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马克·奎因，当代艺术II-

Marc Quinn * - Zeitgenössische Kunst II-

(born in London in 1964)
Winter Garden, 2004, complete portfolio of 8 pigment prints in color on white light cardboard, each signed, dated on the reverse Marc Quinn 2004, AP from the edition of 59 examples, each 82 x 122.5 cm, framed (8)

材质 : Watercolor on light board, firmly laminated on ...

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Edward Theodore Compton-Pragser Wildsee, Um 1880.

爱德华·西奥多·康普顿-布拉泽·威尔多，1880年。

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ORTELIUS, ABRAHAM. 1527-1598.:Breve Compendio dal Theatro Orteliano. Antwerp: Jan B. Vrients, 1502 [but 1602].
Oblong 8vo (110 x 142 mm). Engraved printer\'s device on title, engraved armorial dedication on verso of title, 122 engraved full-page maps plans. Rebacked contemporary brown morocco gilt, retaining original spine with three raised bands, all edges gilt. Wear and light soiling to covers, margins a bit trimmed, just touching first line of text on title page, light dampstaining, erased ink ownership inscription on title, paper repairs to title and last 2 leaves.

Italian edition of the \"pocket\" version of Ortelius\'s Theatrum, with plates made in the studio of Philip Galle, translated from the Latin by Giovanni Paulet d\'Anversa. Published 4 years after Ortelius\'s death, it bears the obviously erroneous publication date of 1502 on the title. Vrients added three plates of Celestial and Terrestrial maps from previous editions, and in this form it was published in Latin, Italian, Dutch, French, and English. Koeman IIIA 332:22.

亚伯拉罕，奥尔特利乌斯。1527-1598. 奥特利亚剧院的简短简编。安特卫普：Jan B.Vrients，1502年[但1602]。

图片文件尺寸 : 5488 x 4817px

Dame Elisabeth Frink R.A.: Horseman
signed and numbered \'Frink 5/6\' (on the rear left hoof)
bronze with a light green patina
83 cm. (32 5/8 in.) high
Conceived in 1984

伊丽莎白·弗林克女士。 骑士83厘米。高的

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奥斯瓦尔德·阿肯巴赫（Oswald Achenbach）的《暮色中的一棵雄伟的树》-Oswald Achenbach

暮色中一棵雄伟的树--Oswald Achenbach (德国, 1827 - 1905)

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XU BEIHONG (1895-1953) :Galloping Horse
Ink and light colour on paper, hanging scroll
Inscribed and signed Beihong, with a dedication, one seal of the artist and two collector\'s seal
Dated the thirty-second year (1943) of the Republic era
70.5 x 38cm (27¾ x 15in)

徐悲鸿（1895-1953） 奔马

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拉蒙·维拉诺娃的《在阴影和光线之间，色彩的融合创造了花朵的神秘》-Ramon Vilanova

在阴影和光线之间，颜色的混合创造了花朵的神秘--Ramon Vilanova (西班牙, b. 1947)

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Joseph Beuys:Free International University (Kunst = Kapital) (Art = Capital)
Two offset lithographic posters printed in colours, 1982, on brown paper and light wove respectively, the first signed in felt-tip pen, each published for documenta 7, Kassel, the full sheets, 608 x 430mm (23 7/8 x 16 7/8in)(and similar)(SH)(2)(unframed)

波依斯 自由国际大学

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Valerio Adami，当代艺术I-

Valerio Adami * - Zeitgenössische Kunst I-

(born in Bologna in 1935)
The Guggenheim, 1968, dated, signed and titled on the reverse, oil on canvas, 97 x 130 cm, framed

This work is registered in the Archivio Valerio Adami

This work is accompanied by a certificate signed by the artist

Provenance:
Sale Farsetti, Prato, 26 November 1994
European Private Collection

As Valerio Adami wrote in 1968, “The hand is a kind of seismograph giving body to the traces left by the circuit of imagination”: the drawing hand is an instrument that records what the eye looks at and the mind sees. It is the starting point of the artist’s method: the hand-seismograph that in the “journey of drawing” goes through the kaleidoscope of his inspiration, and that in the essentiality of the line reworks, summarizes, juxtaposes, disassembles and reassembles it. […]

The lines of the drawing, eternally moving as the mind distilling them, - since for Adami “nulla dies sine linea” (no day without a line) – are the “off the beaten track” trails that the artist constantly crosses and connects. He does so by bringing distant worlds together, from the Ganges to the Matterhorn and from Paris to Finland by making the Greek mythological narrative coexist with New York street life, by recalling the light spells of Lake Maggiore or the clouds at sunrise.
(G. Ranzi, Valerio Adami and the lightly swaying desire, in “Valerio Adami. Immagine e pensiero”, Dep Art, Milan 2002)

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IBN EZRA, ABRAHAM BEN ME\'IR. 1092-1167.:D\'ABANO, PIETRO, translator. c.1257-1316. Abrahe Avenaris Judei Astrologi peritissimi in re iudiciali opera.... Venice: Peter Liechtenstein, 1507.
Small 4to (200 x 155 mm). Woodcut initials, some hand-colored, blackletter text. 19th century armorial calf, rebacked. Leaf XCII lacking, replaced by a blank, bookplate to front paste-down, light dampstaining to outside lower corners, extensive early inked marginalia, light scattered browning and spotting.
Provenance: Robert Loyd-Lindsay, VC, KCB, 1st Baron Wantage (armorial binding); J.L.E. Dreyer (Danis Astronomer, 1852-1926, bookplate).

Rare early Latin edition of the collected astrological works of Abraham Ibn Ezra. Born in Tudela, in Moorish Spain, Ibn Ezra traveled extensively throughout the Middle East, and had a great outpouring of written works after about 1140, comprising poetry, commentary on the Torah, works on Hebrew grammar, philosophy, and science. His scientific works on astrology were written when he lived in Beziers, France, between 1147 and 1148.

本·以斯拉，亚伯拉罕是我的。1092-1167. 阿布拉赫·阿韦纳里斯·朱迪在司法歌剧中的占星术……威尼斯：彼得·列支敦斯登，1507年。