图片文件尺寸 : 4929 x 5007px
ANONYMOUS:Sipjangsaeng-do (Ten Signs of Long Life)
Early 20th century
An eight-panel screen painted in ink and colors on paper with silk surrounds and a lacquered-wood frame depicting fruiting peach trees, pine trees, red heart-shaped fungi, cranes, spotted deer, and bushy-tailed tortoises, all before mist-shrouded mountains and a bold red sun
36 7/8 x 80 3/4in (93.6 x 205.1cm)
匿名的，匿名的 20世纪初的Sipjangsaeng do
图片文件像素：4600 x 3500 px
Konvola水彩画，1900年以前的绘画和版画，水彩画和微型画-
-
Aus den Familien Odescalchi und Batthyany, schöne Ansichten (Burg Schlaining, Schweizer See, Schloss Ikervár- in Ungarn, Dubno - Russland, Szolnok, Schloss, Aquarelle auf Papier, alle ca. 20,5 x 28,5 cm, dazu: 2 Aquarelle, Gibelbach am Bodensee, wo die Familie des erschossenen Ministerpräsidenten Graf Ludwig Karoly 1849 in Emigration wohnte und Betlér, Schloss von Grafen Andrásy in Ungarn, betitelt, 2 Aquarelle, ca. 37 x 31 cm, ohne Rahmen, (9) (Hu)
图片文件尺寸 : 4209 x 4306px
Harold Barling Town, RCA,OSA,CGP,CPE,OC:
Eleven figure studies, many of notable figures including;
Augustus John 1940, William Walton, Edith Sitwell, Walter Sickert and his wife 1940, Kenneth Tynan 1965, Pablo Casals, Abraham Lincoln 1896, Edison, Dizzy Gillespie, Jack Lemmon and Shirley MacLaine D.
ten signed \'HTown\' and dated between \'1985-87\' (various places recto) and further signed and inscribed (on the reverse)
ten pencil, one mixed media
the largest 39.7 x 56.2cm (15 5/8 x 22 1/8in). (11)
all unframed
Harold Barling镇、RCA、OSA、CGP、CPE、OC 11个数字研究，许多著名的数字，最大的39.7 x 56.2厘米，均未加边框
图片文件尺寸 : 4494 x 4719px
Circle of Rembrandt Harmensz van Rijn:
A washerwoman
bears inscription \'R*sep** boec*e van/ alle wetenschappen\' (verso)
pen and brown ink and brown wash on paper
14.8 x 20.5cm (5 13/16 x 8 1/16in).
伦勃朗·哈曼茨·范·里恩圈 洗衣女工
图片文件尺寸 : 4726 x 4820px
ILLUMINATED CARTA EXECUTORIA.:Rare patent of nobility issued by Archduke Charles of Austria (later Charles VI, Holy Roman Emperor), fashioning himself Charles III of Spain during the War of the Spanish Succession (1701–1714), conveying the title of Marquess of Callus (in Catalonia) upon Don Jaime Vicente Alamany Descallar, manuscript on vellum, text in Latin, 1711, 290 x 200 mm, 8 leaves bound as a single quire of 4 bifolia.
Collation: i8, the first leaf treated as a blank flyleaf. 22-26 long lines written in brown ink in italic script with one-line roman capitals; headings in larger capitals on ff. 2r-2v; written area: 215 x 125 mm. All text pages decorated with full borders containing delicate brown ink drawings. F. 2r with a cartouche depicting the king on a rearing horse firing a pistol, surmounted by a crown, below him a globe held by two putti and inscribed \"America\", below that the words NOS CAROLUS in a cartouche, all flanked by personifications of the church and the state and other motifs. On f. 2v the continuation of the text continues under a round seal stamped in in black ink, containing a coat of arms, and inscribed: CAROLUS III DEI GRATIA HISPANIARUM ET INDIARUM REX. Borders of ff. 2v-6v filled with vedute, vignettes, putti, cartouches, and various flourishes similar to those found in engraved writing-master books of the period. F. 7r with the last lines of the text and several notarial attestations. F. 7v blank. F. 8r with a large colored coat of arms surrounded by colored arabesque flourishes. F. 8v blank. Binding of later red velvet over pasteboards (worn) with remains of two monkeys-fist closures of woven silk, red silk doublures and single red silk flyleaves front and back, remains of a braided silk cord intended to attach the seal and a circular depression inside the back cover intended to hold the seal (seal missing).
