1953. 彼得·穆勒的青金石鸭雕 无 题 高清作品[42%]

图片文件尺寸 : 5409 x 5562px

Lapis Lazuli Carving of a Duck by Peter Muller :Brazil
A naturalistic carving made in the German tradition subject matter of a seated duck, carved from a single, large specimen of jewelry-grade lapis lazuli from Afghanistan with inset Australian yellow Mookite jasper beak and feet and red garnet cabochon eyes. Measuring 8 x 5 x 4 1/2in (20.4 x 12.7 x 11.5cm)

彼得·穆勒的青金石鸭雕 无 题

1954. 路易丝·布尔乔亚 无 题,来自Anatomy组合 高清作品[41%]

Untitled, from Anatomy portfolio

图片文件尺寸 : 5483 x 5028px

Louise Bourgeois:Untitled, from Anatomy portfolio, 1990
Drypoint on Somerset paper, initialed in pencil and numbered SPI 1 (a publisher\'s proof, aside from edition of 44), published by Peter Blum Editions, New York, with full margins.
6 5/8 x 8 7/8in (16.8 x 22.5cm)
sheet 19 1/2 x 14in (49.5 x 35.5cm)

路易丝·布尔乔亚 无 题,来自Anatomy组合

1955. 安迪·沃霍尔 鲜花 高清作品[41%]

Flowers

图片文件尺寸 : 3930 x 5223px

Andy Warhol:Flowers (Hand-colored) (F./S.II.116), 1974
Screenprint in black with hand-coloring on J. Green paper, signed with initials in pencil and dedicated To Fay love Andy and Victor, further signed and numbered AP 14/50( aside from the edition of 250) on the verso, co-published by Peter M. Brant, Castelli Graphics, and Multiples, Inc., New York (with their copyright inkstamp on the verso), the full sheet, framed.
sheet 40 5/8 x 27in (103 x 69cm)

安迪·沃霍尔 鲜花

1959. 帕特·斯特尔 Hiroshige之后的树 高清作品[41%]

The Tree After Hiroshige

图片文件尺寸 : 5418 x 5192px

Pat Steir: The Tree After Hiroshige, 1984
Etching with aquatint, soft and hardground with drypoint in colors on Buff Arches paper, signed in pencil, dated and numbered 21/30 (there were also 10 artist\'s proofs), with the blindstamp of publisher/printer Crown Point Press, San Francisco, printed by Peter Pettengill, with full margins.
23 7/8 x 36in (60.6 x 91.4cm)
sheet 32 1/8 x 43in (81.5 x 109.2cm)

帕特·斯特尔 Hiroshige之后的树

peter油画图片- 高清peter绘画作品- 代表作全集 中艺名画下载


1953. 彼得·穆勒的青金石鸭雕 无 题 高清作品[42%]

图片文件尺寸 : 5409 x 5562px

Lapis Lazuli Carving of a Duck by Peter Muller :Brazil
A naturalistic carving made in the German tradition subject matter of a seated duck, carved from a single, large specimen of jewelry-grade lapis lazuli from Afghanistan with inset Australian yellow Mookite jasper beak and feet and red garnet cabochon eyes. Measuring 8 x 5 x 4 1/2in (20.4 x 12.7 x 11.5cm)

彼得·穆勒的青金石鸭雕 无 题

1954. 路易丝·布尔乔亚 无 题,来自Anatomy组合 高清作品[41%]

Untitled, from Anatomy portfolio

图片文件尺寸 : 5483 x 5028px

Louise Bourgeois:Untitled, from Anatomy portfolio, 1990
Drypoint on Somerset paper, initialed in pencil and numbered SPI 1 (a publisher\'s proof, aside from edition of 44), published by Peter Blum Editions, New York, with full margins.
6 5/8 x 8 7/8in (16.8 x 22.5cm)
sheet 19 1/2 x 14in (49.5 x 35.5cm)

路易丝·布尔乔亚 无 题,来自Anatomy组合

1955. 安迪·沃霍尔 鲜花 高清作品[41%]

Flowers

图片文件尺寸 : 3930 x 5223px

Andy Warhol:Flowers (Hand-colored) (F./S.II.116), 1974
Screenprint in black with hand-coloring on J. Green paper, signed with initials in pencil and dedicated To Fay love Andy and Victor, further signed and numbered AP 14/50( aside from the edition of 250) on the verso, co-published by Peter M. Brant, Castelli Graphics, and Multiples, Inc., New York (with their copyright inkstamp on the verso), the full sheet, framed.
sheet 40 5/8 x 27in (103 x 69cm)

安迪·沃霍尔 鲜花

1959. 帕特·斯特尔 Hiroshige之后的树 高清作品[41%]

The Tree After Hiroshige

图片文件尺寸 : 5418 x 5192px

Pat Steir: The Tree After Hiroshige, 1984
Etching with aquatint, soft and hardground with drypoint in colors on Buff Arches paper, signed in pencil, dated and numbered 21/30 (there were also 10 artist\'s proofs), with the blindstamp of publisher/printer Crown Point Press, San Francisco, printed by Peter Pettengill, with full margins.
23 7/8 x 36in (60.6 x 91.4cm)
sheet 32 1/8 x 43in (81.5 x 109.2cm)

帕特·斯特尔 Hiroshige之后的树