141. 吉田广史(1876-1950) 20世纪初/中期明治、大正或昭和时代秋天的河谷 高清作品[62%]

River Gorge in AutumnMeiji , Taisho  or Showa  era, early/mid 20th century

图片文件尺寸 : 5241 x 4696px

YOSHIDA HIROSHI (1876-1950):River Gorge in Autumn
Meiji (1868-1912), Taisho (1912-1926) or Showa (1926-1989) era, early/mid 20th century
A painting in oil on canvas of a river rushing down a gorge flanked by trees ablaze in the autumn colors of yellow, orange, and red; signed H Yoshida
17 3/4 x 13in (45.1 x 33cm)

吉田广史(1876-1950) 20世纪初/中期明治、大正或昭和时代秋天的河谷

142. 顺口北九州(活跃于1802-1832年) 江户时期,19世纪初 高清作品[62%]

Edo period , early 19th century

图片文件尺寸 : 4679 x 3895px

SHUNKOSAI HOKUSHU (ACTIVE CIRCA 1802-1832):Edo period (1615-1868), early 19th century
An oban tate-e print of the actor Nakamura Utaemon III playing the role of Ichikawa Goemon, who in this scene is disguised as the farmer Gosaku, who is being pursued by warriors barely visible behind the cloud of smoke in the background, signed Shunkosai Hokushu ga, carved by Kasuke, published by Shohonya Seishichi
15 1/8 x 10 1/4in (38.4 x 25.9cm)

顺口北九州(活跃于1802-1832年) 江户时期,19世纪初

143. 塞缪尔·帕默 《清晨的农夫》或《晨曦漫山遍野》 高清作品[61%]

The Early Ploughman, or The Morning Spread Upon the Mountains

图片文件尺寸 : 4958 x 4822px

Samuel Palmer: The Early Ploughman, or The Morning Spread Upon the Mountains (Lister 9)
Etching, circa 1861, on laid paper, the eighth state (of nine), 17.5 x 25.5cm (7 x 9 7/8in)(PL); together with The Morning of Life (L.10), 1860-61, on chine appliqu, the final seventh state, with etched lettering \'Samuel Palmer\'. The Morning of Life. 13\' below the image, published in 1872 as plate 10 in Etchings for the Art Union of London, 14.5 x 21.5cm (5 3/4 x 8 1/2in)(PL)(2)

塞缪尔·帕默 《清晨的农夫》或《晨曦漫山遍野》

145. DOMOTO INSHO(1891-1975) 大吉大正或昭和,20世纪早期/中期 高清作品[60%]

DagyoTaisho  or Showa , early/mid 20th century

图片文件尺寸 : 5138 x 5689px

DOMOTO INSHO (1891-1975):Dagyo
Taisho (1912-1926) or Showa (1926-1989), early/mid 20th century
Ink, colors, and gold on silk depicting a beauty dressed as a wakushu (dandy) strolling with a parasol, signed Insho sei and sealed Insho
With a wood tomobako storage box with attestation inscription on the interior of the lid by Miwa Akihisa (....) and registration serial number ma-30 issued by the Domoto Insho Authentication Committee
51 1/16 x 10 1/16in (129.7 x 25.6cm)

DOMOTO INSHO(1891-1975) 大吉大正或昭和,20世纪早期/中期

147. 威廉·卡科特·克内尔 《Medway的清晨》和“傍晚,法国渔船也来了,在唐斯”,每对30.5 x 55.9厘米。 高清作品[59%]

\'Early Morning in the Medway\'; and \'Evening, French Fishing Boat Bringing Too, in the Downs\', a pair each 30.5 x 55.9cm .

图片文件尺寸 : 4955 x 5486px

William Callcott Knell: \'Early Morning in the Medway\'; and \'Evening, French Fishing Boat Bringing Too, in the Downs\', a pair
both signed and dated \'W Callcott Knell/1864\' (lower left) and both signed, titled and dated (verso)
oil on canvas
each 30.5 x 55.9cm (12 x 22in). (2)

威廉·卡科特·克内尔 《Medway的清晨》和“傍晚,法国渔船也来了,在唐斯”,每对30.5 x 55.9厘米。

148. 威廉·莱昂内尔·怀利,R.A。 “海洋号”白星客轮在第二天一早出发前的深夜停泊并装载煤炭 高清作品[59%]

The White Star liner Oceanic  lying at anchor and loading coal late at night ahead of an early departure the following morning

图片文件尺寸 : 4505 x 3931px

William Lionel Wyllie, R.A.:The White Star liner Oceanic (II) lying at anchor and loading coal late at night ahead of an early departure the following morning
indistinctly signed \'WLW...\' (lower right)
oil on canvas
53.6 x 91.1cm (21 1/8 x 35 7/8in).

