4461. 阿尔纳尔多·波莫罗 1993-1994年沙漠玫瑰形式的圆盘 高清作品[39%]

Disco in forma di rosa del deserto 1993-1994

图片文件尺寸 : 4023 x 4829px

ARNALDO POMODORO: Disco in forma di rosa del deserto
1993-1994

bronze with gold patina
incised with artist\'s signature, dated 93/94 and numbered 2/6 on the base

sculpture: 27 by 24 by 5 in. (68.6 by 61 by 12.7 cm.)
base: 2 3/4 by 19 7/8 by 19 7/8 in. (7 by 50.5 by 50.5 cm.)

This work is number 2 from an edition of 6 and is registered in the Archivio Arnaldo Pomodoro, Milan, under number 679.

阿尔纳尔多·波莫罗 1993-1994年沙漠玫瑰形式的圆盘

4462. “一家优雅的,传统上被认为是雅各布·约翰内斯·克里默斯的婚礼,所有人都坐在巴尔塔萨尔·贝谢的露台上演奏音乐 高清作品[39%]

An elegant company, traditionally identified as the wedding of Jacob Johannes Cremers, all seated and making music on a terrace-

图片文件尺寸 : 3941 x 2860px

“一家优雅的,传统上被认为是雅各布·约翰内斯·克里默斯的婚礼,所有人都坐在巴尔塔萨尔·贝谢的露台上演奏音乐-Balthasar Beschey

一家优雅的,传统上被认为是雅各布·约翰内斯·克里默斯的婚礼,所有人都坐在露台上演奏音乐--Balthasar Beschey (Flemish, 1708-1776)

4463. 巴勃罗·毕加索 雕塑家,模型和坐姿雕塑,来自Vollard套房 高清作品[39%]

Sculpteur, modèle et sculpture assise , from La suite Vollard

图片文件尺寸 : 4900 x 4594px

Pablo Picasso:Sculpteur, modèle et sculpture assise (Sculptor, model and seated sculpture), from La suite Vollard (Bloch 146), 1933
Drypoint on Montval paper, watermarked Picasso, signed in pencil, from the edition of 260 (there was also an edition of 50 with wide margins), published/printed by Vollard/Lacourière, Paris, with full margins.
12 1/2 x 7 1/4in (31.8 x 18.5cm)
sheet 17 1/2 x 13 3/8in (44.9 x 33.9cm)

巴勃罗·毕加索 雕塑家,模型和坐姿雕塑,来自Vollard套房

4464. 还有Flavin 对于单壁圆形荧光灯 高清作品[39%]

for one walled circular fluorescent light

图片文件尺寸 : 5473 x 4529px

Dan Flavin: for one walled circular fluorescent light (to Heiner Friedrich) (5 works), 1974
The complete suite of 5 lithographs on Rives BFK paper, each signed in pencil, titled for circular fluorescent light of one wall, dated and annotated an artist\'s proof and 1, 2, 3 and a respectively (aside from the numbered edition of 35), published by Multiples Inc., and Castelli Graphics, New York, with the blind stamp of the printer Styria Studio, New York, with full margins. (5 works)
various sizes
each sheet 22 1/8 x 30in (56.1 x 76.1cm)

还有Flavin 对于单壁圆形荧光灯

4465. 安德烈亚·普罗卡奇尼(Andrea Proccaccini)的《一位教皇坐上宝座,身边有一位拿着书的天使和圣迈克尔杀害土耳其人》 高清作品[39%]

A pope enthroned and flanked-

图片文件尺寸 : 2649 x 3879px

安德烈亚·普罗卡奇尼(Andrea Proccaccini)的《一位教皇坐上宝座,身边有一位拿着书的天使和圣迈克尔杀害土耳其人》-an angel with a book and St Michael slaying a Turk by Andrea Proccaccini

A pope enthroned and flanked--Andrea Proccaccini (意大利, 1671 – 1734)

4466. 一个多色浮雕装饰的龙凤罐和盖子 乾隆标志,20世纪 高清作品[39%]

Qianlong mark, 20th century

图片文件尺寸 : 5332 x 5887px

A POLYCHROME-ENAMELED AND RELIEF-DECORATED \'DRAGON AND PHOENIX\' JAR AND COVER:Qianlong mark, 20th century
The generously proportioned globular body set over a low foot, the exterior with dragons and phoenix pursuing flaming pearls amidst floral scrolls, each element outlined in relief and painted in polychrome enamels against a marigold-yellow ground, the rim with an apocryphal six-character Qianlong mark in a horizontal line, the domed cover similarly decorated and topped by a double-gourd finial.
11 1/2in (29.2cm) diam.

