381. 房子,巴托洛姆·德。 《根据西班牙法定人数进行的印度地区叙事》Devastatarum Verissima……法兰克福:Theodor de Bry和Johann Saur,1598年。 高清作品[30%]

Narratio Regionum Indicarum Per Hispanos Quosdam Devastatarum Verissima....  Frankfurt: Theodor de Bry and Johann Saur, 1598.

图片文件尺寸 : 5074 x 4552px

LAS CASAS, BARTOLOME DE. :Narratio Regionum Indicarum Per Hispanos Quosdam Devastatarum Verissima.... Frankfurt: Theodor de Bry and Johann Saur, 1598.
4to (202 x 160 mm). Title printed within wide pictorial engraved border, 17 engraved half-page illustrations in text by the brothers de Bry after Josse van Winghe. [8], 141, [1] pp., lacking the final blank. Modern half brown morocco; front joint rubbed, some light staining and foxing, title border and one other engraving trimmed close at fore-edge.
Provenance: Royal Institution of Great Britain (library and discard stamps on front paste-down, gilt stamp on spine).

FIRST LATIN EDITION of Las Casas\'s classic work, which includes the celebrated series of plates depicting the atrocities committed by the Spanish settlers on the Indians. Alden 598.20; Church 320; Palau 46960; Sabin 11283.

房子,巴托洛姆·德。 《根据西班牙法定人数进行的印度地区叙事》Devastatarum Verissima……法兰克福:Theodor de Bry和Johann Saur,1598年。

382. 洛克纳,约翰内斯·亨里克斯。1695-1715. 1716年,曾在纽伦堡巴西利乌斯和迈克尔·鲁珀图斯·贝斯勒里上大学的贝斯勒里亚博物馆。 高清作品[30%]

Rariora musei Besleriani quae olim Basilius et Michael Rupertus Besleri collegerunt.... [Nuremburg]: 1716.

图片文件尺寸 : 4025 x 4233px

LOCHNER, JOHANNES HENRICUS. 1695-1715.:Rariora musei Besleriani quae olim Basilius et Michael Rupertus Besleri collegerunt.... [Nuremburg]: 1716.
Folio (290 x 182 mm). Engraved portrait of Lochner, 40 folding plates. Modern cloth. Portrait trimmed, plate 3 laid down on paper, staining throughout, affecting plates.
Provenance: Thomas Dale, M.D. (ink inscription dated 1783); William Clift (ink inscription dated 1833).

FIRST EDITION OF THIS CATALOGUE OF BESLER\'S FAMOUS COLLECTION, first assembled by the German apothecary Basil Besler (1561-1629); upon his death, his nephew Michael Rupert Besler (1607-1661) \"inherited the marvelous cabinet of rarities\" (Wilson, The History of Mineral Collecting p 160; p 204).
Balsinger pp 691-92; Murray, II, p 117; Nissen ZBI, 348 (under Besler, Michael).

洛克纳,约翰内斯·亨里克斯。1695-1715. 1716年,曾在纽伦堡巴西利乌斯和迈克尔·鲁珀图斯·贝斯勒里上大学的贝斯勒里亚博物馆。

383. 昆虫。 6个标题: 高清作品[30%]

6 titles:

图片文件尺寸 : 4518 x 5144px

INSECTS.:6 titles:
1. SCHÄFFER, JACOB CHRISTIAN. Abhandlungen von Insecten. Regenburg: Johann Leopold Montag, 1764. 3 volumes. 4to. Portrait frontispiece, 48 hand-colored engraved plates. Modern quarter morocco and cloth. Portrait and title page of first volume heavily browned, chipped and laid down; scattered browning throughout. Nissen 3619.
2. EHRENBERG, CHRISTIAN GOTTFRIED; and WILHELM FRIEDRICH HEMPRICH. Symbolae physicae seu icones et descriptiones ... pars zoologica. [Berlin: Ex Officina Academica, 1899]. Folio. 10 color lithographic plates (of 122), with descriptive text leaves. Later board portfolio with penciled titles on cover. Browning and chipping to edges.
3. REDI, FRANCESCO. Experimenta circa generationem insectorum.... Amsterdam: Henric Wetsten, 1686. 12mo. 42 (of 45) engraved plates. Later half vellum and boards.
4. BONNET, CHARLES. Traite d\'insectologie; ou observations sur les pucerons. Paris: 1745. 2 volumes. 8vo. 2 folding letterpress tables, 8 (of 30) folding engraved plates. Contemporary calf, rebacked retaining original covers and spine, modern cloth slipcase. Scattered toning and spotting. First edition. Garrison-Morton-Norman 308; Nissen ZBI 462.
5. PANZER, GEORG WOLFGANG FRANZ. Faunae insectorum Germanicae initia. Nuremburg: Felsecker, 1793-1829. 3 vols. 8vo. 231 hand-colored engraved illustrations (of 1,623), text caption leaves, lacking title pages. 19th century quarter calf and marbled boards, later marbled paper-covered slipcase. Joints slightly tender, light toning and spotting, incomplete set.
6. BERENDT, NATHANAEL. Die Insekten im Bernstein. Danzig: 1830. 4to. Early 20th century quarter morocco and textured cloth boards. Rubbed, inventory label on upper cover, browning and creases throughout.

