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Antoni Tàpies，当代艺术I-

Antoni Tàpies * - Zeitgenössische Kunst I-

(Barcelona 1923–2012)
Grand signe, 1973, signed, acrylic and pastels on thin cardboard laid down on canvas, 73 x 100 cm, framed

Provenance:
Galerie Schmela, Düsseldorf
Galeria Joan Prats, Barcelona (certificate available, 1985)
J. Vilafranca Collection, Barcelona (stamp on the certificate)
Galleria dell’Incisione, Milan
European Private Collection (acquired from the above in 1987)

Literature:
A. Augustí, Tàpies. Catalogue raisonné, vol. 3 1969–1975, Fundació Antoni Tàpies, Editions Cercle d’Art, Barcelona 1992,
p. 339, no. 2632 with ill.

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DELAGE, YVES. 1854-1920.:Embryogenie des eponges. [Paris: Archives de Zoologie, 1892.]
8vo (236 x 153 mm). Author\'s proof, signed, with some annotations, and original artwork for all illustrations clipped and laid down on card stock leaves, bound in at end. Modern quarter green morocco and cloth. Browning, scattered foxing throughout.

Delage, a professor of zoology at the Sorbonne, was a critic of Darwin\'s theory of natural selection. He was among the scientists of his time who argued for a form of Neo-Lamarckist theory of evolution, which ultimately was abandoned.

德莱奇，伊夫。1854-1920. 海绵胚胎发生。[巴黎：动物学档案馆，1892年。]

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After Louise Bourgeois:Be Calm; Red Room (parents) detail, 2005; 2009
Screenprints in colors with machine embroidery, one on linen tea towel and one on double-sided cotton pillowcase, each with the artist\'s printed signature and printed artist\'s copyright, the tea towel numbered in black felt-tip pen 981 (both from the editions of 1000), co-published by Tate, London and Third Drawer Down, Melbourne, both folded (as issued), both with original envelopes. (2)
tea towel 27 x 19 3/4in (68.6 x 50.2cm)
pillowcase 21 1/2 x 30in (54.6 x 76.2cm)
each envelope 8 3/4 x 12in (22.2 x 30.5cm)

源自路易丝·布尔乔亚 保持冷静红色房间详图2

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John Duncan RSA RSW:The Legend of Orpheus, design for mural
Triptych on three sheets of paper;

(a) Orpheus tames Cerberus, and leads Eurydice from the lower world,
signed with monogram (lower left)
watercolour
80 x 30 cm. (31 1/2 x 11 13/16 in.)

(b) Orpheus plays before Pluto and Persephone, and looks back to Eurydice
signed with monogram and dated \'95 (lower right)
watercolour
80 x 51.5 cm. (31 1/2 x 20 1/4 in.)

(c) Eurydice is returned to the lower world, and Orpheus\' head and lyre float down the Hebrus
signed with monogram (lower left)
watercolour
79 x 28.5 cm. (31 1/8 x 11 1/4 in.)
(3)

约翰·邓肯RSA RSW 奥菲斯传说，壁画设计

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非洲玄武岩-

Afro Basaldella * - Zeitgenössische Kunst I-

(Udine 1912–1976 Zurich)
Untitled, (Project for Grande Rosso), c. 1963, mixed media (oil, tempera, collage, lithographic ink) on paper laid down on canvas, 51.5 x 109 cm, framed

This work is registered in the Archivio Afro, Rome and is accompanied by a photo certificate of authenticity

Provenance:
European Private Collection

Exhibited:
Udine, Nel segno di Afro, Galleria del Monte, 1995
Udine, Arte Udine, Galleria del Monte, April 1999, exh. cat. with ill.
Bologna, Vedova e l’informale veneto: Santomaso, Afro e Tancredi, Galleria 56, 2015, ill. on the cover

Note:
This is one of the projects for the famous work Il Grande Rosso of 1963: the artist intervenes with tempera and collage on the lithographic base in order to arrive to the final composition

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SCHEUCHZER, JOHANN JACOB. 1672-1733.:Ouresiphoites Helveticus, sive, Itinera Alpina tria. London: 1708.
3 parts in 1 volume. 4to (220 x 174 mm). 3 engraved frontispieces (1 folding), 41 engraved plates (2 folding).
Rebacked contemporary paneled calf, old bookseller\'s advertisement applied to front past-down. Wear to covers, light chipping at some page corners, paper repairs to margins of first 8 leaves, with some restoration of text on title, scattered spotting and browning.

FIRST EDITION THUS, in three parts (the first of which had been previously published in 1702). Feller/Bonjour 509; Haller 1, 955; Lonchamp 2640; Nissen ZBI 3656.

乔汉·雅各布·谢切尔。1672-1733. 黑尾蛇，灰色，阿尔皮纳三线虫。伦敦：1708。

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SCILLA, AGUSTINO. 1629-1700.:De Corporibus Marinis Lapidescentibus. Rome: Johann Zempel, 1759.
4to (265 x 200 mm). Title with engraved vignette, engraved frontispiece facing first page of text, 31 engraved plates, engraved initials and head-pieces. Later vellum. Light soiling and wear to binding, scattered spotting, light offsetting from plates.
Provenance: George Sarton (Belgian-American science historian, 1884-1956, bookplate to paste-down).

Third Latin edition. The detailed plates show a variety of fossils including mussels, corals, snails, and shark. The Sicilian painter Agostino Scilla shows the close correspondence between fossils and parts of living animals. See Nissen, ZBI 3780.

