图片文件尺寸 : 4867 x 4085px
Joseph Kleitsch:
Still Life with Sweet Peas
signed \'Jos. Kleitsch\' (lower right) and stamped with the artist\'s name and number \'101\' (on the stretcher)
oil on canvas
18 x 22in
framed 25 x 29in
Painted circa 1928.
约瑟夫·克莱奇 带甜豌豆的静物18 x 22英寸框架25 x 29英寸
图片文件尺寸 : 4519 x 5991px
Richard Estes:
Big Diamonds, from Urban Landscapes No. 2 (Arthur p. 117), 1979
Screenprint in colors on Fabriano Cottone paper, signed in pencil and numbered 32/100 (there were also 15 artist\'s proofs), published by Parasol Press Ltd., New York, with the blindstamp of the printer, Edition Domberger, Stuttgart, Germany, with full margins, framed.
19 7/8 x 13 3/8in (50.5 x 34cm)
sheet 27 1/2 x 19 5/8in (69.8 x 49.8cm)
理查德·埃斯蒂斯 大钻石，来自城市景观2号
图片文件尺寸 : 5245 x 5012px
English School:Two views in India: Source of the Palar River, Nandi Hills; and Tombs near Sherzapore
the former bears an inscription and date in pencil \'SOURCE OF THE PAL-ER RIVER/on the rocks and in the outer works of the Fort of Nundy Troog/July 1st 1800\' (verso); the latter bears an inscription and date \'Tombs near Sherzapore/15th of June 1800\' (verso)
watercolour
32.4 x 41.3cm (12 3/4 x 16 1/4in) and 22.5 x 36cm (8 7/8 x 14 3/16in) respectively. (2)
both unframed
英语学校 印度的两种观点：帕拉尔河的源头，南迪山Sherzapore附近的陵墓分别为32.4 x 41.3cm和22.5 x 36cm。两个都未加框架
图片文件尺寸 : 4018 x 4668px
RÖSEL VON ROSENHOF, AUGUST JOHANN. 1705-1759.:Der monatlich-herausgegebenen Insecten-Belustigung. Nuremburg: Johann Joseph Fleischman, 1746-1761.
WITH: RÖSEL VON ROSENHOF, AUGUST JOHANN; KATHARINA BARABARA RÖSEL VON ROSENHOF; and CHRISTIAN FRIEDRICH CARL KLEEMANN. Der beyträge zur Natur-oder Insecten-Geschichte erster Theil. [Nuremburg: 1776].
Together, 5 volumes. 4to (209 x 174 mm). Hand-colored engraved frontispiece in volume I, hand-colored engraved half-titles in volumes II and III (with additional engraved section half-title after p 432 in volume III), engraved portrait in volume IV; 247 hand-colored engraved plates in volumes I-IV, some with two illustrations per plate, and 44 additional plates in the second work (volume V). Modern quarter tan morocco and marbled boards, tissue guards. Browning, foxing, and minor offsetting throughout; marginal dampstaining to volume V.
RÖSEL VON ROSENHOF\'S COMPLETE WORKS ON INSECTS, including the much rarer posthumous work, completed by his daughter Katharina and her husband, artist and astronomer Christian Friedrich Carl Kleemann. Born to an aristocratic family in Austria, August Johann Rösel was raised by his uncle, noted animal painter Wilhelm Rösel von Rosenhof, from whom he inherited the \"von Rosenhof\" title. His observations in this work cover marine invertebrates as well as insects, and his detailed classifications made him a pioneer among European entomologists, influencing Carl Linnaeus, among others. Nissen ZBI 3466 and 2201.
奥塞尔·冯·罗森霍夫（RÖSEL von ROSENHOF），8月JOHANN。1705-1759. 每月的昆虫娱乐。纽伦堡：约翰·约瑟夫·弗莱斯曼，1746-1761年。
![Zhar-Ptitsa/Jar-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926.](http://www.minghuafuzhi.com/2022/12/02140739959.jpg)
图片文件尺寸 : 5489 x 4959px
RUSSIAN ART JOURNAL.:Zhar-Ptitsa/Jar-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926. 14 issues in 13 volumes (No. 4/5 double issue). 4to (315 x 240 mm). Illustrated in color and black and white, with many plates tipped in. Original color lithographed wrappers. Some issues missing spines with pages detached; internal tears and some loss.