昆虫。 6个标题:

384. 宗教哲学。 4个标题: 高清作品[29%]

4 titles:

图片文件尺寸 : 5075 x 5921px

RELIGIOUS PHILOSOPHY. :4 titles:
1. CLARKE, SAMUEL. 1599-1682. A Mirrour or Looking-Glasse both for Saints, and Sinners. London: Printed for Thomas Newberry, 1654. 8vo (163 x 107 mm). Engraved portrait, additional engraved title with historiated border. Modern quarter morocco and marbled boards. Portrait laid down and trimmed into image border at outside edge, spotting and some staining.
2. [PEYRERE, ISAAC DE LA. 1596-1676.] Men before Adam. Or a Discourse upon the twelfth, thirteenth, and fourteenth verses of the Fifth Chapter of the Epistle of the Apostle Paul to the Romans. London: 1656. 8vo (165 x 100 mm). Engraved folding map of the holy lands. Contemporary mottled calf, rebacked, morocco gilt lettering piece on spine. Extensive ink notations on recto and verso of front blank and rear endpaper, ink ownership inscription on title, some ink marginalia, browning and minor staining, margins and edges of map trimmed.
3. DALE, ANTHONY. 1638-1708. De oraculis veterum ethnicorum dissertiones duae.... Amsterdam: Henric and Theodor Boom, 1700. 8vo (210 x 159 mm). Title page in red and black with woodcut printer\'s device, 8 folding engraved plates. Modern half calf and marbled boards. Library stamp on title (Ex Bibliotheca Viennensis), crudely erased; light spotting. Second edition. Caillet 10999.
4. WILLIAM OF TYRE. 1130-1186. Geschichte der Kreuzzuege und des Koenighreichs Jerusalem. Stuttgart: Adolph Krabbe, 1840. 8vo. Publisher\'s mottled boards. Wear and chipping to covers, corners bumped, lacking 2 plans and a chart, spotting and foxing. First German edition of Historia rerum in partibus transmarinis gestarum, translated by E. and R. Kausler.

宗教哲学。 4个标题:

385. 本·沙恩 因此,当然,正如格鲁夫所说,在严峻的情绪中对抗统一主义和本·沙恩是徒劳的:一对作品图像,8 1/4 x 6英寸,纸张,10 x 6 7/8英寸分别为12 x 8 7/8英寸 高清作品[29%]

Thus Proving, Of Course, The Futility of Fighting Unionism and Ben Shahn in an Adamant Mood as Gruff Says: A Pair of Works image, 8 1/4 x 6in , sheet, 10 x 6 7/8in ; 12 x 8 7/8in , respectively

图片文件尺寸 : 4276 x 5897px

Ben Shahn: Thus Proving, Of Course, The Futility of Fighting Unionism and Ben Shan in an Adamant Mood as Gruff Says: A Pair of Works
signed \'Ben Shahn. fecit.\' (lower right); signed and inscribed with title \'Ben Shahn in / an adamant / mood as Gruff / says.\' (lower right), respectively
watercolor, ink and whiting on paper; ink on artists sketch paper laid down on board, respectively
image, 8 1/4 x 6in (21 x 15.2cm), sheet, 10 x 6 7/8in (25.4 x 17.5cm); 12 x 8 7/8in (30.5 x 22.5cm), respectively

本·沙恩 因此,当然,正如格鲁夫所说,在严峻的情绪中对抗统一主义和本·沙恩是徒劳的:一对作品图像,8 1/4 x 6英寸,纸张,10 x 6 7/8英寸分别为12 x 8 7/8英寸

386. 本·以斯拉,亚伯拉罕是我的。1092-1167. 阿布拉赫·阿韦纳里斯·朱迪在司法歌剧中的占星术……威尼斯:彼得·列支敦斯登,1507年。 高清作品[29%]

Abrahe Avenaris Judei Astrologi peritissimi in re iudiciali opera.... Venice: Peter Liechtenstein, 1507.

