图片文件尺寸 : 4840 x 4791px

Maqbool Fida Husain:Theorama
all signed lower right
screenprint
35.8 x 45.8cm (14 1/8 x 18 1/16in).
the folio: 39.8 x 52.3 x 2.4 cm

马克布尔·费达·侯赛因 对开本：39.8 x 52.3 x 2.4厘米

图片文件尺寸 : 4085 x 4713px

HISTORY AND LITERATURE. :14 titles:
1. DE PERIERS, BONAVENTURE. Cymbalum mundi. Amsterdam: 1732. 12mo. Engraved frontispiece, title page in red and black with engraved vignette. 20th century morocco by Hardy-Mennil, marbled endpapers, all edges gilt. Minor spotting.
2. Admiranda rerum admirabilium encomia. Nijmegen: 1676. 12mo. Engraved extra title page, 5 engraved plates. 19th century quarter calf and marbled boards, gilt titles on spine. Extra titles trimmed into image, scattered browning and spotting.
3. SERVIEZ, JACQUES ROERGAS DE. The Lives and Amours of the Empresses, Consorts to the First Twelve Caesars of Rome. London: 1723. 8vo. Title page in red and black. 20th century half morocco and cloth, spine gilt in 6 compartments, all edges gilt. Joints cracking, a few marginal tears and chips to page corners, some ink notations, browning throughout.
4. ALBERTUS MAGNUS. Die durch Albertum Magnum entdedte Heimlichkeiten des Frauenzimmers. Frankfurt and Leipzig: 1738. 12mo. Engraved frontispiece, title page in red and black. Modern quarter library cloth over old boards. Rubbed, corners bumped, slight chipping to page edges and corners, repair to outside edge of frontispiece, margins trimmed with frontispiece trimmed into image, browning. Bookplate of Kurt Seligmann (surrealist painter) on front paste-down.
5. CERVANTES DE SAAVEDRA, MIGUEL. The Life and Exploits of the Ingenious Gentleman Don Quixote de la Mancha. London: 1742. 2 volumes. 4to. Engraved frontispiece, engraved portrait, and 67 engraved plates. Contemporary mottled calf gilt, rebacked.
1 plate in Volume I laid down, some repaired tears in margins, browning and spotting.
6. BUTLER, SAMUEL. Hudibras. Glasgow: 1747. 12mo. Portrait frontispiece, 7 engraved plates (2 folding). Contemporary quarter sheep and boards. Joints tender, rubbed, corners bumped and chipped, dampstaining to lower margin of portrait, browning.
7. BUONAROTTI, MICHELANGELO. Le rime di Michelangelo Buonarotti pittore, scultore, architetto e poeta Fiorentino.... [Rome]: 1817. 4to. 20th century quarter calf and boards, edges untrimmed. Rubbed, light soiling to title page and upper outside corners of several leaves, bookplate on front paste-down, foxing.
8. [EGAN, PIERCE.] Real Life in London, or the Rambles. London: 1821. Volume I (of 2) only. 8vo. Hand-colored engraved frontispiece, additional engraved title with hand-coloring, 18 hand-colored engraved plates. Upper cover and first 6 leaves detached, Rubbed, foxing and spotting throughout, light offsetting, one leaf (pp 59-60) torn at lower corner with loss of text.
9. VERNE, JULES. Michael Strogoff, or the Courier of the Czar. New York: 1877. 8vo. Publisher\'s pictorial cloth stamped in black and gilt. Wood engraved illustrations in text. Corners bumped, light tearing to cover cloth at spine ends, slightly loose, toning.
10. ---. The Giant Raft. New York: 1881-1882. 2 volumes (\"Eight Hundred Leagues on the Amazon\" and \"The Cryptogram\"). 8vo. Publisher\'s pictorial cloth stamped in black and gilt. Wood-engraved illustrations. Corners bumped, slightly rubbed, toning.
11. Das häusliche Glück. Leipzig: 1882. 8vo. Publisher\'s quarter cloth and printed boards. Slightly rubbed, soiling to covers, browning.
12. CAMERON, JULIA MARGARET, and H.H. HAY CAMERON. Lord Tennyson and his Friends. London: 1893. Folio. Photographic frontispiece and 25 photographic portraits, captioned tissue guards. Publisher\'s gilt-stamped cloth. Chipping to spine, sunning and soiling to covers, light browning. Limited edition, number 271 of 400.
13. BEKKER, PAUL. Beethoven. Berlin: 1912. 8vo. Publisher\'s textured boards. Rubbed, large chip to top spine end, spine somewhat loose, front hinge cracking, dampstaining to upper outside corner throughout.
14. HEINE, HEINRICH. Buch der Lieder. Berlin: n.d. 12mo. Portrait frontispiece. Publisher\'s limp boards, edges gilt, plain slipcase. Slightly rubbed, toning.

