图片文件尺寸 : 4648 x 3846px
Rafael Senet y Perez:The gondola workshop of San Trovaso, Venice; Gondolas on a Venetian canal, a pair
both signed and inscribed \'R.Senet/Venezia\' (lower left)
oil on canvas
each 37.1 x 57.1cm (14 5/8 x 22 1/2in). (2)
拉斐尔·塞内特和佩雷斯 威尼斯San Trovaso的贡多拉车间威尼斯运河上的贡多拉，每对37.1 x 57.1厘米。
图片文件尺寸 : 4509 x 3998px
Pablo Picasso:Pommes, Verre et Couteau; Composition Verre à Pied, 1947
both inscribed Epreuve de L\'Atelier Mourlot/ Org.Lith de Pablo Picasso in pencil, with the Succ. Ateliers Mourlot ink stamp
two lithographs, on Arches wove paper
28 x 17cm.; 31 x 25cm. (2)
These works are printer\'s proofs aside from the edition of 50 on Japan for the book Dans L\'Atelier de Picasso, published by Mourlot Frères, Paris, 1957
巴勃罗·毕加索 苹果、玻璃杯和刀子合成玻璃脚，1947 28 x 17cm31 x 25厘米。
图片文件尺寸 : 5218 x 4867px
PAUL JACOULET (1902-1960):One large horizontal print and one large vertical print
Showa era (1926-1989), 1948
The first, entitled Fumees de Santal. Mandchoukuo (Sandalwood Smoke), carved by Maeda Kentaro, printed by Uchikawa Matashiro, mitsu tomoe seal, with edition number 229/250 on verso; the second, entitled Longevite. Coree-Moppo (Longevity. Moppo, Korea), carved by Maeda Kentaro, printed by Ogawa Fusakichi, peach seal, with edition number 210/350 on verso; both signed in pencil Paul Jacoulet (2)
The first, 14 x 18 5/8in (35.6 x 47.3cm), the second, 18 1/2 x 14 1/4in (47 x 36.2cm)
保罗·雅克莱特（1902-1960） 一幅大型横印和一幅大型竖印昭和时代，1948年
图片文件尺寸 : 4126 x 5714px
Yves Klein:Untitled, with Pierre Restany, Untitled, from N.R. (Nouveaux realists) Portfolio (2 works), 1973
Screenprint on mylar overlay on colored laid paper, contained in 14 page introductory booklet that accompanied the N.R. (Nouveaux Realists) Portfolio, justification page signed in pencil by editor Attilo Codognato, with typographic number 194 (the edition was 600),
WITH
Pierre Restany, Untitled, screenprint on wove paper, signed in pencil and numbered 194/600, contained in original cardboard envelope printed with the initials of the publisher, Ars Viva Edition, Milan, both the full sheets. (2 works)
19 1/2 x 19 1/2in (49.4 x 49.4cm) (folded), 19 1/2 x 30in (49.4 x 76cm) (unfolded); 19 1/2 x 19 1/2in (49.4 x 49.4cm)
Yves小 《无题》，Pierre Restany，《无题，来自N.R.Portfolio》
图片文件尺寸 : 4045 x 5183px
FRANCIS PICABIA:
MAUROIS (ANDRÉ) Le Peseur d\'âmes. Précédé d\'un frontispice et suivi de huit illustrations de Francis Picabia, \'EXEMPLAIRE B/ IMPRIMÉ POUR MADAME GERMAINE EVERLING-PICABIA\', being one of 6 \'hors commerce\' copies on japon impérial from an overall edition of 366 copies, INSCRIBED BY BOTH MAUROIS AND PICABIA TO THE ARTIST\'S WIFE on the half-tile, with an A WATERCOLOUR SIGNED \'Picabia\' and a typed letter signed by the publisher Antoine Roche loosely inserted, 9 full-page colour lithographs after Picabia by Daniel Jacomet, without the additional suite of plates referred to in the justification, 2 small abrasions on title, partially unopened in publisher\'s wrappers, glassine outer wrapper, board chemise and slipcase, these toned and rubbed, 4to (280 x 225mm.), Paris, Antoine Roche, 1931
皮卡比亚法国 毛里求斯的称重机#226我的
图片文件尺寸 : 4351 x 5993px
A ZANE GREY FISHING REEL.:Pflueger ... Oceanic Free Spool Surf Casting Reel, 135 x 115 (dia) mm, stamped \"400,\" patented 1920s, housed in fitted leather case blindstamped \"Mills\" and stenciled \"Z.G.\" in red ink to lid.