图片文件尺寸 : 4078 x 4955px

IBN EZRA, ABRAHAM BEN ME\'IR. 1092-1167.:D\'ABANO, PIETRO, translator. c.1257-1316. Abrahe Avenaris Judei Astrologi peritissimi in re iudiciali opera.... Venice: Peter Liechtenstein, 1507.
Small 4to (200 x 155 mm). Woodcut initials, some hand-colored, blackletter text. 19th century armorial calf, rebacked. Leaf XCII lacking, replaced by a blank, bookplate to front paste-down, light dampstaining to outside lower corners, extensive early inked marginalia, light scattered browning and spotting.
Provenance: Robert Loyd-Lindsay, VC, KCB, 1st Baron Wantage (armorial binding); J.L.E. Dreyer (Danis Astronomer, 1852-1926, bookplate).

Rare early Latin edition of the collected astrological works of Abraham Ibn Ezra. Born in Tudela, in Moorish Spain, Ibn Ezra traveled extensively throughout the Middle East, and had a great outpouring of written works after about 1140, comprising poetry, commentary on the Torah, works on Hebrew grammar, philosophy, and science. His scientific works on astrology were written when he lived in Beziers, France, between 1147 and 1148.

本·以斯拉,亚伯拉罕是我的。1092-1167. 阿布拉赫·阿韦纳里斯·朱迪在司法歌剧中的占星术……威尼斯:彼得·列支敦斯登,1507年。

387. 朱塞佩·桑托马索 高清作品[29%]

DO-Giuseppe Santomaso  - 现代艺术 I
图片文件像素:5880 x 4350 px

朱塞佩·桑托马索-

Giuseppe Santomaso * - Zeitgenössische Kunst I-

(Venice 1907–1990)
Nero e giallo, 1959, signed and dated, oil on paper laid down on wood, 66.5 x 47 cm, framed

This work is registered in the Archivio Santomaso, Galleria Blu, Milan

Provenance:
Alitalia Collection
Sale Finarte, Asta della Collezione Alitalia, Rome, 8 December 2009, lot 132
Sale Farsetti, Prato, 28 November 2014, lot 405 (certificate of provenance available)
European Private Collection

Exhibited:
Rome, Santomaso, Galleria Pogliani, 28 November - 20 December 1959, mentioned in the exh. cat. (with wrong medium)

Literature:
L. Alfieri, Santomaso. Catalogue raisonné 1931–1974, Alfieri,
Venice 1975, no. 318 (with wrong medium)

The great achievements of the Alitalia airline between 1960 and 1961 also comprise the exact period in which the nucleus of the entire collection was formed. The idea of bringing works of art on board aircraft was Corrado Cagli’s, who had to garner the support of engineer Bruno Velani. He had two clear objectives: to make the flight more pleasant by stimulating the traveller\'s aesthetic sensibilities and to disseminate 意大利 artistic culture abroad. Cagli, helped by his friend and gallery owner Bruno Herlitzka, directly commissioned some of the paintings exhibited in the aircraft from the most talented young artists.

[...] Taken as a whole, the collection constitutes a rare compendium of what was happening mainly between 1954 and 1962, thus documenting a good part of the major trends in the 意大利 art world (Burri, Fontana, Gruppo degli Otto, Forma 1, etc.).
(Cfr. Finarte, Asta della Collezione Alitalia, Rome, 8 December 2009)

388. 乌利塞,阿尔德罗凡迪。 在他死后,我吃了书中剩下的四种动物:不是熔化的、甲壳动物、目击者和浮游动物。博洛尼亚:J.B.Bellagambam,1606年。 高清作品[29%]

De reliquis animalibus exanguibus libri quatuor, post mortem eius editi: nempe de mollibus, crustaceis, testaceis et zoophytis. Bologna: J.B. Bellagambam, 1606.