A COMPLETE SET OF THE RARE RUSSIAN EMIGRE LITERARY ART MAGAZINE IN ORIGINAL ISSUES, reportedly no more than 300 copies were printed. Supplemental summaries of the numbers were provided in the back in a variety of languages including English. Zhar-ptitsa was the most influential art journal of the flourishing community of exiles who were feverishly trying to keep the culture of Old Russia alive. Due to paper shortages and extensive censorship by the Bolsheviks back in the USSR, the Russian book business was booming in Germany and France. This lavish periodical was the natural successor to S. Diaghilev\'s Mir iskusstva since many of those involved had been members of the World of Art Group and designers for the Ballets Russes. The rich selection subjects and contributors under A. E. Kogan\'s art department embraced L. Bakst, A. Benois, I. Bilibin, M. Chagall, S. Chekhonin, N. Goncharova, B. Grigoriev, B. Kustodiev, M. Larionov, V. Shukaev, K. Somov, S. Sudeikin and many other important artists. Poet Sasha Cherny was literary editor; and such important writers as L. Andreev, K. Balmont, I. Bunin, V. Khodasevich, B. Pilnyak, A. Remizov, N. Teffi, A.N. Tolstoi, B. Zaitsev, and the young Vladimir Nabokov (as \"V. Sirin\") appeared in its pages. Fekula called Zhar-ptitsa \"perhaps the most famous of post-revolutionary art journals, whose contributors threw new light on the development of Russian art at the beginning of the twentieth century.\" According to Vengerov, \"Even separate issues of the magazine, let alone complete sets of its issues, are a great bibliographic rarity.\" Fekula 5742; Vengerov Staraya russkaya kniga 105.
俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林：Russkoe Iskustvo，1921年8月至1926年1月。
图片文件尺寸 : 4500 x 4568px
Nicholas Matthew Condy:A smart sloop heaving-to in the Carrick Roads, Falmouth, off St. Mawes\' Castle, with a regatta in progress beyond
oil on board
28.6 x 39.4cm (11 1/4 x 15 1/2in).
尼古拉斯·马修·康迪 一艘聪明的单桅帆船驶向圣马威斯城堡外的法尔茅斯卡里克路（Carrick Roads，Falmouth），后面还有一场帆船赛
图片文件尺寸 : 4025 x 4243px
Laurence Stephen Lowry R.A.:Level Crossing with Train
Offset lithograph printed in colours, 1973, on wove, signed in pencil, from an edition of 750, published by Patrick Seale Prints, London, 460 x 560mm (18 1/8 x 22in)(I)
劳伦斯·斯蒂芬·洛瑞R.A。 《平交道口与火车偏移平版印刷》，彩色，1973年，织物，铅笔签名，750版，由Patrick Seale Prints出版，伦敦，460 x 560mm
图片文件尺寸 : 4395 x 5250px
Rodger McPhail:Pheasants in the snow
signed \'R.McPhail\' (lower left)
watercolour
47 x 57.8cm (18 1/2 x 22 3/4in).
Rodger McPhail 雪中的山鸡
图片文件尺寸 : 4370 x 5000px
ROXY PAINE:Amanita Muscaria #10
2004
polymer, oil, lacquer and wood in glass vitrine
13 by 10 by 10 in.
33 by 25.4 by 25.4 cm.
This work was executed in 2004.