威廉·莱昂内尔·怀利,R.A。 “海洋号”白星客轮在第二天一早出发前的深夜停泊并装载煤炭

149. “早期研究《宾夕法尼亚州神化》中的州天才人物,埃德温·奥斯汀·艾比在宾夕法尼亚州哈里斯堡州议会大厦的壁画 高清作品[59%]

Early study for figure of Genius of State, in Apotheosis of Pennsylvania, mural at the state capitol building in Harrisburg, Pennsylvania-

图片文件尺寸 : 2070 x 2728px

“早期研究《宾夕法尼亚州神化》中的州天才人物,埃德温·奥斯汀修道院在宾夕法尼亚州哈里斯堡州议会大厦的壁画-Edwin Austin Abbey

Early study for figure of Genius of State, in Apotheosis of Pennsylvania, mural at the state capitol building in Harrisburg, Pennsylvania--Edwin Austin Abbey (美国, 1852 - 1911)

150. 一种精致的微型内置(再生)盔甲 明治或大正时代,20世纪初 高清作品[59%]

Meiji  or Taisho  era, early 20th century

图片文件尺寸 : 5100 x 5714px

A FINE MINIATURE UCHIDASHI (REPOUSSE) ARMOR:Meiji (1868-1912) or Taisho (1912-1926) era, early 20th century
The component parts of russet-iron, including a kabuto adorned with a gilt-metal oni maedate, hanbo, do, o-sode, kote, haidate, and tsubo suneate, all assembled and laced in the manner of a full-sized armor, the do and o-sode decorated with a coiling rain dragon hammered up in uchidashi technique; with a stand and wood storage box
14 1/4in (36.3cm) high, mounted as in illustration

一种精致的微型内置(再生)盔甲 明治或大正时代,20世纪初

early油画图片- 高清early绘画作品- 代表作全集 中艺名画下载


141. 吉田广史(1876-1950) 20世纪初/中期明治、大正或昭和时代秋天的河谷 高清作品[62%]

River Gorge in AutumnMeiji , Taisho  or Showa  era, early/mid 20th century

图片文件尺寸 : 5241 x 4696px

YOSHIDA HIROSHI (1876-1950):River Gorge in Autumn
Meiji (1868-1912), Taisho (1912-1926) or Showa (1926-1989) era, early/mid 20th century
A painting in oil on canvas of a river rushing down a gorge flanked by trees ablaze in the autumn colors of yellow, orange, and red; signed H Yoshida
17 3/4 x 13in (45.1 x 33cm)

吉田广史(1876-1950) 20世纪初/中期明治、大正或昭和时代秋天的河谷

142. 顺口北九州(活跃于1802-1832年) 江户时期,19世纪初 高清作品[62%]

Edo period , early 19th century

图片文件尺寸 : 4679 x 3895px

SHUNKOSAI HOKUSHU (ACTIVE CIRCA 1802-1832):Edo period (1615-1868), early 19th century
An oban tate-e print of the actor Nakamura Utaemon III playing the role of Ichikawa Goemon, who in this scene is disguised as the farmer Gosaku, who is being pursued by warriors barely visible behind the cloud of smoke in the background, signed Shunkosai Hokushu ga, carved by Kasuke, published by Shohonya Seishichi
15 1/8 x 10 1/4in (38.4 x 25.9cm)

顺口北九州(活跃于1802-1832年) 江户时期,19世纪初

143. 塞缪尔·帕默 《清晨的农夫》或《晨曦漫山遍野》 高清作品[61%]

The Early Ploughman, or The Morning Spread Upon the Mountains

图片文件尺寸 : 4958 x 4822px

Samuel Palmer: The Early Ploughman, or The Morning Spread Upon the Mountains (Lister 9)
Etching, circa 1861, on laid paper, the eighth state (of nine), 17.5 x 25.5cm (7 x 9 7/8in)(PL); together with The Morning of Life (L.10), 1860-61, on chine appliqu, the final seventh state, with etched lettering \'Samuel Palmer\'. The Morning of Life. 13\' below the image, published in 1872 as plate 10 in Etchings for the Art Union of London, 14.5 x 21.5cm (5 3/4 x 8 1/2in)(PL)(2)