RARE PATENT OF NOBILITY OF \"CHARLES III\" DURING HIS EMBATTLED CLAIM TO THE SPANISH THRONE. On the death of his Hapsburg relative King Charles II of Spain (1661-1700) without a direct heir, Archduke Charles of Austria declared himself the King of Spain, thus occasioning the War of the Spanish Succession, which pitted him against a rival candidate, Philip, Duke of Anjou, grandson of Louis XIV, and a distant cousin of the Archduke. In 1711, when his brother, the Holy Roman Emperor Joseph I, died the Archduke returned to Vienna to assume the imperial crown, while Philip was eventually recognized as King Philip V of Spain. During his brief time as claimant to the Spanish throne, Charles never extended his sphere of influence beyond Catalonia and lived there only from 1705 to 1711.
行政卡有限。 奥地利大公查尔斯在西班牙王位继承战争中塑造了自己的西班牙查理三世，
图片文件尺寸 : 3940 x 4076px
A LARGE ZUSHI (PORTABLE SHRINE):Edo period (1615-1868) or Meiji era (1868-1912), 19th century
The red-lacquer case decorated with a hollyhock crests in gold hiramaki-e on each of the hinged double doors and applied with elaborate foliate-etched gilt-metal fittings opening to reveal a standing figure of Amida Buddha (Amitabha) flanked by the bodhisattvas Kannon (Avalokitesvara) and Seishi (Mahasthamaprapta) in a raigo-like configuration and accompanied by a figure of Jizo (Ksitigarbha) and Fudo Myo-o (Acala), all raised on lotus pedestals and supported on an ornate, stepped plinth, an additional pair of miniature guardian figures applied to the top of the balusters
33 3/8in (85cm) high overall
大型祖师庙 19世纪江户时代或五月时代
图片文件尺寸 : 5067 x 4761px
UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-58
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection); the first, Dai sanju-ikkan, Otome (Vol. 31, Otome), published by Totoya Eikichi; the second, Dai Goju-ikkan, Ukifune (Vol. 51, Ukifune), published by Ebisuya Shoshichi; the third, Sanju no maki, Fujibakama (Vol. 30, Fujibakama), published by Totoya Eikichi; the fourth, Jusan no maki, Aoi (Vol. 13, Aoi), published by Totoya Eikichi; the fifth, Dai ju-yonkan, Aoi (Vol. 14, Aoi), published by Totoya Eikichi; all carved by Yokokawa Takejiro, and signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately
UTAGAWA KUNISADA I（丰谷三世，1786-1864年） 江户时期，约1857年至1858年，五幅欧本州式双联版画
图片文件尺寸 : 4351 x 3973px
HEDWIG, JOHANN. 1730-1799. :Microscopisch-Analytische Beschreibungen und Abbildungen neuer und zweifelhafter Laub-Moose. Leipzig: Johann Gotfried Mueller, 1787.
2 volumes (of 4, see below). Folio (354 x 231 mm). 80 engraved hand-colored plates, 3 original wrappers bound in. Modern half morocco.
FIRST EDITION. \"Distinguished above all for exact and patiently repeated observations, Hedwig\'s work depended on the skillful use of dissection and the compound microscope ... He recorded his observations in accurate drawings ... the figures in his Descriptio are among the most accurate and beautiful illustrations of mosses of his own or any other period.\" DSB, VI, 219-20.\" Published in fascicles and bound in four volumes. The first 2 volumes were published in 1787-89 the others not until 1797. Nissen BBI 826.
赫德维格，约翰。1730-1799. 新的和可疑的落叶苔藓的显微分析描述和插图。莱比锡：约翰·戈特弗里德·穆勒，1787年。
图片文件尺寸 : 4205 x 4967px
Malangatana Valente Ngwenya:Two studies and an illustrated letter (i-iii):
(i) Head Studies
signed, dated and inscribed \'Malangatana/ Harare - Aug./ 1989\' (lower right)
pen on paper
25.4 x 18cm (10 x 7 1/16in).
(ii) Female Nude Study
signed, dated and inscribed \'Harare/ 15.16/11.81/ Malangatana\' (lower right)
pen and pencil on paper
43.3 x 30.5cm (17 1/16 x 12in).
(iii) Illustrated handwritten letter from the artist
dated \'15/11/1985\' (upper right)
pen on paper
29.8 x 21cm (11 3/4 x 8 1/4in).
