图片文件尺寸 : 4503 x 5339px

David Hockney:Hockney\'s Alphabet (26 works), 1991
The complete portfolio, comprising 26 lithographs in colors on Exhibition Fine Art Cartridge paper, signed by the artist and most contributors in ink and numbered 82 in black ink on the justification page, from the edition of 250, with full text and title page, published by Faber Faber, London, text edits by Stephen Spender, with full margins, bound as issued, in quarter vellum with handmade Fabriano Roma paper sides, in original grey slip case. (26 works)
12 5/8 x 9 5/8in (32 x 24.5cm)
volume 13 5/8 x 10 1/8in (34.5 x 25.5cm)

大卫·霍克尼 霍克尼字母表

图片文件尺寸 : 3940 x 5405px

Andy Warhol: Rebel Without a Cause (James Dean), from Ads (Feldman Schellmann II.355), 1985
Screenprint in colors on Lenox Museum board, signed in pencil and numbered 63/190 (there were also 30 artist\'s proofs), with the inkstamps of the artist and the publisher, Ronald Feldman Fine Arts, Inc., New York and the blindstamp of the printer, Rupert Jasen Smith, New York, and with the inkstamp of the Andy Warhol Authentication Board, Inc., annotated in pencil \'A234.076\', the full sheet, framed.
sheet 38 x 38in (96.5 x 96.5cm)

安迪·沃霍尔 广告中的义无反顾

图片文件像素：4698 x 4418 px

Heinz Mack，当代艺术I-

Heinz Mack * - Zeitgenössische Kunst I-

(born in Lollar, Hessen 1931)
Wing relief, 1989, signed, dated Mack 89, on the reverse again signed, dated, inscribed and with directional arrow, relief of aluminum grid, board and mirror, 81.5 x 101.5 cm, framed

Certificate:
Atelier Mack, Mönchengladbach, signed by the artist

Provenance:
Private Collection, Rhineland Palatinate
Private Collection, North Rhine-Westphalia - acquired from the above in 2006
Private Collection, Venice
Ketterer Kunst, Munich, 5 December 2006, lot 335

Literature:
Exhibition catalogue Galerie Ludorff, Düsseldorf 2020, p. 88

The Zero artist Heinz Mack discovered the effect of light on a piece of aluminium foil by accident. When he stepped on a piece of the foil lying on the floor, he created a carpet of light, a light reflector with the embossed pattern of his sisal carpet. This showed him how the light from the aluminium foil refracts and at the same time reflects the embossed pattern of the carpet. From then on, the effect of light in his works played a decisive role for Heinz Mack in the conception of his art. The character of the reliefs is that they capture the light and at the same time return it to the room.

The work offered here is from the series of so-called ‘wing reliefs’ (Flügelreliefs). Here Mack - unlike in his painting - does not experiment with colour, but with material and form, with the reflection and location of the viewer in the work. Mack uses a fine-meshed flexible expanded metal aluminium fabric for his wing reliefs, originally created for the aerospace industry. Its technical materiality allow the metal mesh to be given soft contours and to form varied patterns from the individual honeycombs. The artistic intention of making light, structure and movement visible is accentuated in a special way in the wing reliefs by the fine structure of the honeycomb fabric.

The structure of the relief allows the viewer to experience the refraction of light from different angles anew each time. The light refracts in the depths of the honeycombs and captivates the viewer.

图片文件尺寸 : 5132 x 4636px

NOBUTAKA (ACTIVE LATE 19TH CENTURY):A hardwood tonkotsu (tobacco box)
Meiji era (1868-1912), late 19th century
Finely carved as a turtle, its head, legs, and tail withdrawn into its shell in a compact design, the surface details incised to resemble the animal\'s pebbly skin and shell, the shell hinged on the side, signed Nobukata; fitted with a large hardstone ojime and a large wood netsuke of a crouching hare, signed Masakazu
5 1/2in (13.9cm) long

