图片文件尺寸 : 4113 x 3060px
弗朗西斯·丹比（Francis Danby）的《苏黎世湖畔的早晨，朝圣者踏上前往艾因塞登修道院的路》-Francis Danby
Morning on the Banks of Lake Zurich, with Pilgrims Embarking on their way to Einsiedeln Abbey--Francis Danby (英国, 1793-1861)
142.
Laverne Nelson黑色 前往Cimarron峡谷的路上8 x 10英寸框架12 1/4 x 14 3/4英寸 高清作品[60%]
图片文件尺寸 : 4853 x 4308px
Laverne Nelson Black:
On the Way to Cimarron Canyon
signed \'Laverne Nelson Black\' (lower right), titled (on the reverse)
oil on canvas
8 x 10in
framed 12 1/4 x 14 3/4in
Laverne Nelson黑色 前往Cimarron峡谷的路上8 x 10英寸框架12 1/4 x 14 3/4英寸
143.
“在去京都的路上，南本无赖在佐贺省的阿希伽拉山遇见了海丸，并将他作为御用人” 高清作品[59%]
图片文件尺寸 : 2319 x 3471px
“在去京都的路上，南本无赖在佐贺省的阿希伽拉山遇见了海丸，并将他作为御用人”-Utagawa Kuniyoshi
On the Way to Kyoto, Minamoto no Raikō Meets Kaidōmaru in the Ashigara Mountains of Sagami Province and Takes Him as a Retainer--Utagawa Kuniyoshi (Japanese, 1797-1861)
144.
“在新旧开罗之间的路上，穆罕默德·阿里的城堡清真寺和路易·康斯坦·蒂凡尼的马穆卢克斯墓” 高清作品[59%]
图片文件尺寸 : 5732 x 3487px
“在新旧开罗之间的路上，穆罕默德·阿里的城堡清真寺和路易·康斯坦·蒂凡尼的马穆卢克斯墓”-Louis Comfort Tiffany
On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes--Louis Comfort Tiffany (美国, 1848-1933)
145.
霍华德·霍奇金 联系/入住，从我们现在的生活方式 高清作品[59%]
图片文件尺寸 : 5237 x 5432px
Howard Hodgkin:In Touch/Checking In, from The Way We Live Now, 1990
Lift ground etching and aquatint in colors with handcoloring on Fabriano laid paper, initialed in pencil, dated and numbered 6/50 (there was also a book edition of 200 signed on the justification), published by Karsten Schubert, London, printed and hand-colored by Jack Shirreff at the 107 Workshop, London, the full sheet, framed.
sheet 11 3/4 x 16 7/8in (29.8 x 42.7cm)
霍华德·霍奇金 联系/入住，从我们现在的生活方式
146.
乔治·菲彭 未开挖路权视线14 3/4 x 21 1/2英寸。框架23 1/2 x 30 1/2英寸。 高清作品[57%]
图片文件尺寸 : 5430 x 4042px
George Phippen:Undisputed Right of Way
signed with the artist\'s device and dated \'Geo Phippen / 51\' (lower left) and titled (lower center), signed and titled again on an artist\'s label (on the reverse)
ink and wash on cream paper
sight 14 3/4 x 21 1/2 in.
framed 23 1/2 x 30 1/2 in.
乔治·菲彭 未开挖路权视线14 3/4 x 21 1/2英寸。框架23 1/2 x 30 1/2英寸。
147.
“Apemantus”Hoy day！多么虚荣心横扫！他们跳舞！他们是疯女人！”-艾德温·奥斯汀修道院的第一幕，第二场，《雅典之丁》 高清作品[57%]
图片文件尺寸 : 2036 x 2827px
“Apemantus”Hoy day！多么虚荣心横扫！他们跳舞！他们是疯女人！”-艾德温·奥斯汀修道院的第一幕，第二场，《雅典之丁》-Edwin Austin Abbey
Apemantus; “Hoyday! what a sweep of vanity comes this way! They dance! They are mad women!” Act I, Scene II, Timon of Athens--Edwin Austin Abbey (美国, 1852 - 1911)
148.
威廉·亚历山大（William Alexander）于1793年11月16日发表的《使馆驳船从一条运河升到另一条运河，从汉卓福到楚山的途中》 高清作品[56%]
图片文件尺寸 : 4096 x 2882px
威廉·亚历山大（William Alexander）于1793年11月16日发表的《使馆驳船从一条运河升到另一条运河，从汉卓福到楚山的途中》-William Alexander
Barges of the Embassy Being Raised from One Canal to Another on Their Way from HanTcheouFoo to TchuSan, 16 November 1793--William Alexander (英国, 1767-1816)
149.
“我用自己的方式收获了它，因为我只割下了耳朵，然后把它放在一个大篮子里，这个篮子是我由N.C.惠氏制作的 高清作品[56%]
图片文件尺寸 : 2219 x 2966px
“我用自己的方式收获了它，因为我只割下了耳朵，然后把它放在一个大篮子里，这个篮子是我由N.C.惠氏制作的-N. C. Wyeth
I reaped it my way, for I cut nothing off but the ears, and carried it away in a great basket which I had made--N. C. Wyeth (美国, 1882-1945)
150.
乔治·康多，当代艺术I 高清作品[55%]
图片文件像素：5541 x 3948 px
乔治·康多，当代艺术I-
George Condo - Zeitgenössische Kunst I-
(born in Concord, New Hampshire, USA in 1957)
Cap d’ Antibes, 1990, signed, titled and dated on the reverse, oil on canvas, 65 x 46 cm, framed
Provenance:
Bischofberger Gallery, Zurich
Acquired from the above by the present owner
« I just wanted to say, \'There must be a way to work figuratively that doesn’t end up looking like some boring realism, some boring photorealism.\'
The point is not to see how well somebody paints a figure, but something beyond that. A way of saying that the figure itself becomes a map of a number of intellectual processes involved in the idea of making an art work.»
George Condo, 2004, www.brunobischofberger.com/condo-bio
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