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Miguel Parra Abril的《一池水、一个篮子和装满康乃馨、玫瑰、牡丹、百合、绣球花和其他花卉的瓮的户外场景》-Miguel Parra Abril

一个室外场景，有一池水、一个篮子和一个装满康乃馨、玫瑰、牡丹、百合、绣球花和其他花卉的瓮--Miguel Parra Abril (西班牙, 1780-1846)

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“梅丽达，出自萨洛蒙·盖斯纳的田园诗《第一航海家》，海因里希·弗里德里希·富格（Heinrich Friedrich Füger）-Heinrich Friedrich Füger

梅丽达，萨洛蒙·盖斯纳的田园诗《第一航海家》中的一幕--Heinrich Friedrich Füger (德国, 1751-1818)

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Pablo Picasso:Scène de Cirque, avec Cheval ailé (Circus scene with woman riding a winged horse), from La Série 156 (Bloch 1890), 1970
Etching on wove paper with the artist\'s inkstamped signature, numbered in pencil 49/50, published/printed in 1978 by Galerie Louise Leiris/Crommelynk, Paris, with full margins.
20 x 21in (50.9 x 53cm)
sheet 25 1/8 x 27 3/8in (63.9 x 69.9cm)

巴勃罗·毕加索 马戏团场景，带翅膀的马，来自156系列

图片文件尺寸 : 4702 x 5537px

Pablo Picasso:Scène de Cirque, avec Cheval ailé (Circus scene with woman riding a winged horse), from La Série 156 (Bloch 1890), 1970
Etching on wove paper, with the artist\'s inkstamped signature, numbered in pencil 49/50, published/printed in 1978 by Galerie Louise Leiris/Crommelynk, Paris, with full margins.
20 x 21in (50.9 x 53cm)
sheet 25 1/8 x 27 3/8in (63.9 x 69.9cm)

巴勃罗·毕加索 马戏团场景，带翅膀的马，来自156系列

图片文件尺寸 : 5443 x 4888px

TSUKIOKA YOSHITOSHI (1839-1892):A complete set of the series Tsuki hyakushi (One Hundred Aspects of the Moon)
Meiji era (1868-1912), 1885-1895
A set of 100 oban tate-e prints from the above-mentioned series, showing no signs of having been bound as an album, depicting scenes from Japanese and Chinese history, legends, and literature, together with a memorial portrait of Yoshitoshi by his student Toshikage, and the double-page table of contents, some with blind printing and mica, published by Akiyama Bunzaemon between 1885 and 1892; each with the artist\'s signature and various seals (103)
14 5/8 x 9 7/8in (37.1 x 25.1cm) each

筑冈义雄（1839-1892） 明治时代，1885-1895年

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Ruby-in-Zoisite and Rock Crystal Carving by Manfred Wild--\"The Sleeping Heron\" :Circa 1990
Idar-Oberstein, Germany
The elegant figure of the heron, carved from a single specimen of ruby-in-zoisite from Tanzania, the beak of agate, the eyes of black tourmaline, the feet and base trim of 18K yellow gold. The base with reverse carving depicting shells and an underwater scene. Raised on a circular on black obsidian base. EB and M.Wild, unsigned. Measuring 7 1/4 x 5 1/2in (18.5 x 14cm)

曼弗雷德·维尔德的《祖斯特红宝石与水晶雕刻——沉睡的苍鹭》 无 题

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TORII KIYONAGA (1752-1815) :Two chuban yoko-e prints and an oban yoko-e print
Edo period (1615-1868), 18th century
The first entitled Yoshiwara, and second entitled Yado sagari (Lodging), both from the series Imayo juni kagami (12 Mirrors for the Modern Style); the last from the series Shikido juniban (12 Scenes of Lovemaking), 1784 (3)
7 3/8 x 10 1/8in (19 x 25.6cm)
9 1/4 x 13in (23.6 x 33cm)

托里·基约纳加（1752-1815） 江户时期，18世纪，两幅竹本横绘和一幅欧本横绘

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YOSHIDA HIROSHI (1876-1950):Two oban tate-e prints and one oban yoko-e print
Showa era (1926-1989), 1928-1933
The first, entitled Sarusawa ike (Sarusawa Pond), dated 1933, signed Hiroshi Yoshida with jizuri seal; the second, entitled Kono Matsuri (\"Country Holiday\" Festival at Kono), dated 1933, signed Hiroshi Yoshida; the third, entitled Kingyo sukui (Scooping Up Goldfish) from the series Tokyo junidai (12 Scenes of Tokyo), dated 1928, signed Yoshida, with jizuri seal (3)
The first, 16 x 10 3/4in (40.6 x 27.3cm); the second, 15 3/4 x 10 1/2in (40 x 26.7cm); the third, 10 5/8 x 15 13/16in (27 x 40.2cm)

吉田广史（1876-1950） 昭和时代，1928-1933年

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A FINE LACQUER BUNKO (DOCUMENT BOX):Meiji era (1868-1912), late 19th century
Rectangular with rounded corners decorated in gold and silver takamaki-e, hiramaki-e, kinji and nashiji with embellishments of pewter, mother-of-pearl, hirame, kirikane, and inlaid gilt metal, the exterior with a continuous scene of a mooring with a thatched roof by rushing waters with reeds and mooring piles, a flock of chidori (sea birds) in flight beneath a full moon and clouds, the interior of the cover decorated with scattered shells from the kaiawase (shell-matching) game, with silver rims
With a wood tomobako storage box
16 x 12 3/4 x 5 1/4in (40.6 x 32.3 x 13.2cm)

一个精美的漆布子（文件盒） 明治时代，19世纪晚期

图片文件尺寸 : 5405 x 5744px

BOCCACCIO, GIOVANNI. 1313-1375.:De la Genealogie des Dieux Paris: Jean Petit, 1531.
Folio (249 x 182 mm). Title page printed in red and black with woodcut borders, woodcut printers device on colophon, woodcut illustrations in text, some full-page. Fine bastard type, with large woodcut title-border after Urs Graf, numerous decorative and historiated initials (mostly criblé initials). Modern brown morocco, stamped in black gothic motifs, gold titles on spine, marbled endpapers. Margins closely trimmed, with some loss of printed marginalia; Staining and browning, a few tears to margins.

Second French edition, based on the earlier edition by Vérard, with woodcuts of mythological scenes reproducing those of the earlier edition. Brunet I: 986; BMC/STC French p 71.

乔瓦尼·博卡西奥。1313-1375. 巴黎诸神家谱：让·佩蒂特，1531年。