图片文件尺寸 : 5087 x 4658px
Alex Katz:
Five Women (Maravell 94), 1977
Screenprint in colors on Japan paper, signed in pencil and numbered 87/100, published/printed by Harry N. Abrams Inc./Chiron Press, New York, the full sheet, framed.
sheet 18 x 46 3/8in (45.7 x 117.8cm)
亚历克斯·卡茨 五个女人
图片文件尺寸 : 4756 x 4771px
Donald Sultan:
Wallflowers (Black on Dark Blue), 2018
Screenprint in colors, on Cropper paper, initialed in pencil, dated, titled and numbered 12/12 (there were also 2 artist\'s proofs), published/printed by Har-El, Jaffa, Israel, the full sheet.
sheet 69 1/4 x 27 1/4in (175.9 x 69.2cm)
唐纳德·苏丹 壁花
图片文件尺寸 : 5318 x 4812px
Nasser Ovissi:
Woman with a Mirror
oil on canvas, framed
signed \"Nasser Ovissi\" in Farsi and English and dated \"1341\", executed in 1962
67 x 41cm (26 3/8 x 16 1/8in).
纳赛尔·奥维西 带镜子的女人
图片文件尺寸 : 4852 x 5992px
Abdel Ghaffar Shedid:
Through the Window
oil on panel, framed
signed and dated \"63\" in Arabic (lower left), executed in 1963
58 x 29cm (22 13/16 x 11 7/16in).
阿卜杜勒·加法尔·谢迪德 透过窗户
图片文件尺寸 : 4809 x 4168px
JACQUES MARTIN-FERRIÈRES:Colli di Monte Bove
signed Martin-Ferrières (upper right)
oil on panel
14 15/16 x 18 3/16 in (38 x 46.2 cm)
Painted in Italy in 1925
马丁的要求 科里-迪蒙特-博韦
图片文件尺寸 : 4822 x 3917px
Richard Anuszkiewicz:Light Blue with Silver, from Winter Suite, 1979
Etching and aquatint in colors on Somerset paper, signed in pencil, dated and annotated \'B.A.T.\' (the Bon-a-Tirer, aside from the edition of 95), printed by Deli Sacilotto, Atelier Editions, Inc., New York, with full margins.
21 5/8 x 21 1/2in (54.9 x 54.6cm)
sheet 31 3/8 x 30 3/8in (79.7 x 77.1cm)
理查德·安努斯科维奇 浅蓝色搭配银色，来自冬季套房
图片文件尺寸 : 4113 x 4201px
John Baldessari:Noses Ears Etc.: The Gemini Series: Two Faces, One With Nose and Military Ribbons; One With (Blue) Nose and Tie (Hurowitz 169), 2006
Screenprint in colors on Rives BFK and Lanaquarelle paper mounted to Sintra with Duramount archival adhesive, cut-out construction of three layers with hand-painted additions at profile edges, straight edges, signed in pencil, dated and numbered 25/45 (there were also 12 artist\'s proofs), published/printed by Gemini G.E.L., Los Angeles, contained in artist specified frame.
34 x 36 x 3/4in (86.4 x 91.4 x 1.9cm)
overall 34 3/4 x 36 3/4 x 3in (88.3 x 93.3 x 7.6cm)
约翰·巴尔代萨里 鼻子和耳朵等：双子系列：两张脸，一张带鼻子和军带有鼻子和领带的
图片文件像素：5930 x 4411 px
卡拉·阿卡尔迪，当代艺术I-
Carla Accardi * - Zeitgenössische Kunst I-
(Trapani 1924–2014 Rome)
Untitled, 1954, signed and dated; signed and dated again on the reverse, tempera (casein) on paper laid down on canvas, 68 x 32 cm, framed
This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome
Provenance:
Sale Nuova Brerarte, Milan, 11 December 1990, lot 71
European Private Collection (acquired from the above)
Note:
The paper was laid down on canvas directly by the artist as evident also from the signature and the date on the reverse.
