图片文件尺寸 : 5388 x 4722px
Pablo Picasso:Picador et cheval (Picador and Horse) (Bloch 913), 1959
Linocut cut printed in brown and black on Arches paper, signed in pencil, an unnumbered proof (aside from the edition of 50), published by Galerie Louise Leiris, Paris, printed by Arnéra, Vallauris, with full margins.
25 x 21 in (63.5 x 53.3 cm)
sheet 29 7/8 x 24 1/2 in (75.5 x 62.2 cm)
巴勃罗·毕加索 皮卡多和马
图片文件尺寸 : 4959 x 4128px
Robert Motherwell:Black Mountain (State II Red) (Engberg Banach 302), 1983
Aquatint, lift-ground etching and aquatint in colors on Hawthorne of Larroque handmade paper, signed in pencil and numbered 4/32 (there was also 10 artist\'s proofs), with the blindstamp of the artist, released by Tyler Graphics Ltd., Bedford Village, New York, with full margins, framed.
17 3/4 x 23 5/8in (45 x 60cm)
sheet 24 1/4 x 31in (61.6 x 78.7cm)
罗伯特·马瑟韦尔 黑山
图片文件尺寸 : 5085 x 3851px
Jessie Arms Botke:
Decoration
signed \'Jessie Arms Botke\' (lower right) and titled (on the reverse)
oil on canvas
40 x 50 1/2in
framed 48 x 58in
Painted prior to 1931.
杰西手臂机器人 装饰40 x 50 1/2英寸框架48 x 58英寸
图片文件尺寸 : 4767 x 5654px
Helen Frankenthaler:
Orange Hoop (Harrison 7), 1965
Lithograph in colors on Auvergne a la Main paper, signed in pencil, dated and numbered 13/24 (there was also 1 artist\'s proof), with the blindstamp of the publisher/printer Universal Limited Art Editions, West Islip, New York, with full margins.
19 1/4 x 13 3/4in (48.9 x 34.9cm)
sheet 25 1/2 x 19 3/4in (64.8 x 50.1cm)
海伦·弗兰肯萨勒 橙色连帽衫
图片文件像素：5850 x 5365 px
Valerio Adami，当代艺术I-
Valerio Adami * - Zeitgenössische Kunst I-
(born in Bologna in 1935)
The Guggenheim, 1968, dated, signed and titled on the reverse, oil on canvas, 97 x 130 cm, framed
This work is registered in the Archivio Valerio Adami
This work is accompanied by a certificate signed by the artist
Provenance:
Sale Farsetti, Prato, 26 November 1994
European Private Collection
As Valerio Adami wrote in 1968, “The hand is a kind of seismograph giving body to the traces left by the circuit of imagination”: the drawing hand is an instrument that records what the eye looks at and the mind sees. It is the starting point of the artist’s method: the hand-seismograph that in the “journey of drawing” goes through the kaleidoscope of his inspiration, and that in the essentiality of the line reworks, summarizes, juxtaposes, disassembles and reassembles it. […]
The lines of the drawing, eternally moving as the mind distilling them, - since for Adami “nulla dies sine linea” (no day without a line) – are the “off the beaten track” trails that the artist constantly crosses and connects. He does so by bringing distant worlds together, from the Ganges to the Matterhorn and from Paris to Finland by making the Greek mythological narrative coexist with New York street life, by recalling the light spells of Lake Maggiore or the clouds at sunrise.
(G. Ranzi, Valerio Adami and the lightly swaying desire, in “Valerio Adami. Immagine e pensiero”, Dep Art, Milan 2002)
图片文件尺寸 : 4682 x 4330px
JULES PASCIN:a) Ostende
signed, inscribed and dated \'Pascin-Ostende 1905\' and stamped \'Atelier Pascin\' (lower right)
watercolor and pencil on paper
6 11/16 x 11 13/16 in (17 x 30 cm)
Executed in Ostende in 1905
Provenance
Gail Feingarten Oppenheimer Collection, Beverly Hills.
Thence by descent to the present owners.
Literature
T. Krohg R. Napolitano, Pascin, vol. I., Munich, Berlin, Paris 1902 – 1914, Paris, 2017, no. 54 (illustrated p. 40).
b) Ostende
signed, inscribed and dated \'Pascin-Ostende 1905\' and stamped \'Atelier Pascin\' (lower right)
watercolor and pencil on paper
6 11/16 x 11 13/16 in (17 x 30 cm)
Executed in Ostende in 1905
Provenance
Gail Feingarten Oppenheimer Collection, Beverly Hills.
Thence by descent to the present owners.
