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DIGGES, LEONARD. C.1515-1559.:A geometrical practical treatize named Pantometria, divided into three bookes.... London: Abell Jeffes, 1591.
Small folio (268 x 178 mm). Engraved vignette on title page, 2 large woodcut coats-of-arms, numerous woodcut initials, illustrations, head- and tail-pieces in text, errata leaf at end. Modern quarter calf antique and marbled boards, edges gilt, large bookplate and blue morocco blind-stamped coats-of-arms cut from earlier binding and laid down to front endpapers. Marginal paper repairs to some edges and corners, lacking initial blank, dampstaining from leaf D1 to end, old ink ownership inscriptions to title, ink marginalia, minor soiling and staining.
Provenance: Sir William Stirling-Maxwell [1818-1878] (bookplate).

Second edition, but considered superior to the first, as it was greatly expanded by the author\'s son, Thomas Digges (c.1546-1595). This work on practical applied geometry contains the first description of the theodolite, one of Leonard Digges\'s inventions, and the earliest description of what we would come to call the telescope. In this addition, Leonard Digges has added sections on navigation, ballistics, and pyrotechnics. Cockle 16; ESTC S107357; Tomash Williams D54.

迪吉斯，莱昂纳德。C、 1515-1559页。 一本名为《Pantoletria》的几何实用论文，分为三本……伦敦：阿贝尔·杰夫斯，1591年。

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DARWIN, CHARLES. 1809-1882.:4 titles:
1. The Expression of the Emotions in Man and Animals. London: John Murray, 1872. 8vo. 7 heliotype plates, publisher\'s advertisements at end, wood-engraved illustrations. Publisher\'s green cloth. Corners bumped, wear to cloth at edges, rear hinge cracked, bookplate on front paste-down. FIRST EDITION, SECOND ISSUE.
2. On the Origin of Species by Means of Natural Selection. New York: D. Appleton Company, 1860. 8vo. Folding lithographed diagram. Publisher\'s blind-stamped brown cloth, gilt title on spine, brown coated endpapers. Text block broken, lower joint cracked through, spine loose, cloth heavily chipped, old adhesive repair to upper joint, hinges cracking with old repair to front hinge. FIRST AMERICAN EDITION, FIRST PRINTING.
3. The Origin of Species by Means of Natural Selection. New York: Hurst and Company, n.d. Publisher\'s red cloth. Sunned, spine ends bumped, front hinge cracked, toning. Marked \"Reprinted from the Sixth London edition, with all additions and corrections.\"
4. The Descent of Man, and Selection in Relation to Sex. New York: D. Appleton Co., 1871. 2 volumes. 8vo. Publisher\'s russet cloth stamped in black, spines titled in gilt. First American edition. Spine ends chipped, large chip from upper panel of volume II, soiling and staining to covers, corners bumped, free front endpaper slightly loose in volume I, toning throughout.
5. The Descent of Man, and Selection in Relation to Sex. London: John Murray, 1885. 20th century half morocco and marbled boards, gilt titles on spine, marbled endpapers, top edge gilt. Shelfwear, light toning. Second edition, 19th thousand.

达尔文，查尔斯。1809-1882. 4个标题：

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Helen Bradley: Uncle Tom\'s Funeral Procession
signed \'HELEN BRADLEY\' and with fly insignia (lower right); further signed, inscribed and dated \'\"Theyre off\" called John Sam\'els wife Florrie, who was/standing on a chair peeping through the Blind, but Martha/Higgingbottom who was also peeping was away counting/the neighbours who were following the Hearse. \"We cant/feed all that lot\" said aunt Mary, who was away/stealing the ham. Mother wasnt thinking about the food/but great uncle Toms sideboard. \"I wonder who he\'s left it/too\" she said, but aunt Annie (who was only an aunt by/marriage) said, \"Jane, youve enough furniture, I could do/ with that sideboard\". Just then Sarah\'s voice came from/upstairs, \"Everybody\'s making for the front gardens and/I can hear a bull bellowing\", So mother, aunt Mary,/and aunt Frances rushed upstairs to see what was happening/sure enough, Joe Wroe the Butcher was so busy watching/great uncle Toms funeral that he forgot to fasten his bulls in,/so out they came and away they ran. Two were soon caught but/one ran down into Lees, and the thought of it deterred several people/ who were coming to the house for the funeral tea which made it/easier for mother and the aunts. Alas we didnt get the sideboard/and the year was 1909./Helen Layfield Bradley 1973.\' (on a label attached to backboard)
oil on canvas laid on board
60.3 x 151.5 cm. (23 3/4 x 59 5/8 in.)

