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KAWASE HASUI (1883-1957):One oban yoko-e print and one oban tate-e print
Showa era (1926-1989), 1947
The first, entitled Yamanakako no banshu (Autumn Evening at Lake Yamanaka); the second, entitled Kintaibashi no shunsho (Spring Evening at Kintai Bridge); both dated 1947, published by Watanabe Shozaburo, with Watanabe 6mm round seal, and signed Hasui (2)
The first, 10 1/2 x 15 1/4in (26.6 x 38.8cm); the second, 15 7/16 x 10 5/8in (39.2 x 26.9cm)

卡瓦斯·哈苏（1883-1957） 昭和时代，1947年

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Rubens Arthur Moore: A pair of views on the Thames: One towards St Pauls and another towards Tower Bridge
both signed and dated \'Rue.A.Moore 1920\' (lower left)
oil on canvas
38.1 x 50.9cm (15 x 20 1/16in). (2)

鲁本斯·阿瑟·摩尔 泰晤士河上的两个景色：一个朝向圣保罗，另一个朝向塔桥

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Maung Su Yatanabon:Two portraits of Burmese dancers, Rangoon
both signed \'Yatanabon/MgSu\' (lower right), and variously inscribed in pencil with the details of the sitters and location (lower left)
watercolour
each 32 x 25.4cm (12 5/8 x 10in).
Together with two watercolour portraits by Tin Il depicting a Padaung woman and man. (4)
all mounted but unframed

Maung Su Yatanbon先生 两幅缅甸舞者的肖像，仰光，每幅32 x 25.4厘米。

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Marc Chagall: Lettres d\'Hivernage, Léopold Sédar Senghor, 1973
The complete portfolio of 9 lithographs (6 in colors) on Arches paper, signed by both the artist and the poet on the justification page and printed number 091 (from the deluxe edition of 150, plus 30 hors commerce, aside from the unsigned edition of 2,000 on Velin Mazarine paper), published by Editions du Suil, Paris, the full sheets, framed together, accompanied by text and slipcase. (9 works)
each sheet 11 x 9in (28 x 23cm)

马克·夏加尔 冬季信函，LOpold S达尔森戈尔

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Jean-Baptiste de Roy:Sheep and cattle being led to market at sunrise; and A cattle market in a small town
both signed and dated \'JB De Roÿ.1816.\' (lower left)
a pair, oil on panel
40.5 x 60.7cm (15 15/16 x 23 7/8in). (2)

让-巴蒂斯特·德罗伊 日出时，羊和牛被带到市场和小镇上的牛市场

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Large Snowy Owl on Branch by Luis Alberto Quispe Aparicio :The vast proportions of this impressive carving are sure to find appeal with both lapidary collectors and bird lovers: this rock crystal quartz carving depicts a snow owl with accents of gold vermeil to the feathers and gold vermeil feet, with agate cabochon eyes. Removable from the tree branch which is fabricated of silvered bronze, on a circular base of black granite. Measuring 26 x 17 x 14in (66 x 43.2 x 35.6cm)

Luis Alberto Quispe Aparicio在树枝上的大型雪鸮 无 题

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NARITA MORIKANE (DATES UNKNOWN):Two woodblock prints
Showa era (1926-1989), 1931
Each an oban tate-e, the first depicting a beauty combing her hair by a river, her kimono hanging on a branch beside her, the second depicting a beauty applying a red band to her upper arm, both form the series Adesugata Nijushi ko (24 Figures of Charming Women), each signed and sealed Morikane, and with publisher\'s seal Yamase (2)
16 x 11 1/8in (40.6 x 28.2cm)

纳瑞塔·莫里凯恩（日期不详） 两幅木版印刷品《昭和时代》，1931年

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Charles Reginald Ford:\'A feeble attempt to show how the Royal Society Range of mountains appeared sometimes\'; \'Some of the inhabitants\'
both inscribed with titles in margin and signed \'C.R.F\' (lower right), the first also with circular CRF inkstamp
watercolour
each 8 x 10cm (3 1/8 x 3 15/16in). (2)

查尔斯·雷金纳德·福特 “有时试图展示皇家学会山脉是如何出现的”一些居民的

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Antoine-Louis Barye:Deux études de lion
estate stamped \'BARYE\' (lower left and lower right, respectively)
both pencil on paper
3 1/2 x 8in (8.9 x 20.3cm); 4 3/4 x 9 1/2in (12.1 x 24.2cm), within a common frame.

路易·巴利 两个Lion研究3 1/2 x 8英寸4 3/4 x 9 1/2英寸，在一个公共框架内。

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KAWASE HASUI (1883-1957):Two oban tate-e prints
Showa era (1926-1989), 1947
The first, entitled Mino no Tanigumidera (Tanigumi Temple of Mino); the second entitled Kintaibashi no Shunsho (Spring Evening at Kintai Bridge), with Kintai-bashi in Spring, near Hiroshima Hasui Kawase written in pencil; both dated 1947, published by Watanabe Shozaburo, with Watanabe 6mm round seal, and signed Hasui (2)
The first, 15 7/16 x 10 3/8in (38.2 x 26.3cm); the second, 14 15/16 x 10 3/8in (38 x 26.3cm)

卡瓦斯·哈苏（1883-1957） 昭和时代，1947年，两幅欧本州的版画