Literature
T. Krohg R. Napolitano, Pascin, vol. I., Munich, Berlin, Paris 1902 – 1914, Paris, 2017, no. 68 (illustrated p. 42).
朱尔斯PASCIN a） 奥斯滕德b）奥斯滕德
图片文件尺寸 : 5172 x 4130px
English School:
Portrait of a gentleman, half-length, in black; and Portrait of a lady, half-length, in black
the former bears inscription and date \'AETATIS SVAE, 27/ 1595\' (upper left) and charged with sitter\'s coat-of-arms (upper right); and the latter bears inscription and date \'AETATIS, SUAE 28,/ 1595\' (upper left) and charged with sitter\'s coat-of-arms (upper right)
a pair, oil on panel
87.2 x 65.5cm (34 5/16 x 25 13/16in). (2)
英语学校 一位绅士的肖像，半身，黑色和一位女士的肖像，半身，黑色
图片文件尺寸 : 5245 x 3974px
Georges Braque:
L\'Ordre des oiseaux, text by Saint-John Perse (Vallier 182), 1962
The complete bound volume with 12 aquatints in colors on Richard de Bas handmade paper, signed in ink on the colophon by the artist and poet and annotated \'EXAMPLAIRE H.C. 15\' (one of 20 hors commerce aside from the edition of 100, plus 30 in Roman numerals with an additional suite), published by Au vent d\'Arles, Paris, aquatints printed by Aldo Crommelylnck, Paris, bound in black morocco-backed moiré silk-covered boards by Jean Duval, slipcover with paper collage bird design after Braque. (12 works)
overall 17 3/4 x 21 3/4in (45.1 x 55.2cm)
乔治·布拉克 《鸟的秩序》，圣约翰波斯文本
图片文件尺寸 : 2461 x 3148px
威廉·杰弗里·哈特（William Jeffrey Hartter）说：“亚利桑那州的墨西哥移民劳工团结一致，力量强大-William Jeffrey Hartter
Mexican migrant labor in Arizona in unity there is strength--William Jeffrey Hartter (美国, 20th Century)
图片文件尺寸 : 4985 x 4865px
Sam Hyde Harris:Invictus (Monterey Cypress)
signed \'Sam Hyde Harris\' (lower left) and titled and signed (on the reverse)
oil on canvasboard
16 x 20 in.
framed 24 x 27 1/4 in.
山姆海德哈里斯 Invictus 16 x 20英寸。框架24 x 27 1/4英寸。
图片文件尺寸 : 5388 x 4722px
Pablo Picasso:Picador et cheval (Picador and Horse) (Bloch 913), 1959
Linocut cut printed in brown and black on Arches paper, signed in pencil, an unnumbered proof (aside from the edition of 50), published by Galerie Louise Leiris, Paris, printed by Arnéra, Vallauris, with full margins.
25 x 21 in (63.5 x 53.3 cm)
sheet 29 7/8 x 24 1/2 in (75.5 x 62.2 cm)
巴勃罗·毕加索 皮卡多和马
图片文件尺寸 : 4959 x 4128px
Robert Motherwell:Black Mountain (State II Red) (Engberg Banach 302), 1983
Aquatint, lift-ground etching and aquatint in colors on Hawthorne of Larroque handmade paper, signed in pencil and numbered 4/32 (there was also 10 artist\'s proofs), with the blindstamp of the artist, released by Tyler Graphics Ltd., Bedford Village, New York, with full margins, framed.
17 3/4 x 23 5/8in (45 x 60cm)
sheet 24 1/4 x 31in (61.6 x 78.7cm)
罗伯特·马瑟韦尔 黑山
图片文件尺寸 : 5085 x 3851px
Jessie Arms Botke:
Decoration
signed \'Jessie Arms Botke\' (lower right) and titled (on the reverse)
oil on canvas
40 x 50 1/2in
framed 48 x 58in
Painted prior to 1931.
杰西手臂机器人 装饰40 x 50 1/2英寸框架48 x 58英寸
图片文件尺寸 : 4767 x 5654px
Helen Frankenthaler:
Orange Hoop (Harrison 7), 1965
Lithograph in colors on Auvergne a la Main paper, signed in pencil, dated and numbered 13/24 (there was also 1 artist\'s proof), with the blindstamp of the publisher/printer Universal Limited Art Editions, West Islip, New York, with full margins.
