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BARLOW, FRANCIS. C.1626-1704. :Varia Quadrupedum Species Accuratissime Delineatae. [London]: E. Cooper, C.1695.
BOUND WITH: Diversae Avium Species studiosissime ad vitam delineatae.
Oblong 4to (185 x 275 mm). The first title in 2 parts, with separate engraved title pages, 22 engraved plates; second title with engraved title page by Gaywood, and 11 engraved plates of birds, as well as 10 engraved plates of insects from another work. Rebacked 18th century gilt-ruled calf, spine gilt-ruled with 5 raised bands, titled in gilt. Joints cracking, edges and corners rubbed, scattered foxing and spotting, one insect plate with repaired tear into center of image.

Contains sixteen plates engraved by Wenceslas Hollar after drawings by Barlow. Francis Barlow was a prolific illustrator and artist, particularly known for his scenes of nature and hunting.

弗朗西斯·巴洛。C、 1626-1704年。 各种精确的四英尺物种。[伦敦]：E.Cooper，C.1695。

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DEIRYU KUTSU (KANSHU SOJUN, 1895-1954):Procession of Mendicant Monks Leaving and Returning
Taisho (1912-1926) or Showa (1926-1989) era, first half of the 20th century
The pair of hanging scrolls in ink on paper depicting black-robed monks leaving and returning to their temple while carrying staffs and wearing straw sedge hats in their quest for alms; the calligraphy, as translated by Audrey Yoshiko Seo and Stephen Addiss, stating \"One bowl, the offerings of a thousand houses\" on the scene of leaving, and \"Walking, walking this Buddhist path,\" on that of returning; signed Deiryu and sealed Sojun, Deiryu (leaving scroll), Rinzai Shoshu (returning scroll) and Chisoku(both scrolls)
With a single wood tomobako storage box (2)
52 3/4 x 6 5/8in (134.1 x 16.7cm) each

戴瑞的邀请（1895-1954） 20世纪上半叶大正或昭和时代的出家人离开和返回的过程

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A GOLD LACQUER PIPE-SMOKING SET:Edo period (1615-1868) or Meiji era (1868-1912), mid/late 19th century
Resting on a scalloped base with four bracket feet and fitted with two larger and two smaller drawers, the back and sides topped by a balustrade-like structure strung with silver wires, the front with two hooks supporting a slender kiseru (tobacco pipe), the inner platform fronted by a low balustrade and cut with two recesses securing on the left a tobacco container with a partially openwork lid and a scoop and on the right a miniature lidded brazier; decorated in gold, aokin, silver, and colored hiramaki-e and takamaki-e with lavish embellishments of gold kirigane against a background of densely sprinkled gold hirame flakes, depicting mountain scenes with pines, flowering trees, streams and a waterfall, the metal fittings (drawer handles, corner decorations, hooks, knop, pipe components, and box lid) all of silver or shibuichi, some chiseled with floral designs
7 5/8 x 13 5/8 x 11 5/8in (19.2 x 34.6 x 29.5cm)

金漆烟筒套装 江户时代或明治时代，19世纪中后期

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JUDAICA. :4 titles:
1. Hagadah. Seder Hagadah shel Pesach. According to Roman rite. Hebrew with translation into Judeo-Italian. With commentary Tzeli Esh, R. Judah Modena\'s abridgment of Don Isaac Abrabanel\'s commentary Zevach Pesach. Venice: Alvise Bragadin: 1716. Folio (328 x 230 mm). 24 of 26 leaves. Each page of text enclosed within an elaborate architectonic frame; numerous woodcut initials containing miniature depictions of figures and scenes; large woodcut illustrations placed at the head and/or foot of most pages; smaller woodcuts of Moses, Aaron, David, and Solomon often flanking the text. Trimmed closely. Some leaves with marginal repairs. Modern morocco antique. Based on the 1609 Passover Haggadah published in Venice by Israel Zifroni. Yudlov 131.
2. WAGENSEIL, JOHANN CHRISTOPH. 1633-1705. Exercitationes sex varii argumenti. Altdorf: Johann Heinricus Schoennerstadt, 1687.
4to (217 x 173 mm). 7 engraved headpieces and one full page engraved illustration. 20th-century half calf. A few marginal repairs, some light marginal browning. First illustrated edition with charming views of Altdorf and Prag, See Fürst III, 489.
3. BIBLE, Hebrew. Biblia Hebraica. Edited by Johanne Simonis. Amsterdam, Jacob Wetstein, 1753. 8vo (212 x 123 mm). Engraved title and engraved folding plates. Contemporary vellum. Darlow and Moule, 5155.
4. GANS, DAVID. 1554-1613. Nechmad Vena\'im [Delightful and Pleasant]. Jessnitz: Israel ben Abraham, 1743.
4to (212 x 169 mm). Title within architectural border, numerous astronomical diagrams. Contemporary calf. Without the (often lacking) introduction in Latin.FIRST EDTION, the first Hebrew book to mention Copernicus by name. Vinograd, Jessnitz 49.

