3801. 罗伯特·劳森伯格 采石场 高清作品[46%]

Quarry

图片文件尺寸 : 4778 x 5189px

Robert Rauschenberg:Quarry, 1968
Offset lithograph in colors on wove paper, signed in black ink, from an edition of 500, published/printed by Quarry, Local One/Amalgamated Lithographers of America, and Color Lithographers Service, Inc., New York, with full margins.
sheet 34.5 x 26in (87.7 x 66cm)

罗伯特·劳森伯格 采石场

3802. 松山智孝(B.1976) 无 题 高清作品[46%]

图片文件尺寸 : 4560 x 4441px

Tomokazu Matsuyama (B. 1976):Honestly Gone Going
2020

signed on lower left
digital print and screenprint on paper

76.2 x 71.2 cm (30 x 28 in)

This work is number 12 from an edition of 75, and is accompanied by a Certificate of Authenticity signed by the artist.

松山智孝(B.1976) 无 题

3803. 利奥·维拉拉尔 2004年太阳来了 高清作品[46%]

Here Comes the Sun 2004

图片文件尺寸 : 4655 x 5757px

LEO VILLAREAL: Here Comes the Sun
2004

LEDs, custom software, and electrical hardware

108 by 108 by 6 in.
276.8 by 276.8 by 15 cm.

This work was executed in 2004, and is number 3 from an edition of 3 plus 1 artist\'s proof

利奥·维拉拉尔 2004年太阳来了

3805. Zoran Antonio音乐 孤独的骑行 高清作品[46%]

Cavalcata solitaria

图片文件尺寸 : 5083 x 4070px

Zoran Antonio Music:Cavalcata solitaria
signed and dated \'Music/1948\' (lower right)
oil on canvas
55.9 x 67.3cm (22 x 26 1/2in).

There is an additional preparatory sketch of horses on the reverse

Zoran Antonio音乐 孤独的骑行

3806. Yuya Hashizume(1983年) 无 题 高清作品[46%]

图片文件尺寸 : 4151 x 5136px

Yuya Hashizume (B. 1983):eyewater (glasses/yellow)
2020

signed and numbered 31/40 on the side; dated 2020 on the reverse
giclée on canvas

27.3 x 22.1 cm (10 7/10 x 8 7/10 in)

This work is number 31 from an edition of 40.

Yuya Hashizume(1983年) 无 题

3807. 芥川广志(1797-1858) 江户时期,1858年 高清作品[46%]

Edo period , 1858

图片文件尺寸 : 5321 x 4740px

UTAGAWA HIROSHIGE (1797-1858):Edo period (1615-1868), 1858
An oban tate-e print entitled Sagamigawa (Sagami River) from the series Fuji sanjurokkei (36 Views of Mount Fuji), signed Hiroshige ga, published by Tsutaya Kichizo
14 3/8 x 9 1/2in (36.5 x 24.1cm)

芥川广志(1797-1858) 江户时期,1858年

3808. 白瓷罐 朝鲜王朝,15/16世纪 高清作品[46%]

Joseon dynasty , 15th/16th century

图片文件尺寸 : 4578 x 4195px

A WHITE PORCELAIN JAR:Joseon dynasty (1392-1897), 15th/16th century
Of baluster form with an upright neck covered in a transparent glaze with a slight blue tint, the body showing some pinkish patches
With a wood tomobako storage box
11 7/8in (30.1cm) high

白瓷罐 朝鲜王朝,15/16世纪

3810. 兰克雷,皮埃尔·德。1553-1631年。 邪恶天使和恶魔变幻莫测的画面。巴黎:N.Buon,1613年。 高清作品[46%]

Tableau de l\'inconstance des mauvais anges et démons. Paris: N. Buon, 1613.

图片文件尺寸 : 4833 x 4027px

LANCRE, PIERRE DE. 1553–1631.:Tableau de l\'inconstance des mauvais anges et démons. Paris: N. Buon, 1613.
8vo (225 x 165 mm). Large folding engraved plate. 19th century red morocco gilt by L. Geutant, brown morocco gilt doublures, silk endleaves, all edges gilt. Light rubbing and a few stains to covers, small tears and fraying edges to silk endleaf at front, bookplate to verso of front endleaf, edges of title page repaired with no loss of text, first page of text re-margined at fore-edge, folding plate laid down and re-margined, attempted censoring of nude figures in plate, some browning and spotting.
Provenance: Stanislas de Guaita (French poet, 1861-1897, signed notation on front flyleaf).

Second, revised edition, with the rare \"Sabbat des Sorciers\" folding plate, often lacking. Lancre, a judge from Bordeaux, was ordered by King Henri IV to put an end to witchcraft in the Basque country. Lancre, who harbored an animus for the Basque that is made evident in this work, sentenced several dozen people to be burned at the stake. Cf. Caillet II:408 (first edition); Dorbon Bibliotheca esoterica, 256:2467; USTC 6016932.