19 1/4 x 13 3/4in (48.9 x 34.9cm)
sheet 25 1/2 x 19 3/4in (64.8 x 50.1cm)
海伦·弗兰肯萨勒 橙色连帽衫
图片文件像素：5850 x 5365 px
Valerio Adami，当代艺术I-
Valerio Adami * - Zeitgenössische Kunst I-
(born in Bologna in 1935)
The Guggenheim, 1968, dated, signed and titled on the reverse, oil on canvas, 97 x 130 cm, framed
This work is registered in the Archivio Valerio Adami
This work is accompanied by a certificate signed by the artist
Provenance:
Sale Farsetti, Prato, 26 November 1994
European Private Collection
As Valerio Adami wrote in 1968, “The hand is a kind of seismograph giving body to the traces left by the circuit of imagination”: the drawing hand is an instrument that records what the eye looks at and the mind sees. It is the starting point of the artist’s method: the hand-seismograph that in the “journey of drawing” goes through the kaleidoscope of his inspiration, and that in the essentiality of the line reworks, summarizes, juxtaposes, disassembles and reassembles it. […]
The lines of the drawing, eternally moving as the mind distilling them, - since for Adami “nulla dies sine linea” (no day without a line) – are the “off the beaten track” trails that the artist constantly crosses and connects. He does so by bringing distant worlds together, from the Ganges to the Matterhorn and from Paris to Finland by making the Greek mythological narrative coexist with New York street life, by recalling the light spells of Lake Maggiore or the clouds at sunrise.
(G. Ranzi, Valerio Adami and the lightly swaying desire, in “Valerio Adami. Immagine e pensiero”, Dep Art, Milan 2002)
图片文件尺寸 : 4682 x 4330px
JULES PASCIN:a) Ostende
signed, inscribed and dated \'Pascin-Ostende 1905\' and stamped \'Atelier Pascin\' (lower right)
watercolor and pencil on paper
6 11/16 x 11 13/16 in (17 x 30 cm)
Executed in Ostende in 1905
Provenance
Gail Feingarten Oppenheimer Collection, Beverly Hills.
Thence by descent to the present owners.
Literature
T. Krohg R. Napolitano, Pascin, vol. I., Munich, Berlin, Paris 1902 – 1914, Paris, 2017, no. 54 (illustrated p. 40).
b) Ostende
signed, inscribed and dated \'Pascin-Ostende 1905\' and stamped \'Atelier Pascin\' (lower right)
watercolor and pencil on paper
6 11/16 x 11 13/16 in (17 x 30 cm)
Executed in Ostende in 1905
Provenance
Gail Feingarten Oppenheimer Collection, Beverly Hills.
Thence by descent to the present owners.
Literature
T. Krohg R. Napolitano, Pascin, vol. I., Munich, Berlin, Paris 1902 – 1914, Paris, 2017, no. 68 (illustrated p. 42).
朱尔斯PASCIN a） 奥斯滕德b）奥斯滕德
图片文件尺寸 : 5172 x 4130px
English School:
Portrait of a gentleman, half-length, in black; and Portrait of a lady, half-length, in black
the former bears inscription and date \'AETATIS SVAE, 27/ 1595\' (upper left) and charged with sitter\'s coat-of-arms (upper right); and the latter bears inscription and date \'AETATIS, SUAE 28,/ 1595\' (upper left) and charged with sitter\'s coat-of-arms (upper right)
a pair, oil on panel
87.2 x 65.5cm (34 5/16 x 25 13/16in). (2)
英语学校 一位绅士的肖像，半身，黑色和一位女士的肖像，半身，黑色
图片文件尺寸 : 5245 x 3974px
Georges Braque:
L\'Ordre des oiseaux, text by Saint-John Perse (Vallier 182), 1962
The complete bound volume with 12 aquatints in colors on Richard de Bas handmade paper, signed in ink on the colophon by the artist and poet and annotated \'EXAMPLAIRE H.C. 15\' (one of 20 hors commerce aside from the edition of 100, plus 30 in Roman numerals with an additional suite), published by Au vent d\'Arles, Paris, aquatints printed by Aldo Crommelylnck, Paris, bound in black morocco-backed moiré silk-covered boards by Jean Duval, slipcover with paper collage bird design after Braque. (12 works)
overall 17 3/4 x 21 3/4in (45.1 x 55.2cm)
乔治·布拉克 《鸟的秩序》，圣约翰波斯文本
图片文件尺寸 : 2461 x 3148px
威廉·杰弗里·哈特（William Jeffrey Hartter）说：“亚利桑那州的墨西哥移民劳工团结一致，力量强大-William Jeffrey Hartter
Mexican migrant labor in Arizona in unity there is strength--William Jeffrey Hartter (美国, 20th Century)
图片文件尺寸 : 4985 x 4865px
Sam Hyde Harris:Invictus (Monterey Cypress)
signed \'Sam Hyde Harris\' (lower left) and titled and signed (on the reverse)
oil on canvasboard
16 x 20 in.
framed 24 x 27 1/4 in.
山姆海德哈里斯 Invictus 16 x 20英寸。框架24 x 27 1/4英寸。