尺寸 : 5015 x 4961px
Roy Lichtenstein:Sweet Dreams Baby!, from 11 Pop Artists Portfolio, Vol. III (Corlett 39), 1965
Screenprint in colors on heavy, smooth white wove paper, signed in pencil, an unnumbered proof (aside from the edition of 200, there were also 50 Roman numeral proofs), published/printed by Original Editions/Knickerbocker Machine and Foundry, Inc., New York/ Dawa Basaneow, with full margins.
35 5/8 x 25 5/8in (90.6 x 65cm)
sheet 37 1/2 x 25 5/8in (98.4 x 70cm)
罗伊·利希滕斯坦 甜蜜的梦想宝贝！，来自11位流行艺术家作品集，第三卷
图片文件尺寸 : 4733 x 6016px
AN INLAID BRONZE INCENSE BURNER :Meiji era (1868-1912), late 19th century
Cast in bronze and chiseled on the surface and decorated in copper, gilt and silver-gilt, the cylindrical vessel set on six beast-mask feet and decorated on the body with tenjin (apsara) in flight among clouds in bold relief bordered by a band of stylized phoenix alternating with leafy vines, and dragon and cloud roundels below, the vessel applied with dragon handles, the domed cover decorated with a lappet band encircling a stylized bats in clouds on a ground of archaistic Chinese animal forms and applied with a large coiling dragon, the interior with a copper liner
16 1/2in (41.9cm) high
镶嵌的青铜香炉 明治时代，19世纪晚期
图片文件尺寸 : 5190 x 3915px
Theodore Wores:
The Wildflowers of the Sand Dunes, San Francisco
signed \'Theodore Wores\' (lower right) and titled (on the stretcher bar), signed and titled again on an artist label (on the stretcher bar)
oil on canvas
12 x 16 1/4in
framed 19 3/8 x 23 1/4in
西奥多·沃尔斯 旧金山沙丘野花12 x 16 1/4英寸镜框19 3/8 x 23 1/4英寸
图片文件尺寸 : 5443 x 4888px
TSUKIOKA YOSHITOSHI (1839-1892):A complete set of the series Tsuki hyakushi (One Hundred Aspects of the Moon)
Meiji era (1868-1912), 1885-1895
A set of 100 oban tate-e prints from the above-mentioned series, showing no signs of having been bound as an album, depicting scenes from Japanese and Chinese history, legends, and literature, together with a memorial portrait of Yoshitoshi by his student Toshikage, and the double-page table of contents, some with blind printing and mica, published by Akiyama Bunzaemon between 1885 and 1892; each with the artist\'s signature and various seals (103)
14 5/8 x 9 7/8in (37.1 x 25.1cm) each
筑冈义雄（1839-1892） 明治时代，1885-1895年
图片文件像素：4450 x 5618 px
古斯塔夫·克里姆特-现代-
Gustav Klimt - Moderne-
(Wien 1862–1918)
Sitzender Männerakt mit erhobenem linkem Knie, ca. 1880, in der linken Ecke mit der Nr. 118 bezeichnet, Bleistift auf Papier, 41 x 28,3 cm, Erhaltungsmängel, u. a. Knick in der Ecke links unten
Marian Bisanz-Prakken hat das Werk im Original untersucht und wird es in den Nachtrag zu (V) Gustav Klimt, Die Zeichnungen, von Alice Strobl, Albertina-Werkverzeichnis, Wien, aufnehmen.
Provenienz:
Sammlung Franziska Klimt geb. Prachersdorfer (1873-1943), Wien
im Erbgang an ihre Nichte Helene Sabor (1911-1998), Wien
deren Erben – Privatsammlung, Wien.
Franziska Klimt, Ehefrau des Bruders von Gustav Klimt, Georg Klimt (1867-1931).
Wir danken Frau Dr. Marian Bisanz-Prakken.
Leihrahmen
图片文件尺寸 : 4782 x 5701px
Max Beckmann:Tanzende, pl. 2, from Die zweite Ganymed-Mappe (Gallwitz 197, Hofmaier 228), 1922
Woodcut on cream laid paper, signed in pencil, from the edition of 300 (there were also a few trial proofs and an unsigned edition of 2370), published/printed by Verlag der Marées-Gesellschaft, R. Piper Co./Dr. C. Wolf Sohn, Munich, with full margins, framed.
