1751. 埃舍尔 生命之路III 高清作品[79%]

Path of Life III

图片文件尺寸 : 5406 x 5871px

Maurits Cornelis Escher:Path of Life III (Bool 445), 1966
Woodcut printed in red and black on thin laid Japan paper, signed in pencil and inscribed \'eigen druk\', with slightly unevenly trimmed margins, framed.
14 3/8 x 14 5/8in (36.5 x 37.1cm)
sheet 18 1/4 x 18 3/16in (46.3 x 46.2cm)

埃舍尔 生命之路III

1752. 詹姆斯·海利亚尔,RBA \'诺福克视图\' 高清作品[79%]

\'View in Norfolk\'

图片文件尺寸 : 4846 x 4843px

James Hayllar, RBA:\'View in Norfolk\'
signed \'J.Hayllar\' (lower left); further signed and titled \'View in Norfolk/J Hayllar\' (on artists label affixed to frame verso)
oil on canvas
28 x 54cm (11 x 21 1/4in).

詹姆斯·海利亚尔,RBA \'诺福克视图\'

1753. 萨尔瓦多·达利 复活 高清作品[79%]

The Resurrection

图片文件尺寸 : 4378 x 5271px

Salvador Dalí:The Resurrection (F. 79-11), 1979
Lithograph in colors on Japon paper, signed in pencil and numbered IXXXVI/C (the total edition was 750), published by Gala Publishers, Los Angeles, with the Dalart N.V. copyright 1979 blindstamp, with full margins.
23 x 16in (58.4 x 40.6cm)
sheet 29 1/2 x 21 1/2in (75 x 54.8cm)

萨尔瓦多·达利 复活

1755. 山姆·吉列姆 舞蹈\'72 高清作品[79%]

Dance \'72

图片文件尺寸 : 5358 x 4298px

Sam Gilliam: Dance \'72, 1972
Screenprint in colors on wove paper, signed in pencil, titled, dated and annotated \'artist proof\' (aside from the edition of 50), with the blindstamp of the publisher/printer Workshop, Inc., Washington, D.C., with full margins.
32 1/2 x 19in (82.5 x 48.2cm)
sheet 40 1/4 x 26 1/4in (102.2 x 66.6cm)

山姆·吉列姆 舞蹈\'72

1756. 汤姆·韦塞尔曼 静物 高清作品[79%]

Still Life

图片文件尺寸 : 4259 x 4928px

Tom Wesselmann: Still Life, 1988
Glazed porcelain multiple in colors mounted in original wooden frame, with the printed signature \'Tom Wesselmann\', numbered 222/299 in gold ink on the label affixed to verso, published by Rosenthal, Hamburg, Germany, with edition label, with accompanying certificate and original wooden box.
18 3/4 x 20 1/8in (47.5 x 51cm) including frame

汤姆·韦塞尔曼 静物

1758. UDA KUNIFUSA(活跃于1530-1550年) 16世纪,蒙马奇时期,一个有山的蚀刻坦陀 高清作品[79%]

An Etchu tanto with mountsMuromachi period , 16th century

图片文件尺寸 : 5237 x 4800px

UDA KUNIFUSA (ACTIVE CIRCA 1530-1550):An Etchu tanto with mounts
Muromachi period (1333-1573), 16th century
Kanmuri-otoshi configuration forged in itame-hada along the shinogi and masame-hada along the cutting edge, with a narrow suguha tempered edge with nie and sunagashi and a suguha boshi, both sides carved with bohi, the ubu tang with four holes (two overlapping), katte sagari file marks and signed Uda Kunifusa, 10 3/4in (27.3cm) long, with a one-piece silvered copper habaki
The 19th-century koshira-e comprising a russet-lacquer saya decorated with a variety of insects in shell and bone inlays and fitted with a russet-iron kojiri and a kozuka handle, both carved with a dragonfly in relief highlighted in gilt, the dark wood tsuka decorated in inlays to match the saya and fitted with shinchu fuchi-gashira decorated with figures in a landscape in takabori, signed Nara Toshishige, the oval shinchu plate tsuba decorated with landscapes in takabori and gold takazogan
With Kanteisho certificate no. 11259 issued by the Nihon Token Hozonkai (Society for the Preservation of the Japanese Sword) (NPO), dated April 18, 2021
With Hozon Tosogu certificate no 4018203 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated January 15, 2021

UDA KUNIFUSA(活跃于1530-1550年) 16世纪,蒙马奇时期,一个有山的蚀刻坦陀

1760. 文森佐·德埃斯波西托 瓦莱塔港的远洋班轮 高清作品[79%]

An ocean liner in Valletta Harbour

图片文件尺寸 : 5279 x 4322px

Vincenzo d\'Esposito:An ocean liner in Valletta Harbour
signed and inscribed \'D\'Esposito/MALTA\' (lower left)
watercolour heightened with bodycolour
21.2 x 50.2cm (8 3/8 x 19 3/4in).
Together with a watercolour of Malta by the same hand, signed and inscribed \'D\'Esposito/MALTA\' (lower left), 2.6 x 50.8cm (8 7/8 x 20in); and a watercolour of Valletta Harbour thought to be by Carmello Bonello, monogrammed \'CB\' (lower right), 13.3 x 28.2cm (5 1/4 x 11 1/8in). (3)

文森佐·德埃斯波西托 瓦莱塔港的远洋班轮

inness油画图片- 高清inness绘画作品- 代表作全集 中艺名画下载


1751. 埃舍尔 生命之路III 高清作品[79%]