信长（活跃于19世纪晚期） 19世纪晚期，明治时代的硬木桶

图片文件尺寸 : 4011 x 4475px

Ilya Bolotowsky: Blue Diamond from the 1776 USA 1976: Bicentennial Prints portfolio, 1975
Screenprint in colors on Arches paper, signed in pencil, dated and numbered 3/75, published by Special Projects Group, Chicago, printed by Fine Creations, Inc., New York, with full margins.
27 3/4 x 16in (70.4 x 40.6cm)
sheet 29 3/4 x 22in (75.5 x 55.8cm)

伊利亚·博洛托夫斯基 来自1776年美国1976年的蓝钻石：二百周年纪念版画组合

图片文件尺寸 : 4468 x 5271px

Andy Warhol: Marx Brothers, from Ten Portraits of Jews of the Twentieth Century (Feldman Schellmann II.232), 1980
Screenprint in colors on Lenox Museum Board, signed in pencil and numbered 165/200, with the inkstamp of the publishers, Ronald Feldman Fine Arts, Inc., New York and Jonathan A Editions, Tel Aviv, Israel, and the blindstamp of printer Rupert Jasen Smith, New York, the full sheet, framed.
sheet 40 x 32in (101.6 x 81.3cm)

安迪·沃霍尔 马克思兄弟，来自二十世纪犹太人的十幅肖像

图片文件尺寸 : 4065 x 3855px

KAJIKAWA BUNRYUSAI:A gold lacquer four-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, aokin, silver, and colored hiramaki-e, togidashi makie, and takamaki-e on a fine gold hirame ground, depicting on each side a tethered hawk against a brocade background, signed Kajikawa Bunryusai; coral bead ojime
3 5/8in (9.2cm) high

加吉川邦瑞 19世纪江户时代或明治时代的金漆四箱

图片文件尺寸 : 3951 x 4805px

Henry Moore O.M., C.H.:Reclining Figure and Torsos, Plate 7 from Meditations on the Effigy (C.72), 1966
Lithograph on wove paper, signed in pencil and signed in the plate, dated and numbered 10/50 (there were also 10 artist\'s proofs), published by Marlborough Fine Art, Ltd., London, printed by J. E. Wolfensberger, Zurich, with full margins, framed.
13 1/2 x 12in (34.3 x 30.5cm)
sheet 31 1/4 x 22 1/2in (79.3 x 57.1cm)

亨利·摩尔O.M.，C.H。 《雕像沉思录》中的卧像和托索斯，图版7

图片文件尺寸 : 4921 x 5584px

[RAMUSIO, GIOVANNI BATTISTA. 1485-1557.]:[Brasil]. [Venice: c.1565 or later].
Woodcut map of Brazil, 310 x 410 mm. The seas decorated with galleons and monsters, the land showing habitations and native peoples at work and hunting.

A fine early map of Brazil taken from Ramusio\'s Raccolta di Navigationi et Viaggi, first published in 1550 in this form, from an edition issued after 1565 when the first woodblock was destroyed by fire and the new woodblock added the term \"Terra non\" to \"Descoperta\" at upper margin.

[拉穆西奥，乔瓦尼·巴蒂斯塔，1485-1557。] [巴西]。[威尼斯：约1565年或更晚]。

图片文件尺寸 : 5050 x 4379px

Roy Lichtenstein:Stedelijk Museum Poster; Merton of the Movies (2 works) (Corlett III.23; Corlett 61), 1967; 1968
Offset lithograph in colors on wove paper, published by Stedelijk Museum, Amsterdam and Poster Originals, Ltd., New York, printed by Amsterdam Stadsdrukkerij, with text and the full sheet.
WITH
Screenprint in colors on silver foil wove paper, aside from the signed and number edition of 450 plus proofs, published by List Art Poster and H.K.L. Ltd., New York/Boston, printed by Fine Creations, Inc., New York, the full sheet. (2 works)
sheet 37 3/8 x 25 1/8in (94.9 x 63.8cm); 30 x 20in (76.2 x 50.8cm)

罗伊·利希滕斯坦 Stedelijk博物馆海报糊涂影迷