401. “V.Dupuis小姐”的全长肖像画,她的手臂放在竖琴上。背景是亨利·埃德里奇(Henry Edridge)的喷泉和鹿风景 高清作品[61%]

Fulllength portrait of Miss V. Dupuis resting her arm on a harp. In the background a fountain and a landscape with deer-

图片文件尺寸 : 2529 x 3477px

“V.Dupuis小姐”的全长肖像画,她的手臂放在竖琴上。背景是亨利·埃德里奇(Henry Edridge)的喷泉和鹿景观-Henry Edridge

Fulllength portrait of Miss V. Dupuis resting her arm on a harp. In the background a fountain and a landscape with deer--Henry Edridge (英国, 1769-1821)

402. 钟四宾 抽象景观 高清作品[61%]

Abstract Landscape

图片文件尺寸 : 5070 x 4861px

Cheong Soo Pieng: Abstract Landscape
circa 1970s

signed; with a gallery label on the reverse
mixed media and gold leaf on board

42.2 by 52 cm.
16 4/8 by 20 4/8 in.

钟四宾 抽象景观

404. 米谢·弗龙 高清作品[60%]

DO-Jean-Michel Folon  - 现代艺术 I
图片文件像素:5663 x 4147 px

米谢·弗龙-

Jean-Michel Folon * - Zeitgenössische Kunst I-

(Brussels 1934–2005 Monaco)
La pêche miraculeuse (Buste aux poissons) / The Miraculous Catch (Bust with Fish), 2005, bronze, signed and numbered HC 2/2 (from an edition of 2 + 2 EA + 2 HC) with the foundry mark: Romain Fils, h 81 cm w 43 cm.

This work will be included in the artist’s forthcoming catalogue raisonné currently being prepared by the Fondation Folon.

This work is registered at the Fondation Folon with the number F400 and is accompanied by a certificate of authenticity.

Provenance:
European Private Collection

The 比利时 artist Jean-Michel Folon (1934-2005) has left a universal mark on the collective imagination of the last third of the 20th century through his posters, illustrations, television animations, and his numerous exhibitions. A humanist, he left behind a figurative and poetic body of work rooted in traditional techniques, which was atypical for an environment dominated by conceptual art. Folon turned to sculpture in the early 1990s, having initially focused on paper-based techniques (inks, silk-screen printing, watercolour), thus providing him with a new challenge.
His sculptures are inspired by ethnographic art and characterised by their frontality and corporality, from the Cyclades to the Etruscans, from African masks to Amerindian totems. They are largely centred on the human being and embody themes that were once treated graphically and thus project the artist\'s universe into atypical and natural environments: landscapes, gardens, parks, interiors.

La pêche miraculeuse (Buste aux poissons) [The Miraculous Catch (Bust with Fish)] from 2005 presents the artist’s favoured Everyman, the character with the hat, onto whom everyone can project themselves. He is holding an armful of fish. This bust sculpture is a variation on a theme that Folon had explored with a few years earlier in his Fontaine aux poissons [Fountain with Fish], which has been shown to the public on numerous occasions at major exhibitions, notably in Florence in 2005. The quality of the patina of this remarkable Catch is typical of Folon\'s quasi-pictorial quest for sculpture. It drew this comment from the sculptor.

“You make impressionist sculptures, these are the patinas of a painter and each of your sculptures will be unique because you will never be able to do the same thing twice.”
César

405. 亚伯拉罕·比肖普(Abraham Bisschop)的《一只硫冠公鸡、一只红冠红衣主教和一只白雉,背景是一只倒下的瓮》 高清作品[60%]

A SulphurCrested Cockatoo, A RedCrested Cardinal And A White Pheasant In A Landscape With A Fallen Urn In The Background-

图片文件尺寸 : 5117 x 2005px

亚伯拉罕·比肖普(Abraham Bisschop)的《一只硫冠公鸡、一只红冠红衣主教和一只白雉,背景是一只倒下的瓮》-Abraham Bisschop

A SulphurCrested Cockatoo, A RedCrested Cardinal And A White Pheasant In A Landscape With A Fallen Urn In The Background--Abraham Bisschop (荷兰, 1670 - 1729)