一个多色浮雕装饰的龙凤罐和盖子 乾隆标志,20世纪

4467. KOGYOKUSAI 18至19世纪晚期江户时期的四箱金漆 高清作品[39%]

A gold lacquer four-case inroEdo period , late 18th/19th century

图片文件尺寸 : 3906 x 4762px

KOGYOKUSAI:A gold lacquer four-case inro
Edo period (1615-1868), late 18th/19th century
Of oval profile with applied cord-runners, decorated in gold takamaki-e, shell and pewter inlay against a gold kinji ground, depicting a court noble of the Heian period (794-1185) and an attendant resting beside a carriage among tall pine trees, the interior of nashiji, signed Kogyokusai; ojime glass
3 1/2in (8.9cm) high

KOGYOKUSAI 18至19世纪晚期江户时期的四箱金漆

4468. SHIOMI MASANARI血统 19世纪江户时代的金漆五箱 高清作品[39%]

A gold lacquer five-case inroEdo period , 19th century

图片文件尺寸 : 4169 x 4644px

SHIOMI MASANARI LINEAGE:A gold lacquer five-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in sumi-e togidashi maki-e on a kinji ground with two crows perched on the branch of an old persimmon tree, the interior of nashiji, signed Shiomi Masanari; fitted with a gold-lacquer ojime decorated with spiders spinning webs in black takamaki-e
3 1/2in (8.9cm) high

SHIOMI MASANARI血统 19世纪江户时代的金漆五箱

4470. 赫维柳斯,约翰内斯。1611-1687. 月色学:或月球描述Accurata,作为他的Macularum,被添加进来,慢慢地表达了新的比例。但泽:Andreas Hünefeld,作者,1647年。 高清作品[39%]

Selenographia: sive Lunae descriptio; atque Accurata, Tam Macularum eius, addita est, lentes expoliendi nova ratio.  Danzig: Andreas Hünefeld for the author, 1647.

图片文件尺寸 : 5441 x 4214px

HEVELIUS, JOHANNES. 1611-1687. :Selenographia: sive Lunae descriptio; atque Accurata, Tam Macularum eius, addita est, lentes expoliendi nova ratio. Danzig: Andreas Hünefeld for the author, 1647.
Folio (336 x 217 mm). Half-title, engraved additional titles by Jeremias Falck after Adolf Boÿ with portraits of Alhazen and Galileo, title printed in red and black, engraved portrait of the author by Falck after Helmich von Iwenhusen the Younger, 112 engraved plates (including 2 additional plates, RRR and the solar eclipse plate) by Hevelius, some printed recto and verso, and including 3 double-page plates, plate 21 complete with volvelle and string, 26 illustrations in text. Modern morocco, edges stained blue. Some light marginal dampstaining.

FIRST EDITION OF THE FIRST EXHAUSTIVE LUNAR ATLAS, Hevelius\'s four-year observations of the surface and phases of the moon, recorded in his greatest work, accompanied by an account of his instruments and telescopes. \"No finer book on the moon has ever been published. In scores of illustrations, drawn and engraved by the author himself, Hevelius tracked the moon through every phase of an entire lunar cycle, and then incorporated the information gained into three large moon maps... the two other maps, though less often reproduced, are much more splendid examples of lunar cartography. One shows the full moon as it actually appears through the telescope—that is, with no shadows. The other is uniformly (and artificially) shadowed to show the craters as they appear at mid-morning on the moon\" (Ashworth, The Face of the Moon Linda Hall Library p 45). Brunet III:150; BYU/Hevelius 1; Cinti 120; Houzeau Lancaster 1252.

