图片文件尺寸 : 4899 x 5602px
Marc Chagall:Le Retour de l\'Enfant Prodigue, from Songes (Cramer books 112)
Etching and aquatint in colours, 1981, on wove paper, signed and numbered 49/50 in pencil, published by Lacourière et Frélaut, Paris, the full sheet with a deckle edge below, with pale light staining, the colours strong, in good condition
Plate 305 x 240mm. (12 x 9 3/8in.); Sheet 521 x 377mm. (20 1/2 x 14 7/8in.)
马克·夏加尔 浪子从梦中归来
图片文件尺寸 : 4865 x 5588px
Marc Chagall:Portrait au Bouquet, from Songes (Cramer books 112)
Etching and aquatint in colours, 1981, on wove paper, signed and numbered 41/50 in pencil, published by Lacourière et Frélaut, Paris, the full sheet with a deckle edge below, with pale light-staining, the red slightly attenuated but the colours still strong, in good condition
Plate 305 x 236 (12 x 9 1/4in.); Sheet 521 x 375mm. (20 1/2 x 14 3/4in.)
马克·夏加尔 布奎特肖像，来自Songes
图片文件像素：5822 x 4298 px
Hans Hartung，当代艺术I-
Hans Hartung * - Zeitgenössische Kunst I-
(Leipzig 1904–1989 Antibes)
T 1964 - E 40, 1964, signed, dated Hartung 64, titled and inscribed and with directional arrow on the stretcher, acrylic on canvas, 81 x 130 cm, framed
This work is registered at the Foundation Hans Hartung and Anna-Eva Bergman, Antibes, and will be included in the forthcoming Catalogue Raisonné being prepared by the Foundation Hartung Bergman, Antibes (confirmation via email 3. October 2022).
Provenance:
Galerie Kallenbach, Munich
Private collection, North Rhine-Westphalia
Ketterer Kunst, Munich, 18 June 2021, lot 302 - acquired there by the present owner
Hans Hartung\'s entire oeuvre is characterised by abstract, non-objective painting. This interplay of light and shadow, structure, texture and airiness would become the formative elements of his later works. The non-figurative painting T 1964 - E 40 offered here also belongs to his catalogue of work. The canvas is primed in yellow, the upper part of the painting is dipped in a rich black. Above this is a layer of dark blue paint splashes with white accents, which the artist has worked on with a steel brush and scraper. A particular focus of the work is the complementary contrast of blue and yellow as well as the contrast between surface and stroke. The pictorial space is composed of light, shadow and their contrast.
The multitude of brushstrokes and scratches, the result of the painter\'s activity on the canvas, represent Hartung\'s style of the 1960s. The compositional scheme of the work offered here is reminiscent of the depiction of fireworks. The rockets explode in the night sky and colour it a sulphurous yellow.
“The first and most important thing is to remain free, free in each line you undertake, in your ideas and in your political action, in your moral conduct. The artist especially must remain free from all outer restraints.”
Hans Hartung
图片文件尺寸 : 4322 x 5627px
Marc Chagall:Carte de Voeux pour Amié Maeght, Paris 1960 (Mourlot 303)
Lithograph in colours, 1960, on Arches wove paper, from an unknown edition size, the full sheet with deckle edge below, some minor light- and time staining, the colours still good, generally good condition
Image 190 x 285mm. (7 1/2 x 11 1/2in.); Sheet 284 x 350mm. (11 1/8 x 13 1/4in.)
马克·夏加尔 1960年巴黎AmiéMaight贺卡
图片文件尺寸 : 5193 x 4439px
After Marc Chagall:Saint-Jean-Cap-Ferrat (Sorlier 4)
Lithograph in colours, 1952, on wove paper, signed and inscribed épreuve de artiste, one of a small number of proofs (the edition was never published), with margins, the palest of light-staining, three repaired horizontal tears to the centre left margin, other minor surface defects, the colours bright and fresh
Image 680 x 591mm. (26 3/4 x 23 1/4in.); Sheet 809 x 571mm. (32 x 22 5/8in.)