罗西·佩恩 鹅膏菌#10 2004
图片文件尺寸 : 5098 x 5186px
Niki de Saint Phalle:Untitled (Self Portrait with Gun), c.1960
Offset lithograph in colors on wove paper, signed in ink and numbered 194/300, the full sheet.
sheet 19 5/8 x 17 1/4in (49.8 x 43.7cm)
妮基·桑法勒 无 题
图片文件尺寸 : 4867 x 4085px
Joseph Kleitsch:
Still Life with Sweet Peas
signed \'Jos. Kleitsch\' (lower right) and stamped with the artist\'s name and number \'101\' (on the stretcher)
oil on canvas
18 x 22in
framed 25 x 29in
Painted circa 1928.
约瑟夫·克莱奇 带甜豌豆的静物18 x 22英寸框架25 x 29英寸
图片文件尺寸 : 4519 x 5991px
Richard Estes:
Big Diamonds, from Urban Landscapes No. 2 (Arthur p. 117), 1979
Screenprint in colors on Fabriano Cottone paper, signed in pencil and numbered 32/100 (there were also 15 artist\'s proofs), published by Parasol Press Ltd., New York, with the blindstamp of the printer, Edition Domberger, Stuttgart, Germany, with full margins, framed.
19 7/8 x 13 3/8in (50.5 x 34cm)
sheet 27 1/2 x 19 5/8in (69.8 x 49.8cm)
理查德·埃斯蒂斯 大钻石，来自城市景观2号
图片文件尺寸 : 5245 x 5012px
English School:Two views in India: Source of the Palar River, Nandi Hills; and Tombs near Sherzapore
the former bears an inscription and date in pencil \'SOURCE OF THE PAL-ER RIVER/on the rocks and in the outer works of the Fort of Nundy Troog/July 1st 1800\' (verso); the latter bears an inscription and date \'Tombs near Sherzapore/15th of June 1800\' (verso)
watercolour
32.4 x 41.3cm (12 3/4 x 16 1/4in) and 22.5 x 36cm (8 7/8 x 14 3/16in) respectively. (2)
both unframed
英语学校 印度的两种观点：帕拉尔河的源头，南迪山Sherzapore附近的陵墓分别为32.4 x 41.3cm和22.5 x 36cm。两个都未加框架
图片文件尺寸 : 4018 x 4668px
RÖSEL VON ROSENHOF, AUGUST JOHANN. 1705-1759.:Der monatlich-herausgegebenen Insecten-Belustigung. Nuremburg: Johann Joseph Fleischman, 1746-1761.
WITH: RÖSEL VON ROSENHOF, AUGUST JOHANN; KATHARINA BARABARA RÖSEL VON ROSENHOF; and CHRISTIAN FRIEDRICH CARL KLEEMANN. Der beyträge zur Natur-oder Insecten-Geschichte erster Theil. [Nuremburg: 1776].
Together, 5 volumes. 4to (209 x 174 mm). Hand-colored engraved frontispiece in volume I, hand-colored engraved half-titles in volumes II and III (with additional engraved section half-title after p 432 in volume III), engraved portrait in volume IV; 247 hand-colored engraved plates in volumes I-IV, some with two illustrations per plate, and 44 additional plates in the second work (volume V). Modern quarter tan morocco and marbled boards, tissue guards. Browning, foxing, and minor offsetting throughout; marginal dampstaining to volume V.
RÖSEL VON ROSENHOF\'S COMPLETE WORKS ON INSECTS, including the much rarer posthumous work, completed by his daughter Katharina and her husband, artist and astronomer Christian Friedrich Carl Kleemann. Born to an aristocratic family in Austria, August Johann Rösel was raised by his uncle, noted animal painter Wilhelm Rösel von Rosenhof, from whom he inherited the \"von Rosenhof\" title. His observations in this work cover marine invertebrates as well as insects, and his detailed classifications made him a pioneer among European entomologists, influencing Carl Linnaeus, among others. Nissen ZBI 3466 and 2201.
奥塞尔·冯·罗森霍夫（RÖSEL von ROSENHOF），8月JOHANN。1705-1759. 每月的昆虫娱乐。纽伦堡：约翰·约瑟夫·弗莱斯曼，1746-1761年。
图片文件尺寸 : 5489 x 4959px
RUSSIAN ART JOURNAL.:Zhar-Ptitsa/Jar-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926. 14 issues in 13 volumes (No. 4/5 double issue). 4to (315 x 240 mm). Illustrated in color and black and white, with many plates tipped in. Original color lithographed wrappers. Some issues missing spines with pages detached; internal tears and some loss.