犹大。 4个标题：

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FRANCISCI, ERASMUS. 1627-1694.:Ost- und West-Indischer wie auch Sinesischer Lust- und Stats-Garten. Nuremberg: J.A. Endters, 1668.
3 parts in 2 volumes. Folio (318 x 201 mm). Extra engraved title in volume I, engraved armorial plate opposite dedication page, title page printed in red and black with woodcut printer\'s device, 65 engraved plates (numbered to 63, with additional plates after 45 and 47), 1 engraved illustration in text. 19th century half sheep and marbled boards. Heavily rubbed, joints tender, tape label to spine of volume II, extra title page re-margined, a few marginal paper repairs, scattered foxing and toning.

FIRST EDITION of this encyclopedia of curiosities pertaining to America, the East and West Indies and China, with imaginative depictions of plants, animals, human habitation, historical scenes, ceremonies, and mythical creatures. Alden Landis 668/61; Borba de Moraes I:323; Lipperheide Ci 36; Nissen BBI 648; Sabin 25463.

弗朗西斯科，伊拉斯谟。1627–1694. 东印度和西印度以及Sinese Lust和Stats Garden。纽伦堡：J.A.Endters，1668年。

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多梅尼科·玛丽亚·弗雷塔-

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(Bologna 1696-1763) Das Urteil des Salomon (recto), Studie für den linken Teil derselben Komposition (verso), Feder in Braun, grau laviert, auf Bütten, 16,8 x 21,5 cm, Passep., ohne Rahmen, (Sch)

Die Zuschreibung an Domenico Fratta wurde von Dr. Marco Riccòmini anhand einer hochauflösenden digitalen Fotografie bestätigt.

Domenico Maria Fratta war einer der talentiertesten Schüler des bologneser Malers Donato Creti (1671-1749), dessen Zeichnungen lange seinem Meister zugeschrieben waren, bis man sie seinem individuellen Stil zuordnen konnte. Die Vorderseite der zeichnung ist vor allem in den Figuren der Krieger mit zwei Studien des Künstlers im Musée du Rouen vergleichbar (Inv. 1975.4.5301; Inv. 1975.4.5302), die in den Körperhaltungen und den antiken Rüstungen große Ähnlichkeiten mit dem vorliegenden Blatt aufweisen. Die Kombination der grauen Lavierung mit der braunen Feder findet sich auch in einer Zeichnung in der Glasgover Art Gallery (Inv. PR2000.4. t) Die Rückseite der Zeichnung zeigt die große Leichtigkeit des Künstlers im Umgang mit der Feder und die stilistische Nähe zu seinem Lehrer Creti. Vgl. M. Riccomini, "Guerriers en scene: Fratta et le Maitre de Philippe", in: Revue du Louvre, 2016, Nr. 5, S. 67-73;
V. Abbate / A. Mazza , Il Libro dei Panduri. Disegni di Domenico Maria Fratta nelle collezioni di Palazzo Abatellis, Ausst. Kat. Palermo, 10. November 1994 - 5. Februar 1995.

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A LACQUER INCENSE-GAME SET:Edo period (1615-1868), 19th century
Comprising a base supported on four bracket feet, a tiered box with lid and an outer cover with cut-out sides reaching down to the base; the tiered box containing: a base with salt-makers\' kilns and rakes on a pine-clad shore; a tray with seven sets of five small boxes inscribed with the names of different incense-game formats including Kokinko (Ancient and Modern), Genpeiko (Minamoto and Taira), and Jusshuko (Ten Varieties); another tray with implements for cutting and arranging incense; a suzuribako (writing box) for recording guesses and scores, fitted with a suzuri (inkstone) and suiteki (water dropper), the lid with ho-o birds and autumn plants; a checkered board for game tokens; and a lid with blossoming cherry trees and birds in flight, the sides of the box with a variety of scenes including birds on a flowering prunus tree with frogs in the water below, and a willow tree and bridge, the top of the outer cover with flowering wisteria arranged on a bamboo framework; the decoration in gold, aokin, and silver hiramaki-e and takamaki-e, with shell details on the outer cover, against a ground of polished black lacquer or gold hirame flakes over black lacquer, the implements with silver and steel components
8 1/8 x 10 3/4 x 8 3/4in (20.6 x 27.3 x 22.2cm)