图片文件尺寸 : 4745 x 4602px

ALDROVANDI, ULISSE.:De reliquis animalibus exanguibus libri quatuor, post mortem eius editi: nempe de mollibus, crustaceis, testaceis et zoophytis. Bologna: J.B. Bellagambam, 1606.
Folio (358 x 230 mm). Engraved title with architectural border, engraved portrait, woodcut illustrations throughout. Modern morocco-backed marbled paper boards, gilt titles to spine. Engraved title repaired and laid down, as is the \"Registrum\" at end.

FIRST EDITION of Aldrovandi\'s treatise on shellfish, octopi, shells, and jellyfish—one of the earliest works and the largest assembly of conchological illustrations and descriptions to date. Aldrovandi \"was among the first to attempt to free the natural sciences from the stifling influence of the authority of textbooks, for which he substituted, as far as possible, direct study and observation of the animal, vegetable, and mineral worlds\" (DSB). Nissen ZBI 68.

乌利塞,阿尔德罗凡迪。 在他死后,我吃了书中剩下的四种动物:不是熔化的、甲壳动物、目击者和浮游动物。博洛尼亚:J.B.Bellagambam,1606年。

389. 兰克雷,皮埃尔·德。1553-1631年。 邪恶天使和恶魔变幻莫测的画面。巴黎:N.Buon,1613年。 高清作品[29%]

Tableau de l\'inconstance des mauvais anges et démons. Paris: N. Buon, 1613.

图片文件尺寸 : 4833 x 4027px

LANCRE, PIERRE DE. 1553–1631.:Tableau de l\'inconstance des mauvais anges et démons. Paris: N. Buon, 1613.
8vo (225 x 165 mm). Large folding engraved plate. 19th century red morocco gilt by L. Geutant, brown morocco gilt doublures, silk endleaves, all edges gilt. Light rubbing and a few stains to covers, small tears and fraying edges to silk endleaf at front, bookplate to verso of front endleaf, edges of title page repaired with no loss of text, first page of text re-margined at fore-edge, folding plate laid down and re-margined, attempted censoring of nude figures in plate, some browning and spotting.
Provenance: Stanislas de Guaita (French poet, 1861-1897, signed notation on front flyleaf).

Second, revised edition, with the rare \"Sabbat des Sorciers\" folding plate, often lacking. Lancre, a judge from Bordeaux, was ordered by King Henri IV to put an end to witchcraft in the Basque country. Lancre, who harbored an animus for the Basque that is made evident in this work, sentenced several dozen people to be burned at the stake. Cf. Caillet II:408 (first edition); Dorbon Bibliotheca esoterica, 256:2467; USTC 6016932.

兰克雷,皮埃尔·德。1553-1631年。 邪恶天使和恶魔变幻莫测的画面。巴黎:N.Buon,1613年。

390. 一套油漆燃烧游戏 江户时代,19世纪 高清作品[29%]

Edo period , 19th century

图片文件尺寸 : 4998 x 5058px

A LACQUER INCENSE-GAME SET:Edo period (1615-1868), 19th century
Comprising a base supported on four bracket feet, a tiered box with lid and an outer cover with cut-out sides reaching down to the base; the tiered box containing: a base with salt-makers\' kilns and rakes on a pine-clad shore; a tray with seven sets of five small boxes inscribed with the names of different incense-game formats including Kokinko (Ancient and Modern), Genpeiko (Minamoto and Taira), and Jusshuko (Ten Varieties); another tray with implements for cutting and arranging incense; a suzuribako (writing box) for recording guesses and scores, fitted with a suzuri (inkstone) and suiteki (water dropper), the lid with ho-o birds and autumn plants; a checkered board for game tokens; and a lid with blossoming cherry trees and birds in flight, the sides of the box with a variety of scenes including birds on a flowering prunus tree with frogs in the water below, and a willow tree and bridge, the top of the outer cover with flowering wisteria arranged on a bamboo framework; the decoration in gold, aokin, and silver hiramaki-e and takamaki-e, with shell details on the outer cover, against a ground of polished black lacquer or gold hirame flakes over black lacquer, the implements with silver and steel components
8 1/8 x 10 3/4 x 8 3/4in (20.6 x 27.3 x 22.2cm)

一套油漆燃烧游戏 江户时代,19世纪

downing油画图片- 高清downing绘画作品- 代表作全集 中艺名画下载


381. 房子,巴托洛姆·德。 《根据西班牙法定人数进行的印度地区叙事》Devastatarum Verissima……法兰克福:Theodor de Bry和Johann Saur,1598年。 高清作品[30%]

Narratio Regionum Indicarum Per Hispanos Quosdam Devastatarum Verissima....  Frankfurt: Theodor de Bry and Johann Saur, 1598.

