图片文件尺寸 : 4506 x 5162px

“Kiichi hōgen to oumaya kisanta”作者：Keisai Eisen-Keisai Eisen

Kiichi hōgen to oumaya kisanta--Keisai Eisen (Japanese, 1790-1848)

图片文件尺寸 : 4020 x 11466px

“Nagauta no keiko ni kayou shōjo”作者：Keisai Eisen-Keisai Eisen

Nagauta no keiko ni kayou shōjo--Keisai Eisen (Japanese, 1790-1848)

图片文件尺寸 : 4086 x 4551px

Eisen Keisai的《从黑鸟到琵琶到松石》（Heike monogatari to biwa to tsuitate）-Keisai Eisen

Heike monogatari to biwa to tsuitate--Keisai Eisen (Japanese, 1790-1848)

图片文件尺寸 : 5080 x 7530px

《筑屋的花村崎》（摘自《在马尔洛花丛中的美丽》系列），作者：Keisai Eisen-Keisai Eisen

The Courtesan Hanamurasaki of the Tsuchiya (from the series Beauties in their Finery amid Mallow Flowers)--Keisai Eisen (Japanese, 1790-1848)

图片文件尺寸 : 4089 x 11757px

凯西·艾森的《关于博物馆的事》-Keisai Eisen

Neko o idaku musume--Keisai Eisen (Japanese, 1790-1848)

图片文件尺寸 : 5335 x 7688px

“东方织锦图片（来自江户名品系列）”-Keisai Eisen

Pictures of Eastern Brocade (from the series Famous Products of Edo)--Keisai Eisen (Japanese, 1790-1848)

图片文件尺寸 : 7673 x 4890px

“江户隅田河上的雪景”-Keisai Eisen

A Distant View of Snow on the Sumida River in Edo--Keisai Eisen (Japanese, 1790-1848)

图片文件尺寸 : 5029 x 5216px

KEISAI EISEN (1790-1848):Edo period (1615-1868), circa 1827
An oban tate-e print from the series Imayo bijo kagami (Mirror of Beautiful Women of the Present Day), signed Keisai Eisen ga, published by Sanoya Kihei
14 x 9 3/4in (35.5 x 24.7cm)

艾森修正案（1790-1848） 江户时代，约1827年

图片文件尺寸 : 4891 x 4866px

KEISAI EISEN (1790-1848):Edo period (1615-1868), circa 1827
An oban tate-e print entitled Shiba shinme Kurumaya (Portrait of a Beauty at Kurumaya, Shiba), from the series Tosei kaiseki zukushi (Collection of Fashionable Restaurants of the Day), signed Keisai Eisen ga, published by Sanoya Kihei
14 x 9 3/4in (35.5 x 24.7cm)

艾森修正案（1790-1848） 江户时代，约1827年

图片文件尺寸 : 4888 x 5777px

SIX SURIMONO SHIKISHIBAN PRINTS:Edo period (1615-1868), 19th century
The first, a courtesan in a kimono decorated with a large dragon, and two poems, from the series Fuzoku onna Suikoden, hyaku-hachi ban no uchi (Fashionable Women as the 108 of the Water Margin), signed Ichiyusai Kuniyoshi ga (Utagawa Kuniyoshi, 1797–1861) and sealed; the second, the archer Miuranosuke confronting the court lady Tamamo no mae, with poems, signed Gakutei (Yashima Gakutei, 1786?–1868), with partially obscured publisher\'s seal; the third, depicting a beauty in a roundel and a peacock on a fan face, with a poem, from the series Honchoren juban tsuzuki (10 for the Honcho Circle), signed Gakutei (Yashima Gakutei, 1786?–1868) and sealed Sadaoka; the fourth, of the goddess Benzaiten playing a biwalute beneath prunus blossoms, with four poems, signed Eisen ga (Keisai Eisen, 1790-1848); the fifth, of two beauties, one preparing to put an inked brush to paper and the other holding a painting of Mount Fuji, with four poems, signed Keisai (Keisai Eisen, 1790-1848); the sixth, of two beauties playing with Japanese battledore and shuttlecock next to a blossoming prunus tree, with two poems, signed Eisho hitsu (Shunsai Eisho/Harukawa Eicho, 1784-1848) and sealed (6)
8 5/16 x 7 1/2in (21.1 x 19cm), the largest

六张＜I＞SURIMONO SHIKISHIBAN</I＞照片 江户时代，19世纪