Provenance: estate of Zane Grey; purchased by the owner from Houle Rare Gallery, 1990s.
Author and adventurer Zane Grey was also an avid fisherman, and today his best-remembered writings record his experiences fishing around the globe in both fresh- and saltwater bodies. Like any avid fisherman, Grey had a large collection of rods and reels which were sold off over the years by his heirs. Though he is often associated with the Hardy brand, he also used Pflueger, another popular purveyor of the early 20th century.
扎恩灰色的钓鱼线轴。 Pflueger…Oceanic Free线轴表面铸造卷筒，
图片文件尺寸 : 3992 x 5538px
Johannes Marius ten Kate:Outside chores; An accident on the ice
both signed \'Marius Ten Kate\' (one lower left, the other lower right)
watercolour and scratching out
the first 39.4 x 34.9cm (15 1/2 x 13 3/4in); the second 32.1 x 42.8cm (12 5/8 x 16 7/8in). (2)
约翰内斯·马留斯十凯特 户外家务在冰上发生了一次意外，第一次是39.4 x 34.9厘米第二个32.1 x 42.8cm。
图片文件尺寸 : 4448 x 5897px
Pablo Picasso:Original copper plate VII from Carmen Portfolio, with its accompanying etching on paper (2 works) (Bloch 531-568; Baer 80; Cramer Bk. 51), 1949
Original copper plate with cancellation marks from the Carmen portfolio with its accompanying etching and engraving on Montval paper (printed before cancellation), a proof (aside from the total edition of 289), published by La Bibliothèque Française, Paris, printed by Atelier Roger Lacourière,Paris, copper plate inscribed lower left \'Golf-Juan 6.5.48 VII\', etching with full margins, both framed. (2 works)
copper plate 15 x 10 1/4in (38 x 25.6cm)
etching image 8 3/4 x 7 3/8in (22.2 x 18cm)
etching sheet 13 x 10in (33 x 25.5cm)
巴勃罗·毕加索 Carmen Portfolio的原版铜版VII，附带纸上蚀刻
图片文件尺寸 : 5471 x 4927px
UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864) AND YASHIMA GAKUTEI (1786?-1868):Two surimono shikishiban prints
Edo period (1615-1868), circa 1825 and 1821
The first, the actor Iwai Kumesaburo II in the role of Kisegawa, holding a lantern in the rain, signed Gototei Kunisada ga; the second, the Asahi Shogun Yoshinaka (Minamoto no Yoshinaka), from the series Katsushika nijushisho (24 Generals for the Katsushika [Circle]), with two poems, signed Gakutei, sealed Sadaoka (2)
Both approximately 8 3/8 x 7 1/4in (21.3 x 18.4cm)
UTAGAWA KUNISADA I（丰谷三世，1786-1864）和YASHIMA GAKUTEI（1786？-1868） 两幅苏里莫诺-希基希班版画多时期，约1825年和1821年
图片文件尺寸 : 5192 x 5899px
Augustus Osborne Lamplough, A.R.A., R.W.S:On the Nile at dusk; Camel riders in the desert at sunset, a pair
both signed \'A.Lamplough. A.R.A\' (lower left)
watercolour
22.2 x 61.2cm (8 3/4 x 24 1/8in); 22.6 x 62.2cm (8 7/8 x 24 1/2in) respectively. (2)
Augustus Osborne Lamlough，A.R.A.，R.W.S 黄昏的尼罗河上日落时分沙漠中的骆驼骑手，一对22.2 x 61.2厘米分别为22.6 x 62.2cm。
图片文件尺寸 : 4648 x 3846px
Rafael Senet y Perez:The gondola workshop of San Trovaso, Venice; Gondolas on a Venetian canal, a pair
both signed and inscribed \'R.Senet/Venezia\' (lower left)
oil on canvas
each 37.1 x 57.1cm (14 5/8 x 22 1/2in). (2)
拉斐尔·塞内特和佩雷斯 威尼斯San Trovaso的贡多拉车间威尼斯运河上的贡多拉，每对37.1 x 57.1厘米。
图片文件尺寸 : 4509 x 3998px