图片文件尺寸 : 5074 x 4552px

LAS CASAS, BARTOLOME DE. :Narratio Regionum Indicarum Per Hispanos Quosdam Devastatarum Verissima.... Frankfurt: Theodor de Bry and Johann Saur, 1598.
4to (202 x 160 mm). Title printed within wide pictorial engraved border, 17 engraved half-page illustrations in text by the brothers de Bry after Josse van Winghe. [8], 141, [1] pp., lacking the final blank. Modern half brown morocco; front joint rubbed, some light staining and foxing, title border and one other engraving trimmed close at fore-edge.
Provenance: Royal Institution of Great Britain (library and discard stamps on front paste-down, gilt stamp on spine).

FIRST LATIN EDITION of Las Casas\'s classic work, which includes the celebrated series of plates depicting the atrocities committed by the Spanish settlers on the Indians. Alden 598.20; Church 320; Palau 46960; Sabin 11283.

房子,巴托洛姆·德。 《根据西班牙法定人数进行的印度地区叙事》Devastatarum Verissima……法兰克福:Theodor de Bry和Johann Saur,1598年。

382. 洛克纳,约翰内斯·亨里克斯。1695-1715. 1716年,曾在纽伦堡巴西利乌斯和迈克尔·鲁珀图斯·贝斯勒里上大学的贝斯勒里亚博物馆。 高清作品[30%]

Rariora musei Besleriani quae olim Basilius et Michael Rupertus Besleri collegerunt.... [Nuremburg]: 1716.

图片文件尺寸 : 4025 x 4233px

LOCHNER, JOHANNES HENRICUS. 1695-1715.:Rariora musei Besleriani quae olim Basilius et Michael Rupertus Besleri collegerunt.... [Nuremburg]: 1716.
Folio (290 x 182 mm). Engraved portrait of Lochner, 40 folding plates. Modern cloth. Portrait trimmed, plate 3 laid down on paper, staining throughout, affecting plates.
Provenance: Thomas Dale, M.D. (ink inscription dated 1783); William Clift (ink inscription dated 1833).

FIRST EDITION OF THIS CATALOGUE OF BESLER\'S FAMOUS COLLECTION, first assembled by the German apothecary Basil Besler (1561-1629); upon his death, his nephew Michael Rupert Besler (1607-1661) \"inherited the marvelous cabinet of rarities\" (Wilson, The History of Mineral Collecting p 160; p 204).
Balsinger pp 691-92; Murray, II, p 117; Nissen ZBI, 348 (under Besler, Michael).

洛克纳,约翰内斯·亨里克斯。1695-1715. 1716年,曾在纽伦堡巴西利乌斯和迈克尔·鲁珀图斯·贝斯勒里上大学的贝斯勒里亚博物馆。

383. 昆虫。 6个标题: 高清作品[30%]

6 titles:

图片文件尺寸 : 4518 x 5144px

INSECTS.:6 titles:
1. SCHÄFFER, JACOB CHRISTIAN. Abhandlungen von Insecten. Regenburg: Johann Leopold Montag, 1764. 3 volumes. 4to. Portrait frontispiece, 48 hand-colored engraved plates. Modern quarter morocco and cloth. Portrait and title page of first volume heavily browned, chipped and laid down; scattered browning throughout. Nissen 3619.
2. EHRENBERG, CHRISTIAN GOTTFRIED; and WILHELM FRIEDRICH HEMPRICH. Symbolae physicae seu icones et descriptiones ... pars zoologica. [Berlin: Ex Officina Academica, 1899]. Folio. 10 color lithographic plates (of 122), with descriptive text leaves. Later board portfolio with penciled titles on cover. Browning and chipping to edges.
3. REDI, FRANCESCO. Experimenta circa generationem insectorum.... Amsterdam: Henric Wetsten, 1686. 12mo. 42 (of 45) engraved plates. Later half vellum and boards.
4. BONNET, CHARLES. Traite d\'insectologie; ou observations sur les pucerons. Paris: 1745. 2 volumes. 8vo. 2 folding letterpress tables, 8 (of 30) folding engraved plates. Contemporary calf, rebacked retaining original covers and spine, modern cloth slipcase. Scattered toning and spotting. First edition. Garrison-Morton-Norman 308; Nissen ZBI 462.
5. PANZER, GEORG WOLFGANG FRANZ. Faunae insectorum Germanicae initia. Nuremburg: Felsecker, 1793-1829. 3 vols. 8vo. 231 hand-colored engraved illustrations (of 1,623), text caption leaves, lacking title pages. 19th century quarter calf and marbled boards, later marbled paper-covered slipcase. Joints slightly tender, light toning and spotting, incomplete set.
6. BERENDT, NATHANAEL. Die Insekten im Bernstein. Danzig: 1830. 4to. Early 20th century quarter morocco and textured cloth boards. Rubbed, inventory label on upper cover, browning and creases throughout.