海伦·布拉德利 汤姆叔叔的葬礼流程60.3 x 151.5 cm。

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Helen Bradley: Uncle Tom\'s Funeral Procession
signed \'HELEN BRADLEY\' and with fly insignia (lower right); further signed, inscribed and dated \'\"Theyre off\" called John Sam\'els wife Florrie, who was/standing on a chair peeping through the Blind, but Martha/Higgingbottom who was also peeping was away counting/the neighbours who were following the Hearse. \"We cant/feed all that lot\" said aunt Mary, who was away/stealing the ham. Mother wasnt thinking about the food/but great uncle Toms sideboard. \"I wonder who he\'s left it/too\" she said, but aunt Annie (who was only an aunt by/marriage) said, \"Jane, youve enough furniture, I could do/ with that sideboard\". Just then Sarah\'s voice came from/upstairs, \"Everybody\'s making for the front gardens and/I can hear a bull bellowing\", So mother, aunt Mary,/and aunt Frances rushed upstairs to see what was happening/sure enough, Joe Wroe the Butcher was so busy watching/great uncle Toms funeral that he forgot to fasten his bulls in,/so out they came and away they ran. Two were soon caught but/one ran down into Lees, and the thought of it deterred several people/ who were coming to the house for the funeral tea which made it/easier for mother and the aunts. Alas we didnt get the sideboard/and the year was 1909./Helen Layfield Bradley 1973.\' (on a label attached to the backboard)
oil on canvas laid on board
60.3 x 151.5 cm. (23 3/4 x 59 5/8 in.)

海伦·布拉德利 汤姆叔叔的葬礼流程60.3 x 151.5 cm。

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CLASSIC WRITINGS. :9 titles in 16 volumes:
1. PARALDUS, GULIELMUS. Summa virtutum ac vitiorum Guilhelmi Paraldi episcopi Lugdunensis de ordine Predicatorum. [Paris?]: [c.1519]. 8vo. Woodcut vignette on title page, woodcut initials. Modern quarter calf and boards. Margins somewhat trimmed, scattered light spotting and toning.
2. TERENTIUS AFER, PUBLIUS. Sechs verteutschte Comedien.... Tubingen: 1567. 8vo. 5 (of 6) full-page woodcuts. Contemporary blind-tooled vellum, two brass clasps (one lacking hasp). Soiling to covers, a few marginal tears, light spotting.
3. SICULUS, DIODORUS. H.C. GENT, Translator. The History of Diodorus Siculus. London: 1653. 4to. Modern quarter morocco and cloth. Scattered spotting and staining.
4. PERSIUS FLACCUS, AULUS. The Satyrs of Persius, Transated into English by Thomas Sheridan. Dublin: 1728. 8vo. 18th century calf, armorially gilt. Upper joint cracked, covers warped, ink notation on front paste-down, browning.
5. ERASMUS. In Praise of Folly. London: 1740. 12mo. Engraved illustrations. Contemporary mottled calf, rebacked. Browning and spotting.
6. MENDELSSOHN, MOSES. Phaedon. Frankfurt Leipzig: 1768. Engraved frontispiece. 19th century half calf and speckled boards. Browning and spotting, light dampstaining to lower margins.
7. ---. Phaedon. Karlsruhe: [1780]. 8vo. Contemporary boards. Spine separated from text block, rubbed, corners and edges chipped, ink ownership inscriptions, dampstaining.
8. PLUTARCH. Plutarch\'s Lives. Philadelphia: 1811. 8 volumes. 8vo. Publisher\'s printed pink wrappers. Volume II lacking original wrappers (replaced with plain boards), tape repairs to spine, volume VIII spine perished and text block separating, rubbing, fading and soiling, corners and edges chipped.
9. HERMANN, GOTTFRIED, and FRIEDRICH CREUZER. Ein Anhang zu den Briefen über Homer und Hesiod. St. Petersburg: 1819. 8vo. Later wrappers. Foxing.