7 1/16 x 4 1/16in (17.9 x 10.3cm)
sheet 11 3/8 x 8 3/8in (28.9 x 21.3cm)
马克斯·贝克曼 跳舞，第2页，来自第二木卫三文件夹
图片文件尺寸 : 5039 x 5619px
Pablo Picasso:A Los Toros avec Picasso by Jaime Sabartés (Bloch 1014-17, Cramer bk. 113), 1961
The complete book, comprising 4 transfer lithographs (B. 1017 in colors) on wove paper, and 109 reproduction lithographs on smooth paper, from an edition of unknown size, with title page, colophon and text in English, published/printed by André Sauret, Monte-Carlo/Mourlot, Paris, with full margins, bound as issued, contained in original red cloth covered boards with dust jacket.
album 13 x 10 x 1in (33 x 25.4 2.6cm)
巴勃罗·毕加索 杰米·萨巴雷斯与毕加索的《洛斯托罗斯》
图片文件尺寸 : 5055 x 5879px
George Phippen:On Company Time
signed with the artist\'s device and dated \'Geo Phippen / 56\' (lower right) and signed again, titled and numbered \'#2\' on an artist\'s painted label (on the reverse), titled and numbered again \'No. 12\' on the original cardboard backing (on the reverse)
gouache and pencil on cream paperboard
sight 13 1/2 x 15 1/2 in.
framed 19 3/4 x 22 in.
乔治·菲彭 时间瞄准镜13 1/2 x 15 1/2英寸。框架19 3/4 x 22英寸。
图片文件尺寸 : 4242 x 4132px
Salvador Dalí:Imaginations and Objects of the Future (10 works) (Field 75-11A-J; Michler/Lopsinger 822-851), 1975-76
The complete portfolio comprising of 10 etchings with lithograph and screenprint in colors (6 with collage), on wove paper, with text in English (there was also an edition of 250 with text in French), each signed in pencil and numbered 164/250, published by Merrill Chase, Chicago, lithography by Desjoubert, Paris, etching by Ateliers Rigal, Paris, screenprint by Chicago Serigraphy Workshop, Chicago, with six text folders (lacking four) and lacking the wooden portfolio box, each with full margins. (10 works)
each 30 3/8 x 22in (77 x 56cm)
each sheet 34 1/4 x 26 3/4in (87 x 68cm)
萨尔瓦多·达利 未来的想象和目标
图片文件尺寸 : 4308 x 4789px
Karel Appel:Bedized Pudding, Canadian Suite (6 works), 1979
The complete suite of 6 mixed media prints with embossing in color on Arches paper, each signed in pencil, each dated and each numbered AP VII/ XXV (aside from an edition of 130), with the blindstamp of the publisher Editions Canada, London, Ontario, each with full margins, housed in the original screenprinted fabric-covered portfolio.
Titles Include: Lying in Red; The Falling Face; Purple Owl; Face; Sound; The Soft Oriental (6 works)
each 30 5/8 x 20 7/8in (77.8 x 53cm)
each sheet 35 x 26in (88.9 x 66cm)
卡雷尔.阿佩尔 床上用品布丁，加拿大套房
图片文件尺寸 : 5015 x 4961px
Roy Lichtenstein:Sweet Dreams Baby!, from 11 Pop Artists Portfolio, Vol. III (Corlett 39), 1965
Screenprint in colors on heavy, smooth white wove paper, signed in pencil, an unnumbered proof (aside from the edition of 200, there were also 50 Roman numeral proofs), published/printed by Original Editions/Knickerbocker Machine and Foundry, Inc., New York/ Dawa Basaneow, with full margins.