兰克雷,皮埃尔·德。1553-1631年。 邪恶天使和恶魔变幻莫测的画面。巴黎:N.Buon,1613年。

anning油画图片- 高清anning绘画作品- 代表作全集 中艺名画下载


3801. 罗伯特·劳森伯格 采石场 高清作品[46%]

Quarry

图片文件尺寸 : 4778 x 5189px

Robert Rauschenberg:Quarry, 1968
Offset lithograph in colors on wove paper, signed in black ink, from an edition of 500, published/printed by Quarry, Local One/Amalgamated Lithographers of America, and Color Lithographers Service, Inc., New York, with full margins.
sheet 34.5 x 26in (87.7 x 66cm)

罗伯特·劳森伯格 采石场

3802. 松山智孝(B.1976) 无 题 高清作品[46%]

图片文件尺寸 : 4560 x 4441px

Tomokazu Matsuyama (B. 1976):Honestly Gone Going
2020

signed on lower left
digital print and screenprint on paper

76.2 x 71.2 cm (30 x 28 in)

This work is number 12 from an edition of 75, and is accompanied by a Certificate of Authenticity signed by the artist.

松山智孝(B.1976) 无 题

3803. 利奥·维拉拉尔 2004年太阳来了 高清作品[46%]

Here Comes the Sun 2004

图片文件尺寸 : 4655 x 5757px

LEO VILLAREAL: Here Comes the Sun
2004

LEDs, custom software, and electrical hardware

108 by 108 by 6 in.
276.8 by 276.8 by 15 cm.

This work was executed in 2004, and is number 3 from an edition of 3 plus 1 artist\'s proof

利奥·维拉拉尔 2004年太阳来了

3805. Zoran Antonio音乐 孤独的骑行 高清作品[46%]

Cavalcata solitaria

图片文件尺寸 : 5083 x 4070px

Zoran Antonio Music:Cavalcata solitaria
signed and dated \'Music/1948\' (lower right)
oil on canvas
55.9 x 67.3cm (22 x 26 1/2in).

There is an additional preparatory sketch of horses on the reverse

Zoran Antonio音乐 孤独的骑行

3806. Yuya Hashizume(1983年) 无 题 高清作品[46%]

图片文件尺寸 : 4151 x 5136px

Yuya Hashizume (B. 1983):eyewater (glasses/yellow)
2020

signed and numbered 31/40 on the side; dated 2020 on the reverse
giclée on canvas

27.3 x 22.1 cm (10 7/10 x 8 7/10 in)

This work is number 31 from an edition of 40.

Yuya Hashizume(1983年) 无 题

3807. 芥川广志(1797-1858) 江户时期,1858年 高清作品[46%]

Edo period , 1858

图片文件尺寸 : 5321 x 4740px

UTAGAWA HIROSHIGE (1797-1858):Edo period (1615-1868), 1858
An oban tate-e print entitled Sagamigawa (Sagami River) from the series Fuji sanjurokkei (36 Views of Mount Fuji), signed Hiroshige ga, published by Tsutaya Kichizo
14 3/8 x 9 1/2in (36.5 x 24.1cm)

芥川广志(1797-1858) 江户时期,1858年

3808. 白瓷罐 朝鲜王朝,15/16世纪 高清作品[46%]

Joseon dynasty , 15th/16th century

图片文件尺寸 : 4578 x 4195px

A WHITE PORCELAIN JAR:Joseon dynasty (1392-1897), 15th/16th century
Of baluster form with an upright neck covered in a transparent glaze with a slight blue tint, the body showing some pinkish patches
With a wood tomobako storage box
11 7/8in (30.1cm) high

白瓷罐 朝鲜王朝,15/16世纪

3810. 兰克雷,皮埃尔·德。1553-1631年。 邪恶天使和恶魔变幻莫测的画面。巴黎:N.Buon,1613年。 高清作品[46%]

Tableau de l\'inconstance des mauvais anges et démons. Paris: N. Buon, 1613.

图片文件尺寸 : 4833 x 4027px

LANCRE, PIERRE DE. 1553–1631.:Tableau de l\'inconstance des mauvais anges et démons. Paris: N. Buon, 1613.
8vo (225 x 165 mm). Large folding engraved plate. 19th century red morocco gilt by L. Geutant, brown morocco gilt doublures, silk endleaves, all edges gilt. Light rubbing and a few stains to covers, small tears and fraying edges to silk endleaf at front, bookplate to verso of front endleaf, edges of title page repaired with no loss of text, first page of text re-margined at fore-edge, folding plate laid down and re-margined, attempted censoring of nude figures in plate, some browning and spotting.
Provenance: Stanislas de Guaita (French poet, 1861-1897, signed notation on front flyleaf).

Second, revised edition, with the rare \"Sabbat des Sorciers\" folding plate, often lacking. Lancre, a judge from Bordeaux, was ordered by King Henri IV to put an end to witchcraft in the Basque country. Lancre, who harbored an animus for the Basque that is made evident in this work, sentenced several dozen people to be burned at the stake. Cf. Caillet II:408 (first edition); Dorbon Bibliotheca esoterica, 256:2467; USTC 6016932.

兰克雷,皮埃尔·德。1553-1631年。 邪恶天使和恶魔变幻莫测的画面。巴黎:N.Buon,1613年。