一套油漆燃烧游戏 江户时代，19世纪

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BRY, JOHANN THEODOR DE. 1561-1623; and JACQUES LE MOYNE. C.1533-1588.:Brevis Narratio eorum quae in Florida Americae provincia Gallis acciderunt ... Frankfurt am Main: Johannes Wechel for T. de Bry, 1609 [engraved title and colophone dated 1591].
Folio (338 x 220 mm). Engraved title, colored engraved arms on dedication leaf, engraved sectional title \"Indorum Floridam provinciam inhabitantium eicones,\" engraved vignette of Noah\'s Arc on )(3r, ALL COLORED IN A CONTEMPORARY HAND, 42 numbered half-page engravings after Le Moyne above Latin letterpress descriptions, engraved folding map \"Floridae Americae Provinciae recens exactissima descriptio\" (398 x 445 mm), additional leaf \"Mendae quaedam...\" bound in at end. Modern morocco gilt. All leaves mounted on stubs, section title laid down, folding map laid down, trimmed with minor chipping along edges, lacking blank H6, colored leaves slightly shorter, some light browning and staining.

Second Latin edition (most plates in first state, see below) of the second part of de Bry\'s \"Great Voyages.\" This is the foundation book \"of any Florida collection because of its first printing of the Le Moyne narrative. Lawrence Wroth has characterized it as the most informative and satisfactory of all the books on the Huguenot colony in Florida. The fascinating plates of Florida Scenes and life engraved by De Bry after Le Moyne\'s drawings, make this an indispensable Florida items. Le Moyne\'s narrative was first published in French, Paris 1586\" (Streeter). The map was considerable interest: Hondius based his maps of the area in 1606 on this one, \"the atlas in which it occurred was Mercator\'s and his fame was enough to prolong its authority until the Blaeu VIRGINIAE partis australis, c. 1638\" (Burden 79). Plates in first state except 8, 10, 16, and 17. Church 146; Sabin 8784; Streeter 1172.

布里，约翰·西奥多，1561-1623年还有雅克·勒莫恩。约1533-1588年。 布雷维斯·纳拉蒂奥（Brevis Narratio）是美国佛罗里达州位于法国省的人物……美因河畔法兰克福：约翰内斯·韦切尔（Johannes Wechel）为T.de Bry创作，1609年[雕刻的标题和文字标记日期为1591年]。

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MUNDINUS (DI LUZZI, MONDINO). 1275–1326.:MELLERSTADT, MARTINUS, editor. c.1455-1513. Anathomia Mundini emendata per doctorem melerstat. [Leipzig: Martin Landsberg, 1493.]
4to (200 x 140 mm). 40 leaves, 34 lines, title with full-page woodcut of an anatomical scene. Modern calf antique. Inner margin of title neatly reinforced, tiny repair to blank outer margin of last leaf, illegible old library stamp to lower margin of title page, scattered light browning, mostly marginal.

FIRST ILLUSTRATED EDITION OF THE FIRST DEDICATED ANATOMY BOOK. \"The first modern book devoted solely to anatomy ... Mundinus re-introduced human dissection, which had been neglected for 1500 years before him; he was the most noted dissector of his period, and he set forth the medieval anatomical vocabulary, deriving it mainly from Arabic\" (Garrison). Mondino de\' Luzzi, professor at Bologna, is considered to be the founder of anatomy in the Middle Ages. His treatise remained popular until the beginning of the 16th-century and appeared in multiple editions.

\"The subject of anatomy was not taught either by lectures or by dissection in the universities at the middle of the fifteenth century. An occasional \'anatomy\' was held, but the neglect of the subject is well illustrated by the absence of anatomical books. There is only one in the list, that of Mundinus . . . Mundinus was a professor at Bologna from 1306 to 1326, and was the first to teach anatomy from the subject, usually the corpse of a condemned criminal; but there is the record of a procedure in 1319 against four medical students for body-snatching. His Anatomia, written in 1316, was for two hundred years the popular text book\" (Osler).

In the introduction of the book, Mundinus says, \"proposui meis scholaribus in medicina quoddam opus componere, \'I have proposed to compose a work in medicine for my scholars.\" The work \"met a need universally felt just at that time and commended itself for its brevity, conciseness, and completeness, as well as for the fact that it taught for each separate organ the necessary anatomic technique, as. for example, in the first chapter: \'Situato itaque corpore vel homine mortuo per decollationem vel suspensionem supino\', etc., \'accordingly, laying out the body of a man dead by decapitation or hanging, etc....\" (Choulant). VERY RARE: According to American Book Prices Current no copy sold in the past 42 years. Choulant-Frank History and Bibliography of Anatomic Illustration (Chicago 1920, pp 88-93); Garrison-Morton-Norman 361 (for the 1478 edition); Goff M-874; GW M-25671 (recording only 2 copies/fragments); Hain 11633; see Osler Incunabula Medica 156; Wellcome I, 4484.

蒙迪尼斯（DI LUZZI，MONDINO）。1275–1326. 阿纳托米娅·蒙迪尼由梅勒斯塔特医生修正。[莱比锡：马丁·兰茨贝格，1493年。]