马克·夏加尔之后 圣让卡弗尔拉
图片文件尺寸 : 2607 x 3696px
“当他们爬上一个小斜坡时，他们看到托马斯·麦肯齐（Thomas Mackenzie）不远处有一道光在发光-Thomas Mackenzie
当他们爬上一个小斜坡时，他们看到远处有一盏灯在发光--Thomas Mackenzie (英国, 1887 – 1944)
图片文件尺寸 : 4805 x 4197px
LATER EUROPEAN HISTORY.:8 titles:
1. HOWARD, WILLIAM. The Speech of Wil. Howard; Late Lord Viscount Stafford: Upon the Scaffold on Tower Hill.... [London]: 1680. Small 4to. 4 leaves. Late 19th century half tree calf and marbled boards. Joints tender, margins slightly trimmed, light browning.
2. DRAKE, JAMES. Historia Anglo-Scotica. London: 1703. 8vo. Rebacked contemporary paneled calf. Moderate to heavy browning throughout.
3. [ANONYMOUS.] The Dying Speeches and Behaviour of the Several State Prisoners. London: 1730. 8vo. Late 19th century half mottled calf and marbled boards. Joints starting, rubbed, boards chipping at edges, title page tipped to a binder\'s stub, scattered spotting and even browning.
4. SCHERBATOV, M., Editor. Journal de Pierre le Grand depuis l\'année 1698. London: 1773. 2 parts in 1 volume. 8vo. 18th century mottled sheep, red and green morocco gilt lettering pieces on spine. Rubbed, browning and spotting.
5. [ANONYMOUS]. Copies of the Original Letters and Despatches ... to The Emperor Napoleon at Dresden. London: 1814. 4to. Text in English and French. Contemporary boards, paper lettering piece on spine, edges untrimmed. Joints starting, corners bumped, soiling and browning to covers, light browning and spotting throughout.
6. LAS CASES, EMMANUEL, COUNT DE. Memorial de Sainte Helene. Journal of the Private Life and Conversations of the Emperor Napoleon at Saint Helena. London: 1823. 2 volumes. 4to. Folding plan in Volume II. 20th century red and white cloth, gilt titles on spine, edges untrimmed. Rubbed, staining and soiling to covers, dampstaining to first few leaves of Volume I, browning and spotting throughout.
7. HERZEN, ALEKSANDR. Memoires de l\'Imperatrice Catherine II. London: 1859. 8vo. Early 20th century half vellum and boards, red morocco gilt lettering piece. Browning and spotting.
8. RABUTIN-CHANTAL, MARIE DE. Lettres Choisies de Madame de Sévigné. Paris: 1862. Numerous engraved portrait plates. Publisher\'s pebbled cloth stamped in black and gilt. Rubbed, some chipping to spine ends, browning and foxing throughout, some heavy.
后来的欧洲历史。 8个标题：
图片文件尺寸 : 1757 x 3000px
Edwin Austin Abbey在哈里斯堡宾夕法尼亚州议会大厦圆形大厅为“光之灵”进行的人物研究-Edwin Austin Abbey
“”的图形研究光的精神哈里斯堡宾夕法尼亚州议会大厦圆形大厅内的卢内特--Edwin Austin Abbey (美国, 1852 - 1911)
图片文件尺寸 : 5165 x 3887px
ANONYMOUS (19TH CENTURY):An album of drawings of sumo wrestlers
Meiji era (1868-1912), circa 1870
A set of 19 sketches in ink on paper, with areas of light ink wash and slight color depicting sumo wrestlers engaged in matches and performing ceremonies, many of the drawings with notations, mounted in an album with a silk brocade cover
15 1/8 x 11 5/8in (38.4 x 29.5cm), each album page
匿名（19世纪） 大约1870年，明治时代相扑手的绘画专辑
图片文件尺寸 : 4506 x 4662px
Marc Chagall:Saint-Germain des Prés from Derrière Le Miroir (Mourlot 100; Cramer books 24)
Lithograph in colours, 1954, on wove paper, signed and numbered 20/75 in pencil, printed by Mourlot Frères, published by Maeght Editeur, Paris, the full sheet with a deckle edge below, with light-staining, the red slightly attenuated but the colours still strong, generally in good condition
Sheet 398 x 280mm. (15 5/8 x 11in.)
