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BRAHE, TYCHO. 1546-1601.:Opera Omnia Sive Astronomiae Instauratae Progymnasmata.... Frankfurt: Johann Gottfried Schönwetter, 1648.
2 parts in 1 volume. 4to (224 x 188 mm). Woodcut printer\'s devices to both title pages and verso of final leaf, numerous woodcut illustrations and diagrams in text. Modern calf antique, decorated in blind, gilt titles on spine. Erased ownership stamp and paper repair on first title, lacking blank at end of first volume, browning throughout, especially to first few leaves, a few rust holes.

Second edition, containing De restitutione motuum Solis Lunae, Staellarumque innerarrantium and De mundi aetherei recentioribus Phaenomensis. The woodcuts include illustrations of astronomical instruments. Graesse I, 518; Houzeau Lancaster 2704; Poggendorff I, 273.

兄弟们，蒂乔。1546-1601. 歌剧院Omnia Sive天文研究所Progymnasmata……法兰克福：Johann Gottfried Schönwetter，1648年。

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阿里吉耶罗·波提-

Alighiero Boetti * - Zeitgenössische Kunst I-

(Turin 1940–1994 Rome)
Perché la testa è amica del piede ed entrambe di lune e maree (Because the head is friend of the foot and both of moons and tides), 1988, signed and dated on the reverse, embroidery on canvas mounted on board, 29.5 x 29.5 cm, in plexiglass case

This work is accompanied by a photo certificate signed by the artist

This work is registered in the Archivio Alighiero Boetti, Rome and is accompanied by a photo certificate of authenticity

Provenance:
Galleria Ariete Arte Contemporanea, Lecco (label on the reverse)
European Private Collection (acquired from the above in 1989)

I designed some 150 words that could be arranged in a square.
Today when I come across expressions like “la forza del centro” (the force of the center), a yoga concept, I know intuitively that the number of its letters allows it to form a square.
I produced up to a hundred examples of each of these pieces. Each one is different in coloring and the special style of the woman who made it. So it is neither an original work nor a multiple.
(“Afghanistan”, Alighiero Boetti interviewed by Nicolas Bourriaud, in Documents, no. 1, October 1992)

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ALCYONIUS, PETRUS (PIETRO ALCIONIO). C.1487-1527.:Medices legatus de exilio. Venice: Aldi, 1522.
4to (210 x 134 mm). Woodcut printer\'s device on title and colophon. 20th century red morocco, ruled in gilt, with gilt printer\'s devices reproduced on both covers, marbled endpapers. Some wear to joints, old ink notations, scattered browning and spotting.
Provenance: Giorgio di Veroli (1890-1952, bookplate).

Alcyonius, a Venetian classicist scholar under the patronage of Pope Clement VII, was appointed Professor of Classical Greek at the University of Florence in 1522. That same year, he published this work, written in the form of a dialogue whose thesis is that exile is not an evil. It was written in elegant Latin, reminiscent of Cicero, which lead to a personal enemy accusing him of secretly plagiarizing passages from Cicero\'s lost work De Gloria, and then destroying the only existing copy of the original to hide his plagiarism. Though the accusation was groundless, it did irreparable harm to his reputation. Adams A633; Brunet I, 153; Renouard 95/6.

佩特鲁斯，阿尔乔尼乌斯。C、 1487–1527年。 流亡的手段。威尼斯：阿尔迪，1522年。

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BOUSSUET, FRANCOIS. 1520-1572.:De natura aquatilium carmen, in universam Gulielmi Rondeletii. Lyon: M. Bonhomme, 1558.
2 parts in 1 volume. 8vo (200 x 142 mm). 2 title pages with woodcut printer\'s devices, 2 woodcut portraits of Boussuet in text of front matter of each part, folding plate of starfish, numerous woodcut illustrations. Modern calf antique, spine gilt in 6 compartments, morocco lettering piece. Second part bound before first part, with both title pages and front matter bound at front; library stamp on first title, top edge of title repaired, marginal dampstains at lower outside corners, some ink marginalia, scattered browning and spotting.

FIRST EDITION. Essentially a versification of Rondelet\'s Libri de piscibus, published the same year in a French edition by the same printers and re-using many of the woodcuts. Baudrier X, 257; Brunet I, 1184; Mortimer French 118; Nissen ZBI 511.

弗朗索瓦·布苏塞特。1520-1572. 来自古列尔米·隆德勒蒂宇宙中水生卡门的本性。里昂：M.Bonhomme，1558年。

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MORIHIDE (ACTIVE LATE 19TH CENTURY):A shinshinto tanto with mounts
Meiji era (1868-1912), dated 1870
Hirazukuri, iorimune forged in ko-itame hada with a suguha tempered edge with a flourish resembling Mount Fuji mirrored on both sides, with visible nie along the nioiguchi and a Jizo-style boshi, the ubu tang with one hole, sujikai file marks, signed Morihide kinzo (Respectfully made by Morihide), and dated Meiji kanoe-ushi aki (Autumn, 1870), 8 1/4in (21cm) long, with a one-piece gold-foil habaki, in a wood shirasaya storage scabbard
The 19th-century aikuchi goshira-e with a gray-lacquer ishime-ji saya decorated with linked floral lozenges raised in relief and mounted with shibuichi migaki-ji fittings, the tsuka wrapped in black silk and fitted with gilt and shakudo menuki of cherry blossoms

With Tokubetsu Hozon Token (Sword Especially Worthy of Preservation) certificate no. 1011797 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 26, 2019

