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Joseph Henry Sharp: Evening Council
signed and inscribed \'J H SHARP TAOS\' (lower right)
oil on canvas
25 x 30in
framed 34 1/2 X 39 1/2in

约瑟夫·亨利·夏普 晚间会议25 x 30英寸框架34 1/2 x 39 1/2英寸

图片文件尺寸 : 4807 x 4731px

William Ritschel: Grand Marina, Capri
signed and inscribed \'W. Ritschel Capri\' (lower right), signed again and titled (on the reverse)
oil on board
16 x 20in
framed 22 x 26in

威廉·里舍尔 Grand Marina，卡普里16 x 20英寸框架22 x 26英寸

图片文件尺寸 : 4414 x 4328px

Jo Baer: 5 Prints, from the Cardinations portfolio (5 works), 1974
5 screenprints in colors on wove paper, each signed in pencil, one dated, and each numbered VIIIAP, XAP, XIIAP, VIIIAP and 66/75, published by Brooke Alexander Editions, Inc., New York, printed by Maurel Studios, New York, each with full margins. (5 works)
each 24 1/2 x 18 5/8in (62.2 x 47.2cm)
each sheet 28 1/2 x 21in (72.3 x 53.3cm)

乔·贝尔 5张照片，来自Cardinations系列

图片文件尺寸 : 4753 x 5374px

Frank Stella: Carl Andre, from Purple series (A. 70), 1972
Lithograph on Serkall Copperplate Deluxe paper, signed in pencil, dated and numbered 25/100 (there were also 9 artist\'s proofs), with the blindstamps of the publisher Gemini G.E.L., Los Angeles, with full margins, framed.
9 3/4 x 13in (24.7 x 33in)
sheet 16 x 22in (40.6 x 55.9cm)

弗兰克·斯特拉 卡尔·安德烈，紫色系列

图片文件尺寸 : 4742 x 6030px

Sol LeWitt:One plate, from Lines In Color on Color From Corners Sides and Centers to Specific Points on a Grid (Krakow Witkin 1978.2.05), 1978
Screenprint in colors on Arches 88 paper, signed in pencil and numbered 11/15 AP (an artist\'s proof aside from the edition of 25), published by Multiples Inc., New York, printed by Jo Watanabe, New York, the full sheet.
sheet 30 x 30in (76.2 x 76.2cm)

索尔·莱维特 一个板，从颜色上的颜色线从角边和中心到网格上的特定点

图片文件尺寸 : 5375 x 5979px

Grace Carpenter Hudson: Tullo\'s Boy Dubert (Our Little Brothers)
signed \'G. Hudson\' (lower left), signed again and inscribed \'622 G. Hudson / Ukiah- Cal\' (on the reverse)
oil on canvas
20 1/2 x 15 3/4in
framed 26 1/2 x 21 5/8in
Painted in 1928.

格雷斯·卡彭特·哈德森 Tullo\'s Boy Dubert 20 1/2 x 15 3/4英寸框架26 1/2 x 21 5/8英寸

图片文件尺寸 : 5346 x 5224px

Sol LeWitt:One plate, from Lines In Color on Color From Corners Sides and Centers to Specific Points on a Grid (Krakow Witkin 1978.2.08), 1978
Screenprint in colors on Arches 88 paper, signed in pencil and numbered 11/15 AP (an artist\'s proof aside from the edition of 25), published by Multiples Inc., New York, printed by Jo Watanabe, New York, the full sheet.
sheet 30 x 30in (76.2 x 76.2cm)

索尔·莱维特 一个板，从颜色上的颜色线从角边和中心到网格上的特定点

图片文件尺寸 : 4242 x 3809px

NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).

FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.

纽伦堡编年史。 Liber chronicarum[德语：《克洛诺斯和故事书》]。纽伦堡：Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister，1493年12月23日。

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Erwin Olaf:Joy (Marc), 1985
gelatin silver print; Signed, titled and editioned 9/10 in ink
11 x 11 in. (28 x 28 cm.)
sheet 13 x 11 3/4 in. (33 x 30 cm.)

埃文·奥拉夫 快乐

图片文件尺寸 : 5331 x 4689px

Etel Adnan:Le soleil a vécu
Etching printed in colours, 2020, signed, dated and numbered 16/35 in pencil, with full margins, 488 x 380mm (19 1/4 x 15in)(SH)(unframed)

德南 太阳还活着