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KOSAKU:Beauties of Spring and Winter
Taisho (1912-1926) or Showa (1926-1989) era
Of two-panel folding screen construction with two paintings in ink and colors on paper; on the right, the beauty of spring under a bough of green maple leaves holding a Japanese-style umbrella in a light rain while gazing at a field of irises, wearing a fresh green kimono with a cherry blossom-patterned lining; on the left, the beauty of winter under snow-coated sasa bamboo grass leaves glancing at nanten nandina sprouting up from under the snow, wearing a black kimono with a motif of prunus blossoms and narcissus flowers on the skirt; the right signed Kosaku hitsu and sealed Kosaku, the left signed Kosaku and unsealed
Right: 56 1/4 x 17 5/8in (142.9 x 44.7cm); Left: 55 7/8 x 18 1/4in (141.9 x 46.3cm)

科萨库语 春天和冬天的美丽大正或昭和时代

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MORIHIDE (ACTIVE LATE 19TH CENTURY):A shinshinto tanto with mounts
Meiji era (1868-1912), dated 1870
Hirazukuri, iorimune forged in ko-itame hada with a suguha tempered edge with a flourish resembling Mount Fuji mirrored on both sides, with visible nie along the nioiguchi and a Jizo-style boshi, the ubu tang with one hole, sujikai file marks, signed Morihide kinzo (Respectfully made by Morihide), and dated Meiji kanoe-ushi aki (Autumn, 1870), 8 1/4in (21cm) long, with a one-piece gold-foil habaki, in a wood shirasaya storage scabbard
The 19th-century aikuchi goshira-e with a gray-lacquer ishime-ji saya decorated with linked floral lozenges raised in relief and mounted with shibuichi migaki-ji fittings, the tsuka wrapped in black silk and fitted with gilt and shakudo menuki of cherry blossoms

With Tokubetsu Hozon Token (Sword Especially Worthy of Preservation) certificate no. 1011797 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 26, 2019

生皮（活跃于19世纪晚期） 明治时代，1870年

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A LACQUER INCENSE-GAME SET:Edo period (1615-1868), 19th century
Comprising a base supported on four bracket feet, a tiered box with lid and an outer cover with cut-out sides reaching down to the base; the tiered box containing: a base with salt-makers\' kilns and rakes on a pine-clad shore; a tray with seven sets of five small boxes inscribed with the names of different incense-game formats including Kokinko (Ancient and Modern), Genpeiko (Minamoto and Taira), and Jusshuko (Ten Varieties); another tray with implements for cutting and arranging incense; a suzuribako (writing box) for recording guesses and scores, fitted with a suzuri (inkstone) and suiteki (water dropper), the lid with ho-o birds and autumn plants; a checkered board for game tokens; and a lid with blossoming cherry trees and birds in flight, the sides of the box with a variety of scenes including birds on a flowering prunus tree with frogs in the water below, and a willow tree and bridge, the top of the outer cover with flowering wisteria arranged on a bamboo framework; the decoration in gold, aokin, and silver hiramaki-e and takamaki-e, with shell details on the outer cover, against a ground of polished black lacquer or gold hirame flakes over black lacquer, the implements with silver and steel components
8 1/8 x 10 3/4 x 8 3/4in (20.6 x 27.3 x 22.2cm)

一套油漆燃烧游戏 江户时代，19世纪