(3)
(all unframed)
Malangana Valente Ngwani 两项研究和一封带插图的信：
图片文件尺寸 : 5434 x 5179px
John Emms:Hunting, Shooting, Fishing
a set of three, all signed and dated \'J.Emms 92\' (the first lower left, the other two lower right)
oil on canvas
each 22.2 x 17.8cm (8 3/4 x 7in). (3)
作者 狩猎、射击、钓鱼各22.2 x 17.8cm。
图片文件尺寸 : 4929 x 5007px
ANONYMOUS:Sipjangsaeng-do (Ten Signs of Long Life)
Early 20th century
An eight-panel screen painted in ink and colors on paper with silk surrounds and a lacquered-wood frame depicting fruiting peach trees, pine trees, red heart-shaped fungi, cranes, spotted deer, and bushy-tailed tortoises, all before mist-shrouded mountains and a bold red sun
36 7/8 x 80 3/4in (93.6 x 205.1cm)
匿名的，匿名的 20世纪初的Sipjangsaeng do
图片文件像素：4600 x 3500 px
Konvola水彩画，1900年以前的绘画和版画，水彩画和微型画-
-
Aus den Familien Odescalchi und Batthyany, schöne Ansichten (Burg Schlaining, Schweizer See, Schloss Ikervár- in Ungarn, Dubno - Russland, Szolnok, Schloss, Aquarelle auf Papier, alle ca. 20,5 x 28,5 cm, dazu: 2 Aquarelle, Gibelbach am Bodensee, wo die Familie des erschossenen Ministerpräsidenten Graf Ludwig Karoly 1849 in Emigration wohnte und Betlér, Schloss von Grafen Andrásy in Ungarn, betitelt, 2 Aquarelle, ca. 37 x 31 cm, ohne Rahmen, (9) (Hu)
图片文件尺寸 : 4209 x 4306px
Harold Barling Town, RCA,OSA,CGP,CPE,OC:
Eleven figure studies, many of notable figures including;
Augustus John 1940, William Walton, Edith Sitwell, Walter Sickert and his wife 1940, Kenneth Tynan 1965, Pablo Casals, Abraham Lincoln 1896, Edison, Dizzy Gillespie, Jack Lemmon and Shirley MacLaine D.
ten signed \'HTown\' and dated between \'1985-87\' (various places recto) and further signed and inscribed (on the reverse)
ten pencil, one mixed media
the largest 39.7 x 56.2cm (15 5/8 x 22 1/8in). (11)
all unframed
Harold Barling镇、RCA、OSA、CGP、CPE、OC 11个数字研究，许多著名的数字，最大的39.7 x 56.2厘米，均未加边框
图片文件尺寸 : 4494 x 4719px
Circle of Rembrandt Harmensz van Rijn:
A washerwoman
bears inscription \'R*sep** boec*e van/ alle wetenschappen\' (verso)
pen and brown ink and brown wash on paper
14.8 x 20.5cm (5 13/16 x 8 1/16in).
伦勃朗·哈曼茨·范·里恩圈 洗衣女工
图片文件尺寸 : 4726 x 4820px
ILLUMINATED CARTA EXECUTORIA.:Rare patent of nobility issued by Archduke Charles of Austria (later Charles VI, Holy Roman Emperor), fashioning himself Charles III of Spain during the War of the Spanish Succession (1701–1714), conveying the title of Marquess of Callus (in Catalonia) upon Don Jaime Vicente Alamany Descallar, manuscript on vellum, text in Latin, 1711, 290 x 200 mm, 8 leaves bound as a single quire of 4 bifolia.
Collation: i8, the first leaf treated as a blank flyleaf. 22-26 long lines written in brown ink in italic script with one-line roman capitals; headings in larger capitals on ff. 2r-2v; written area: 215 x 125 mm. All text pages decorated with full borders containing delicate brown ink drawings. F. 2r with a cartouche depicting the king on a rearing horse firing a pistol, surmounted by a crown, below him a globe held by two putti and inscribed \"America\", below that the words NOS CAROLUS in a cartouche, all flanked by personifications of the church and the state and other motifs. On f. 2v the continuation of the text continues under a round seal stamped in in black ink, containing a coat of arms, and inscribed: CAROLUS III DEI GRATIA HISPANIARUM ET INDIARUM REX. Borders of ff. 2v-6v filled with vedute, vignettes, putti, cartouches, and various flourishes similar to those found in engraved writing-master books of the period. F. 7r with the last lines of the text and several notarial attestations. F. 7v blank. F. 8r with a large colored coat of arms surrounded by colored arabesque flourishes. F. 8v blank. Binding of later red velvet over pasteboards (worn) with remains of two monkeys-fist closures of woven silk, red silk doublures and single red silk flyleaves front and back, remains of a braided silk cord intended to attach the seal and a circular depression inside the back cover intended to hold the seal (seal missing).