A COMPLETE SET OF THE RARE RUSSIAN EMIGRE LITERARY ART MAGAZINE IN ORIGINAL ISSUES, reportedly no more than 300 copies were printed. Supplemental summaries of the numbers were provided in the back in a variety of languages including English. Zhar-ptitsa was the most influential art journal of the flourishing community of exiles who were feverishly trying to keep the culture of Old Russia alive. Due to paper shortages and extensive censorship by the Bolsheviks back in the USSR, the Russian book business was booming in Germany and France. This lavish periodical was the natural successor to S. Diaghilev\'s Mir iskusstva since many of those involved had been members of the World of Art Group and designers for the Ballets Russes. The rich selection subjects and contributors under A. E. Kogan\'s art department embraced L. Bakst, A. Benois, I. Bilibin, M. Chagall, S. Chekhonin, N. Goncharova, B. Grigoriev, B. Kustodiev, M. Larionov, V. Shukaev, K. Somov, S. Sudeikin and many other important artists. Poet Sasha Cherny was literary editor; and such important writers as L. Andreev, K. Balmont, I. Bunin, V. Khodasevich, B. Pilnyak, A. Remizov, N. Teffi, A.N. Tolstoi, B. Zaitsev, and the young Vladimir Nabokov (as \"V. Sirin\") appeared in its pages. Fekula called Zhar-ptitsa \"perhaps the most famous of post-revolutionary art journals, whose contributors threw new light on the development of Russian art at the beginning of the twentieth century.\" According to Vengerov, \"Even separate issues of the magazine, let alone complete sets of its issues, are a great bibliographic rarity.\" Fekula 5742; Vengerov Staraya russkaya kniga 105.
俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林：Russkoe Iskustvo，1921年8月至1926年1月。
图片文件尺寸 : 4500 x 4568px
Nicholas Matthew Condy:A smart sloop heaving-to in the Carrick Roads, Falmouth, off St. Mawes\' Castle, with a regatta in progress beyond
oil on board
28.6 x 39.4cm (11 1/4 x 15 1/2in).
尼古拉斯·马修·康迪 一艘聪明的单桅帆船驶向圣马威斯城堡外的法尔茅斯卡里克路（Carrick Roads，Falmouth），后面还有一场帆船赛
图片文件尺寸 : 4025 x 4243px
Laurence Stephen Lowry R.A.:Level Crossing with Train
Offset lithograph printed in colours, 1973, on wove, signed in pencil, from an edition of 750, published by Patrick Seale Prints, London, 460 x 560mm (18 1/8 x 22in)(I)
劳伦斯·斯蒂芬·洛瑞R.A。 《平交道口与火车偏移平版印刷》，彩色，1973年，织物，铅笔签名，750版，由Patrick Seale Prints出版，伦敦，460 x 560mm
图片文件尺寸 : 4395 x 5250px
Rodger McPhail:Pheasants in the snow
signed \'R.McPhail\' (lower left)
watercolour
47 x 57.8cm (18 1/2 x 22 3/4in).
Rodger McPhail 雪中的山鸡
图片文件尺寸 : 4370 x 5000px
ROXY PAINE:Amanita Muscaria #10
2004
polymer, oil, lacquer and wood in glass vitrine
13 by 10 by 10 in.
33 by 25.4 by 25.4 cm.
This work was executed in 2004.
罗西·佩恩 鹅膏菌#10 2004
图片文件尺寸 : 5098 x 5186px
Niki de Saint Phalle:Untitled (Self Portrait with Gun), c.1960
Offset lithograph in colors on wove paper, signed in ink and numbered 194/300, the full sheet.
sheet 19 5/8 x 17 1/4in (49.8 x 43.7cm)
妮基·桑法勒 无 题