406. “海牙:一片树木茂盛的河流风景,在村庄旁的河岸小路上有人物,远处有一座桥,由Esaias van de Velde创作 高清作品[60%]

The Hague A Wooded River Landscape With Figures On A Path On A River Bank Beside A Village, A Bridge Beyond-

图片文件尺寸 : 4000 x 2319px

“海牙:一片树木茂盛的河流景观,在村庄旁的河岸小路上有人物,远处有一座桥,由Esaias van de Velde创作-Esaias van de Velde

The Hague A Wooded River Landscape With Figures On A Path On A River Bank Beside A Village, A Bridge Beyond--Esaias van de Velde (荷兰, 1587 - 1630)

407. 亨德里克·弗朗斯·范·林特,工作室 一幅意大利式的风景画,河岸上有人物,远处有宫殿 高清作品[60%]

An Italianate landscape with figures on the banks of a river, a palace beyond

图片文件尺寸 : 4631 x 4401px

Hendrick Frans Van Lint, called Studio: An Italianate landscape with figures on the banks of a river, a palace beyond
signed \'HF *an *int f\' (lower left)
oil on canvas laid down on panel
23.1 x 28.8cm (9 1/8 x 11 5/16in).

亨德里克·弗朗斯·范·林特,工作室 一幅意大利式的风景画,河岸上有人物,远处有宫殿

408. 尼古拉斯·皮耶特斯(Nicolaes Pietersz)的《意大利河流风景:圆形剧场废墟边的牧民和农民过桥》,Berchem 高清作品[60%]

意大利ate River Landscape With Herdsmen-

图片文件尺寸 : 3661 x 4260px

尼古拉斯·皮耶特斯(Nicolaes Pietersz)的《意大利河流景观:圆形剧场废墟边的牧民和农民过桥》,Berchem-The Ruins Of An Amphitheatre, And Peasants Crossing A Bridge by Nicolaes Pietersz. Berchem

意大利ate River Landscape With Herdsmen--Nicolaes Pietersz. Berchem (荷兰, 1620 – 1683)

landscape with the油画图片- 高清landscape with the绘画作品- 代表作全集 中艺名画下载


401. “V.Dupuis小姐”的全长肖像画,她的手臂放在竖琴上。背景是亨利·埃德里奇(Henry Edridge)的喷泉和鹿风景 高清作品[61%]

Fulllength portrait of Miss V. Dupuis resting her arm on a harp. In the background a fountain and a landscape with deer-

图片文件尺寸 : 2529 x 3477px

“V.Dupuis小姐”的全长肖像画,她的手臂放在竖琴上。背景是亨利·埃德里奇(Henry Edridge)的喷泉和鹿景观-Henry Edridge

Fulllength portrait of Miss V. Dupuis resting her arm on a harp. In the background a fountain and a landscape with deer--Henry Edridge (英国, 1769-1821)

402. 钟四宾 抽象景观 高清作品[61%]

Abstract Landscape

图片文件尺寸 : 5070 x 4861px

Cheong Soo Pieng: Abstract Landscape
circa 1970s

signed; with a gallery label on the reverse
mixed media and gold leaf on board

42.2 by 52 cm.
16 4/8 by 20 4/8 in.

钟四宾 抽象景观

404. 米谢·弗龙 高清作品[60%]

DO-Jean-Michel Folon  - 现代艺术 I
图片文件像素:5663 x 4147 px

米谢·弗龙-

Jean-Michel Folon * - Zeitgenössische Kunst I-

(Brussels 1934–2005 Monaco)
La pêche miraculeuse (Buste aux poissons) / The Miraculous Catch (Bust with Fish), 2005, bronze, signed and numbered HC 2/2 (from an edition of 2 + 2 EA + 2 HC) with the foundry mark: Romain Fils, h 81 cm w 43 cm.

This work will be included in the artist’s forthcoming catalogue raisonné currently being prepared by the Fondation Folon.

This work is registered at the Fondation Folon with the number F400 and is accompanied by a certificate of authenticity.

