图片文件尺寸 : 4939 x 5700px

Sol LeWitt:Untitled (Brown) (Krakow 2004.05), 2004
Lithograph and aquatint in colors on wove paper, signed in pencil and numbered 4/30, published/printed by Landfall Press, Santa Fe, New Mexico, with full margins, framed.
30 7/8 x 30 3/4in (78.4 x 78.1cm)
sheet 35 3/4 x 34 3/4in (90.8 x 88.2cm)

索尔·莱维特 无 题

图片文件尺寸 : 5176 x 5357px

After Joan Miró:Naissance de Jour (Maeght 1710), 1952
Lithograph in colors on Arches paper, signed in pencil and numbered 239/300, with the blindstamp of the publisher Maeght Editeur, Paris, with wide margins.
15 1/2 x 22in (39.4 x 55.9cm)
sheet 19 7/8 x 25 11/16in (50.5 x 65.2cm)

琼看着之后 Jour诞生

图片文件尺寸 : 5028 x 5798px

Zao Wou-Ki:Flore et Faune, 1951
Etching on wove paper, signed in pencil and numbered XXXIV/LX (there was also an edition of 200 in Arabic numerals), with wide margins, framed.
12 1/2 x 19 1/4in (31.7 x 48.8cm)
sheet 15 1/8 x 22 1/2in (38.8 x 57.1cm)

赵无极 动植物

图片文件尺寸 : 3924 x 5699px

Roy Lichtenstein: Temple (Corlett II.3), 1964
Offset lithograph in colors on smooth cream wove paper, signed and dated in pencil, an unnumbered proof (aside from the edition of 300), published by Leo Castelli Gallery, New York, with full margins.
23 x 17 1/8in (58.3 x 43.3cm)
sheet 23 3/4 x 17 3/4in (60.2 x 45cm)

罗伊·利希滕斯坦 寺庙

图片文件尺寸 : 4726 x 3935px

Brian Rice: Colossal, 1967
Screenprint in colors on wove paper, signed in pencil, titled, dated and numbered 22/75, with the blind stamp of the publisher London Graphic Arts Associates, London, printed by Advanced Graphics, London, with full margins.
18 x 18in (45.7 x 45.7cm)
sheet 25 1/4 x 23in (64 x 58.4cm)

布莱恩·赖斯 巨大的

图片文件尺寸 : 5486 x 4016px

Richard Diebenkorn:Seated Woman in Armchair, from Seated Woman Series, 1965
Lithograph on wove paper, initialed in black ink, dated and annotated \'t.p. 1\' (aside from the edition of 100), published by Original Press, San Francisco, with full margins, framed.
25 x 19 3/8in (63.5 x 49.3cm)
sheet 27 7/8 x 22 1/8in (70.8 x 56.2cm)

理查德·迪本科恩 《坐在扶手椅上的女人》，出自《坐着的女人》系列

图片文件尺寸 : 4833 x 5081px

Marion Kavanagh Wachtel:Autumn — Eaton Cañon
signed \'Marion Kavanagh Wachtel.\' (lower left) and titled on a label (on the stretcher bar)
oil on canvas
24 x 28 in.
framed 31 x 35 in.
Painted in 1930.

马里恩·卡瓦纳鹌鹑 秋季-Eaton Cañon 24 x 28英寸。框架31 x 35英寸。

图片文件尺寸 : 5388 x 4565px

Marc Chagall:Moïse Fait Jaillir l\'Eau du Rocher (Moses Striking Water from Rock), from La Bible (Vollard 233; Cramer bk. 30), 1931-9
Etching with hand-coloring in watercolor on Arches paper, initialed in pencil and numbered 66/100, published/printed in 1958 by Tériade/Raymond Haasen, Paris, with full margins.
11 3/8 x 9 1/2in (28.8 x 24.1cm)
sheet 21 x 15 1/4in (55.5 x 38.7cm)

马克·夏加尔 摩西使水从磐石中涌出，从圣经中

图片文件尺寸 : 5473 x 3933px

DAVID JAMES GILHOOLY (1943-2013) :Ark of the Animals
1987
glazed ceramic, incised \'GILHOOLY 87\' along bottom edge
height 19 3/4in (50.2cm); width 10 1/2in (26.7cm); depth 11 1/4in (28.5cm)

大卫·詹姆斯·吉尔胡利（1943-2013） 《动物方舟》（Ark of the Animals），1987年釉面陶瓷，沿底边高度19 3/4英寸切割“GILHOOLY 87”宽度10 1/2英寸深度11 1/4英寸

图片文件像素：4600 x 3500 px

皮埃尔·奥古斯特·雷诺阿-现代-

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(Limoges 1841–1919 Cagnes bei Nizza)
Enfants jouant à la balle, um 1900, Farblithographie auf Velin, Probedruck neben einer Edition von 200 Exemplaren, Bildgröße 59 x 51,8 cm, Blattgröße 74 x 55,5 cm, Verlag Ambroise Vollard, Paris, gerahmt

Das von Pierre-Auguste Renoir rechts unten im Stein schwarz signierte Werk „Enfants jouant à balle“ stammt aus einer Auflage von 200 Exemplaren, die von Auguste Clot gedruckt und von Ambroise Vollard verlegt wurde. Dieses in 10 Farben gezogene Werk ist einer von nur vier Farbdrucken, die Renoir Zeit seines Lebens geschaffen hat. Unter anderem ist es auch unter dem Titel „La Récolte des Pommes de Terre“ (Die Kartoffelernte) bekannt. Die Farblithographie zeigt vier Mädchen, die an einem schönen Sommertag sorglos auf einem Feld spielen. Exemplare dieses Werkes sind in öffentlichen Sammlungen auf der ganzen Welt ausgestellt, darunter das Cabinet des Estampes in Paris, das Kupferstich-Kabinett in Dresden, das Metropolitan Museum of Art in New York, das Museum of Fine Arts in Boston, die New York Public Library oder die National Gallery of Art in Washington, D.C.