昆虫。 6个标题:

384. 宗教哲学。 4个标题: 高清作品[29%]

4 titles:

图片文件尺寸 : 5075 x 5921px

RELIGIOUS PHILOSOPHY. :4 titles:
1. CLARKE, SAMUEL. 1599-1682. A Mirrour or Looking-Glasse both for Saints, and Sinners. London: Printed for Thomas Newberry, 1654. 8vo (163 x 107 mm). Engraved portrait, additional engraved title with historiated border. Modern quarter morocco and marbled boards. Portrait laid down and trimmed into image border at outside edge, spotting and some staining.
2. [PEYRERE, ISAAC DE LA. 1596-1676.] Men before Adam. Or a Discourse upon the twelfth, thirteenth, and fourteenth verses of the Fifth Chapter of the Epistle of the Apostle Paul to the Romans. London: 1656. 8vo (165 x 100 mm). Engraved folding map of the holy lands. Contemporary mottled calf, rebacked, morocco gilt lettering piece on spine. Extensive ink notations on recto and verso of front blank and rear endpaper, ink ownership inscription on title, some ink marginalia, browning and minor staining, margins and edges of map trimmed.
3. DALE, ANTHONY. 1638-1708. De oraculis veterum ethnicorum dissertiones duae.... Amsterdam: Henric and Theodor Boom, 1700. 8vo (210 x 159 mm). Title page in red and black with woodcut printer\'s device, 8 folding engraved plates. Modern half calf and marbled boards. Library stamp on title (Ex Bibliotheca Viennensis), crudely erased; light spotting. Second edition. Caillet 10999.
4. WILLIAM OF TYRE. 1130-1186. Geschichte der Kreuzzuege und des Koenighreichs Jerusalem. Stuttgart: Adolph Krabbe, 1840. 8vo. Publisher\'s mottled boards. Wear and chipping to covers, corners bumped, lacking 2 plans and a chart, spotting and foxing. First German edition of Historia rerum in partibus transmarinis gestarum, translated by E. and R. Kausler.

宗教哲学。 4个标题:

385. 本·沙恩 因此,当然,正如格鲁夫所说,在严峻的情绪中对抗统一主义和本·沙恩是徒劳的:一对作品图像,8 1/4 x 6英寸,纸张,10 x 6 7/8英寸分别为12 x 8 7/8英寸 高清作品[29%]

Thus Proving, Of Course, The Futility of Fighting Unionism and Ben Shahn in an Adamant Mood as Gruff Says: A Pair of Works image, 8 1/4 x 6in , sheet, 10 x 6 7/8in ; 12 x 8 7/8in , respectively

图片文件尺寸 : 4276 x 5897px

Ben Shahn: Thus Proving, Of Course, The Futility of Fighting Unionism and Ben Shan in an Adamant Mood as Gruff Says: A Pair of Works
signed \'Ben Shahn. fecit.\' (lower right); signed and inscribed with title \'Ben Shahn in / an adamant / mood as Gruff / says.\' (lower right), respectively
watercolor, ink and whiting on paper; ink on artists sketch paper laid down on board, respectively
image, 8 1/4 x 6in (21 x 15.2cm), sheet, 10 x 6 7/8in (25.4 x 17.5cm); 12 x 8 7/8in (30.5 x 22.5cm), respectively

本·沙恩 因此,当然,正如格鲁夫所说,在严峻的情绪中对抗统一主义和本·沙恩是徒劳的:一对作品图像,8 1/4 x 6英寸,纸张,10 x 6 7/8英寸分别为12 x 8 7/8英寸

386. 本·以斯拉,亚伯拉罕是我的。1092-1167. 阿布拉赫·阿韦纳里斯·朱迪在司法歌剧中的占星术……威尼斯:彼得·列支敦斯登,1507年。 高清作品[29%]

Abrahe Avenaris Judei Astrologi peritissimi in re iudiciali opera.... Venice: Peter Liechtenstein, 1507.