35 5/8 x 25 5/8in (90.6 x 65cm)
sheet 37 1/2 x 25 5/8in (98.4 x 70cm)
罗伊·利希滕斯坦 甜蜜的梦想宝贝！，来自11位流行艺术家作品集，第三卷
图片文件尺寸 : 4733 x 6016px
AN INLAID BRONZE INCENSE BURNER :Meiji era (1868-1912), late 19th century
Cast in bronze and chiseled on the surface and decorated in copper, gilt and silver-gilt, the cylindrical vessel set on six beast-mask feet and decorated on the body with tenjin (apsara) in flight among clouds in bold relief bordered by a band of stylized phoenix alternating with leafy vines, and dragon and cloud roundels below, the vessel applied with dragon handles, the domed cover decorated with a lappet band encircling a stylized bats in clouds on a ground of archaistic Chinese animal forms and applied with a large coiling dragon, the interior with a copper liner
16 1/2in (41.9cm) high
镶嵌的青铜香炉 明治时代，19世纪晚期
图片文件尺寸 : 5190 x 3915px
Theodore Wores:
The Wildflowers of the Sand Dunes, San Francisco
signed \'Theodore Wores\' (lower right) and titled (on the stretcher bar), signed and titled again on an artist label (on the stretcher bar)
oil on canvas
12 x 16 1/4in
framed 19 3/8 x 23 1/4in
西奥多·沃尔斯 旧金山沙丘野花12 x 16 1/4英寸镜框19 3/8 x 23 1/4英寸
图片文件尺寸 : 5443 x 4888px
TSUKIOKA YOSHITOSHI (1839-1892):A complete set of the series Tsuki hyakushi (One Hundred Aspects of the Moon)
Meiji era (1868-1912), 1885-1895
A set of 100 oban tate-e prints from the above-mentioned series, showing no signs of having been bound as an album, depicting scenes from Japanese and Chinese history, legends, and literature, together with a memorial portrait of Yoshitoshi by his student Toshikage, and the double-page table of contents, some with blind printing and mica, published by Akiyama Bunzaemon between 1885 and 1892; each with the artist\'s signature and various seals (103)
14 5/8 x 9 7/8in (37.1 x 25.1cm) each
筑冈义雄（1839-1892） 明治时代，1885-1895年
图片文件像素：4450 x 5618 px
古斯塔夫·克里姆特-现代-
Gustav Klimt - Moderne-
(Wien 1862–1918)
Sitzender Männerakt mit erhobenem linkem Knie, ca. 1880, in der linken Ecke mit der Nr. 118 bezeichnet, Bleistift auf Papier, 41 x 28,3 cm, Erhaltungsmängel, u. a. Knick in der Ecke links unten
Marian Bisanz-Prakken hat das Werk im Original untersucht und wird es in den Nachtrag zu (V) Gustav Klimt, Die Zeichnungen, von Alice Strobl, Albertina-Werkverzeichnis, Wien, aufnehmen.
Provenienz:
Sammlung Franziska Klimt geb. Prachersdorfer (1873-1943), Wien
im Erbgang an ihre Nichte Helene Sabor (1911-1998), Wien
deren Erben – Privatsammlung, Wien.
Franziska Klimt, Ehefrau des Bruders von Gustav Klimt, Georg Klimt (1867-1931).
Wir danken Frau Dr. Marian Bisanz-Prakken.
Leihrahmen
图片文件尺寸 : 4782 x 5701px
Max Beckmann:Tanzende, pl. 2, from Die zweite Ganymed-Mappe (Gallwitz 197, Hofmaier 228), 1922
Woodcut on cream laid paper, signed in pencil, from the edition of 300 (there were also a few trial proofs and an unsigned edition of 2370), published/printed by Verlag der Marées-Gesellschaft, R. Piper Co./Dr. C. Wolf Sohn, Munich, with full margins, framed.
7 1/16 x 4 1/16in (17.9 x 10.3cm)
sheet 11 3/8 x 8 3/8in (28.9 x 21.3cm)
马克斯·贝克曼 跳舞，第2页，来自第二木卫三文件夹
图片文件尺寸 : 5039 x 5619px
Pablo Picasso:A Los Toros avec Picasso by Jaime Sabartés (Bloch 1014-17, Cramer bk. 113), 1961
The complete book, comprising 4 transfer lithographs (B. 1017 in colors) on wove paper, and 109 reproduction lithographs on smooth paper, from an edition of unknown size, with title page, colophon and text in English, published/printed by André Sauret, Monte-Carlo/Mourlot, Paris, with full margins, bound as issued, contained in original red cloth covered boards with dust jacket.
album 13 x 10 x 1in (33 x 25.4 2.6cm)
巴勃罗·毕加索 杰米·萨巴雷斯与毕加索的《洛斯托罗斯》