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爱德华·多诺万（Edward Donovan）的《新西兰新西兰昆虫自然史的缩影》17-Edward Donovan

新西兰新荷兰昆虫自然史的缩影--Edward Donovan (英国, 1768 – 1837)

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玛莎·荣威思-

Martha Jungwirth * - Zeitgenössische Kunst I-

(born in Vienna in 1940)
Untitled (Greece), signed, dated Martha Jungwirth 2007, watercolor on handmade paper, 103 x 70 cm, framed

Provenance:
Private Collection, 德国y

“My art is like a diary, seismographic. That is my method. I completely relate to myself through it. Drawing and painting move through me, a conduit. Through my perception and gestures it becomes something else. The painting is an intelligent stain structure, it is not fixed. It is about fluidity, transparency, openness. I am not interested here in the exquisite, but the neglected, the unadorned, the uncensored.”
Martha Jungwirth, 2012

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Mary DeNeale Morgan:Garden in Carmel
signed \'M. DeNeale Morgan\' (lower right) and signed again and titled (on the reverse), titled again and numbered \'294\' on an artist\'s label (on the reverse)
oil on Masonite
24 x 24 in.
framed 30 x 30 in.

玛丽·德内尔·摩根 卡梅尔花园24 x 24英寸。框架30 x 30英寸。

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Roy Lichtenstein:Untitled, Illustration for Polemic Magazine (Corlett lll.1), 1957
Woodcut on mulberry paper, signed in pencil and annotated \'(S.82)\', a proof signed in 1982 from the unknown edition size (according to Corlett, proofs were also signed in 1979), created as an illustration for Polemic Magazine, published by Adelbert College Student Council, Western Reserve University, Cleveland, printed by Press of the Times, Oberlin, Ohio, with wide margins.
sheet 5 7/8 x 8 3/4in (14.5 x 22.2cm)

罗伊·利希滕斯坦 无标题，Polemic杂志插图

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Giuseppe Marchesi，il Sansone归因/归因-

-

(1699-1771) Vision eines Heiligen, Feder in Braun, grau laviert, weiß gehöht, auf Bütten, 40 x 29,5 cm, rückseitig in brauner Feder bezeichnet "Del Giuseppe Marchesi... Sansone" gebräunt, fleckig, an den Rändern restauriert, Passep., gerahmt,(Sch)

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马丁努斯·内利乌斯（Martinus Nellius）的《石壁上的玻璃花瓶里有李子、橘子、白菜蝴蝶和花朵的静物》-Martinus Nellius

石壁上的玻璃花瓶里有李子、橘子、白菜蝴蝶和花朵的静物--Martinus Nellius (荷兰, 1621-1719)

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Marjorie Jane Reed:San Mateo House in Moonlight
signed \'MARJORIE REED\' (lower right) and signed again and titled on an artist label (on the reverse)
oil on canvasboard
9 x 12 in.
framed 17 x 20 in.

马乔丽·简·里德 月光下的圣马特奥之家9 x 12英寸。框架17 x 20英寸。

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Nathan Oliveira:Plate 8, from Copper Plate Nudes II, 2001
Aquatint in colors on Somerset paper, signed in pencil, dated and annotated \'AP 10\' (an artist\'s proof, aside from the edition of 40), with the blindstamp of the publisher/printer, Crown Point Press, San Francisco, with full margins.
29 3/4 x 22 1/4in (75.6 x 56.5cm)
sheet 40 3/8 x 31 3/4in (102.5 x 80.7cm)

内森·奥利弗瑞 板8，来自铜板Nudes II

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ED RUSCHA:Sometimes a Vowel #35 (y), 1996

signed, titled and dated twice \'#35 July 22, 1996 Ed Ruscha 1996\' (interior page)
acrylic on book cover

9 3/4 x 10 in.
24.8 x 25.4 cm.

This work is painted on the exhibition catalog: The Works of Ed Ruscha, San Francisco Museum of Modern Art, 1982.

This work will be included in the forthcoming publication Ed Ruscha: An Archive of Projects, edited by Robert Dean with contributions from Michael Friend, David Platzker, and Allen Ruppersberg, and published by Gagosian.

埃德·鲁沙 有时是元音#351996

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JOAN MIRÓ:L\'oeuvre graphique. Musée d\'Art Moderne, Paris (Cramer 947), 1974
Lithograph in colors on Arches paper, signed in pencil and numbered 77/100, from the edition before letters (there was an unsigned poster edition of 4,000), published by Musée d\'Art Moderne, Paris, printed by Arte Adrien Maeght, Paris, the full sheet, framed.
sheet 30 3/4 x 22 3/8in (78 x 56.9cm)

胡安·米罗 平面设计。巴黎现代艺术博物馆