图片文件尺寸 : 4078 x 4955px

IBN EZRA, ABRAHAM BEN ME\'IR. 1092-1167.:D\'ABANO, PIETRO, translator. c.1257-1316. Abrahe Avenaris Judei Astrologi peritissimi in re iudiciali opera.... Venice: Peter Liechtenstein, 1507.
Small 4to (200 x 155 mm). Woodcut initials, some hand-colored, blackletter text. 19th century armorial calf, rebacked. Leaf XCII lacking, replaced by a blank, bookplate to front paste-down, light dampstaining to outside lower corners, extensive early inked marginalia, light scattered browning and spotting.
Provenance: Robert Loyd-Lindsay, VC, KCB, 1st Baron Wantage (armorial binding); J.L.E. Dreyer (Danis Astronomer, 1852-1926, bookplate).

Rare early Latin edition of the collected astrological works of Abraham Ibn Ezra. Born in Tudela, in Moorish Spain, Ibn Ezra traveled extensively throughout the Middle East, and had a great outpouring of written works after about 1140, comprising poetry, commentary on the Torah, works on Hebrew grammar, philosophy, and science. His scientific works on astrology were written when he lived in Beziers, France, between 1147 and 1148.

本·以斯拉,亚伯拉罕是我的。1092-1167. 阿布拉赫·阿韦纳里斯·朱迪在司法歌剧中的占星术……威尼斯:彼得·列支敦斯登,1507年。

387. 朱塞佩·桑托马索 高清作品[29%]

DO-Giuseppe Santomaso  - 现代艺术 I
图片文件像素:5880 x 4350 px

朱塞佩·桑托马索-

Giuseppe Santomaso * - Zeitgenössische Kunst I-

(Venice 1907–1990)
Nero e giallo, 1959, signed and dated, oil on paper laid down on wood, 66.5 x 47 cm, framed

This work is registered in the Archivio Santomaso, Galleria Blu, Milan

Provenance:
Alitalia Collection
Sale Finarte, Asta della Collezione Alitalia, Rome, 8 December 2009, lot 132
Sale Farsetti, Prato, 28 November 2014, lot 405 (certificate of provenance available)
European Private Collection

Exhibited:
Rome, Santomaso, Galleria Pogliani, 28 November - 20 December 1959, mentioned in the exh. cat. (with wrong medium)

Literature:
L. Alfieri, Santomaso. Catalogue raisonné 1931–1974, Alfieri,
Venice 1975, no. 318 (with wrong medium)

The great achievements of the Alitalia airline between 1960 and 1961 also comprise the exact period in which the nucleus of the entire collection was formed. The idea of bringing works of art on board aircraft was Corrado Cagli’s, who had to garner the support of engineer Bruno Velani. He had two clear objectives: to make the flight more pleasant by stimulating the traveller\'s aesthetic sensibilities and to disseminate 意大利 artistic culture abroad. Cagli, helped by his friend and gallery owner Bruno Herlitzka, directly commissioned some of the paintings exhibited in the aircraft from the most talented young artists.

[...] Taken as a whole, the collection constitutes a rare compendium of what was happening mainly between 1954 and 1962, thus documenting a good part of the major trends in the 意大利 art world (Burri, Fontana, Gruppo degli Otto, Forma 1, etc.).
(Cfr. Finarte, Asta della Collezione Alitalia, Rome, 8 December 2009)

388. 乌利塞,阿尔德罗凡迪。 在他死后,我吃了书中剩下的四种动物:不是熔化的、甲壳动物、目击者和浮游动物。博洛尼亚:J.B.Bellagambam,1606年。 高清作品[29%]

De reliquis animalibus exanguibus libri quatuor, post mortem eius editi: nempe de mollibus, crustaceis, testaceis et zoophytis. Bologna: J.B. Bellagambam, 1606.

