图片文件尺寸 : 4211 x 3838px

Peter Doig: Drunken Beach, 2016
Screenprint in colors on Lanaquerelle paper, signed in pencil, dated and numbered PP 5/5 (a printer\'s proof, aside from the edition of 20), published by Two Palms, New York, the full sheet.
sheet 60 x 47in (152.4 x 119.3cm)

彼得·多伊格 醉酒海滩

图片文件尺寸 : 5406 x 5602px

Robert Natkin: Untitled, 1979
Screenprint on wove paper with acrylic additions, signed and dated in pencil, with full margins.
26 3/4 x 36 1/2in (75.5 x 92.7cm)
sheet 29 3/4 x 39 1/4in (75 x 99.6cm)

罗伯特·纳特金 无 题

图片文件尺寸 : 4297 x 5171px

Yannis Gaïtis: Medaillon noir
painted wooden construction in carved frame by the artist
102 x 72 cm ( in oval shape).
Painted in 1977.

Yannis Ga时间 黑色奖章102 x 72厘米。

图片文件尺寸 : 3992 x 4592px

Belmore Browne:Lake Louise, Rising Clouds
signed \'Belmore Browne\' (lower right) and signed again and titled (on the original backing board affixed on the reverse)
oil on canvas
30 x 40 in.
framed 34 1/2 x 44 1/2 in.

Belmore Browne 路易斯湖，上升的云30 x 40英寸。框架34 1/2 x 44 1/2英寸。

图片文件尺寸 : 5153 x 5937px

Leon Schulman Gaspard:Mother and Child
signed and inscribed \'Leon S. Gaspard Taos\' (lower left)
oil on silk mounted on board
5 3/4 x 4 1/4 in.
framed 10 1/2 x 9 in.

莱昂·舒尔曼·加斯帕德 母亲和孩子5 3/4 x 4 1/4英寸。框架10 1/2 x 9英寸。

图片文件尺寸 : 4865 x 5229px

Pablo Picasso:Variation sur Le déjeuner sur l\'herbe de Manet (Bloch 1023), 1961
Linoleum cut on Arches wove paper, signed in pencil, a proof aside from the edition of 50, published in 1963 by Galerie Louise Leiris, Paris, printed by Arnéra, Vallauris, with the inkstamp of Marina Picasso (Lugt 3698) on the reverse, with full margins.
21 x 25 1/4in (53.5 x 64cm)
sheet 24 1/2 x 29 5/8in (62.5 x 75.5cm)

巴勃罗·毕加索 马奈草上午餐的变化

图片文件尺寸 : 4932 x 3939px

Paul de Longpre: Roses and blossoms with fan, butterflies and birds
signed \'Paul de Longpr\' (lower right)
oil on canvas laid to board
19 1/2 x 15 1/2in
framed 25 x 21in

保罗·德·朗普雷 玫瑰和花朵与扇子、蝴蝶和鸟类19 1/2 x 15 1/2英寸框架25 x 21英寸

图片文件尺寸 : 4985 x 3950px

Robert Motherwell:Untitled, from London Series II (Enberg Banach 98), 1971
Screenprint in colors on J.B. Green mould made Double Elephant paper, signed in pencil and numbered 94/150, with the blindstamp of the artist, published by Marlborough Graphics, Inc., New York, printed by Chris Prater, Kelpra Studio, London, verso, the full sheet, printed bleed to one edge of sheet.
19 1/4 x 27 1/2in (48.8 x 69.8cm)
sheet 28 1/2 x 41in (71.7 x 104.1cm)

罗伯特·马瑟韦尔 无标题，来自伦敦系列赛II

图片文件尺寸 : 4935 x 4369px

After Andy Warhol: Ludwig van Beethoven (Gray), 2002
Porcelain plaque in colors in original wooden frame, with the printed signature \'Andy Warhol\' and the manufacturer\'s mark \'Rosenthal studio-line\', numbered \'34\'/49 in felt pen on the edition label affixed to the frame verso, from the series \'Andy Warhol Collection\', published by Rosenthal studio-line, Germany and The Andy Warhol Art Foundation for the Visual Arts Inc., New York, with edition label, accompanying certificate and original wooden box.
20 1/8 x 20 1/8 x 1in (51 x 51 x 2.5cm) including frame

安迪·沃霍尔之后 路德维希·范·贝多芬

图片文件尺寸 : 4576 x 5013px

JUDAICA.:Tractatus de Judaeorum et Christianorum communione et conversatione. [Basel: Martin Flach, not after 1474.]
Folio (282 x 210 mm). 16 leaves. 34 lines. Flach\'s type 1:117G. Initials in blue and red. Modern mottled calf. Some minor staining.

FIRST EDITION of the 1447 edict commanding that Jews convert to Christianity. Martin Flach began his career as a journeyman in Strassburg in 1472 before printing in his own name from 1487. RARE: according to American Book Prices Current only one other copy sold at auction in the past 45 years. BMC III,740; BSB-Ink T-411; Goff J-493; GW 7258; HC 9464.

犹大。 犹太人和基督徒在共同和对话中留下的痕迹。[巴塞尔：马丁·弗莱奇，1474年之后才开始。]