图片文件尺寸 : 5205 x 3894px
Arthur Hill Gilbert:
Cypress Point, Carmel Beach
signed \'Arthur Hill Gilbert ANA\' (lower right), signed again and titled (on the reverse)
oil on canvas
25 x 30in
framed 33 x 38in
亚瑟·希尔·吉尔伯特 Cypress Point，Carmel Beach 25 x 30英寸框架33 x 38英寸
图片文件尺寸 : 4474 x 5117px
Victor Vasarely:
Bi-Octans, from Paris-Tokyo album (B.312), 1980
Screenprint in colors on wove paper, signed in pencil and numbered 42/75, published by Nanteshi Gallery, Tokyo and Inter-Continental Art Agency, Vancouver, Canada, printed by Atelier Duval, Paris, with full margins.
20 1/2 x 20 1/2in (52 x 52cm)
sheet 22 3/4 x 22in (57.7 x 55.7cm)
维克托·瓦萨雷里 Bi Octans，来自巴黎东京专辑
图片文件尺寸 : 4573 x 5010px
EMERSON, RALPH WALDO. 1803-1882.:Autograph Manuscript from Emerson\'s notebook, discussing key figures of the French Enlightenment and the Academie, 241 x 182 mm, laid into a larger sheet, ink on light blue paper, numbered \"80\" in upper right corner, [Boston? c.1853], tape to verso at fold.
AN UNPUBLISHED AUTOGRAPH LEAF FROM EMERSON\'S NOTEBOOK CONCERNING FIGURES OF THE FRENCH ENLIGHTENMENT. Headed \"Academie,\" the manuscript gives a brief relation of major French thinkers to the Academie Francaise: Richelieu \"wd not have established it if he cd have seen revolution in it...\"; Saint-Pierre \"induced the Acad to substitute Hope of great men for frivolous subjects\"; Montesquieu \"said, the academie had no other functions than to chatter without end.\" Emerson had visited Paris during the revolution of 1848 and held a high opinion of the French. It is likely this manuscript was produced in 1853 in conjunction with an important series of lectures Emerson would give beginning in January 1854, including \"France, or Urbanity.\" The subject, tone and wit exhibited in the manuscript resemble that of the lecture but has never been published or identified in the lecture.
爱默生，拉尔夫·沃尔多。1803-1882. Emerson笔记本上的亲笔签名手稿，讨论了法国启蒙运动和学术界的关键人物，
图片文件尺寸 : 4618 x 5418px
After René Magritte:L\'Art de Vivre; La Folie Almayer and L\'Homme au chapeau, from Le Lien de Paille (Kaplan Baum 16, 18, 19)
Three etchings with aquatint in colours, 1968, on BFK Rives wove paper, with the artist\'s stamped signature (as issued), numbered 82/150, 123/150 and 122/150 in pencil respectively, published by Georges Visat, Paris, with the \'Gravure Originale, Atelier René Magritte\' blindstamp, with margins, pale mount staining, in good condition, framed
Plate 195 x 150mm. (7 3/4 x 5 7/8in.); Sheet 280 x 225mm. (11 x 8 7/8in.)(and similar) (3)
源自RenéMagritte 生活艺术疯狂的阿尔迈耶和戴帽子的人，来自稻草链3
图片文件尺寸 : 6854 x 5702px
“1840年11月28日，尼古拉斯·皮内曼在阿姆斯特丹的尼乌韦角举行的威廉二世国王就职典礼-Nicolaas Pieneman
The Inauguration of King William II in the Nieuwe Kerk in Amsterdam on 28 November 1840--Nicolaas Pieneman (荷兰, 1809 – 1860)
图片文件尺寸 : 5416 x 3827px
“维也纳保罗·里特·冯·舍勒宫舞厅天花板壁画的Bozzetto，卡尔·约翰·佩福斯（Carl Johann Peyfuss）-Carl Johann Peyfuss
Bozzetto for the ceiling fresco in the dance hall of the Paul Ritter von Schoeller Palace in Vienna--Carl Johann Peyfuss (奥地利, 1865-1932)
图片文件尺寸 : 3260 x 3312px
Beurs van Berlage壁画设计象征着跪着的情侣拥抱在一起，并由冯德尔（Anton Derkinden）拼写-Antoon Derkinderen
Ontwerp voor wandschildering in de Beurs van Berlage; embleem met knielend paar in omhelzing en spreuk van Vondel--Antoon Derkinderen (荷兰, 1859 - 1925)
图片文件尺寸 : 1453 x 2401px
蓬托尔莫（雅各布·卡鲁奇）的《盖头女性塑像》（《圣蒂西玛·安努齐亚塔之旅》壁画中的塑像研究）-Pontormo (Jacopo Carucci)
Female figure with covered head (study for a figure in the fresco of the Visitation in Santissima Annunziata)--Pontormo (Jacopo Carucci) (意大利, 1494 – 1557)
图片文件尺寸 : 2398 x 1901px
“维尔纽斯贝尔纳丁教堂三王礼拜堂内部”，Józef Bałzukiewicz著-Józef Bałzukiewicz
Interior of the Chapel of the Three Kings in the Bernardine Church in Vilnius--Józef Bałzukiewicz (波兰, 1867-1915)
图片文件尺寸 : 5115 x 5759px
Anton Otto Fischer:The Lively Lady
signed and dated \'ANTON OTTO FISCHER 1930\' (lower right), titled on a presentation plaque, with a copyright label from Curtis Publishing Company (affixed to the stretcher) and inscribed (on the reverse, see below)
oil on canvas
32 x 26 in. (81.2 x 66.0 cm)
framed 41 x 35 in.
