382. 萨尔瓦多·达尔 59号板块,至少有五六个来自戈雅的突发奇想弗朗西斯科·戈雅·普拉特59岁,他们还没有离开!从幻想中 高清作品[57%]

Plate 59, Cinco o seis por lo menos  from Les Caprices de Goya; FRANCISCO GOYA  Plate 59, Y aun no se van! from Los Caprichos

图片文件尺寸 : 5260 x 4921px

Salvador Dal&~;: Plate 59, Cinco o seis por lo menos from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 59, Y aun no se van! from Los Caprichos (2 works) (Field 77-3-22; Delteil 96; Harris 94), 1799; 1977
Heliogravure of Goya\'s plate 59, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 59, Y aun no se van! from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/ Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 59号板块,至少有五六个来自戈雅的突发奇想弗朗西斯科·戈雅·普拉特59岁,他们还没有离开!从幻想中

384. 邓肯·格里森 “San Carlos”第一艘进入旧金山港的船只,尺寸为25 x 30英寸。框架33 x 38英寸。 高清作品[56%]

\'San Carlos\' First Ship to Enter San Francisco Harbor 25 x 30 in. framed 33 x 38 in.

图片文件尺寸 : 5291 x 4555px

Duncan Gleason:\'San Carlos\' First Ship to Enter San Francisco Harbor
signed \'Duncan Gleason\' (lower right) and titled on the artist\'s typed label (on the reverse)
oil on canvas
25 x 30 in.
framed 33 x 38 in.

邓肯·格里森 “San Carlos”第一艘进入旧金山港的船只,尺寸为25 x 30英寸。框架33 x 38英寸。

385. 《弗朗西斯科·佩斯卡托里·巴罗尼·马斯蒂戈利·帕斯夸尔(1721-1791)圣安德烈斯·德·帕尔马第三侯爵肖像》阿戈斯蒂诺·马苏奇 高清作品[56%]

Portrait Of Francisco Pescatori Baroni Mastigoli Y Pasqual (17211791), Third Marquis Of San Andrès De Parma-

图片文件尺寸 : 2660 x 4000px

《弗朗西斯科·佩斯卡托里·巴罗尼·马斯蒂戈利·帕斯夸尔(1721-1791)圣安德烈斯·德·帕尔马第三侯爵肖像》阿戈斯蒂诺·马苏奇-Agostino Masucci

Portrait Of Francisco Pescatori Baroni Mastigoli Y Pasqual (17211791), Third Marquis Of San Andrès De Parma--Agostino Masucci (意大利, 1692-1768)

386. 萨尔瓦多·达利 32号板块,卢利奥的催眠弦从戈雅的任性中发出加上弗朗西斯科·戈雅·普拉特32号,因为他对突发奇想很敏感 高清作品[56%]

Plate 32, Cuerda hipnagogica de Lulio estringido from Les Caprices de Goya; plus FRANCISCO GOYA  Plate 32, Porque fue sensible  from Los Caprichos

图片文件尺寸 : 5254 x 5276px

Salvador Dalí:Plate 32, Cuerda hipnagogica de Lulio estringido from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 32, Porque fue sensible (Because she was susceptible) from Los Caprichos (2 works) (Field 77-3-50: Delteil 69; Harris 67), 1977; 1799
Heliogravure of Goya\'s plate 32, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 32, Por que fue Sensible from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 32号板块,卢利奥的催眠弦从戈雅的任性中发出加上弗朗西斯科·戈雅·普拉特32号,因为他对突发奇想很敏感

388. 詹姆斯·马奇·菲利普斯 从耶尔巴布埃纳岛的克利伯湾海滩眺望旧金山海湾大桥,16 1/8 x 26 3/4英寸,框架19 1/4 x 30英寸 高清作品[52%]

A View of the Bay Bridge, Looking Toward San Francisco from Clipper Cove Beach on Yerba Buena Island 16 1/8 x 26 3/4in framed 19 1/4 x 30in

图片文件尺寸 : 5431 x 3858px

James March Phillips: A View of the Bay Bridge, Looking Toward San Francisco from Clipper Cove Beach on Yerba Buena Island
signed \'JAMES MARCH PHILLIPS\' (lower left)
watercolor on paper
16 1/8 x 26 3/4in
framed 19 1/4 x 30in

詹姆斯·马奇·菲利普斯 从耶尔巴布埃纳岛的克利伯湾海滩眺望旧金山海湾大桥,16 1/8 x 26 3/4英寸,框架19 1/4 x 30英寸

francisco油画图片- 高清francisco绘画作品- 代表作全集 中艺名画下载


382. 萨尔瓦多·达尔 59号板块,至少有五六个来自戈雅的突发奇想弗朗西斯科·戈雅·普拉特59岁,他们还没有离开!从幻想中 高清作品[57%]