经典著作。 16卷9个标题：

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PATTERN BOOK.:[PAYNE, JOHN, engraver. 1607-1647.] Animalium quadrupedum, auium, florum, fructuum, muscarum et vermium omnis generis verae delineationes.... [London]: Roger Daniel, c.1630.
Oblong folio (290 x 183 mm). Engraved title page and 19 engraved plates. Modern brown morocco antique. Covers slightly warped, plates and engraved title trimmed to image borders and laid down on old laid paper, some with partial hand-coloring, a few chips and tears into image areas, light spotting and toning.

Though the plates are not signed by Payne, this appears to be a later edition of Payne\'s Flora, published by Roger Daniel under the dual Latin and English titles \"Animalium quadrupedum, auium, florum, fructuum, muscarum et vermium omnis generis verae delineationes in æes incisae. mdah; A booke of beast, birds, flowers, fruits, flies, and wormes, exactly drawne with their liuely colours truly described.\" This edition formed the basis for Roger Walton\'s pattern book A View of the Creation (1666), which copies the plates from this edition very closely. Payne studied engraving under the Dutch masters William and Simon van de Passe, and his flowers are copied from Crispijn van de Passe\'s Altera Pars (1603-1605). The animals are derived from Joris Hoefnagel\'s Archetypa studaque (1592).

图案书。 四足动物、海葵、花、水果、芥末和各种属的蠕虫都是真正的描绘。[伦敦]：罗杰·丹尼尔，约1630年。

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ARCHAEOLOGY AND ANTIQUITIES. :5 titles:
1. PATIN, CHARLES. Familiae Romane In Antiquis Numismatibus. Paris: 1663. Oblong 8vo. Engraved allegorical half-title, engraved dedication page, and 249 engraved plates. Contemporary calf. Crude older rebacking in pigskin, covers heavily chipped and stained, dedication page trimmed to plate line at lower margin, scattered staining and browning.
2. PERUCCI, FRANCESCO. Pompe funebri di tutte le nazioni del mondo. Verona: 1638. Folio. Engraved title page and 30 engraved illustrations in text. Modern quarter calf antique. Light soiling, especially to title page.
3. BIANCHINI, FRANCESCO. Camera ed inscrizioni sepulcrali. Rome: 1727. Folio. 7 engraved plates (2 folding). Contemporary vellum. Soiling to covers, foxing througout.
4. RAMBACH, JOHANN JACOB. Nachrichten zur Geschichte der herculanischen Entdeckungen. Halle: 1773. 8vo. Later marbled paper wrappers, hand-inked cloth lettering piece on spine. Wrappers warped, with tears, lettering piece loose, some rolling of corners, soiling and ink markings to title page, scattered spotting.
5. CHAMPOLLION, JEAN FRANÇOIS. Panthéon égyptien, collection des personnages mythologiques de l\'ancienne Egypte Paris: 1823. 4to. Original blue-green upper wrapper bound in as title page, 84 plates (83 hand-colored). Modern quarter morocco and cloth. Lacking 6 plates, lower margin of wrapper trimmed, foxing and offsetting.
6. SPIEGEL, FR. Die altpersischen Keilinschriften. Leipzig: 1881. 8vo. Gift inscription from the author on front paste-down. Contemporary quarter calf and marbled boards. Upper joint cracking, toning.
7. ERMAN, ADOLF. Aegyptische Chrestomathie. Berlin: 1904. 8vo. Hieroglyphic transcriptions. Publisher\'s cloth. Rubbed, ink notations on front flyleaf, some dampstaining.
8. WEBER, OTTO. Altorientalische Siegelbilder. Leipzig: 1920. 2 parts in 1 volume. 8vo. Numerous black and white photographic illustrations. Publisher\'s quarter cloth and printed boards. Some staining and spotting to covers, text portion in wrappers, loosely inserted into case.