历史和文学。 14个标题：

图片文件尺寸 : 5146 x 4242px

Bruce Onobrakpeya:Five metal foil relief (repoussé) panels (i-v):
(i) Okonkwo Adi
signed, titled, numbered \'30/30\' and incised with the artist\'s monogram
metal foil relief (repoussé) panel, mounted on board
foil: 31.5 x 20.5cm (12 3/8 x 8 1/16in)
board: 33 x 22.5cm (13 x 8 7/8in).

(ii) Puppets, 1980
signed, titled, numbered \'12/30\' and incised with the artist\'s monogram
metal foil relief (repoussé) panel, mounted on board
foil: 30.8 x 20cm (12 1/8 x 7 7/8in)
board: 32.1 x 21.6cm (12 5/8 x 8 1/2in).

(iii) Poets and Fetters, 1980
signed, titled, numbered \'29/30\' and incised with the artist\'s monogram
metal foil relief (repoussé) panel, mounted on board
foil: 31 x 19.7cm (12 3/16 x 7 3/4in)
board: 32.5 x 21.3cm (12 13/16 x 8 3/8in).

(iv) Orakive III, 1983
signed, dated, numbered \'23/30\' and incised with the artist\'s monogram; further titled, dated, numbered and inscribed \'LAGOS 1983\' (verso)
metal foil relief (repoussé) panel, mounted on board
foil: 24 x 9.2cm (9 7/16 x 3 5/8in)
board: 25.3 x 10.8cm (9 15/16 x 4 1/4in).

(v) Orakive IV, 1983
signed, dated, numbered and incised with the artist\'s monogram; further titled, dated, numbered and inscribed \'LAGOS 1983\' (verso)
metal foil relief (repoussé) panel, mounted on board
foil: 24 x 9.2cm (9 7/16 x 3 5/8in)
board: 25.7 x 10.8cm (10 1/8 x 4 1/4in).
(all unframed)
(5)

布鲁斯·奥诺布拉克佩亚 五个金属箔浮雕面板：

图片文件尺寸 : 4269 x 5149px

BOTANY. :5 titles:
1. BONNET, CHARLES. 1720-1793. Recherches sur l\'usage des feuilles dans les plantes. Gottingen Leiden: Elie Luzac, 1754. 4to (260 x 191 mm). Title printed in red and black with engraved printer\'s device, 31 folding engraved plates. Rebacked contemporary mottled calf ruled in gilt, gilt dentelles, marbled endpapers and edges. Wear and scuffing to covers, scattered browning and spotting.
2. LOWE, EDWARD JOSEPH. 1825-1900. A Natural History of New and Rare Ferns. London: Groombridge and Sons, 1864. 4to. Color lithographed frontispiece and 72 color lithographic illustrations, wood-engraved illustrations in text. Publisher\'s blind-stamped green cloth, gilt stamped figure of a fern on the upper cover, gilt titles on spine. Covers soiled, rubbed, corners bumped, 6 leaves (C1-C3 and 3 plates) loose, scattered spotting.
3. DODOENS, D. REMBERT. 2526-2585. LYTE, HENRY, translator. A Niewe Herball. London: Gerard Dewes, 1578. Folio (292 x 195 mm). Numerous woodcut illustrations in text. 20th century half calf and marbled boards. Lacking first 6 leaves (title page and front matter), and colophon leaf, all replaced in facsimile, several other leaves at front and back repaired and tipped to stubs, with loss of text, browning and spotting throughout.
4. GERARD, JOHN. 1545-1612. WOODWARD, MARCUS, ed. Gerard\'s Herbal. London: Gerald Howe, 1927. 4to. Engraved portrait on frontispiece, wood-engraved illustrations in text. Publisher\'s green cloth. Sunned, light spotting and offsetting.
5. HILL, ROBERT. Photosynthesis. London New York: Methuen Co/John Wiley Sons, 1955. 12mo. Publisher\'s blue cloth. Sunned.

植物学。 5个标题：

图片文件尺寸 : 2048 x 2953px

休伯特·罗伯特（Hubert Robert）的《风景中的洗衣妇，一群牧羊人在一片树木前》-Hubert Robert

风景中的洗衣女工，一群牧羊人在一片树林前--Hubert Robert (法国, 1733-1808)

图片文件像素：4600 x 3500 px

福图纳托·德佩罗-现代-

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(Fondo/Trient 1892–1960 Rovereto)
Mongolfiera sopra New Milford, 1948, Öl auf Leinwand, 80 x 105 cm, gerahmt