Plate 59, Cinco o seis por lo menos  from Les Caprices de Goya; FRANCISCO GOYA  Plate 59, Y aun no se van! from Los Caprichos

图片文件尺寸 : 5260 x 4921px

Salvador Dal&~;: Plate 59, Cinco o seis por lo menos from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 59, Y aun no se van! from Los Caprichos (2 works) (Field 77-3-22; Delteil 96; Harris 94), 1799; 1977
Heliogravure of Goya\'s plate 59, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 59, Y aun no se van! from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/ Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 59号板块,至少有五六个来自戈雅的突发奇想弗朗西斯科·戈雅·普拉特59岁,他们还没有离开!从幻想中

384. 邓肯·格里森 “San Carlos”第一艘进入旧金山港的船只,尺寸为25 x 30英寸。框架33 x 38英寸。 高清作品[56%]

\'San Carlos\' First Ship to Enter San Francisco Harbor 25 x 30 in. framed 33 x 38 in.

图片文件尺寸 : 5291 x 4555px

Duncan Gleason:\'San Carlos\' First Ship to Enter San Francisco Harbor
signed \'Duncan Gleason\' (lower right) and titled on the artist\'s typed label (on the reverse)
oil on canvas
25 x 30 in.
framed 33 x 38 in.

邓肯·格里森 “San Carlos”第一艘进入旧金山港的船只,尺寸为25 x 30英寸。框架33 x 38英寸。

385. 《弗朗西斯科·佩斯卡托里·巴罗尼·马斯蒂戈利·帕斯夸尔(1721-1791)圣安德烈斯·德·帕尔马第三侯爵肖像》阿戈斯蒂诺·马苏奇 高清作品[56%]

Portrait Of Francisco Pescatori Baroni Mastigoli Y Pasqual (17211791), Third Marquis Of San Andrès De Parma-

图片文件尺寸 : 2660 x 4000px

《弗朗西斯科·佩斯卡托里·巴罗尼·马斯蒂戈利·帕斯夸尔(1721-1791)圣安德烈斯·德·帕尔马第三侯爵肖像》阿戈斯蒂诺·马苏奇-Agostino Masucci

Portrait Of Francisco Pescatori Baroni Mastigoli Y Pasqual (17211791), Third Marquis Of San Andrès De Parma--Agostino Masucci (意大利, 1692-1768)

386. 萨尔瓦多·达利 32号板块,卢利奥的催眠弦从戈雅的任性中发出加上弗朗西斯科·戈雅·普拉特32号,因为他对突发奇想很敏感 高清作品[56%]

Plate 32, Cuerda hipnagogica de Lulio estringido from Les Caprices de Goya; plus FRANCISCO GOYA  Plate 32, Porque fue sensible  from Los Caprichos

图片文件尺寸 : 5254 x 5276px

Salvador Dalí:Plate 32, Cuerda hipnagogica de Lulio estringido from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 32, Porque fue sensible (Because she was susceptible) from Los Caprichos (2 works) (Field 77-3-50: Delteil 69; Harris 67), 1977; 1799
Heliogravure of Goya\'s plate 32, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 32, Por que fue Sensible from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 32号板块,卢利奥的催眠弦从戈雅的任性中发出加上弗朗西斯科·戈雅·普拉特32号,因为他对突发奇想很敏感

388. 詹姆斯·马奇·菲利普斯 从耶尔巴布埃纳岛的克利伯湾海滩眺望旧金山海湾大桥,16 1/8 x 26 3/4英寸,框架19 1/4 x 30英寸 高清作品[52%]

A View of the Bay Bridge, Looking Toward San Francisco from Clipper Cove Beach on Yerba Buena Island 16 1/8 x 26 3/4in framed 19 1/4 x 30in

图片文件尺寸 : 5431 x 3858px

James March Phillips: A View of the Bay Bridge, Looking Toward San Francisco from Clipper Cove Beach on Yerba Buena Island
signed \'JAMES MARCH PHILLIPS\' (lower left)
watercolor on paper
16 1/8 x 26 3/4in
framed 19 1/4 x 30in

詹姆斯·马奇·菲利普斯 从耶尔巴布埃纳岛的克利伯湾海滩眺望旧金山海湾大桥,16 1/8 x 26 3/4英寸,框架19 1/4 x 30英寸