考古和文物。 5个标题：

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MICROSCOPY.:8 titles:
1. GIROD-CHANTRANS, JUSTIN. 1750-1841. Recherches chimiques et microscopiques sur les conserves, bisses, tremelles, etc. Paris: Chez Bernard, An X (1802). 4to (265 x 202 mm). 36 hand-colored engraved plates. Later half green straight-grain morocco and marbled boards. Rubbed, old cloth tape label on spine, scattered spotting.
2. QUEKETT, JOHN THOMAS. 1815-1861. A Practical Treatise on the Use of the Microscope. London: Hippolyte Balliere, 1848. 8vo (215 x 133 mm). 9 engraved plates, numerous wood-engraved illustrations in text. Late-19th century half calf and marbled boards, spine decorated in blind with 5 raised bands, marbled edges. Large chip to top edge of spine, soiling to covers, plates closely trimmed at outside edges, toning.
3. COLE, ARTHUR C. 1821-1900. Studies in Microscopical Science. London: Balliere, Tindall Cox, 1883. 2 volumes. 8vo. 89 lithographic plates. Publisher\'s red cloth, stamped in gilt. Spines sunned, corners bumped, slight chipping to spine ends, mis-matched bookplates on front paste-downs, shaken, light browning.
4. ---. The Methods of Microscopical Research. London: Balliere, Tindall Cox, 1884. 8vo. 2 lithographic plates. Contemporary half black sheep and marbled boards. Rubbed, toning.
5. PETRI, RICHARD JULIUS. 1852-1921. Das Mikroskop. Von seinen Anfangen bis zur jetzigen Vervollkommnung fur alle Freunde dieses Instruments. Berlin: Richard Schoetz, 1896. Small 4to. 2 portrait plates, numerous illustrations in text. Contemporary half morocco and marbled boards. Heavily chipped, top joint cracked, toning.
6. CLAY, REGINALD S. 1868-1954, and THOMAS H. COURT. The History of the Microscope. London: Charles Griffin and Company, 1932. 4to. 164 illustrations in text. Publisher\'s red cloth. Sunned, slightly loose, spine ends bumped, a few pages with tape repairs, some ink notations.
7. BRÄUTIGAM, FRITZ. and ALFRED GRABNER. Editors. Beiträge zur Floreszenz-Mikroskopie. Vienna: Georg Fromme Co., 1949. 20 color illustrations on 10 pp. Publisher\'s quarter cloth and printed boards. Some staining and soiling to boards, insect damage to spine, light toning.
8. ROOSEBOOM, MARIA. Microscopium. Leiden: Rijksmuseum voor de Geschiedenis der Natuurwetenschappen, 1956. 4to. Publisher\'s grey cloth. Fabric tape label on spine, light soiling and wear., minor toning.

