图片文件尺寸 : 4336 x 5175px

Conrad Buff: Palm trees and shadows
signed \'Conrad Buff\' (lower right)
oil on board
24 x 30in
framed 31 x 37in

康拉德·布夫 棕榈树和阴影24 x 30英寸框架31 x 37英寸

图片文件尺寸 : 4651 x 3865px

Armin Hansen: Storm at Sea
signed \'ARMIN HANSEN ANA\' (lower right)
oil on canvas
25 x 30in
framed 29 1/2 x 34 1/2in

艾敏·汗森 海上风暴25 x 30英寸框架29 1/2 x 34 1/2英寸

图片文件尺寸 : 4040 x 4704px

Conrad Buff: Sierra Spring
estate stamped \'CONRAD BUFF\' (lower right), also estate stamped (on the reverse)
oil on Masonite
16 x 22in
framed 18 x 24in

康拉德·布夫 Sierra Spring 16 x 22英寸框架18 x 24英寸

图片文件尺寸 : 4488 x 4086px

Granville Redmond: Cypress Trees and Poppies
signed \'Granville Redmond -\' (lower left)
oil on canvas
16 x 20in
framed 23 x 27in

格兰维尔雷德蒙德 柏树和罂粟16 x 20英寸框架23 x 27英寸

图片文件尺寸 : 5456 x 4979px

Sydney Laurence: Evening Star, Mission Capistrano
signed \'Sydney Laurence\' (lower right)
oil on canvas
20 x 16in
framed 26 x 22in

悉尼劳伦斯 晚星，Mission Capistrano 20 x 16英寸框架26 x 22英寸

图片文件尺寸 : 5225 x 4896px

Robert Motherwell: Untitled (B.107; E B.136), 1973
Etching and aquatint in colors on Arches paper, signed in pencil and numbered 34/50 (there were also 10 artist\'s proofs), co-published by the artist and Dain-Schiff Gallery, New York, with full margins.
23 1/2 x 19 1/2in (59.6 x 49.5cm)
sheet 41 1/8 x 29 1/2in (104.4 x 74.9cm)

罗伯特·马瑟韦尔 无 题

图片文件像素：5485 x 5808 px

Maria Lassnig，当代艺术I-

Maria Lassnig * - Zeitgenössische Kunst I-

(Kappel, Carinthia, 1919–2014 Vienna)
“Untitled”, 1980, gouache, colour instruction for the print version of the painting “Die Last des Fleisches”, 1973, of the catalogue “Austria. Biennale di Venezia 1980. Maria Lassnig”, on paper (envelope from the gallery Peithner-Lichtenfels - addressed to Maria Lassnig), to the upper edge in the artist’s handwriting “Text ausbessern”, image size 17 x 21.5 cm, envelope 20.5 x 21.5 cm, framed

Provenance:
excerpt from an email from 20 May 2022

Registered:
Maria Lassnig Stiftung (14.10.2022)

This work is included in the Maria Lassnig catalogue raisonné (certificate available).

Auszug aus einem E-Mail, 20. Mai 2022:
“Mein Vater ... bekam die kleinformatige Arbeit von Maria Lassnig während der Herstellung des Kataloges “Austria. Biennale di Venezia 1980. Maria Lassnig” ... in der Druckerei Brüder Rosenbaum 1980 geschenkt.
Leider befand Maria Lassnig das Ektachrom ... ihres Gemäldes “Die Last des Fleisches” ... in der Farbwiedergabe nicht zufriedenstellend.
... mein Vater bat sie entsprechend um eine Orientierungshilfe ...
Maria Lassnig fertigte zuhause die vorliegende Gouache ... an.
Nach dem zweiten Probedruck und diversen Farbkorrekturen bekam mein Vater ... die Zustimmung Maria Lassnigs für den Druck sowie die Gouache von “Die Last des Fleisches” als Dankeschön zum Geschenk.
Die Arbeit blieb seither in Familienbesitz.”

Excerpt from an email from 20 May 2022:
“My father [...] received the small-format work by Maria Lassnig during the production of the catalogue Austria. Biennale di Venezia 1980.
Maria Lassnig [...] in the Rosenbaum Brothers printing house in 1980.

Unfortunately, Maria Lassnig found the ectachrome [...] of her painting „Die Last des Fleisches“ [...] was not satisfactory in its colour reproduction [...]. Accordingly, my father asked her for a guide [...] Maria Lassnig made the present gouache at home [...]. After the second test print and various colour corrections, my father [...] received Maria Lassnig’s approval for the print as well as the gouache of„Die Last des Fleisches“ as a thank-you gift. The work has remained in the family ever since.”

图片文件尺寸 : 4411 x 4260px

Sol LeWitt:Colors with Lines in Four Directions, Within a Black Border (Blue), from Four x Four x Four portfolio, 1990
Screenprint in colors on Somerset wove paper, signed in pencil and numbered 17/100 (total edition includes 15 artist\'s proofs), published by Parasol Press, Ltd., New York, printed by Watanabe Studio Ltd., Brooklyn, New York, with full margins.
sheet 48 x 48in (121.9 x 121.9cm)

索尔·莱维特 四x四x四组合中黑色边框内的四方向线条颜色

图片文件尺寸 : 4955 x 5486px

William Callcott Knell: \'Early Morning in the Medway\'; and \'Evening, French Fishing Boat Bringing Too, in the Downs\', a pair
both signed and dated \'W Callcott Knell/1864\' (lower left) and both signed, titled and dated (verso)
oil on canvas
each 30.5 x 55.9cm (12 x 22in). (2)

威廉·卡科特·克内尔 《Medway的清晨》和“傍晚，法国渔船也来了，在唐斯”，每对30.5 x 55.9厘米。

图片文件尺寸 : 4984 x 4517px

Jerome S. Blum: The Terrace, Grand Canyon, Arizona
signed and dated \'Jerome Blum / 1912\' (lower right), signed and dated again and titled (on the stretcher bars)
oil on canvas
42 1/4 x 54 1/4in
framed 48 x 60in
Painted in 1912.

杰罗姆·S·布鲁姆 亚利桑那州大峡谷露台42 1/4 x 54 1/4英寸框架48 x 60英寸