RARE PATENT OF NOBILITY OF \"CHARLES III\" DURING HIS EMBATTLED CLAIM TO THE SPANISH THRONE. On the death of his Hapsburg relative King Charles II of Spain (1661-1700) without a direct heir, Archduke Charles of Austria declared himself the King of Spain, thus occasioning the War of the Spanish Succession, which pitted him against a rival candidate, Philip, Duke of Anjou, grandson of Louis XIV, and a distant cousin of the Archduke. In 1711, when his brother, the Holy Roman Emperor Joseph I, died the Archduke returned to Vienna to assume the imperial crown, while Philip was eventually recognized as King Philip V of Spain. During his brief time as claimant to the Spanish throne, Charles never extended his sphere of influence beyond Catalonia and lived there only from 1705 to 1711.
行政卡有限。 奥地利大公查尔斯在西班牙王位继承战争中塑造了自己的西班牙查理三世，
图片文件尺寸 : 3940 x 4076px
A LARGE ZUSHI (PORTABLE SHRINE):Edo period (1615-1868) or Meiji era (1868-1912), 19th century
The red-lacquer case decorated with a hollyhock crests in gold hiramaki-e on each of the hinged double doors and applied with elaborate foliate-etched gilt-metal fittings opening to reveal a standing figure of Amida Buddha (Amitabha) flanked by the bodhisattvas Kannon (Avalokitesvara) and Seishi (Mahasthamaprapta) in a raigo-like configuration and accompanied by a figure of Jizo (Ksitigarbha) and Fudo Myo-o (Acala), all raised on lotus pedestals and supported on an ornate, stepped plinth, an additional pair of miniature guardian figures applied to the top of the balusters
33 3/8in (85cm) high overall
大型祖师庙 19世纪江户时代或五月时代
图片文件尺寸 : 5067 x 4761px
UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-58
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection); the first, Dai sanju-ikkan, Otome (Vol. 31, Otome), published by Totoya Eikichi; the second, Dai Goju-ikkan, Ukifune (Vol. 51, Ukifune), published by Ebisuya Shoshichi; the third, Sanju no maki, Fujibakama (Vol. 30, Fujibakama), published by Totoya Eikichi; the fourth, Jusan no maki, Aoi (Vol. 13, Aoi), published by Totoya Eikichi; the fifth, Dai ju-yonkan, Aoi (Vol. 14, Aoi), published by Totoya Eikichi; all carved by Yokokawa Takejiro, and signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately
UTAGAWA KUNISADA I（丰谷三世，1786-1864年） 江户时期，约1857年至1858年，五幅欧本州式双联版画
图片文件尺寸 : 4351 x 3973px
HEDWIG, JOHANN. 1730-1799. :Microscopisch-Analytische Beschreibungen und Abbildungen neuer und zweifelhafter Laub-Moose. Leipzig: Johann Gotfried Mueller, 1787.
2 volumes (of 4, see below). Folio (354 x 231 mm). 80 engraved hand-colored plates, 3 original wrappers bound in. Modern half morocco.
FIRST EDITION. \"Distinguished above all for exact and patiently repeated observations, Hedwig\'s work depended on the skillful use of dissection and the compound microscope ... He recorded his observations in accurate drawings ... the figures in his Descriptio are among the most accurate and beautiful illustrations of mosses of his own or any other period.\" DSB, VI, 219-20.\" Published in fascicles and bound in four volumes. The first 2 volumes were published in 1787-89 the others not until 1797. Nissen BBI 826.
赫德维格，约翰。1730-1799. 新的和可疑的落叶苔藓的显微分析描述和插图。莱比锡：约翰·戈特弗里德·穆勒，1787年。
图片文件尺寸 : 4205 x 4967px
Malangatana Valente Ngwenya:Two studies and an illustrated letter (i-iii):
(i) Head Studies
signed, dated and inscribed \'Malangatana/ Harare - Aug./ 1989\' (lower right)
pen on paper
25.4 x 18cm (10 x 7 1/16in).
(ii) Female Nude Study
signed, dated and inscribed \'Harare/ 15.16/11.81/ Malangatana\' (lower right)
pen and pencil on paper
43.3 x 30.5cm (17 1/16 x 12in).
(iii) Illustrated handwritten letter from the artist
dated \'15/11/1985\' (upper right)
pen on paper
29.8 x 21cm (11 3/4 x 8 1/4in).
(3)
(all unframed)
Malangana Valente Ngwani 两项研究和一封带插图的信：
图片文件尺寸 : 5434 x 5179px
John Emms:Hunting, Shooting, Fishing
a set of three, all signed and dated \'J.Emms 92\' (the first lower left, the other two lower right)
oil on canvas
each 22.2 x 17.8cm (8 3/4 x 7in). (3)
作者 狩猎、射击、钓鱼各22.2 x 17.8cm。