赫维柳斯,约翰内斯。1611-1687. 月色学:或月球描述Accurata,作为他的Macularum,被添加进来,慢慢地表达了新的比例。但泽:Andreas Hünefeld,作者,1647年。

anning油画图片- 高清anning绘画作品- 代表作全集 中艺名画下载


4461. 阿尔纳尔多·波莫罗 1993-1994年沙漠玫瑰形式的圆盘 高清作品[39%]

Disco in forma di rosa del deserto 1993-1994

图片文件尺寸 : 4023 x 4829px

ARNALDO POMODORO: Disco in forma di rosa del deserto
1993-1994

bronze with gold patina
incised with artist\'s signature, dated 93/94 and numbered 2/6 on the base

sculpture: 27 by 24 by 5 in. (68.6 by 61 by 12.7 cm.)
base: 2 3/4 by 19 7/8 by 19 7/8 in. (7 by 50.5 by 50.5 cm.)

This work is number 2 from an edition of 6 and is registered in the Archivio Arnaldo Pomodoro, Milan, under number 679.

阿尔纳尔多·波莫罗 1993-1994年沙漠玫瑰形式的圆盘

4462. “一家优雅的,传统上被认为是雅各布·约翰内斯·克里默斯的婚礼,所有人都坐在巴尔塔萨尔·贝谢的露台上演奏音乐 高清作品[39%]

An elegant company, traditionally identified as the wedding of Jacob Johannes Cremers, all seated and making music on a terrace-

图片文件尺寸 : 3941 x 2860px

“一家优雅的,传统上被认为是雅各布·约翰内斯·克里默斯的婚礼,所有人都坐在巴尔塔萨尔·贝谢的露台上演奏音乐-Balthasar Beschey

一家优雅的,传统上被认为是雅各布·约翰内斯·克里默斯的婚礼,所有人都坐在露台上演奏音乐--Balthasar Beschey (Flemish, 1708-1776)

4463. 巴勃罗·毕加索 雕塑家,模型和坐姿雕塑,来自Vollard套房 高清作品[39%]

Sculpteur, modèle et sculpture assise , from La suite Vollard

图片文件尺寸 : 4900 x 4594px

Pablo Picasso:Sculpteur, modèle et sculpture assise (Sculptor, model and seated sculpture), from La suite Vollard (Bloch 146), 1933
Drypoint on Montval paper, watermarked Picasso, signed in pencil, from the edition of 260 (there was also an edition of 50 with wide margins), published/printed by Vollard/Lacourière, Paris, with full margins.
12 1/2 x 7 1/4in (31.8 x 18.5cm)
sheet 17 1/2 x 13 3/8in (44.9 x 33.9cm)

巴勃罗·毕加索 雕塑家,模型和坐姿雕塑,来自Vollard套房

4464. 还有Flavin 对于单壁圆形荧光灯 高清作品[39%]

for one walled circular fluorescent light

图片文件尺寸 : 5473 x 4529px

Dan Flavin: for one walled circular fluorescent light (to Heiner Friedrich) (5 works), 1974
The complete suite of 5 lithographs on Rives BFK paper, each signed in pencil, titled for circular fluorescent light of one wall, dated and annotated an artist\'s proof and 1, 2, 3 and a respectively (aside from the numbered edition of 35), published by Multiples Inc., and Castelli Graphics, New York, with the blind stamp of the printer Styria Studio, New York, with full margins. (5 works)
various sizes
each sheet 22 1/8 x 30in (56.1 x 76.1cm)

还有Flavin 对于单壁圆形荧光灯

4465. 安德烈亚·普罗卡奇尼(Andrea Proccaccini)的《一位教皇坐上宝座,身边有一位拿着书的天使和圣迈克尔杀害土耳其人》 高清作品[39%]

A pope enthroned and flanked-

图片文件尺寸 : 2649 x 3879px

安德烈亚·普罗卡奇尼(Andrea Proccaccini)的《一位教皇坐上宝座,身边有一位拿着书的天使和圣迈克尔杀害土耳其人》-an angel with a book and St Michael slaying a Turk by Andrea Proccaccini

A pope enthroned and flanked--Andrea Proccaccini (意大利, 1671 – 1734)

4466. 一个多色浮雕装饰的龙凤罐和盖子 乾隆标志,20世纪 高清作品[39%]

Qianlong mark, 20th century

图片文件尺寸 : 5332 x 5887px

A POLYCHROME-ENAMELED AND RELIEF-DECORATED \'DRAGON AND PHOENIX\' JAR AND COVER:Qianlong mark, 20th century
The generously proportioned globular body set over a low foot, the exterior with dragons and phoenix pursuing flaming pearls amidst floral scrolls, each element outlined in relief and painted in polychrome enamels against a marigold-yellow ground, the rim with an apocryphal six-character Qianlong mark in a horizontal line, the domed cover similarly decorated and topped by a double-gourd finial.
11 1/2in (29.2cm) diam.

