图片文件尺寸 : 4780 x 4782px

维克托·让·尼科尔（Victor Jean Nicolle）从西方看到的《特雷维的丰塔纳》（Fontana di Trevi）-Victor-Jean Nicolle

Fontana di Trevi, gezien vanuit het Westen--Victor-Jean Nicolle (法国, 1754-1826)

图片文件尺寸 : 3237 x 4000px

拉维尼娅·丰塔纳（Lavinia Fontana）的《朱迪思与霍洛弗内斯之首》（Judith with the Head of Holofernes）-Lavinia Fontana

Judith with the Head of Holofernes--Lavinia Fontana (意大利, 1552-1614)

图片文件尺寸 : 5465 x 4021px

Lucio FONTANA:VERS LE POINT OMEGA, 1963
(Ruhé Rigo, p.16)
Ouvrage présentant une concetto spaziale sur la couverture composé de trois feuilles de papier blanc, rouge et blanc perçée de quatre trous sur la couverture du livre
Pièce unique (chaque exemplaire étant différent)
Grassin editeur
19 x 14 cm

Lucio FONTANA先生 欧米茄角，1963年

图片文件尺寸 : 5464 x 4662px

[艺术家潜水员：FONTANA、VASARELY、MAN RAY、ARMAN、clerage、ARP…] 月球磨合I.B

图片文件像素：5704 x 5632 px

卢西奥·丰塔纳，当代艺术I-

Lucio Fontana * - Zeitgenössische Kunst I-

(Rosario di Santa Fe, Argentina 1899–1968 Comabbio)
Concetto Spaziale, 1965, signed; signed and titled on the reverse, oil, tearing and scratching on canvas, pink, 92 x 73 cm, framed

This work is registered in the Fondazione Lucio Fontana, Milan and is accompanied by a photo certificate of authenticity

Provenance:
Galleria Arte Borgogna, Milan
European Private Collection

Literature:
E. Crispolti, Lucio Fontana: Catalogue Raisonné des Peintures, Sculptures et Environnements Spatiaux, vol. II, Brussels 1974, pp. 142, 143 with ill.
E. Crispolti, Lucio Fontana: Catalogo Generale, vol. II, Milan 1986, p. 487 with full-page ill., p. 488 no. 65 O 2 with ill.
E. Crispolti, Catalogo ragionato di sculture, dipinti e ambientazioni, vol. II, Milan 2006, p. 680, no. 65 O 2 with ill.

Lucio Fontana\'s first perforated canvases were created in 1949, and a decade later the artist began to work on his famous cuts through the canvas. Holes and cuts, buchi and tagli, became variations on Fontana\'s fundamental concept. The \"Olii\", on which Fontana worked intensively from the early 1960s, are also dominated by deep punctures and scratches.

With the radical gesture of piercing, the flat surface of the image is broken. The light falls through the openings, creating a new spatiality and depth. In this way, Fontana crosses a boundary that opens a new dimension and thus a new freedom for art - a revolutionary path in art history.

Accordingly, Fontana names his works \"Concetti Spaziali\" - spatial concepts: \"A hole is the beginning of a sculpture in space. My works are not pictures, but art concepts.\" Fontana allows the art genres - architecture, painting, sculpture - to merge into one another. In his Concetti Spaziali, real and imagined space combine; the view into the hole challenges the viewer\'s imagination. At the same time, the material character of the canvas or object is made tangible by piercing and cutting through it.

Fontana\'s \"Olii\" of the 1960s, as well as his metal works which were created during the same period, bear witness to the artist\'s sensual relationship to the material. He was fascinated by the texture of the malleable, slightly plastic oil paint, which is particularly well-suited to making visible gestures of scoring, piercing, or cutting. Fontana plays with the possibilities of handling canvas, paint, metal, glass or even light: the artistic gesture develops on the material and brings its potential to life.

\"The hole is my invention, that is all there is to it.
After this invention, I can die.\"
Lucio Fontana

图片文件像素：5954 x 5753 px

卢西奥·丰塔纳，当代艺术I-

Lucio Fontana * - Zeitgenössische Kunst I-

(Rosario di Santa Fe, Argentina 1899–1968 Comabbio)
Concetto Spaziale, 1962, signed and dated, brown watercolor, holes and graffiti on green blotting paper, 70 x 50 cm, framed

This work is accompanied by a certificate of authenticity released by the Fontana Foundation, Milan

Provenance:
Studio Bellini, Milan
Cieffe, Milan-Rome
Galleria Vecchiato Arte, Padua
Galleria Contini, Venice
Acquired directly from the above by the present owner

Literature:
L. M. Barbero, Lucio Fontana. Catalogo ragionato delle opere su carta, Skira Milan, vol. III, no. 62–63 DSP 1, p. 857

图片文件像素：5321 x 4199 px

卢西奥·丰塔纳，当代艺术II-

Lucio Fontana * - Zeitgenössische Kunst II-

(Rosario di Santa Fe, Argentina 1899–1968 Comabbio)
Concetto Spaziale, 1965, signed, pencil and tears of Fontana on white paper (fabriano), one unique piece of 150 relegated to the book, “Apocalissi e sedici traduzioni” by Giuseppe Ungaretti (Bucciarelli ed., Ancora 1965), 35.5 x 25.5 cm, framed

39 3/8 × 31 1/2 (100 × 80 cm)

Lucio Fontana. Spatial Concept. 1960

卢西奥·丰塔纳。空间概念。1960-

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《圣凯瑟琳之争》-Prospero Fontana

The Dispute of Saint Catherine--Prospero Fontana (意大利, 1512-1597)

图片文件尺寸 : 1978 x 3936px

罗伯托·丰塔纳的《植物志》-Roberto Fontana

Flora--Roberto Fontana (意大利, 1844–1907)