马克·夏加尔 镜子后面的圣日耳曼草地
图片文件尺寸 : 4899 x 5602px
Marc Chagall:Le Retour de l\'Enfant Prodigue, from Songes (Cramer books 112)
Etching and aquatint in colours, 1981, on wove paper, signed and numbered 49/50 in pencil, published by Lacourière et Frélaut, Paris, the full sheet with a deckle edge below, with pale light staining, the colours strong, in good condition
Plate 305 x 240mm. (12 x 9 3/8in.); Sheet 521 x 377mm. (20 1/2 x 14 7/8in.)
马克·夏加尔 浪子从梦中归来
图片文件尺寸 : 4865 x 5588px
Marc Chagall:Portrait au Bouquet, from Songes (Cramer books 112)
Etching and aquatint in colours, 1981, on wove paper, signed and numbered 41/50 in pencil, published by Lacourière et Frélaut, Paris, the full sheet with a deckle edge below, with pale light-staining, the red slightly attenuated but the colours still strong, in good condition
Plate 305 x 236 (12 x 9 1/4in.); Sheet 521 x 375mm. (20 1/2 x 14 3/4in.)
马克·夏加尔 布奎特肖像，来自Songes
图片文件像素：5822 x 4298 px
Hans Hartung，当代艺术I-
Hans Hartung * - Zeitgenössische Kunst I-
(Leipzig 1904–1989 Antibes)
T 1964 - E 40, 1964, signed, dated Hartung 64, titled and inscribed and with directional arrow on the stretcher, acrylic on canvas, 81 x 130 cm, framed
This work is registered at the Foundation Hans Hartung and Anna-Eva Bergman, Antibes, and will be included in the forthcoming Catalogue Raisonné being prepared by the Foundation Hartung Bergman, Antibes (confirmation via email 3. October 2022).
Provenance:
Galerie Kallenbach, Munich
Private collection, North Rhine-Westphalia
Ketterer Kunst, Munich, 18 June 2021, lot 302 - acquired there by the present owner
Hans Hartung\'s entire oeuvre is characterised by abstract, non-objective painting. This interplay of light and shadow, structure, texture and airiness would become the formative elements of his later works. The non-figurative painting T 1964 - E 40 offered here also belongs to his catalogue of work. The canvas is primed in yellow, the upper part of the painting is dipped in a rich black. Above this is a layer of dark blue paint splashes with white accents, which the artist has worked on with a steel brush and scraper. A particular focus of the work is the complementary contrast of blue and yellow as well as the contrast between surface and stroke. The pictorial space is composed of light, shadow and their contrast.
The multitude of brushstrokes and scratches, the result of the painter\'s activity on the canvas, represent Hartung\'s style of the 1960s. The compositional scheme of the work offered here is reminiscent of the depiction of fireworks. The rockets explode in the night sky and colour it a sulphurous yellow.
“The first and most important thing is to remain free, free in each line you undertake, in your ideas and in your political action, in your moral conduct. The artist especially must remain free from all outer restraints.”
Hans Hartung
图片文件尺寸 : 4322 x 5627px
Marc Chagall:Carte de Voeux pour Amié Maeght, Paris 1960 (Mourlot 303)
Lithograph in colours, 1960, on Arches wove paper, from an unknown edition size, the full sheet with deckle edge below, some minor light- and time staining, the colours still good, generally good condition
Image 190 x 285mm. (7 1/2 x 11 1/2in.); Sheet 284 x 350mm. (11 1/8 x 13 1/4in.)
马克·夏加尔 1960年巴黎AmiéMaight贺卡
图片文件尺寸 : 5193 x 4439px
After Marc Chagall:Saint-Jean-Cap-Ferrat (Sorlier 4)
Lithograph in colours, 1952, on wove paper, signed and inscribed épreuve de artiste, one of a small number of proofs (the edition was never published), with margins, the palest of light-staining, three repaired horizontal tears to the centre left margin, other minor surface defects, the colours bright and fresh
Image 680 x 591mm. (26 3/4 x 23 1/4in.); Sheet 809 x 571mm. (32 x 22 5/8in.)