一个多色浮雕装饰的龙凤罐和盖子 乾隆标志,20世纪

4467. KOGYOKUSAI 18至19世纪晚期江户时期的四箱金漆 高清作品[39%]

A gold lacquer four-case inroEdo period , late 18th/19th century

图片文件尺寸 : 3906 x 4762px

KOGYOKUSAI:A gold lacquer four-case inro
Edo period (1615-1868), late 18th/19th century
Of oval profile with applied cord-runners, decorated in gold takamaki-e, shell and pewter inlay against a gold kinji ground, depicting a court noble of the Heian period (794-1185) and an attendant resting beside a carriage among tall pine trees, the interior of nashiji, signed Kogyokusai; ojime glass
3 1/2in (8.9cm) high

KOGYOKUSAI 18至19世纪晚期江户时期的四箱金漆

4468. SHIOMI MASANARI血统 19世纪江户时代的金漆五箱 高清作品[39%]

A gold lacquer five-case inroEdo period , 19th century

图片文件尺寸 : 4169 x 4644px

SHIOMI MASANARI LINEAGE:A gold lacquer five-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in sumi-e togidashi maki-e on a kinji ground with two crows perched on the branch of an old persimmon tree, the interior of nashiji, signed Shiomi Masanari; fitted with a gold-lacquer ojime decorated with spiders spinning webs in black takamaki-e
3 1/2in (8.9cm) high

SHIOMI MASANARI血统 19世纪江户时代的金漆五箱

4470. 赫维柳斯,约翰内斯。1611-1687. 月色学:或月球描述Accurata,作为他的Macularum,被添加进来,慢慢地表达了新的比例。但泽:Andreas Hünefeld,作者,1647年。 高清作品[39%]

Selenographia: sive Lunae descriptio; atque Accurata, Tam Macularum eius, addita est, lentes expoliendi nova ratio.  Danzig: Andreas Hünefeld for the author, 1647.

图片文件尺寸 : 5441 x 4214px

HEVELIUS, JOHANNES. 1611-1687. :Selenographia: sive Lunae descriptio; atque Accurata, Tam Macularum eius, addita est, lentes expoliendi nova ratio. Danzig: Andreas Hünefeld for the author, 1647.
Folio (336 x 217 mm). Half-title, engraved additional titles by Jeremias Falck after Adolf Boÿ with portraits of Alhazen and Galileo, title printed in red and black, engraved portrait of the author by Falck after Helmich von Iwenhusen the Younger, 112 engraved plates (including 2 additional plates, RRR and the solar eclipse plate) by Hevelius, some printed recto and verso, and including 3 double-page plates, plate 21 complete with volvelle and string, 26 illustrations in text. Modern morocco, edges stained blue. Some light marginal dampstaining.

FIRST EDITION OF THE FIRST EXHAUSTIVE LUNAR ATLAS, Hevelius\'s four-year observations of the surface and phases of the moon, recorded in his greatest work, accompanied by an account of his instruments and telescopes. \"No finer book on the moon has ever been published. In scores of illustrations, drawn and engraved by the author himself, Hevelius tracked the moon through every phase of an entire lunar cycle, and then incorporated the information gained into three large moon maps... the two other maps, though less often reproduced, are much more splendid examples of lunar cartography. One shows the full moon as it actually appears through the telescope—that is, with no shadows. The other is uniformly (and artificially) shadowed to show the craters as they appear at mid-morning on the moon\" (Ashworth, The Face of the Moon Linda Hall Library p 45). Brunet III:150; BYU/Hevelius 1; Cinti 120; Houzeau Lancaster 1252.

赫维柳斯,约翰内斯。1611-1687. 月色学:或月球描述Accurata,作为他的Macularum,被添加进来,慢慢地表达了新的比例。但泽:Andreas Hünefeld,作者,1647年。