阿古斯蒂诺·西拉。1629–1700. 来自Corporibus Marinis Lapidescentibus。罗马：约翰·泽佩尔，1759年。

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:Il Decameron. Florence: Giunta, 1573.
4to (228 x 165 mm). Title with woodcut printer\'s device, 2 small woodcut portraits to verso of 4*4, large woodcut historiated initials. 19th century half calf. Covers detached. Adams B-2156; EDIT 16 CNCE 6361.
WITH: Das Dekameron. Leipzig: Insel 1912.
4to. Numerous woodcut illustrations after the 1492 venetian edition by Giovanni und Gregorio de\' Gregori. Contemporary brown morocco ruled and lettered in gilt. Heavily rubbed, adhesive residue from removed bookplate on front paste-down. LIMITED EDITION number 619 of 825. Cover design by Emil Rudolf Weiss. Sarkowski 186 D.
WITH: Il Decamerone. Edited by Niccolo Delfino. Venice: Gregorio de Gregori, 1516.
8vo (203 x 150 mm). Lacks title and other leaves. Modern wrappers. Scarce Venetian edition of the Decameron. Brunet I:997.

无 题 《十日谈》。佛罗伦萨：Gianta，1573年。

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MEDICINE AND PHYSIOLOGY. :13 titles:
1. LINACRE, THOMAS. De emendata structura latini sermonis libri VI. Cologne: 1555. 8vo. 20th century vellum, inked titles on spine. Margins trimmed, with some loss of printed marginalia; ink markings on title page, bookplate on front paste-down, scattered spotting.
2. BROWNE, THOMAS. Pseudodoxia Epidemica: or Enquiries into very many received Tenents and commonly presumed Truths. London: 1650. Folio. Modern half green morocco and cloth. Margins slightly trimmed, ink ownership inscription on title page, toning.
3. ROSS, ALEXANDER. Arcana Microcosmi: or, The Hid Secrets of Mans Body Disclosed. London: 1652. 8vo. Title page in red and black. Early 20th century library cloth. Rubbed, margins trimmed into some headers, extensive ink underlining and some annotations, scattered spotting and foxing.
4. DIGBY, KENELM. Religio Medici. London: 1672. 4to. Rebacked contemporary calf, red morocco lettering piece on spine. Armorial bookplate on front paste-down (\"Nath. Cholmley, Esq.\"), ink ownership inscription on title, browning and spotting. Seventh edition.
5. TULP, NICHOLAS. Observationes medicae. Editio nova. Amsterdam: 1672. 8vo. Engraved title page, engraved portrait, and numerous engraved illustrations. Ink notations on front flyleaf, library stamp on title page, some heavy browning and scattered spotting.
6. [VARIOUS CONTRIBUTORS]. Miscellania curiousa, sive ephemeridum medico-physicarum Germanum. Bratislava and Brzeg: 1680. 4to. Engraved frontispiece and 33 engraved plates. Modern quarter morocco and wooden boards. Margins trimmed, heavy browning, some dampstaining, one plate replaced in facsimile.
7. BIDLOO, GOVARD. Brief aan Antony van Leeuwenhoek. Delft: 1698. 4to. 1 full-page engraved plate, engraved illustrations in text. Modern half calf and marbled boards. Lower margins trimmed (into plate line on full-page plate), light toning and spotting.
8. ALWOERDEN, HENRIK VAN. Historie van Michael Servetus den Spanjaart. Rotterdam: 1729. 4to. Engraved portrait frontispiece, title page in red and black. Contemporary vellum, re-cased with renewed endpapers. Covers soiled, corners bumped, dampstaining through most of text block, bottom margin of title page repaired with reinforcement on verso.
9. EBSTEIN, ERICH. Ärzte-Briefe aus vier Jahrhunderten. Berlin: 1920. 8vo. Photographic illustrations. Publisher\'s printed boards. Stains and soiling to covers, corners bumped, toning throughout.
10. KEYNES, GEOFFREY. The Personality of William Harvey. Cambridge: 1949. 8vo. Photographic reproductions of portraits. Publisher\'s beige cloth. Slightly rubbed, lined-out ink ownership inscription on free front endpaper.
11. LEEUWENHOEK, ANTONI VAN. On the Circulation of the Blood ... Facsimile. Nieuwkoop, Netherlands: 1962. 4to. Publisher\'s white boards, glassine dust jacket. Toning.
12. Another, as above. Chip to edge of spine.
13. ---. Letter from G. Bidloo to Antony van Leeuwenhoek About the Animals ... Facsimile. Nieuwkoop, Netherlands: 1972.

医学和生理学。 13个标题：

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A TAHOTO SHARI YOKI (MANY-JEWELED STUPA RELIQUARY):Edo period (1615-1868), 18th/19th century
Constructed of lacquered wood and bronze in the form of a single-story pagoda set on a rectangular stepped base and railing decorated in square inlays of mother-of-pearl alternating with gold-lacquer cloud patterns, the cylindrical housing fitted with four sets of double doors, two guardian figures painted on the interior of the front facing doors, the exterior lacquered in nashiji, the sloping tiled roof surmounted with a multi-tiered stupa topped with a sacred jewels supported by a lotus dais, from which chains lead down to the roof\'s corners, each corner with a pendant bell
19 3/4in (50.2cm) high

塔霍托沙里约基（许多宝石的佛塔圣物） 江户时期，18/19世纪