图片文件像素：4600 x 3500 px

路易斯·哈格，19世纪的油画和水彩画-

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(Tournai 1806-1885 Stockwell)
Blick in das Querschiff des Mailänder Doms, signiert L. Haghe, Aquarell auf Papier auf Holz, 76 x 55 cm, gerahmt, (GG)

图片文件尺寸 : 4548 x 3883px

Nassos Daphnis: #14-66
signé et titré \'#14-66/ Nassos Daphnis\' (au dos)
émail sur carton contrecollé sur panneau dur, encadré par l\'artiste
74 x 53.5cm (29 1/8 x 21 1/16in).
Peint en 1966

signed and titled (on the reverse)
enamel on card and laid on hardboard, framed by the artist

纳索斯·达芙妮斯 #14-66

图片文件尺寸 : 5064 x 3512px

“虾，青铜花瓶支架。马丁-渔夫和鱼，园丁青铜和珐琅隔板。作者：莫里斯·皮拉德·弗奈尔-Maurice Pillard Verneuil

虾，一个花瓶的青铜支架。渔夫和鱼，园丁青铜和珐琅。-Maurice Pillard Verneuil (法国, 1869-1942)

图片文件尺寸 : 4967 x 4410px

Marcel Duchamp:Rotoreliefs (Optical Discs) (Schwarz 441)
The complete set of twelve offset lithographs in colours printed on both sides of six cardboard disks, 1935, all contained in the original black vinyl circular holder, from the first edition of 500 (Schwarz records that 300 sets were lost during World War II), in overall good condition, accompanied by a letter written by Marcel Duchamp to Ronald Hunt at the time of gifting him this set in 1962, within the original mail cardboard box

Each disk diameter 200mm. (7 7/8in.)

马塞尔·杜尚 Rotorelliefs

图片文件尺寸 : 3580 x 5200px

孔雀和鹅卵石，边缘。咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜咕噜-Maurice Pillard Verneuil

孔雀和鹅卵石，边缘。扇贝、海藻和贝壳，用珐琅隔开。-Maurice Pillard Verneuil (法国, 1869-1942)

图片文件尺寸 : 2500 x 3717px

“Nan和#yōyūsen Kabushiki Kaisha=Nanyo Yusen Kaisha=南海邮件S.S.有限[Bird]，作者：Sai-Sai

Nan’（南）yōyūsen Kabushiki Kaisha=南洋Yusen Kaisha=南海邮件有限[鸟]--Sai (Japanese, 19th Century)

图片文件像素：5485 x 5808 px

Maria Lassnig，当代艺术I-

Maria Lassnig * - Zeitgenössische Kunst I-

(Kappel, Carinthia, 1919–2014 Vienna)
“Untitled”, 1980, gouache, colour instruction for the print version of the painting “Die Last des Fleisches”, 1973, of the catalogue “Austria. Biennale di Venezia 1980. Maria Lassnig”, on paper (envelope from the gallery Peithner-Lichtenfels - addressed to Maria Lassnig), to the upper edge in the artist’s handwriting “Text ausbessern”, image size 17 x 21.5 cm, envelope 20.5 x 21.5 cm, framed

Provenance:
excerpt from an email from 20 May 2022

Registered:
Maria Lassnig Stiftung (14.10.2022)

This work is included in the Maria Lassnig catalogue raisonné (certificate available).

Auszug aus einem E-Mail, 20. Mai 2022:
“Mein Vater ... bekam die kleinformatige Arbeit von Maria Lassnig während der Herstellung des Kataloges “Austria. Biennale di Venezia 1980. Maria Lassnig” ... in der Druckerei Brüder Rosenbaum 1980 geschenkt.
Leider befand Maria Lassnig das Ektachrom ... ihres Gemäldes “Die Last des Fleisches” ... in der Farbwiedergabe nicht zufriedenstellend.
... mein Vater bat sie entsprechend um eine Orientierungshilfe ...
Maria Lassnig fertigte zuhause die vorliegende Gouache ... an.
Nach dem zweiten Probedruck und diversen Farbkorrekturen bekam mein Vater ... die Zustimmung Maria Lassnigs für den Druck sowie die Gouache von “Die Last des Fleisches” als Dankeschön zum Geschenk.
Die Arbeit blieb seither in Familienbesitz.”

Excerpt from an email from 20 May 2022:
“My father [...] received the small-format work by Maria Lassnig during the production of the catalogue Austria. Biennale di Venezia 1980.
Maria Lassnig [...] in the Rosenbaum Brothers printing house in 1980.

Unfortunately, Maria Lassnig found the ectachrome [...] of her painting „Die Last des Fleisches“ [...] was not satisfactory in its colour reproduction [...]. Accordingly, my father asked her for a guide [...] Maria Lassnig made the present gouache at home [...]. After the second test print and various colour corrections, my father [...] received Maria Lassnig’s approval for the print as well as the gouache of„Die Last des Fleisches“ as a thank-you gift. The work has remained in the family ever since.”