UTAGAWA TOYOKUNI I (1769-1825):Edo period (1615-1868), circa 1800 An oban tate-e print triptych depicting beauties enjoying the cool evening and netting fish from a platform on a river while a young man is entertained, signed Toyokuni ga, published by Tsuruya Kinsuke (3) 15 1/8 x 10in (38.4 x 25.4cm) approximately, each sheet
KOMA KORYU LINEAGE:A black lacquer five-case inro Edo period (1615-1868), 19th century Of oval profile with applied cord-runners, decorated in gold, silver, colored hiramaki-e, takamaki-e, and togidashi-e against a gold hirame-dusted black lacquer ground, depicting Kantan no makura (The Kantan Pillow): Rosei, a poor young man briefly asleep at an inn, dreams of riding to the Chinese capital in a shining litter; Rosei\'s fan of translucent shell, a flowering tree above, grasses below, signed Koma Koryu saku (Made by Koma Koryu); hardstone ojime 3 3/4in (9.8cm) high
UTAGAWA TOYOKUNI I (1769-1825):Edo period (1615-1868), circa 1800 An oban tate-e print triptych depicting beauties enjoying the cool evening and netting fish from a platform on a river while a young man is entertained, signed Toyokuni ga, published by Tsuruya Kinsuke (3) 15 1/8 x 10in (38.4 x 25.4cm) approximately, each sheet
KOMA KORYU LINEAGE:A black lacquer five-case inro Edo period (1615-1868), 19th century Of oval profile with applied cord-runners, decorated in gold, silver, colored hiramaki-e, takamaki-e, and togidashi-e against a gold hirame-dusted black lacquer ground, depicting Kantan no makura (The Kantan Pillow): Rosei, a poor young man briefly asleep at an inn, dreams of riding to the Chinese capital in a shining litter; Rosei\'s fan of translucent shell, a flowering tree above, grasses below, signed Koma Koryu saku (Made by Koma Koryu); hardstone ojime 3 3/4in (9.8cm) high