塞缪尔·帕默 《清晨的农夫》或《晨曦漫山遍野》

145. DOMOTO INSHO(1891-1975) 大吉大正或昭和,20世纪早期/中期 高清作品[60%]

DagyoTaisho  or Showa , early/mid 20th century

图片文件尺寸 : 5138 x 5689px

DOMOTO INSHO (1891-1975):Dagyo
Taisho (1912-1926) or Showa (1926-1989), early/mid 20th century
Ink, colors, and gold on silk depicting a beauty dressed as a wakushu (dandy) strolling with a parasol, signed Insho sei and sealed Insho
With a wood tomobako storage box with attestation inscription on the interior of the lid by Miwa Akihisa (....) and registration serial number ma-30 issued by the Domoto Insho Authentication Committee
51 1/16 x 10 1/16in (129.7 x 25.6cm)

DOMOTO INSHO(1891-1975) 大吉大正或昭和,20世纪早期/中期

147. 威廉·卡科特·克内尔 《Medway的清晨》和“傍晚,法国渔船也来了,在唐斯”,每对30.5 x 55.9厘米。 高清作品[59%]

\'Early Morning in the Medway\'; and \'Evening, French Fishing Boat Bringing Too, in the Downs\', a pair each 30.5 x 55.9cm .

图片文件尺寸 : 4955 x 5486px

William Callcott Knell: \'Early Morning in the Medway\'; and \'Evening, French Fishing Boat Bringing Too, in the Downs\', a pair
both signed and dated \'W Callcott Knell/1864\' (lower left) and both signed, titled and dated (verso)
oil on canvas
each 30.5 x 55.9cm (12 x 22in). (2)

威廉·卡科特·克内尔 《Medway的清晨》和“傍晚,法国渔船也来了,在唐斯”,每对30.5 x 55.9厘米。

148. 威廉·莱昂内尔·怀利,R.A。 “海洋号”白星客轮在第二天一早出发前的深夜停泊并装载煤炭 高清作品[59%]

The White Star liner Oceanic  lying at anchor and loading coal late at night ahead of an early departure the following morning

图片文件尺寸 : 4505 x 3931px

William Lionel Wyllie, R.A.:The White Star liner Oceanic (II) lying at anchor and loading coal late at night ahead of an early departure the following morning
indistinctly signed \'WLW...\' (lower right)
oil on canvas
53.6 x 91.1cm (21 1/8 x 35 7/8in).

威廉·莱昂内尔·怀利,R.A。 “海洋号”白星客轮在第二天一早出发前的深夜停泊并装载煤炭

149. “早期研究《宾夕法尼亚州神化》中的州天才人物,埃德温·奥斯汀·艾比在宾夕法尼亚州哈里斯堡州议会大厦的壁画 高清作品[59%]

Early study for figure of Genius of State, in Apotheosis of Pennsylvania, mural at the state capitol building in Harrisburg, Pennsylvania-

图片文件尺寸 : 2070 x 2728px

“早期研究《宾夕法尼亚州神化》中的州天才人物,埃德温·奥斯汀修道院在宾夕法尼亚州哈里斯堡州议会大厦的壁画-Edwin Austin Abbey

Early study for figure of Genius of State, in Apotheosis of Pennsylvania, mural at the state capitol building in Harrisburg, Pennsylvania--Edwin Austin Abbey (美国, 1852 - 1911)

150. 一种精致的微型内置(再生)盔甲 明治或大正时代,20世纪初 高清作品[59%]

Meiji  or Taisho  era, early 20th century

图片文件尺寸 : 5100 x 5714px

A FINE MINIATURE UCHIDASHI (REPOUSSE) ARMOR:Meiji (1868-1912) or Taisho (1912-1926) era, early 20th century
The component parts of russet-iron, including a kabuto adorned with a gilt-metal oni maedate, hanbo, do, o-sode, kote, haidate, and tsubo suneate, all assembled and laced in the manner of a full-sized armor, the do and o-sode decorated with a coiling rain dragon hammered up in uchidashi technique; with a stand and wood storage box
14 1/4in (36.3cm) high, mounted as in illustration

一种精致的微型内置(再生)盔甲 明治或大正时代,20世纪初