Pablo Picasso:Pommes, Verre et Couteau; Composition Verre à Pied, 1947
both inscribed Epreuve de L\'Atelier Mourlot/ Org.Lith de Pablo Picasso in pencil, with the Succ. Ateliers Mourlot ink stamp
two lithographs, on Arches wove paper
28 x 17cm.; 31 x 25cm. (2)
These works are printer\'s proofs aside from the edition of 50 on Japan for the book Dans L\'Atelier de Picasso, published by Mourlot Frères, Paris, 1957
巴勃罗·毕加索 苹果、玻璃杯和刀子合成玻璃脚，1947 28 x 17cm31 x 25厘米。
图片文件尺寸 : 5218 x 4867px
PAUL JACOULET (1902-1960):One large horizontal print and one large vertical print
Showa era (1926-1989), 1948
The first, entitled Fumees de Santal. Mandchoukuo (Sandalwood Smoke), carved by Maeda Kentaro, printed by Uchikawa Matashiro, mitsu tomoe seal, with edition number 229/250 on verso; the second, entitled Longevite. Coree-Moppo (Longevity. Moppo, Korea), carved by Maeda Kentaro, printed by Ogawa Fusakichi, peach seal, with edition number 210/350 on verso; both signed in pencil Paul Jacoulet (2)
The first, 14 x 18 5/8in (35.6 x 47.3cm), the second, 18 1/2 x 14 1/4in (47 x 36.2cm)
保罗·雅克莱特（1902-1960） 一幅大型横印和一幅大型竖印昭和时代，1948年
图片文件尺寸 : 4126 x 5714px
Yves Klein:Untitled, with Pierre Restany, Untitled, from N.R. (Nouveaux realists) Portfolio (2 works), 1973
Screenprint on mylar overlay on colored laid paper, contained in 14 page introductory booklet that accompanied the N.R. (Nouveaux Realists) Portfolio, justification page signed in pencil by editor Attilo Codognato, with typographic number 194 (the edition was 600),
WITH
Pierre Restany, Untitled, screenprint on wove paper, signed in pencil and numbered 194/600, contained in original cardboard envelope printed with the initials of the publisher, Ars Viva Edition, Milan, both the full sheets. (2 works)
19 1/2 x 19 1/2in (49.4 x 49.4cm) (folded), 19 1/2 x 30in (49.4 x 76cm) (unfolded); 19 1/2 x 19 1/2in (49.4 x 49.4cm)
Yves小 《无题》，Pierre Restany，《无题，来自N.R.Portfolio》
图片文件尺寸 : 4045 x 5183px
FRANCIS PICABIA:
MAUROIS (ANDRÉ) Le Peseur d\'âmes. Précédé d\'un frontispice et suivi de huit illustrations de Francis Picabia, \'EXEMPLAIRE B/ IMPRIMÉ POUR MADAME GERMAINE EVERLING-PICABIA\', being one of 6 \'hors commerce\' copies on japon impérial from an overall edition of 366 copies, INSCRIBED BY BOTH MAUROIS AND PICABIA TO THE ARTIST\'S WIFE on the half-tile, with an A WATERCOLOUR SIGNED \'Picabia\' and a typed letter signed by the publisher Antoine Roche loosely inserted, 9 full-page colour lithographs after Picabia by Daniel Jacomet, without the additional suite of plates referred to in the justification, 2 small abrasions on title, partially unopened in publisher\'s wrappers, glassine outer wrapper, board chemise and slipcase, these toned and rubbed, 4to (280 x 225mm.), Paris, Antoine Roche, 1931
皮卡比亚法国 毛里求斯的称重机#226我的
图片文件尺寸 : 4351 x 5993px
A ZANE GREY FISHING REEL.:Pflueger ... Oceanic Free Spool Surf Casting Reel, 135 x 115 (dia) mm, stamped \"400,\" patented 1920s, housed in fitted leather case blindstamped \"Mills\" and stenciled \"Z.G.\" in red ink to lid.
