图片文件尺寸 : 4616 x 4213px

Salvador Dalí:Two Plates from Purgatory, Canto 21, from The Divine Comedy, wood engraving and corresponding etching on silk (2 works) (See Field pp. 189-193), 1951
Wood engraving in colors on Rives paper with the etching printed in red ink on silk, the engraving signed and dated in ballpoint pen, \'Salvador Dali 1963\', from the French edition published in 1959-1963 by Jean Estrade, Les Heures Claires, Paris in a total edition of 4765, the etching on silk with the artist\'s printed signature, both with full margins. (2 works)
9 7/8 x 7in (25 x 18.4cm); silk image 10 1/8 x 7 7/8in
sheet 13 x 10 3/8in (33 x 26.3cm) silk 12 x 10in (30.4 x 25.4cm)

萨尔瓦多·达利 炼狱中的两个盘子，第21节，《神曲》，木刻和相应的丝绸蚀刻

图片文件尺寸 : 4513 x 4447px

PABLO PICASSO:Original copper plate III from Carmen Portfolio, with its accompanying etching on paper (2 works) (Bloch 531-568; Baer 80; Cramer Bk. 51), 1949
Original copper plate with cancellation marks, from the Carmen portfolio with its accompanying etching and engraving on Montval paper (printed before cancellation), a proof (aside from the total edition of 289), published by La Bibliothèque Française, Paris, printed by Atelier Roger Lacourière, Paris, copper plate inscribed lower left \'Golf-Juan 6.5.48 III\', etching with full margins, both framed. (2 works)
copper plate 15 x 10 1/4in (38 x 25.6cm)
etching image 8 3/4 x 7 3/8in (22.2 x 18cm)
sheet 13 x 10in (33 x 25.5cm)

巴勃罗·毕加索 卡门投资组合（Carmen Portfolio）的原版铜版III，附带纸上蚀刻

图片文件尺寸 : 4335 x 5015px

HESIOD. Fl.7TH-CENTURY B.C.:COOKE, THOMAS, translator. The Works of Hesiod, translated from the Greek. London: N. Blandford by T. Green, 1728.
2 volumes. 8vo (213 x 164 mm). Engraved frontis to volume 2, engraved headpieces. Recent calf-backed marbled paper boards, minor staining to lower corner of volume two.

FIRST COMPLETE EDITION IN ENGLISH, including both the \"Theogony\" and \"Works and Days.\" Cooke\'s translation was so successful that he became known as \"Hesiod\" Cooke, and this translation would be the one that would go on to influence William Blake. ESTC T107437.

赫西奥德。公元前7世纪初。 赫西俄德的作品，从希腊语翻译而来。伦敦：T.Green的N.Blandford，1728年。

图片文件尺寸 : 4435 x 5072px

Banded Agate, Rock Crystal Quartz and Enamel Clock by Manfred Wild :Circa 1989
Idar-Oberstein, Germany
Agate carvings originating in Idar-Oberstein are always fine and the present one is no exception. Each of the two bears is carved from the same rough agate as displayed by their book-matched patterns of banding. The eyes are set with small diamonds, rimmed in 18K yellow gold. The spherical clock is formed of two halves of natural rock crystal quartz of high transparency with a wide border of translucent green enamel on a guilloché ground with 18K borders. Viewable from both sides, the dial and the mechanism can be seen through the front and back. The dial is inscribed Neuchatel and Swiss Made. Raised on an oval base of Russian black obsidian trimmed in brushed 18K yellow gold, signed EB for Emil Becker and M. Wild for Manfred Wild. Measuring 14 1/2 x 5 1/2 x 4in (36.9 x 14 x 10.2cm)

Manfred Wild的带状玛瑙、水晶石英和珐琅钟 无 题

图片文件尺寸 : 4702 x 3825px

George Smith of Chichester: A joint of meat with bread on a draped table; and Bread, cheese, wine and a dish of butter on a draped table
the former signed and dated \'Geo Smith Chichester 1752\' and the latter signed and dated \'G Smith Chichester 1752\' (both upper left)
a pair, oil on canvas
64 x 76.5cm (25 3/16 x 30 1/8in). (2)

奇切斯特的乔治·史密斯 一块肉和面包放在铺着窗帘的桌子上面包、奶酪、葡萄酒和一盘黄油放在一张铺着窗帘的桌子上

图片文件尺寸 : 4949 x 4123px

Hector Caffieri, RI, RBA:A walk in the garden; Reclining figure reading on a couch, a pair
both signed \'H.Caffieri\' (the first lower right, the second lower left)
watercolour heightened with bodycolour
the first 35 x 22.9cm (13 3/4 x 9in), the second 22.3 x 34.9cm (8 3/4 x 13 3/4in). (2)
There is further watercolour sketch of a lady with a parasol on the reverse of the former.

