图片文件尺寸 : 5757 x 3461px

查尔斯·布鲁金（Charles Brooking）的《微风中的河中风帆下的一击》（A Smack Under Sail in A Light Breeze in A River）-Charles Brooking

河流中微风中帆下的一次撞击--Charles Brooking (英国, c.1723–1759)

图片文件尺寸 : 3990 x 3093px

安东·斯拉维切克（Antonín Slavíček）的《夏日阳光下的追随者牧场景观》（Follower Pasture Landscape In The Summer Light）-Antonín Slavíček

夏日阳光下的追随者牧场景观--Antonín Slavíček (Czech, 1870 - 1910)

图片文件尺寸 : 2923 x 4722px

威尔·R·巴恩斯（Will R.Barnes）的《身穿白色和浅蓝色花上衣的男人》-Will R. Barnes

Man in white and light blue floral justacorps and breeches with light blue waistcoat--Will R. Barnes (美国, ?-1939)

图片文件像素：4698 x 4418 px

Heinz Mack，当代艺术I-

Heinz Mack * - Zeitgenössische Kunst I-

(born in Lollar, Hessen 1931)
Wing relief, 1989, signed, dated Mack 89, on the reverse again signed, dated, inscribed and with directional arrow, relief of aluminum grid, board and mirror, 81.5 x 101.5 cm, framed

Certificate:
Atelier Mack, Mönchengladbach, signed by the artist

Provenance:
Private Collection, Rhineland Palatinate
Private Collection, North Rhine-Westphalia - acquired from the above in 2006
Private Collection, Venice
Ketterer Kunst, Munich, 5 December 2006, lot 335

Literature:
Exhibition catalogue Galerie Ludorff, Düsseldorf 2020, p. 88

The Zero artist Heinz Mack discovered the effect of light on a piece of aluminium foil by accident. When he stepped on a piece of the foil lying on the floor, he created a carpet of light, a light reflector with the embossed pattern of his sisal carpet. This showed him how the light from the aluminium foil refracts and at the same time reflects the embossed pattern of the carpet. From then on, the effect of light in his works played a decisive role for Heinz Mack in the conception of his art. The character of the reliefs is that they capture the light and at the same time return it to the room.

The work offered here is from the series of so-called ‘wing reliefs’ (Flügelreliefs). Here Mack - unlike in his painting - does not experiment with colour, but with material and form, with the reflection and location of the viewer in the work. Mack uses a fine-meshed flexible expanded metal aluminium fabric for his wing reliefs, originally created for the aerospace industry. Its technical materiality allow the metal mesh to be given soft contours and to form varied patterns from the individual honeycombs. The artistic intention of making light, structure and movement visible is accentuated in a special way in the wing reliefs by the fine structure of the honeycomb fabric.

The structure of the relief allows the viewer to experience the refraction of light from different angles anew each time. The light refracts in the depths of the honeycombs and captivates the viewer.

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Linda Weir: Snow, Light Irises
signed and dated \'L Weir \'84\' (lower right); further signed, titled and dated \'Snow, Light Irises,/January 84./Linda Weir\' (on canvas verso)
oil on canvas
105.5 x 91.5cm (41 9/16 x 36in).
(unframed)

琳达·威尔 雪，浅鸢尾

图片文件像素：5224 x 4132 px

卡拉·阿卡尔迪，当代艺术I-

Carla Accardi * - Zeitgenössische Kunst I-

(Trapani 1924–2014 Rome)
Bluviola, 1972, signed; signed and dated on the reverse, casein on canvas, 60 x 68 cm, framed

This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome

Provenance:
Sale, Finarte, 28 March 1995, lot 105
Galleria Russo, Rome (stamp on the reverse)
European Private Collection

Literature:
G. Celant, Carla Accardi, Charta, Milan 1999, p. 339, no. 1972 22 with ill.

More than colors I have always loved the way they match, as well as the light they give off. Even my white-black phase was a period of light, this contrast, just like in my mother’s saltworks in Trapani, a truly blinding sort of light.

When I used red with green, and sometimes even pink with light blue, the two colors had to have the same strength and couldn’t be complementary.
This way they struggle against one other and create light.
Carla Accardi in A.M Boetti, Lo specchio ardente, in Data, Milan no. 18, 1975

图片文件尺寸 : 4763 x 4119px

Ken Howard R.A.:Evening Light, San Francisco
signed \'Ken Howard.\' (lower right); titled and dated \'EVENING LIGHT. SAN FRANCISCO./13.05.15.\' (on canvasboard verso)
oil on canvasboard
30.5 x 25.5cm (12 x 10 1/16in).
(unframed)

肯·霍华德R.A。 《暮色之光》，旧金山

图片文件尺寸 : 5700 x 7332px

“宾夕法尼亚州威尔克斯-巴雷社区咖啡店的设计图纸”【Winold Reiss提出的门和照明设备、Lumine灯具和门、立面图和平面图-Winold Reiss

Design drawings for Community Coffee Shops, WilkesBarre, PA.] [Proposed doors and lighting fixtures, Lumiline light fixture and door, elevations and plan--Winold Reiss (美国, 1886-1953)

7 x 66 (213.4 x 167.6 cm)

John Walker. March Light. 2001

约翰·沃克。三月之光。2001-

图片文件尺寸 : 4175 x 4816px

Ken Howard R.A.: Basel Bridge, Afternoon Light Effect
signed \'Ken Howard\' (lower right); titled and dated \'BASEL BRIDGE AFTERNOON/LIGHT EFFECT/7th APRIL 2011\' (on label verso)
oil on canvasboard
25.5 x 20.5cm (10 1/16 x 8 1/16in).

肯·霍华德R.A。 巴塞尔桥，午后灯光效果