Provenance: estate of Zane Grey; purchased by the owner from Houle Rare Gallery, 1990s.
Author and adventurer Zane Grey was also an avid fisherman, and today his best-remembered writings record his experiences fishing around the globe in both fresh- and saltwater bodies. Like any avid fisherman, Grey had a large collection of rods and reels which were sold off over the years by his heirs. Though he is often associated with the Hardy brand, he also used Pflueger, another popular purveyor of the early 20th century.
扎恩灰色的钓鱼线轴。 Pflueger…Oceanic Free线轴表面铸造卷筒，
图片文件尺寸 : 3992 x 5538px
Johannes Marius ten Kate:Outside chores; An accident on the ice
both signed \'Marius Ten Kate\' (one lower left, the other lower right)
watercolour and scratching out
the first 39.4 x 34.9cm (15 1/2 x 13 3/4in); the second 32.1 x 42.8cm (12 5/8 x 16 7/8in). (2)
约翰内斯·马留斯十凯特 户外家务在冰上发生了一次意外，第一次是39.4 x 34.9厘米第二个32.1 x 42.8cm。
图片文件尺寸 : 4448 x 5897px
Pablo Picasso:Original copper plate VII from Carmen Portfolio, with its accompanying etching on paper (2 works) (Bloch 531-568; Baer 80; Cramer Bk. 51), 1949
Original copper plate with cancellation marks from the Carmen portfolio with its accompanying etching and engraving on Montval paper (printed before cancellation), a proof (aside from the total edition of 289), published by La Bibliothèque Française, Paris, printed by Atelier Roger Lacourière,Paris, copper plate inscribed lower left \'Golf-Juan 6.5.48 VII\', etching with full margins, both framed. (2 works)
copper plate 15 x 10 1/4in (38 x 25.6cm)
etching image 8 3/4 x 7 3/8in (22.2 x 18cm)
etching sheet 13 x 10in (33 x 25.5cm)
巴勃罗·毕加索 Carmen Portfolio的原版铜版VII，附带纸上蚀刻
图片文件尺寸 : 5471 x 4927px
UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864) AND YASHIMA GAKUTEI (1786?-1868):Two surimono shikishiban prints
Edo period (1615-1868), circa 1825 and 1821
The first, the actor Iwai Kumesaburo II in the role of Kisegawa, holding a lantern in the rain, signed Gototei Kunisada ga; the second, the Asahi Shogun Yoshinaka (Minamoto no Yoshinaka), from the series Katsushika nijushisho (24 Generals for the Katsushika [Circle]), with two poems, signed Gakutei, sealed Sadaoka (2)
Both approximately 8 3/8 x 7 1/4in (21.3 x 18.4cm)
UTAGAWA KUNISADA I（丰谷三世，1786-1864）和YASHIMA GAKUTEI（1786？-1868） 两幅苏里莫诺-希基希班版画多时期，约1825年和1821年
图片文件尺寸 : 5192 x 5899px
Augustus Osborne Lamplough, A.R.A., R.W.S:On the Nile at dusk; Camel riders in the desert at sunset, a pair
both signed \'A.Lamplough. A.R.A\' (lower left)
watercolour
22.2 x 61.2cm (8 3/4 x 24 1/8in); 22.6 x 62.2cm (8 7/8 x 24 1/2in) respectively. (2)
Augustus Osborne Lamlough，A.R.A.，R.W.S 黄昏的尼罗河上日落时分沙漠中的骆驼骑手，一对22.2 x 61.2厘米分别为22.6 x 62.2cm。