显微镜检查。 8个标题：

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EAST ASIAN ART.:10 titles:
1. TAKASHIMA, S. and KAZUMASA OGAWA, photographer. Illustrations of Japanese Life. Yokahama: 1893. 3 volumes. 8vo. 94 collotype photographic illustrations printed on crepe paper. Publisher\'s pictorial crepe paper wrappers, bound with silk twine, custom clamshell box. Rubbing and slight fading to wrappers, stains to clamshell box, light toning and spotting throughout.
2. JACOBY, GUSTAV. Japanische Schwertzieraten. Leipzig: 1904. Folio. 37 heliogravure plates. Publisher\'s pictorial cloth. Browning and staining to covers, slightly loose, even toning and light foxing.
3. BROCKHAUS, ALBERT. Netsuke. Leipzig: 1905. 4to. Numerous chromolithographic plates, wood-engraved and half-tone photographic illustrations in text. Publisher\'s brown suede, stamped in gilt. Suede deteriorating and torn, text block somewhat loose, toning.
4. GROHMANN, ADOLF. Göttersymbole und Symboltiere auf südarabischen Denkmälern. Vienna: 1914. Folio. Publisher\'s printed yellow wrappers, pages uncut. Numerous illustrations in text. Wear and soiling to wrappers, a few small tears to spine edges, toning.
5. KÜMMEL, OTTO. Meisterwerke chinesischer und japanischer Kunst, Sammlung Fuchs. Stuttgart and Berlin: 1910. Folio. 15 photographic plates, text introduction. Loose as issued, in board portfolio with string ties, custom cloth clamshell box. Portfolio rubbed, slight toning.
6. ---. Die Kunst Ostasiens. Berlin: 1922. 4to. 166 black and white photographic plates. Publisher\'s quarter cloth and boards. Staining to spine and covers, text block somewhat loose, toning.
7. GLASER, CURT. Die Kunst Ostasiens. Leipzig: 1920. 8vo. 56 photographic plates, some folding. Publisher\'s quarter cloth and boards. Covers sunned and slightly soiled, chips to spine ends corners bumped, light chipping to some page edges, toning.
8. GUNSAULUS, HELEN C. Japanese Sword-Mounts in the Collections of the Field Museum. Chicago: 1923. 61 photographic plates. Later quarter cloth and boards, original front wrapper laid down to upper board. Covers heavily rubbed and soiled, corners chipped, cloth tape lettering piece applied to spine, text block loose, browning.
9. GROUSSET, RENE. Art of the Far East. New York: 1945. 16 color photographic plates. Publisher\'s pictorial wrappers. Warping, wrappers heavily chipped, staining, light toning to interior.
10. VISSER, H.F.E. Asiatic Art. New York: 1948. Large 4to. Numerous color and black and white photographic plates. Publisher\'s black cloth stamped in gilt. Covers warped, text block slightly loose, slight foxing and browning.

东亚艺术。 10个标题：

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LOBEL, MATTHIAS DE. 1538-1616. :Plantarum seu Stirpium Historia [Bound with]: PENA, PIERRE and MATTHIAS DE LOBEL. Nova stirpium adversaria. Antwerp: Christopher Plantin, 1576.
Folio (315 x 225 mm). 2 parts in 1. Title within woodcut architectural border, woodcut illustrations by Antonii van Leest, Gerard Janssen van Kampen, et al. throughout, pasted-in illustrations on R3r and R4v, second work with 2 pasted-in illustrations on X6v and Ll2v, and 3 slips with woodcut illustrations tipped onto A6, C5 N4. Contemporary blind-tooled pigskin over beveled wooden boards, roll-tooled roundels of Luther, Erasmus and Melancthon on upper and rear boards, paper spine label, metal clasps; covers soiled, paper repairs to title, occasional toning and foxing.
Provenance: ink drawing of palm tree with ms notes by an early owner on rear paste-down; \"Kroeber\" (signature to front free endpaper); Naturforschende Gesellschaft (ink stamp on title).

FIRST EDITION OF LOBEL\'S STIRPIUM OBSERVATIONES AND THE SECOND, ENLARGED ISSUE OF NOVA STIRPIUM ADVERSARIA. The first work is a companion to the Nova Stirpium Adversaria, \"one of the milestones of modern botany\" (DNB), first published in London 1570-1 by Thomas Purfoot. Plantin purchased 800 copies of the London printing, re-issuing the original sheets with a new title page and expanded end matter and publishing it together with the first edition of De Lobel\'s Plantarum seu Stirpium Historia. \"The chief importance of this herbal lies in its system of classification which is better than that used by any contemporary botanist\" (Hunt I, p 28). Hunt 126-7; Nissen BBI 1218; Pritzel 5548.

洛贝尔，马蒂亚斯·德。1538-1616年。 Plantarum seu Stirpium Historia[绑定]：PENA、PIERRE和MATTHIAS DE LOBEL。对抗性新星。安特卫普：克里斯托弗·普兰廷，1576年。