Provenance:
European Private Collection

The 比利时 artist Jean-Michel Folon (1934-2005) has left a universal mark on the collective imagination of the last third of the 20th century through his posters, illustrations, television animations, and his numerous exhibitions. A humanist, he left behind a figurative and poetic body of work rooted in traditional techniques, which was atypical for an environment dominated by conceptual art. Folon turned to sculpture in the early 1990s, having initially focused on paper-based techniques (inks, silk-screen printing, watercolour), thus providing him with a new challenge.
His sculptures are inspired by ethnographic art and characterised by their frontality and corporality, from the Cyclades to the Etruscans, from African masks to Amerindian totems. They are largely centred on the human being and embody themes that were once treated graphically and thus project the artist\'s universe into atypical and natural environments: landscapes, gardens, parks, interiors.

La pêche miraculeuse (Buste aux poissons) [The Miraculous Catch (Bust with Fish)] from 2005 presents the artist’s favoured Everyman, the character with the hat, onto whom everyone can project themselves. He is holding an armful of fish. This bust sculpture is a variation on a theme that Folon had explored with a few years earlier in his Fontaine aux poissons [Fountain with Fish], which has been shown to the public on numerous occasions at major exhibitions, notably in Florence in 2005. The quality of the patina of this remarkable Catch is typical of Folon\'s quasi-pictorial quest for sculpture. It drew this comment from the sculptor.

“You make impressionist sculptures, these are the patinas of a painter and each of your sculptures will be unique because you will never be able to do the same thing twice.”
César

405. 亚伯拉罕·比肖普(Abraham Bisschop)的《一只硫冠公鸡、一只红冠红衣主教和一只白雉,背景是一只倒下的瓮》 高清作品[60%]

A SulphurCrested Cockatoo, A RedCrested Cardinal And A White Pheasant In A Landscape With A Fallen Urn In The Background-

图片文件尺寸 : 5117 x 2005px

亚伯拉罕·比肖普(Abraham Bisschop)的《一只硫冠公鸡、一只红冠红衣主教和一只白雉,背景是一只倒下的瓮》-Abraham Bisschop

A SulphurCrested Cockatoo, A RedCrested Cardinal And A White Pheasant In A Landscape With A Fallen Urn In The Background--Abraham Bisschop (荷兰, 1670 - 1729)

406. “海牙:一片树木茂盛的河流风景,在村庄旁的河岸小路上有人物,远处有一座桥,由Esaias van de Velde创作 高清作品[60%]

The Hague A Wooded River Landscape With Figures On A Path On A River Bank Beside A Village, A Bridge Beyond-

图片文件尺寸 : 4000 x 2319px

“海牙:一片树木茂盛的河流景观,在村庄旁的河岸小路上有人物,远处有一座桥,由Esaias van de Velde创作-Esaias van de Velde

The Hague A Wooded River Landscape With Figures On A Path On A River Bank Beside A Village, A Bridge Beyond--Esaias van de Velde (荷兰, 1587 - 1630)

407. 亨德里克·弗朗斯·范·林特,工作室 一幅意大利式的风景画,河岸上有人物,远处有宫殿 高清作品[60%]

An Italianate landscape with figures on the banks of a river, a palace beyond

图片文件尺寸 : 4631 x 4401px

Hendrick Frans Van Lint, called Studio: An Italianate landscape with figures on the banks of a river, a palace beyond
signed \'HF *an *int f\' (lower left)
oil on canvas laid down on panel
23.1 x 28.8cm (9 1/8 x 11 5/16in).

亨德里克·弗朗斯·范·林特,工作室 一幅意大利式的风景画,河岸上有人物,远处有宫殿

408. 尼古拉斯·皮耶特斯(Nicolaes Pietersz)的《意大利河流风景:圆形剧场废墟边的牧民和农民过桥》,Berchem 高清作品[60%]

意大利ate River Landscape With Herdsmen-

图片文件尺寸 : 3661 x 4260px

尼古拉斯·皮耶特斯(Nicolaes Pietersz)的《意大利河流景观:圆形剧场废墟边的牧民和农民过桥》,Berchem-The Ruins Of An Amphitheatre, And Peasants Crossing A Bridge by Nicolaes Pietersz. Berchem

意大利ate River Landscape With Herdsmen--Nicolaes Pietersz. Berchem (荷兰, 1620 – 1683)