图片文件尺寸 : 4745 x 4602px

ALDROVANDI, ULISSE.:De reliquis animalibus exanguibus libri quatuor, post mortem eius editi: nempe de mollibus, crustaceis, testaceis et zoophytis. Bologna: J.B. Bellagambam, 1606.
Folio (358 x 230 mm). Engraved title with architectural border, engraved portrait, woodcut illustrations throughout. Modern morocco-backed marbled paper boards, gilt titles to spine. Engraved title repaired and laid down, as is the \"Registrum\" at end.

FIRST EDITION of Aldrovandi\'s treatise on shellfish, octopi, shells, and jellyfish—one of the earliest works and the largest assembly of conchological illustrations and descriptions to date. Aldrovandi \"was among the first to attempt to free the natural sciences from the stifling influence of the authority of textbooks, for which he substituted, as far as possible, direct study and observation of the animal, vegetable, and mineral worlds\" (DSB). Nissen ZBI 68.

乌利塞,阿尔德罗凡迪。 在他死后,我吃了书中剩下的四种动物:不是熔化的、甲壳动物、目击者和浮游动物。博洛尼亚:J.B.Bellagambam,1606年。

389. 兰克雷,皮埃尔·德。1553-1631年。 邪恶天使和恶魔变幻莫测的画面。巴黎:N.Buon,1613年。 高清作品[29%]

Tableau de l\'inconstance des mauvais anges et démons. Paris: N. Buon, 1613.

图片文件尺寸 : 4833 x 4027px

LANCRE, PIERRE DE. 1553–1631.:Tableau de l\'inconstance des mauvais anges et démons. Paris: N. Buon, 1613.
8vo (225 x 165 mm). Large folding engraved plate. 19th century red morocco gilt by L. Geutant, brown morocco gilt doublures, silk endleaves, all edges gilt. Light rubbing and a few stains to covers, small tears and fraying edges to silk endleaf at front, bookplate to verso of front endleaf, edges of title page repaired with no loss of text, first page of text re-margined at fore-edge, folding plate laid down and re-margined, attempted censoring of nude figures in plate, some browning and spotting.
Provenance: Stanislas de Guaita (French poet, 1861-1897, signed notation on front flyleaf).

Second, revised edition, with the rare \"Sabbat des Sorciers\" folding plate, often lacking. Lancre, a judge from Bordeaux, was ordered by King Henri IV to put an end to witchcraft in the Basque country. Lancre, who harbored an animus for the Basque that is made evident in this work, sentenced several dozen people to be burned at the stake. Cf. Caillet II:408 (first edition); Dorbon Bibliotheca esoterica, 256:2467; USTC 6016932.

兰克雷,皮埃尔·德。1553-1631年。 邪恶天使和恶魔变幻莫测的画面。巴黎:N.Buon,1613年。

390. 一套油漆燃烧游戏 江户时代,19世纪 高清作品[29%]

Edo period , 19th century

图片文件尺寸 : 4998 x 5058px

A LACQUER INCENSE-GAME SET:Edo period (1615-1868), 19th century
Comprising a base supported on four bracket feet, a tiered box with lid and an outer cover with cut-out sides reaching down to the base; the tiered box containing: a base with salt-makers\' kilns and rakes on a pine-clad shore; a tray with seven sets of five small boxes inscribed with the names of different incense-game formats including Kokinko (Ancient and Modern), Genpeiko (Minamoto and Taira), and Jusshuko (Ten Varieties); another tray with implements for cutting and arranging incense; a suzuribako (writing box) for recording guesses and scores, fitted with a suzuri (inkstone) and suiteki (water dropper), the lid with ho-o birds and autumn plants; a checkered board for game tokens; and a lid with blossoming cherry trees and birds in flight, the sides of the box with a variety of scenes including birds on a flowering prunus tree with frogs in the water below, and a willow tree and bridge, the top of the outer cover with flowering wisteria arranged on a bamboo framework; the decoration in gold, aokin, and silver hiramaki-e and takamaki-e, with shell details on the outer cover, against a ground of polished black lacquer or gold hirame flakes over black lacquer, the implements with silver and steel components
8 1/8 x 10 3/4 x 8 3/4in (20.6 x 27.3 x 22.2cm)

一套油漆燃烧游戏 江户时代,19世纪