生皮（活跃于19世纪晚期） 明治时代，1870年

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IWASAKI KOGYOKU (1827-1890s):A lacquer tebako (accessory box)
Meiji era (1868-1912), circa 1890
Of rectangular shape and fitted with two lower drawers and a shallow cover with rounded edges decorated overall with the Omi hakkei (The Eight Views of Omi [Lake Biwa]) in hiramaki-e, low-relief takamaki-e, and togidashi maki-e with details of okibirame, silver lacquer, keuchi, and e-nashiji framed by mura-nashiji, the underside of the lid, interior compartment, and interiors of both drawers decorated with open and closed folding fans with landscapes and flowers in hiramaki-e and togidashi maki-e on a nashiji ground, the drawer pulls silver engraved with hollyhock crests, signed in gold lacquer on one fan on the underside of the lid Kogyoku
With a wood tomobako storage box affixed with a paper label stating that this tebako was handed down through the Tokugawa family of Kii Province
8 3/4 x 7 3/8 x 6in (24.7 x 18.7 x 15.2cm)

IWASAKI KOGYOKU（1827-1890年） 大约1890年，明治时代的一种漆

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Gottardo Fidele Ponziano Piazzoni: The Oaks, Parkfield, California; Green-brae (a group of two)
Oaks signed and dated \'GPIAZZONI 09\' (lower right), signed again and titled \'G.F.P. Piazzoni\' (on the reverse); Green-Brae signed and dated \'G PIAZZONI \'13\' (lower right)
both oil on board
each 6 3/8 x 8 1/2in
9 1/4 x 11 1/4in; 10 1/8 x 12 1/8in, respectively.
Painted in 1909 and 1913, respectively.

戈塔多·菲德尔·蓬齐亚诺·皮亚佐尼 加州帕克菲尔德橡树园绿色胸罩各6 3/8 x 8 1/2英寸9 1/4 x 11 1/4英寸分别为10 1/8 x 12 1/8英寸。

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Pierre-Auguste Renoir:Louis Valtat; Femme au Cep du Vigne, 3eme Variante (double-sided print) from L\'Album des Douze Lithographies Originales de Pierre-Auguste Renoir (Delteil 38; Delteil 47), 1904
Double-sided lithograph on wove paper, with signature in the stone on both verso and recto, with Delteil 47 as a fainter impression, from the total edition of 1000 (50 were on japon ancienne), published/printed by Ambroise Vollard/Auguste Clot, Paris, 1919, with wide margins.
11 3/4 x 9 1/4in (29.8 x 23.8cm); 6 1/4 x 4in (15.8 x 10.1cm)
sheet 12 7/8 x 9 7/8in (32.5 x 25.1cm)

皮埃尔·奥古斯特·雷诺阿 路易斯·瓦尔塔特《葡萄园里的女人》，皮埃尔·奥古斯特·雷诺阿12张原始石版画专辑的第三个变体

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Thomas Craig: Escondido and Lake Scene (a group of two)
Escondido signed on the mat \'T. Craig\' (lower right), titled on the mat (lower left), signed again and titled on a label (on the backing paper); Lake signed and dedicated \'For Jack from / Tom Craig\' (lower right)
both watercolor on paper
Escondido 11 x 15in; Lake 15 x 21 1/2in
Escondido framed 21 x 25in; Lake framed 23 x 29 1/2in
Escondido painted circa 1934.

托马斯·克莱格 Escondido和Lake Scene Escondido11 x 15英寸湖景15 x 21 1/2英寸Escondido框架21 x 25英寸湖景框架23 x 29 1/2英寸

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RELIGIOUS PHILOSOPHY. :4 titles:
1. CLARKE, SAMUEL. 1599-1682. A Mirrour or Looking-Glasse both for Saints, and Sinners. London: Printed for Thomas Newberry, 1654. 8vo (163 x 107 mm). Engraved portrait, additional engraved title with historiated border. Modern quarter morocco and marbled boards. Portrait laid down and trimmed into image border at outside edge, spotting and some staining.
2. [PEYRERE, ISAAC DE LA. 1596-1676.] Men before Adam. Or a Discourse upon the twelfth, thirteenth, and fourteenth verses of the Fifth Chapter of the Epistle of the Apostle Paul to the Romans. London: 1656. 8vo (165 x 100 mm). Engraved folding map of the holy lands. Contemporary mottled calf, rebacked, morocco gilt lettering piece on spine. Extensive ink notations on recto and verso of front blank and rear endpaper, ink ownership inscription on title, some ink marginalia, browning and minor staining, margins and edges of map trimmed.
3. DALE, ANTHONY. 1638-1708. De oraculis veterum ethnicorum dissertiones duae.... Amsterdam: Henric and Theodor Boom, 1700. 8vo (210 x 159 mm). Title page in red and black with woodcut printer\'s device, 8 folding engraved plates. Modern half calf and marbled boards. Library stamp on title (Ex Bibliotheca Viennensis), crudely erased; light spotting. Second edition. Caillet 10999.
4. WILLIAM OF TYRE. 1130-1186. Geschichte der Kreuzzuege und des Koenighreichs Jerusalem. Stuttgart: Adolph Krabbe, 1840. 8vo. Publisher\'s mottled boards. Wear and chipping to covers, corners bumped, lacking 2 plans and a chart, spotting and foxing. First German edition of Historia rerum in partibus transmarinis gestarum, translated by E. and R. Kausler.

宗教哲学。 4个标题：