Yes, 1954 was a critical year, but my first works featuring the sign, which I made on paper, were born in 1953. The meaning behind this choice, my surrender to the sign, which was basic at first and structural later, no doubt emerged from the idea artists have always had about contemporary art, about culture in their time.
Although I wasn’t studying mathematics or anthropology, Structuralism was a topical discovery all the same, something that exhisted in the Western world.
I bestowed an image on the Structuralist vision of the world; a visual image that bore all the components: events, the aggregation of signs were repeated in my paintings with phenomenic variations: but always faithful to themselves and repeatable.
Carla Accardi interviewed by Vanni Bramanti, in V. Bramanti, Conversazione con Carla Accardi, Rome 1982
图片文件尺寸 : 4383 x 5604px
Olaf Carl Seltzer:Duck hunting scene with hunter and dog
signed and dated with the artist\'s arrow device \'O. SELTZER. / 1900.\' (lower left)
watercolor and gouache on paper
sight 17 x 28 in.
framed 29 x 39 in.
奥拉夫·卡尔·塞尔策 猎鸭场景，猎人和狗的视线为17 x 28英寸。框架29 x 39英寸。
图片文件尺寸 : 3994 x 5123px
Josef Albers:Formulation: Articulation Portfolio II, Folder 26 (D. Appx C, p. 204), 1972
Screenprint in colors on Mohawk Superfine Bristol paper, unsigned as issued, from the edition of 1000, with printed artist and title, verso, with the blindstamp of the artist, published/printed by Ives-Sillman, Inc./Sirocco Screenprints, New Haven, in collaboration with Harry N. Abrams, New York, with full margins, folded as issued.
13 1/2 x 13 5/8in (34.3 x 34.6cm)
sheet 15 x 20in (38.1 x 50.8cm) (closed)
约瑟夫·亚伯斯 公式：发音组合II，文件夹26
图片文件尺寸 : 5087 x 4658px
Alex Katz:
Five Women (Maravell 94), 1977
Screenprint in colors on Japan paper, signed in pencil and numbered 87/100, published/printed by Harry N. Abrams Inc./Chiron Press, New York, the full sheet, framed.
sheet 18 x 46 3/8in (45.7 x 117.8cm)
亚历克斯·卡茨 五个女人
图片文件尺寸 : 4756 x 4771px
Donald Sultan:
Wallflowers (Black on Dark Blue), 2018
Screenprint in colors, on Cropper paper, initialed in pencil, dated, titled and numbered 12/12 (there were also 2 artist\'s proofs), published/printed by Har-El, Jaffa, Israel, the full sheet.
sheet 69 1/4 x 27 1/4in (175.9 x 69.2cm)
唐纳德·苏丹 壁花
图片文件尺寸 : 5318 x 4812px
Nasser Ovissi:
Woman with a Mirror
oil on canvas, framed
signed \"Nasser Ovissi\" in Farsi and English and dated \"1341\", executed in 1962
67 x 41cm (26 3/8 x 16 1/8in).
纳赛尔·奥维西 带镜子的女人
图片文件尺寸 : 4852 x 5992px
Abdel Ghaffar Shedid:
Through the Window
oil on panel, framed
signed and dated \"63\" in Arabic (lower left), executed in 1963
58 x 29cm (22 13/16 x 11 7/16in).
阿卜杜勒·加法尔·谢迪德 透过窗户
图片文件尺寸 : 4809 x 4168px
JACQUES MARTIN-FERRIÈRES:Colli di Monte Bove
signed Martin-Ferrières (upper right)
oil on panel
14 15/16 x 18 3/16 in (38 x 46.2 cm)
Painted in Italy in 1925
马丁的要求 科里-迪蒙特-博韦
图片文件尺寸 : 4822 x 3917px
Richard Anuszkiewicz:Light Blue with Silver, from Winter Suite, 1979
Etching and aquatint in colors on Somerset paper, signed in pencil, dated and annotated \'B.A.T.\' (the Bon-a-Tirer, aside from the edition of 95), printed by Deli Sacilotto, Atelier Editions, Inc., New York, with full margins.
