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After Pablo Picasso:One plate, from Les Portraits Imaginaires, 1969
Lithograph in colors on Arches paper, with printed signature as issued, annotated \'E.A\' in black pencil (an épreuve d\'artiste, aside from the edition of 250), from the French edition (there was also an American edition), with the blindstamp of the publisher/printer, Éditions Cercle D\'art/Marcel Salinas, Paris, the full sheet, framed.
sheet 25 7/8 x 19 3/4in (65.7 x 50.1cm)

巴勃罗·毕加索之后 一个盘子，来自Les Portraits Imaginaires

图片文件尺寸 : 4744 x 5103px

After Pablo Picasso:One plate, from Les Portraits Imaginaires, 1969
Lithograph in colors on Arches paper, with printed signature as issued, annotated \'E.A\' in black pencil (an épreuve d\'artiste, aside from the edition of 250), from the French edition (there was also an American edition), with the blindstamp of the publisher/printer, Éditions Cercle D\'art/Marcel Salinas, Paris, the full sheet, framed.
sheet 25 7/8 x 19 3/4in (65.7 x 50.1cm)

巴勃罗·毕加索之后 一个盘子，来自Les Portraits Imaginaires

图片文件尺寸 : 5174 x 4122px

KIRCHER, ATHANASIUS. 1602-1680.:Naturliche und medicinalische Durchgrundung der laidigen ansteckenden Sucht, und so genanten Pestilentz. Augsburg: Jacob Koppmayer, 1680.
8vo (165 x 105 mm). [8], 302, [18] pp. Later half vellum and marbled boards, black morocco spine label; very faint dampstain to portion of text block and occasional light foxing, an attractive copy in custom cloth slipcase and chemise.
Provenance: \"Coll. Soc. Jes. Augsburg 1702\" inscription at head of title.

FIRST GERMAN EDITION of Kircher\'s groundbreaking work of epidemiology, an account of an outbreak of the bubonic plague in Rome, first published as Scrutinium Physico-Medicum (Rome, 1658). \"Kircher was probably the first to employ the microscope in investigating the cause of disease ... he was the first to state explicitly the theory of contagion by animalculae as the cause of infectious disease\" (Garrison-Morton). \"Kircher was perhaps the first to suggest that physicians themselves may spread the plague through unclean hands and instruments\" (Merrill). Garrison-Morton 5118; Krivatsy 6408; Merrill 15; Waller 5294.

阿塔纳修斯·基尔彻。1602-1680. 自然的和药物的渗透性，即所谓的鼠疫。奥格斯堡：雅各布·科普迈尔，1680年。

图片文件尺寸 : 2930 x 2915px

查尔斯·安德烈·凡·卢（Charles Andrévan Loo）的《阿波罗坐在雅典人和蛇面前，手里拿着一支里拉》-Charles-André van Loo

Apollo Seated Holding A Lyre In Front Of An Athenienne And A Snake--Charles-André van Loo (法国, 1705 – 1765)

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“一个街头场景，Commedia Dell’arte表演者和音乐家聚集在两个木偶周围，马可·马可拉的圆圈外的方尖碑-Circle of Marco Marcola

A Street Scene With Commedia Dellarte Performers And Musicians Gathered Around Two Puppets, An Obelisk Beyond--Circle of Marco Marcola (意大利, 1740-1793)

图片文件尺寸 : 2603 x 3304px

扬·范·斯科尔（Jan van Scorel）的《圣坛画的两翼》，描绘了圣徒施洗者约翰和凯瑟琳在壁龛中被天使制服》-Angels by Jan van Scorel

Two Wings of an Altarpiece depicting Saints John the Baptist and Catherine in Niches Surmounted--Jan van Scorel (荷兰, 1495-1562)

图片文件尺寸 : 4240 x 3847px

English School:\'An Aged Tamarind Tree, at the Tomb of Shake Jemanl near Coel\', India
inscribed with title and dated \'1800\' (lower centre)
pen and ink and wash
sheet 37.4 x 54.6cm (14 3/4 x 21 1/2in).
unframed

英语学校 “科尔附近Shake Jemanl墓旁的一棵老柽柳树”，印度，活页37.4 x 54.6厘米，无框

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“当这场战争结束时，我将作为一个比我以前更狂热的国家社会主义者从战争中归来——阿道夫·希特勒-Anonymous

When This War Will Be Over, I Will Return From It As An Even More Fanatic National Socialist Than I Have Been Before — Adolf Hitler--Anonymous

图片文件尺寸 : 4681 x 4535px

Attributed to George Frederic Watts, OM, RA:Portrait of an officer thought to be Richard Riversdale Glyn, 8th Hussars
oil on panel
61 x 50.5cm (24 x 19 7/8in).

归因于George Frederic Watts，OM，RA 一名军官的肖像，被认为是理查德·里弗斯代尔·格林，第八骑兵

图片文件尺寸 : 4173 x 4118px

KOMAI COMPANY:An inlaid-iron dish
Meiji era (1868-1912), late 19th century
Circular and set on three low bracket feet, decorated in gold and silver overlays with a temple and shrine complex, a village, and sailing vessels in the distance before Mount Fuji, all framed by a writhing dragon and phoenix in flight on trailing ivy, scattered cherry blossoms, and clouds, the rim with chrysanthemum florets, signed in gilt in a rectangular reserve Nihon Kyoto no ju Komai sei below a dragonfly mark
7 3/8in (18.7cm) diameter

科迈 一个镶嵌的铁碟明治时代，19世纪晚期