图片文件尺寸 : 5155 x 4819px

Joan Miró:Nous Avons (5 works) (Dupin 247-252), 1959
The complete portfolio comprising 5 etchings and aquatints in colors on vieux Japon paper, signed in pencil on the justification page by the artist and black ink by the author, Rene Char, published by Louis Broder, Paris, engraved by Crommelynck et Dutrou, Paris, each with full margins, lacking the text, all framed together in one frame. (5 works)
sizes various

胡安·米罗 我们有

图片文件尺寸 : 4948 x 4708px

Richard Diebenkorn: Window, 1990
Soft-ground etching and aquatint on Rives paper, initialed in pencil, dated, and numbered AP 8 (an artist\'s proof, aside from the edition of 35) with the blindstamp of the publisher/printer Crown Point Press, San Francisco/Renee Bott, with full margins, framed.
8 1/2 x 6 1/2in (21.5 x 16.5cm)
sheet 16 5/8 x 13 1/2in (42.2 x 34.3cm)

理查德·迪本科恩 窗

图片文件尺寸 : 4224 x 3920px

McArthur Binion:DNA Etching III, 2015
Etching with aquatint and drypoint in colors on Saunders Waterford paper, signed in pencil, dated and numbered AP8 (an artist\'s proof aside from the edition of 35), with the blindstamp of the publisher/printer, Paulson Bott Press/Renee Bott, Berkeley, with full margins.
32 3/4 x 33in (83.1 x 83.8cm)
sheet 37 1/4 x 37in (94.6 x 93.9cm)

麦卡瑟·比尼翁 DNA蚀刻III

图片文件尺寸 : 5453 x 4071px

McArthur Binion:DNA Etching II, 2015
Etching with aquatint and drypoint in colors on Saunders Waterford paper, signed in pencil, dated and numbered AP8 (an artist\'s proof aside from the edition of 35), with the blindstamp of the publisher/printer, Paulson Bott Press/Renee Bott, Berkeley, with full margins.
32 3/4 x 33in (83.1 x 83.8cm)
sheet 37 1/4 x 37in (94.6 x 93.9cm)

麦卡瑟·比尼翁 DNA蚀刻II

图片文件尺寸 : 4770 x 5226px

Tauba Auerbach:Mesh/Moire I - VI (6 works), 2012
The complete set of 6 soft ground etchings in colors on Somerset paper, each signed in pencil, each dated and each numbered AP8 (artist\'s proofs aside from the edition of 40), with the blindstamp of the publisher/printer, Paulson Bott Press, Berkeley/Renee Bott, each with full margins. (6 works)
each 31 3/4 x 23 1/2in
each sheet 40 1/4 x 30 1/2in

陶巴·奥尔巴奇 网眼/云纹I-VI

图片文件尺寸 : 4407 x 5975px

Tauba Auerbach:Mesh/Moire I - VI (6 works), 2012
The complete set of 6 soft ground etchings in colors on Somerset paper, each signed in pencil, dated and numbered AP8 (an artist\'s proof aside from the edition of 40), with the blindstamp of the publisher/printer, Paulson Bott Press, Berkeley/Renee Bott, each with full margins. (6 works)
Each image: 31 3/4 x 23 1/2in
Each sheet: 40 1/4 x 30 1/2in

陶巴·奥尔巴奇 网眼/云纹I-VI

图片文件像素：4600 x 3500 px

安德烈·马森，版画和编辑-

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(Balagny/Oise 1896-1987 Paris)
"Rene Crevel: Regard", 1964, 6 (davon 3 in Blau gedruckt) Radierungen auf Velin, jeweils signiert Andre Masson, Exemplar Hors Commerce außerhalb der Auflage von nur 19 Exemplaren, Plattenmaße 15,5 x 21,8/22 cm, Blattmaße 20 x 25,6 cm, herausgegeben von Pierre André Benoit (PAB), der Druckvermerk von ihm signiert und mit Widmung versehen, die 6 Radierungen mit dem Text von René Crevel auf losen Blättern bzw. Doppelblättern in Orig.-Kartonumschlag, (6), (RAC)

图片文件尺寸 : 4570 x 5119px

EAST ASIAN ART.:10 titles:
1. TAKASHIMA, S. and KAZUMASA OGAWA, photographer. Illustrations of Japanese Life. Yokahama: 1893. 3 volumes. 8vo. 94 collotype photographic illustrations printed on crepe paper. Publisher\'s pictorial crepe paper wrappers, bound with silk twine, custom clamshell box. Rubbing and slight fading to wrappers, stains to clamshell box, light toning and spotting throughout.
2. JACOBY, GUSTAV. Japanische Schwertzieraten. Leipzig: 1904. Folio. 37 heliogravure plates. Publisher\'s pictorial cloth. Browning and staining to covers, slightly loose, even toning and light foxing.
3. BROCKHAUS, ALBERT. Netsuke. Leipzig: 1905. 4to. Numerous chromolithographic plates, wood-engraved and half-tone photographic illustrations in text. Publisher\'s brown suede, stamped in gilt. Suede deteriorating and torn, text block somewhat loose, toning.
4. GROHMANN, ADOLF. Göttersymbole und Symboltiere auf südarabischen Denkmälern. Vienna: 1914. Folio. Publisher\'s printed yellow wrappers, pages uncut. Numerous illustrations in text. Wear and soiling to wrappers, a few small tears to spine edges, toning.
5. KÜMMEL, OTTO. Meisterwerke chinesischer und japanischer Kunst, Sammlung Fuchs. Stuttgart and Berlin: 1910. Folio. 15 photographic plates, text introduction. Loose as issued, in board portfolio with string ties, custom cloth clamshell box. Portfolio rubbed, slight toning.
6. ---. Die Kunst Ostasiens. Berlin: 1922. 4to. 166 black and white photographic plates. Publisher\'s quarter cloth and boards. Staining to spine and covers, text block somewhat loose, toning.
7. GLASER, CURT. Die Kunst Ostasiens. Leipzig: 1920. 8vo. 56 photographic plates, some folding. Publisher\'s quarter cloth and boards. Covers sunned and slightly soiled, chips to spine ends corners bumped, light chipping to some page edges, toning.
8. GUNSAULUS, HELEN C. Japanese Sword-Mounts in the Collections of the Field Museum. Chicago: 1923. 61 photographic plates. Later quarter cloth and boards, original front wrapper laid down to upper board. Covers heavily rubbed and soiled, corners chipped, cloth tape lettering piece applied to spine, text block loose, browning.
9. GROUSSET, RENE. Art of the Far East. New York: 1945. 16 color photographic plates. Publisher\'s pictorial wrappers. Warping, wrappers heavily chipped, staining, light toning to interior.
10. VISSER, H.F.E. Asiatic Art. New York: 1948. Large 4to. Numerous color and black and white photographic plates. Publisher\'s black cloth stamped in gilt. Covers warped, text block slightly loose, slight foxing and browning.

东亚艺术。 10个标题：