马克·夏加尔之后 圣让卡弗尔拉
图片文件尺寸 : 2607 x 3696px
“当他们爬上一个小斜坡时，他们看到托马斯·麦肯齐（Thomas Mackenzie）不远处有一道光在发光-Thomas Mackenzie
当他们爬上一个小斜坡时，他们看到远处有一盏灯在发光--Thomas Mackenzie (英国, 1887 – 1944)
图片文件尺寸 : 4805 x 4197px
LATER EUROPEAN HISTORY.:8 titles:
1. HOWARD, WILLIAM. The Speech of Wil. Howard; Late Lord Viscount Stafford: Upon the Scaffold on Tower Hill.... [London]: 1680. Small 4to. 4 leaves. Late 19th century half tree calf and marbled boards. Joints tender, margins slightly trimmed, light browning.
2. DRAKE, JAMES. Historia Anglo-Scotica. London: 1703. 8vo. Rebacked contemporary paneled calf. Moderate to heavy browning throughout.
3. [ANONYMOUS.] The Dying Speeches and Behaviour of the Several State Prisoners. London: 1730. 8vo. Late 19th century half mottled calf and marbled boards. Joints starting, rubbed, boards chipping at edges, title page tipped to a binder\'s stub, scattered spotting and even browning.
4. SCHERBATOV, M., Editor. Journal de Pierre le Grand depuis l\'année 1698. London: 1773. 2 parts in 1 volume. 8vo. 18th century mottled sheep, red and green morocco gilt lettering pieces on spine. Rubbed, browning and spotting.
5. [ANONYMOUS]. Copies of the Original Letters and Despatches ... to The Emperor Napoleon at Dresden. London: 1814. 4to. Text in English and French. Contemporary boards, paper lettering piece on spine, edges untrimmed. Joints starting, corners bumped, soiling and browning to covers, light browning and spotting throughout.
6. LAS CASES, EMMANUEL, COUNT DE. Memorial de Sainte Helene. Journal of the Private Life and Conversations of the Emperor Napoleon at Saint Helena. London: 1823. 2 volumes. 4to. Folding plan in Volume II. 20th century red and white cloth, gilt titles on spine, edges untrimmed. Rubbed, staining and soiling to covers, dampstaining to first few leaves of Volume I, browning and spotting throughout.
7. HERZEN, ALEKSANDR. Memoires de l\'Imperatrice Catherine II. London: 1859. 8vo. Early 20th century half vellum and boards, red morocco gilt lettering piece. Browning and spotting.
8. RABUTIN-CHANTAL, MARIE DE. Lettres Choisies de Madame de Sévigné. Paris: 1862. Numerous engraved portrait plates. Publisher\'s pebbled cloth stamped in black and gilt. Rubbed, some chipping to spine ends, browning and foxing throughout, some heavy.
后来的欧洲历史。 8个标题：
图片文件尺寸 : 1757 x 3000px
Edwin Austin Abbey在哈里斯堡宾夕法尼亚州议会大厦圆形大厅为“光之灵”进行的人物研究-Edwin Austin Abbey
“”的图形研究光的精神哈里斯堡宾夕法尼亚州议会大厦圆形大厅内的卢内特--Edwin Austin Abbey (美国, 1852 - 1911)
图片文件尺寸 : 5165 x 3887px
ANONYMOUS (19TH CENTURY):An album of drawings of sumo wrestlers
Meiji era (1868-1912), circa 1870
A set of 19 sketches in ink on paper, with areas of light ink wash and slight color depicting sumo wrestlers engaged in matches and performing ceremonies, many of the drawings with notations, mounted in an album with a silk brocade cover
15 1/8 x 11 5/8in (38.4 x 29.5cm), each album page
匿名（19世纪） 大约1870年，明治时代相扑手的绘画专辑
图片文件尺寸 : 4506 x 4662px
Marc Chagall:Saint-Germain des Prés from Derrière Le Miroir (Mourlot 100; Cramer books 24)
Lithograph in colours, 1954, on wove paper, signed and numbered 20/75 in pencil, printed by Mourlot Frères, published by Maeght Editeur, Paris, the full sheet with a deckle edge below, with light-staining, the red slightly attenuated but the colours still strong, generally in good condition
Sheet 398 x 280mm. (15 5/8 x 11in.)
马克·夏加尔 镜子后面的圣日耳曼草地