21 5/8 x 21 1/2in (54.9 x 54.6cm)
sheet 31 3/8 x 30 3/8in (79.7 x 77.1cm)
理查德·安努斯科维奇 浅蓝色搭配银色，来自冬季套房
图片文件尺寸 : 4113 x 4201px
John Baldessari:Noses Ears Etc.: The Gemini Series: Two Faces, One With Nose and Military Ribbons; One With (Blue) Nose and Tie (Hurowitz 169), 2006
Screenprint in colors on Rives BFK and Lanaquarelle paper mounted to Sintra with Duramount archival adhesive, cut-out construction of three layers with hand-painted additions at profile edges, straight edges, signed in pencil, dated and numbered 25/45 (there were also 12 artist\'s proofs), published/printed by Gemini G.E.L., Los Angeles, contained in artist specified frame.
34 x 36 x 3/4in (86.4 x 91.4 x 1.9cm)
overall 34 3/4 x 36 3/4 x 3in (88.3 x 93.3 x 7.6cm)
约翰·巴尔代萨里 鼻子和耳朵等：双子系列：两张脸，一张带鼻子和军带有鼻子和领带的
图片文件像素：5930 x 4411 px
卡拉·阿卡尔迪，当代艺术I-
Carla Accardi * - Zeitgenössische Kunst I-
(Trapani 1924–2014 Rome)
Untitled, 1954, signed and dated; signed and dated again on the reverse, tempera (casein) on paper laid down on canvas, 68 x 32 cm, framed
This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome
Provenance:
Sale Nuova Brerarte, Milan, 11 December 1990, lot 71
European Private Collection (acquired from the above)
Note:
The paper was laid down on canvas directly by the artist as evident also from the signature and the date on the reverse.
Yes, 1954 was a critical year, but my first works featuring the sign, which I made on paper, were born in 1953. The meaning behind this choice, my surrender to the sign, which was basic at first and structural later, no doubt emerged from the idea artists have always had about contemporary art, about culture in their time.
Although I wasn’t studying mathematics or anthropology, Structuralism was a topical discovery all the same, something that exhisted in the Western world.
I bestowed an image on the Structuralist vision of the world; a visual image that bore all the components: events, the aggregation of signs were repeated in my paintings with phenomenic variations: but always faithful to themselves and repeatable.
Carla Accardi interviewed by Vanni Bramanti, in V. Bramanti, Conversazione con Carla Accardi, Rome 1982
图片文件尺寸 : 4383 x 5604px
Olaf Carl Seltzer:Duck hunting scene with hunter and dog
signed and dated with the artist\'s arrow device \'O. SELTZER. / 1900.\' (lower left)
watercolor and gouache on paper
sight 17 x 28 in.
framed 29 x 39 in.
奥拉夫·卡尔·塞尔策 猎鸭场景，猎人和狗的视线为17 x 28英寸。框架29 x 39英寸。
图片文件尺寸 : 3994 x 5123px
Josef Albers:Formulation: Articulation Portfolio II, Folder 26 (D. Appx C, p. 204), 1972
Screenprint in colors on Mohawk Superfine Bristol paper, unsigned as issued, from the edition of 1000, with printed artist and title, verso, with the blindstamp of the artist, published/printed by Ives-Sillman, Inc./Sirocco Screenprints, New Haven, in collaboration with Harry N. Abrams, New York, with full margins, folded as issued.
13 1/2 x 13 5/8in (34.3 x 34.6cm)
sheet 15 x 20in (38.1 x 50.8cm) (closed)
约瑟夫·亚伯斯 公式：发音组合II，文件夹26