安东·奥托·菲舍尔 活泼女士32 x 26英寸。框架41 x 35英寸。
图片文件尺寸 : 5205 x 3894px
Arthur Hill Gilbert:
Cypress Point, Carmel Beach
signed \'Arthur Hill Gilbert ANA\' (lower right), signed again and titled (on the reverse)
oil on canvas
25 x 30in
framed 33 x 38in
亚瑟·希尔·吉尔伯特 Cypress Point，Carmel Beach 25 x 30英寸框架33 x 38英寸
图片文件尺寸 : 4474 x 5117px
Victor Vasarely:
Bi-Octans, from Paris-Tokyo album (B.312), 1980
Screenprint in colors on wove paper, signed in pencil and numbered 42/75, published by Nanteshi Gallery, Tokyo and Inter-Continental Art Agency, Vancouver, Canada, printed by Atelier Duval, Paris, with full margins.
20 1/2 x 20 1/2in (52 x 52cm)
sheet 22 3/4 x 22in (57.7 x 55.7cm)
维克托·瓦萨雷里 Bi Octans，来自巴黎东京专辑
图片文件尺寸 : 4573 x 5010px
EMERSON, RALPH WALDO. 1803-1882.:Autograph Manuscript from Emerson\'s notebook, discussing key figures of the French Enlightenment and the Academie, 241 x 182 mm, laid into a larger sheet, ink on light blue paper, numbered \"80\" in upper right corner, [Boston? c.1853], tape to verso at fold.
AN UNPUBLISHED AUTOGRAPH LEAF FROM EMERSON\'S NOTEBOOK CONCERNING FIGURES OF THE FRENCH ENLIGHTENMENT. Headed \"Academie,\" the manuscript gives a brief relation of major French thinkers to the Academie Francaise: Richelieu \"wd not have established it if he cd have seen revolution in it...\"; Saint-Pierre \"induced the Acad to substitute Hope of great men for frivolous subjects\"; Montesquieu \"said, the academie had no other functions than to chatter without end.\" Emerson had visited Paris during the revolution of 1848 and held a high opinion of the French. It is likely this manuscript was produced in 1853 in conjunction with an important series of lectures Emerson would give beginning in January 1854, including \"France, or Urbanity.\" The subject, tone and wit exhibited in the manuscript resemble that of the lecture but has never been published or identified in the lecture.
爱默生，拉尔夫·沃尔多。1803-1882. Emerson笔记本上的亲笔签名手稿，讨论了法国启蒙运动和学术界的关键人物，
图片文件尺寸 : 4618 x 5418px
After René Magritte:L\'Art de Vivre; La Folie Almayer and L\'Homme au chapeau, from Le Lien de Paille (Kaplan Baum 16, 18, 19)
Three etchings with aquatint in colours, 1968, on BFK Rives wove paper, with the artist\'s stamped signature (as issued), numbered 82/150, 123/150 and 122/150 in pencil respectively, published by Georges Visat, Paris, with the \'Gravure Originale, Atelier René Magritte\' blindstamp, with margins, pale mount staining, in good condition, framed
Plate 195 x 150mm. (7 3/4 x 5 7/8in.); Sheet 280 x 225mm. (11 x 8 7/8in.)(and similar) (3)
源自RenéMagritte 生活艺术疯狂的阿尔迈耶和戴帽子的人，来自稻草链3
图片文件尺寸 : 6854 x 5702px
“1840年11月28日，尼古拉斯·皮内曼在阿姆斯特丹的尼乌韦角举行的威廉二世国王就职典礼-Nicolaas Pieneman
The Inauguration of King William II in the Nieuwe Kerk in Amsterdam on 28 November 1840--Nicolaas Pieneman (荷兰, 1809 – 1860)
图片文件尺寸 : 5416 x 3827px
“维也纳保罗·里特·冯·舍勒宫舞厅天花板壁画的Bozzetto，卡尔·约翰·佩福斯（Carl Johann Peyfuss）-Carl Johann Peyfuss
Bozzetto for the ceiling fresco in the dance hall of the Paul Ritter von Schoeller Palace in Vienna--Carl Johann Peyfuss (奥地利, 1865-1932)
图片文件尺寸 : 3260 x 3312px
Beurs van Berlage壁画设计象征着跪着的情侣拥抱在一起，并由冯德尔（Anton Derkinden）拼写-Antoon Derkinderen
Ontwerp voor wandschildering in de Beurs van Berlage; embleem met knielend paar in omhelzing en spreuk van Vondel--Antoon Derkinderen (荷兰, 1859 - 1925)
图片文件尺寸 : 1453 x 2401px
蓬托尔莫（雅各布·卡鲁奇）的《盖头女性塑像》（《圣蒂西玛·安努齐亚塔之旅》壁画中的塑像研究）-Pontormo (Jacopo Carucci)
Female figure with covered head (study for a figure in the fresco of the Visitation in Santissima Annunziata)--Pontormo (Jacopo Carucci) (意大利, 1494 – 1557)
图片文件尺寸 : 2398 x 1901px
“维尔纽斯贝尔纳丁教堂三王礼拜堂内部”，Józef Bałzukiewicz著-Józef Bałzukiewicz
Interior of the Chapel of the Three Kings in the Bernardine Church in Vilnius--Józef Bałzukiewicz (波兰, 1867-1915)
图片文件尺寸 : 5115 x 5759px
Anton Otto Fischer:The Lively Lady
signed and dated \'ANTON OTTO FISCHER 1930\' (lower right), titled on a presentation plaque, with a copyright label from Curtis Publishing Company (affixed to the stretcher) and inscribed (on the reverse, see below)
oil on canvas
32 x 26 in. (81.2 x 66.0 cm)
framed 41 x 35 in.
安东·奥托·菲舍尔 活泼女士32 x 26英寸。框架41 x 35英寸。