Im Herbst 1947 unternahm Depero einen weiteren Versuch, sich in Amerika zu etablieren. Er hoffte, mit „Buxus“ den Durchbruch zu schaffen, verbrachte jedoch den Winter 1947-1948, einen der kältesten in New York seit Menschengedenken, einsam und fast verhungert in einem Hinterzimmer eines Büros.
Für den Futurismus und sein eigenes Werk fand er nur Feindseligkeit und verschlossene Türen vor:
Glücklicherweise kam im Frühjahr 1948 auch seine Frau aus Italien nach und sie fanden Gastfreundschaft in einer schönen Villa in New Milford, Connecticut, etwa 150 Meilen von New York entfernt. Dort, inmitten der ländlichen Ruhe, fand er ein Gefühl der Gelassenheit und konnte hart arbeiten. „Die Natur“, schrieb er an einen Freund, „ist hier einfach ozeanisch. Wir sind von Hügeln mit üppiger Vegetation umgeben ... Wir sind eingetaucht in eine Palette von Grüntönen und Pflanzen aller Art ... Alles, was ich höre, ist das Rascheln der Blätter von sechs riesigen, typisch amerikanischen Pappeln. Nur wenige Autos fahren vorbei, denn wir befinden uns hier richtig auf dem Land mit riesigen Rinderherden ... Wenn ich daran denke, dass ich gestern sogar Rosetta und mich selbst nackt im Gras gemalt habe, während am Himmel über New Milford ein Heißluftballon vorbeiflog ...“

M. Scudiero, D. Magnetti, Depero Futurista, Turin 2004

图片文件尺寸 : 4882 x 4623px

Salvador Dalí:Plate 72, Con todos estos lios, no te escaparas (with all these troubles no one can escape) from Les Caprices de Goya; Francisco Goya (1746-1828), Plate 72, No te escaparas (you can\'t escape), from Los Caprichos (2 works) (Field 77-3-9; Harris 107), 1977; 1799
Heliogravure of Goya\'s plate 72, reworked and altered with drypoint and stencil on Rives BFK, signed in pencil and numbered 10/200 (plus 20 epreuves d\'artiste), published by Berggruen, Paris, with full margins,

WITH

Francisco Goya (1746-1828)
Plate 61, from Los Caprichos, Fifth Edition, c. 1881-1886
Etching on wove paper, pubished/printed by Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 9 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29 x 20.5cm)

萨尔瓦多·达利 72号板块，有了所有这些麻烦，你不会逃避戈雅的任性弗朗西斯科·戈雅，72号板块，你不会逃避突发奇想

图片文件尺寸 : 5436 x 5499px

Edward William Cooke, RA: A collection of sixteen sketches, to include:
The Customs House, Portsmouth, 1831
St Katherines Docks, London, 1833
Sandwich
Amsterdam and Volendam, Netherlands
Rouen and Nice, France
Naples, Italy
two signed \'EW Cooke\' (lower left), some dated and almost all inscribed with their location (lower edge)
pencil
17 x 22.3cm (6 11/16 x 8 3/4in) and smaller. (16)
unframed and all bar one mounted on album paper

爱德华·威廉·库克，RA 16幅素描集，其中包括：《海关大楼》，朴茨茅斯，1831年，伦敦凯瑟琳码头，1833年，荷兰鲁昂和尼斯，荷兰阿姆斯特丹和沃伦达姆，法国那不勒斯，意大利17 x 22.3cm及以下。

图片文件像素：5670 x 3940 px

克里斯托（Javacheff Christo，当代艺术I-

Christo * (Javacheff Christo) - Zeitgenössische Kunst I-

(Gabrovo, Bulgaria 1935–2020 New York)
Running Fence (Project for Sonoma County and Marin County, State of California) - Estero Road, 1975, signed, dated Christo 1975, fabric, pencil, charcoal, crayon, gouache and technical data collage on board, 55.5 x 70.5 cm, framed under plexiglass

This work is registered in the Christo and Jeanne-Claude Archives, New York.

We are grateful to Jonathan Henery, Christo and Jeanne-Claude Archives, New York, for his scientific support in cataloguing the work.

Provenance:
Studio of the artist
Joan Sonnabend, Obelisk Gallery Massachusetts, 1975
Villa Grisebach, Berlin, 29 November 2008
Private collection, 德国y

The installation Running Fence, which was installed in 1976 and lasted for 14 days, is considered one of the most impor¬tant early works by the famous artist duo Christo and Jeanne-Claude. Standing 5.5m tall and stretching over 39km across Sonoma County and Marin County in California. The white fabric billowed in the wind, reflecting light at a variety of angles and shades, cre¬ating dazzling, shimmering contours that cut across the landscape in soft yet sharp lines. The sheer beauty of the play of light and weather on the fence contrasted sharply with the theme of separation and boundary that fences generally convey. According to the artists, a fence embodies a larger theme of human freedom and limitation.

All costs of the project were covered with the sale of studies, preparatory drawings and collages, scale models and original lithographs. The artwork being auctioned off is an original drawing which was created in this process.

图片文件像素：4600 x 3500 px

詹姆斯·罗森奎斯特-

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(Grand Forks, North Dakota 1933-2017 New York City)
"A Free for all", 1976, Lithographie in Farbe mit collagierter Kordel auf Velin, signiert und datiert Rosenquist 1976 sowie betitelt, Nr. Nr. 21 von 25 nummerierten Exemplaren Hors Commerce, blattgroßer Druck ca. 66 x 51,5 cm, erschienen innerhalb des Portfolio 'Look out beyond and see: An 美国 portrait 1776-1976', gedruckt bei Derriere L'Etoile Studios und herausgegeben von Transworld Art/New York mit dem Trockenstempel, gerahmt beschrieben, (RAC)