赫克托·卡菲里，RI，RBA 在花园里散步躺在沙发上看书的人，第一对是35 x 22.9厘米，第二对是22.3 x 34.9厘米。

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SALVADOR DALÍ: Song of Songs of Solomon (M./L. 468-479; F. 71-17), 1971, the complete portfolio, comprising 12 etchings in colours with stencil and gold dust, each signed in pencil, numbered on the colophon 248/250, on Arches paper (there were also 6 copies on parchment and 44 copies on Japon, both in Roman Numerals, and 20 hors commerce designated A-T), with the blindstamp of the publisher Leon Amiel, New York, printed by Jacques David, Paris, with full margins, folded and loose (as issued), original blue cloth-covered boards and slipcase with cast lead medallion stamped by Hôtel des Monnaies, Avignon, title in green on the leather spine, each etching mounted for framing.
Titles include: King Solomon; The Kiss; The Shepherd; The King\'s Train; The Dovelike Eyes of the Bride; The Bridegroom Leaps upon the Mountains; The Beloved Looks Forth Like a Roe; The Beloved is as Fair as a Company of Horses; Thou art Fair, My Love, and Thy Breasts; The Beloved Feeds Among the Lilies; The Fruits of the Valley; Return, O Shulamite, each 29.8 x 24.8cm (11 3/4 x 9 3/4in). (sheets 65.4 x 50.2cm)
(12 works)

萨尔瓦多·达尔 无 题

图片文件尺寸 : 3918 x 3971px

STELLUTI, FRENCESCO, translator. 1577-1652. :PERSIUS FLACCUS, AULUS. 34-62. Persio: tradotto in verso sciolto e dichiarato. Rome: Giacomo Mascardi, 1630.
4to (198 x 140 mm). Engraved title page by Matthäus Greuter, engraved portrait of Perseus, one engraved plate, 5 engraved illustrations in text, woodcut initials. 18th century morocco gilt, rebacked retaining original spine, ruled in gilt with 5 raised bands, marbled endpapers. Margins somewhat trimmed, with loss to edges of engraved border on title; Scattered browning and spotting, booklabel on front paste-down.

This book, printed with both the Latin text of Aulus Persius Flaccus and the Italian translation by Stelluti, was the first published book containing microscopic illustrations: a bee on p 52, and weevil on p 127. Stelluti used a microscope belonging to Galileo to make his observations for the illustrations. Carli-Favaro 121; Cinti 86; Cole 403; Garrison-Morton-Norman 259; Krivatsy 8806; Nissen ZBI 3988; Wellcome I, 4917.

STELLUTI，FRENCESCO，翻译。1577–1652. Persio：翻译松散，声明明确。罗马：贾科莫·马斯卡迪，1630年。

图片文件尺寸 : 5489 x 5669px

Gottardo Fidele Ponziano Piazzoni: Tiburon, October; Sailboats on Calm Water (a group of two)
Tiburon signed and dated \'GPIAZZONI -16\' (lower left), signed again, inscribed and dated \'G.F.P. Piazzoni / Tiburon, Oct. 1916\' (on the reverse); Sailboats signed and dated \'G.F.P. Piazzoni \'10\' (lower left) (lower left), signed again and dated (on the reverse)
both oil on board
6 3/8 x 8 5/8in; 6 1/4 x 8 1/2in, respectively.
Painted in 1916 and 1910, respectively.

戈塔多·菲德尔·蓬齐亚诺·皮亚佐尼 Tiburon，10月平静水面上的帆船6 3/8 x 8 5/8英寸分别为6 1/4 x 8 1/2英寸。

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DEIRYU KUTSU (KANSHU SOJUN, 1895-1954):Procession of Mendicant Monks Leaving and Returning
Taisho (1912-1926) or Showa (1926-1989) era, first half of the 20th century
The pair of hanging scrolls in ink on paper depicting black-robed monks leaving and returning to their temple while carrying staffs and wearing straw sedge hats in their quest for alms; the calligraphy, as translated by Audrey Yoshiko Seo and Stephen Addiss, stating \"One bowl, the offerings of a thousand houses\" on the scene of leaving, and \"Walking, walking this Buddhist path,\" on that of returning; signed Deiryu and sealed Sojun, Deiryu (leaving scroll), Rinzai Shoshu (returning scroll) and Chisoku(both scrolls)
With a single wood tomobako storage box (2)
52 3/4 x 6 5/8in (134.1 x 16.7cm) each

戴瑞的邀请（1895-1954） 20世纪上半叶大正或昭和时代的出家人离开和返回的过程