3053. 朱利安·奥皮。 露丝吸烟1露丝吸烟2露丝吸烟4,来自二十六幅肖像 高清作品[76%]

Ruth Smoking 1; Ruth Smoking 2; Ruth Smoking 4, from Twenty Six Portraits

图片文件尺寸 : 4617 x 5358px

Julian Opie:Ruth Smoking 1; Ruth Smoking 2; Ruth Smoking 4, from Twenty Six Portraits (3 works), 2006
Three screenprints in colors on wove paper, each numbered in Roman numerals AP XI/L, AP XXXIX/L, AP XXVII/L (three artist\'s proofs, aside from the edition of 250), published by Alan Cristea Gallery, London, each the full sheet, with mat as issued. (3 works)
sheet 14 1/3 x 9 3/4in (36.5 x 25cm); 14 1/3 x 9 3/4in (36.5 x 25cm); 14 1/4 x 9 3/4in (36 x 25cm)

朱利安·奥皮。 露丝吸烟1露丝吸烟2露丝吸烟4,来自二十六幅肖像

3054. 杰森·马丁,当代艺术I 高清作品[76%]

DO-Jason Martin  - 现代艺术 I
图片文件像素:6259 x 4573 px

杰森·马丁,当代艺术I-

Jason Martin * - Zeitgenössische Kunst I-

(born in London in 1970)
Untitled, 2008, oil on steel, 236 x 354 x 11 cm

Provenance:
Private collection Thomas Olbricht, Essen
Van Ham, Cologne, 26 September 2020, lot 333 - acquired there by the present owner

Exhibited:
Hamburg, Deichtorhallen, Zwei Sammler: Thomas Olbricht und Harald Falckenberg, 24 June – 21 August 2011

Literature:
Luckow, Dirk: Zwei Sammler - Thomas Olbricht und Harald Falckenberg, Cologne 2011, p. 52 (without ill.)

The British artist Jason Martin expands the possibilities of painting with his innovative approach in using unusual materials which serve as paint. He attracted international attention with his large, brushed oil paintings, executed in thin layers of paint with self-made comb-like tools – such as the one being auctioned off. Because of the light bouncing off the shiny surface, experiencing the work in person is like walking towards a sculpture rather than a painting.

“There’s never really any single point to review the work or to experience the work, it’s about moving around. But there is a stillness as well, in that the organisation of the marks all collide into a central or suggested central point. […] When you encounter a work of mine, there is an academic approach to the performative act, the gestural act. I have a series of reduced movements that then compile in a composition. And you also look through it, because there is this implied sense of looking through, this illusion. […] I would suggest that my paintings are a hybrid between that naturalism, that looking through, that perspectival space, that implied pictorial depth and the didactic, academic concerns of abstraction, which are for me physical and arm-led, or I immerse my body into the whole making of the work. And they sit very much in between these two places, these two worlds. [...]”
Jason Martin on the exhibition: Convergence. Thaddaeus Ropac, Seoul Fort Hill, 24.2.-16.4.22

3055. 哈萨克斯坦 人性 高清作品[76%]

Humanity

图片文件尺寸 : 4413 x 4284px

Gazbia Sirry:Humanity
oil on canvas, framed
signed \"Gazbia\" in Arabic and English and dated \"96\" (lower left), executed in 1996
52 x 44.5cm (20 1/2 x 17 1/2in).

哈萨克斯坦 人性

inness油画图片- 高清inness绘画作品- 代表作全集 中艺名画下载


3053. 朱利安·奥皮。 露丝吸烟1露丝吸烟2露丝吸烟4,来自二十六幅肖像 高清作品[76%]

Ruth Smoking 1; Ruth Smoking 2; Ruth Smoking 4, from Twenty Six Portraits

图片文件尺寸 : 4617 x 5358px

Julian Opie:Ruth Smoking 1; Ruth Smoking 2; Ruth Smoking 4, from Twenty Six Portraits (3 works), 2006
Three screenprints in colors on wove paper, each numbered in Roman numerals AP XI/L, AP XXXIX/L, AP XXVII/L (three artist\'s proofs, aside from the edition of 250), published by Alan Cristea Gallery, London, each the full sheet, with mat as issued. (3 works)
sheet 14 1/3 x 9 3/4in (36.5 x 25cm); 14 1/3 x 9 3/4in (36.5 x 25cm); 14 1/4 x 9 3/4in (36 x 25cm)

朱利安·奥皮。 露丝吸烟1露丝吸烟2露丝吸烟4,来自二十六幅肖像

3054. 杰森·马丁,当代艺术I 高清作品[76%]

DO-Jason Martin  - 现代艺术 I
图片文件像素:6259 x 4573 px

杰森·马丁,当代艺术I-

Jason Martin * - Zeitgenössische Kunst I-

(born in London in 1970)
Untitled, 2008, oil on steel, 236 x 354 x 11 cm

Provenance:
Private collection Thomas Olbricht, Essen
Van Ham, Cologne, 26 September 2020, lot 333 - acquired there by the present owner

Exhibited:
Hamburg, Deichtorhallen, Zwei Sammler: Thomas Olbricht und Harald Falckenberg, 24 June – 21 August 2011

Literature:
Luckow, Dirk: Zwei Sammler - Thomas Olbricht und Harald Falckenberg, Cologne 2011, p. 52 (without ill.)

The British artist Jason Martin expands the possibilities of painting with his innovative approach in using unusual materials which serve as paint. He attracted international attention with his large, brushed oil paintings, executed in thin layers of paint with self-made comb-like tools – such as the one being auctioned off. Because of the light bouncing off the shiny surface, experiencing the work in person is like walking towards a sculpture rather than a painting.

“There’s never really any single point to review the work or to experience the work, it’s about moving around. But there is a stillness as well, in that the organisation of the marks all collide into a central or suggested central point. […] When you encounter a work of mine, there is an academic approach to the performative act, the gestural act. I have a series of reduced movements that then compile in a composition. And you also look through it, because there is this implied sense of looking through, this illusion. […] I would suggest that my paintings are a hybrid between that naturalism, that looking through, that perspectival space, that implied pictorial depth and the didactic, academic concerns of abstraction, which are for me physical and arm-led, or I immerse my body into the whole making of the work. And they sit very much in between these two places, these two worlds. [...]”
Jason Martin on the exhibition: Convergence. Thaddaeus Ropac, Seoul Fort Hill, 24.2.-16.4.22

3055. 哈萨克斯坦 人性 高清作品[76%]

Humanity

图片文件尺寸 : 4413 x 4284px

Gazbia Sirry:Humanity
oil on canvas, framed
signed \"Gazbia\" in Arabic and English and dated \"96\" (lower left), executed in 1996
52 x 44.5cm (20 1/2 x 17 1/2in).

哈萨克斯坦 人性