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约翰·韦斯利 天使

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Ralph Albert Blakelock:In Central Park
signed \'R.A. Blakelock\' in red within an arrowhead (lower right), identified on a detached label from William Macbeth Gallery, New York, and on an unidentified exhibition label (affixed to the back of the frame)
oil on canvas
10 x 15 in. (25.0 x 38.2 cm)
framed 19 x 25 x 3 in.

拉尔夫·阿尔伯特·布拉克洛克 中央公园10 x 15英寸。框架19 x 25 x 3英寸。

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安杰洛·萨韦利-

Angelo Savelli * - Zeitgenössische Kunst I-

(Pizzo Calabro 1911–1995 Dello/Brescia)
Untitled, 1973, signed and dated on the reverse, acrylic on canvas on tulle, 163 x 136 cm, framed

This work is registered in the Archivio Angelo Savelli curated by Luigi Sansone and is accompanied by a photo certificate of authenticity

Provenance:
Kodama Collection, Osaka (label on the reverse)
European Private Collection

Angelo Savelli. The master of white
Angelo Savelli. The master of white, Marca, Catanzaro, until 30 March 2013
Calabrese by birth, Roman by training and 美国 by maturity, Savelli continues to be an isolated case within post-war art.

Savelli’s season of transition from figuration to abstraction is, under the banner of light, a sort of dynamic of the sign that weaves nervous filaments in an entirely emotional space.

Then, at the turn of the 1950s, came the choice to work exclusively in white. This was nothing to do with the Monochrome Malerei and the Manzonian achromia of the same years. Savelli thinks differently, of a purified idea of structure, of the point at which the formal mechanism manifests itself to the essential degree, before any attribution.

Savelli works primarily on the spatial dimension. He gives life to real places that breathe a formal mysticism that becomes a transcendental mood: one could say he works through paradox, giving an appropriate and unrelated physical consistency to the abstractness of geometry.

His work is above all silent. It is the poetic condition that Savelli chooses, and never relinquishes in decades of lucid, sweetly estranged research.

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路易吉·米拉多里（Luigi Miradori）的《一个在红色天鹅绒垫子上睡着的孩子、一个鸡蛋计时器和一个骷髅头的瓦妮塔斯场景》-Luigi Miradori

A Vanitas Scene With A Sleeping Child On A Red Velvet Cushion, An Egg Timer And A Skull--Luigi Miradori (意大利, ca 1605–ca 1654)

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马蒂斯·奈维乌（Matthijs Naiveu）说：“一名女子拿着一杯啤酒，向一名年轻男子献上洋葱和鲱鱼，其他人在他们身后抽烟、嬉戏-Matthijs Naiveu

A woman offering an onion and a herring to a young man holding a glass of beer, others smoking and playing skittles behind them--Matthijs Naiveu (荷兰, 1647-1726)

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乔瓦尼·巴蒂斯塔·莫罗尼（Giovanni Battista Moroni）的《一位老人的肖像》，可能是贝加莫参议员维切利诺·奥利瓦齐（Vercellino Olivazzi）-Giovanni Battista Moroni

Portrait of an Old Man, probably Vercellino Olivazzi, Senator from Bergamo--Giovanni Battista Moroni (意大利, 1525-1578)

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“1815年7月，以斐迪南王储为首的奥地利皇帝弗朗茨一世率领的盟军由约翰·内波穆克·霍克勒渡过了孚日-Johann Nepomuk Höchle

Die verbündeten Heere, Kaiser Franz I. (II.) von Österreich mit dem Kronprinzen Ferdinand an der Spitze, überschreiten im Juli 1815 die Vogesen--Johann Nepomuk Höchle (奥地利, 1790-1835)

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菲利普·德·拉古皮埃（Philippe de La Guêpière）的《歌剧院前厅拱门和舞台附近部分的设计》-Philippe de La Guêpière

Design for the Proscenium Arch of an Opera house and the Section Adjacent to the Stage--Philippe de La Guêpière (法国, 1715-1773)

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朱尔斯·爱德蒙德·查尔斯·拉查伊斯（Jules Edmond Charles Lachaise）的一幅内墙立面图，上面装饰着一个烟囱，上面有一面镜子，两侧有彩绘壁板-a mirror and flanked with painted panels by Jules-Edmond-Charles Lachaise

Elevation of an interior wall decorated with a chimney piece surmouted--Jules-Edmond-Charles Lachaise (法国, ?-1897)

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Pieter van der Leeuw:An Italianate landscape with a drover and his herd before the temple of Minerva Medica
signed and dated \'P vd. Leeuw 1672\' (lower left)
oil on canvas
29.6 x 40cm (11 5/8 x 15 3/4in).

彼得·范德列乌 密涅瓦医疗所神庙前，一幅意大利风景画，画着一个赶水者和他的牛群