Path of Life III

图片文件尺寸 : 5406 x 5871px

Maurits Cornelis Escher:Path of Life III (Bool 445), 1966
Woodcut printed in red and black on thin laid Japan paper, signed in pencil and inscribed \'eigen druk\', with slightly unevenly trimmed margins, framed.
14 3/8 x 14 5/8in (36.5 x 37.1cm)
sheet 18 1/4 x 18 3/16in (46.3 x 46.2cm)

埃舍尔 生命之路III

1752. 詹姆斯·海利亚尔,RBA \'诺福克视图\' 高清作品[79%]

\'View in Norfolk\'

图片文件尺寸 : 4846 x 4843px

James Hayllar, RBA:\'View in Norfolk\'
signed \'J.Hayllar\' (lower left); further signed and titled \'View in Norfolk/J Hayllar\' (on artists label affixed to frame verso)
oil on canvas
28 x 54cm (11 x 21 1/4in).

詹姆斯·海利亚尔,RBA \'诺福克视图\'

1753. 萨尔瓦多·达利 复活 高清作品[79%]

The Resurrection

图片文件尺寸 : 4378 x 5271px

Salvador Dalí:The Resurrection (F. 79-11), 1979
Lithograph in colors on Japon paper, signed in pencil and numbered IXXXVI/C (the total edition was 750), published by Gala Publishers, Los Angeles, with the Dalart N.V. copyright 1979 blindstamp, with full margins.
23 x 16in (58.4 x 40.6cm)
sheet 29 1/2 x 21 1/2in (75 x 54.8cm)

萨尔瓦多·达利 复活

1755. 山姆·吉列姆 舞蹈\'72 高清作品[79%]

Dance \'72

图片文件尺寸 : 5358 x 4298px

Sam Gilliam: Dance \'72, 1972
Screenprint in colors on wove paper, signed in pencil, titled, dated and annotated \'artist proof\' (aside from the edition of 50), with the blindstamp of the publisher/printer Workshop, Inc., Washington, D.C., with full margins.
32 1/2 x 19in (82.5 x 48.2cm)
sheet 40 1/4 x 26 1/4in (102.2 x 66.6cm)

山姆·吉列姆 舞蹈\'72

1756. 汤姆·韦塞尔曼 静物 高清作品[79%]

Still Life

图片文件尺寸 : 4259 x 4928px

Tom Wesselmann: Still Life, 1988
Glazed porcelain multiple in colors mounted in original wooden frame, with the printed signature \'Tom Wesselmann\', numbered 222/299 in gold ink on the label affixed to verso, published by Rosenthal, Hamburg, Germany, with edition label, with accompanying certificate and original wooden box.
18 3/4 x 20 1/8in (47.5 x 51cm) including frame

汤姆·韦塞尔曼 静物

1758. UDA KUNIFUSA(活跃于1530-1550年) 16世纪,蒙马奇时期,一个有山的蚀刻坦陀 高清作品[79%]

An Etchu tanto with mountsMuromachi period , 16th century

图片文件尺寸 : 5237 x 4800px

UDA KUNIFUSA (ACTIVE CIRCA 1530-1550):An Etchu tanto with mounts
Muromachi period (1333-1573), 16th century
Kanmuri-otoshi configuration forged in itame-hada along the shinogi and masame-hada along the cutting edge, with a narrow suguha tempered edge with nie and sunagashi and a suguha boshi, both sides carved with bohi, the ubu tang with four holes (two overlapping), katte sagari file marks and signed Uda Kunifusa, 10 3/4in (27.3cm) long, with a one-piece silvered copper habaki
The 19th-century koshira-e comprising a russet-lacquer saya decorated with a variety of insects in shell and bone inlays and fitted with a russet-iron kojiri and a kozuka handle, both carved with a dragonfly in relief highlighted in gilt, the dark wood tsuka decorated in inlays to match the saya and fitted with shinchu fuchi-gashira decorated with figures in a landscape in takabori, signed Nara Toshishige, the oval shinchu plate tsuba decorated with landscapes in takabori and gold takazogan
With Kanteisho certificate no. 11259 issued by the Nihon Token Hozonkai (Society for the Preservation of the Japanese Sword) (NPO), dated April 18, 2021
With Hozon Tosogu certificate no 4018203 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated January 15, 2021

UDA KUNIFUSA(活跃于1530-1550年) 16世纪,蒙马奇时期,一个有山的蚀刻坦陀

1760. 文森佐·德埃斯波西托 瓦莱塔港的远洋班轮 高清作品[79%]

An ocean liner in Valletta Harbour

图片文件尺寸 : 5279 x 4322px

Vincenzo d\'Esposito:An ocean liner in Valletta Harbour
signed and inscribed \'D\'Esposito/MALTA\' (lower left)
watercolour heightened with bodycolour
21.2 x 50.2cm (8 3/8 x 19 3/4in).
Together with a watercolour of Malta by the same hand, signed and inscribed \'D\'Esposito/MALTA\' (lower left), 2.6 x 50.8cm (8 7/8 x 20in); and a watercolour of Valletta Harbour thought to be by Carmello Bonello, monogrammed \'CB\' (lower right), 13.3 x 28.2cm (5 1/4 x 11 1/8in). (3)

文森佐·德埃斯波西托 瓦莱塔港的远洋班轮