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HARTSOEKER, NICOLAS. 1656-1725.:Recueil de plusieurs pieces de physique: où l\'on fait principalement voir l\'invalidité du système de Mr. Newton : et où se trouve, entre autres, une dissertation sur la peste.... Utrecht: Broedelet, 1722.
12mo (132 x 78 mm). Woodcut scientific diagrams. Early vellum, later morocco title label, gilt. Minor soiling.

RARE COLLECTION OF HARTSOEKER PIECES, including the first publication in book form of his \"Lettre a Monsieur Le Clerc\" on the invalidity of Newton\'s system, as well as his dissertation on the plague, based on the 1720 French outbreak of bubonic plague.

哈索克，尼古拉斯。1656-1725. 收集了几篇物理论文：或者主要是牛顿先生的系统失效：或者是一篇关于瘟疫的论文……乌得勒支：布罗德莱特，1722年。

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LYCOSTHENES, CONRAD (CONRAD WOLFFHART). 1518-1561. :Prodigiorum Ac Ostentorum Chronicon. Basel: Heinrich Petri, 1557.
Folio (302 x 210 mm). Large woodcut on title, numerous woodcuts in the text throughout, including one double-page and two full-page, woodcut printer\'s device on final verso. [12], 670, [2] pp. Modern quarter red-brown morocco and marbled boards; some light staining at lower margin of portion of text block
Provenance: Étienne Pariset, French physician, 1770-1847 (manuscript note by previous owner that the present volume was bought at the sale of Pariset\'s library, 1849, beneath bibliographic note in unknown hand; small shelf mark in stamp at foot of title).

FIRST EDITION of this copiously illustrated anthology of portents, natural marvels, monsters, curiosities and unsolved mysteries. Includes sightings of Halley\'s Comet and an unidentified flying object sighted in Arabia in 1479 that resembles a spaceship (see p. 494). Adams W-250; Durling 2878; Wellcome I, 3917.

康拉德·利科斯梯尼（康拉德·沃尔夫哈特）。1518-1561. Prodigiorum Ac Ostentorum Chronicon。巴塞尔：海因里希·佩特里，1557年。

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ORTELIUS, ABRAHAM. 1527-1598.:Breve Compendio dal Theatro Orteliano. Antwerp: Jan B. Vrients, 1502 [but 1602].
Oblong 8vo (110 x 142 mm). Engraved printer\'s device on title, engraved armorial dedication on verso of title, 122 engraved full-page maps plans. Rebacked contemporary brown morocco gilt, retaining original spine with three raised bands, all edges gilt. Wear and light soiling to covers, margins a bit trimmed, just touching first line of text on title page, light dampstaining, erased ink ownership inscription on title, paper repairs to title and last 2 leaves.

Italian edition of the \"pocket\" version of Ortelius\'s Theatrum, with plates made in the studio of Philip Galle, translated from the Latin by Giovanni Paulet d\'Anversa. Published 4 years after Ortelius\'s death, it bears the obviously erroneous publication date of 1502 on the title. Vrients added three plates of Celestial and Terrestrial maps from previous editions, and in this form it was published in Latin, Italian, Dutch, French, and English. Koeman IIIA 332:22.

亚伯拉罕，奥尔特利乌斯。1527-1598. 奥特利亚剧院的简短简编。安特卫普：Jan B.Vrients，1502年[但1602]。

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LANCRE, PIERRE DE. 1553–1631.:Tableau de l\'inconstance des mauvais anges et démons. Paris: N. Buon, 1613.
8vo (225 x 165 mm). Large folding engraved plate. 19th century red morocco gilt by L. Geutant, brown morocco gilt doublures, silk endleaves, all edges gilt. Light rubbing and a few stains to covers, small tears and fraying edges to silk endleaf at front, bookplate to verso of front endleaf, edges of title page repaired with no loss of text, first page of text re-margined at fore-edge, folding plate laid down and re-margined, attempted censoring of nude figures in plate, some browning and spotting.
Provenance: Stanislas de Guaita (French poet, 1861-1897, signed notation on front flyleaf).

Second, revised edition, with the rare \"Sabbat des Sorciers\" folding plate, often lacking. Lancre, a judge from Bordeaux, was ordered by King Henri IV to put an end to witchcraft in the Basque country. Lancre, who harbored an animus for the Basque that is made evident in this work, sentenced several dozen people to be burned at the stake. Cf. Caillet II:408 (first edition); Dorbon Bibliotheca esoterica, 256:2467; USTC 6016932.

兰克雷，皮埃尔·德。1553-1631年。 邪恶天使和恶魔变幻莫测的画面。巴黎：N.Buon，1613年。

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ROJAS SARMIENTO, JUAN DE. Fl.1540-1550.:Commentariorum in Astrolabium quod Planisphaerium Vocant, Libri Sex nunc Primum in Lucem Editi. Paris: Michael Vascosan, 1550.
8vo (230 x 165 mm). Woodcut illustrations and diagrams, including 15 full-page illustrations of the astrolabe, woodcut initials. [xxiv], 282, [12] pp, lacking 2M6 (blank), italic type. Modern full paneled cat\'s paw calf, spine gilt; title extended and repaired, slight foxing, a few pages with extensive early ink marginalia, E1 lower corner repair.

FIRST EDITION of this important treatise on the astrolabe, presenting Rojas\' model for a universal astrolabe with orthographic projection. \"The chief novelty in [the astrolabe] consisted in a special treatment of the face of the instrument as an orthographic projection of the sphere on the plane of the meridian\" (Gunther, Astrolabes of the World). Houzeau Lancaster 3275; Mortimer, Harvard French 462.

罗哈斯·萨米恩托，胡安·德。FL.1540-1550。 《Astrolabium，Planisphaerium Vocant》中的评论员，《Lucem Editi》中的《图书馆性爱第一》。巴黎：迈克尔·瓦斯科桑，1550年。

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PICART, BERNARD. 1673-1733.:The Ceremonies and Religious Customs of the Various Nations of the Known World. London: Claude Du Bosc, 1731-39.
7 volumes in 6. Folio (447 x 275 mm). Half titles, titles in red and black with engraved vignettes, engraved dedication page in volume IV, 215 (of 220) engraved plates, many double-page or folding, engraved illustrations and headers in text. Modern quarter morocco and marbled boards. A few pages re-margined at outside edges, leaf 5O2 (pp 419-420) in volume 3 torn through but complete, dampstaining, especially to last volumes, browning and spotting throughout.

FIRST EDITION IN ENGLISH, A richly illustrated landmark work on religious tolerance. \"No other work before then had ever attempted, in word and image, such a grand sweep of human religions, Religious Ceremonies of the World marked a major turning point in European attitudes toward religious beliefs and hence the sacred\" (Hunt, Jacob Mijnhardt The Book that Changed Europe: Picart and Bernard\'s Religious Ceremonies of the World p 1). Picart\'s engravings \"are indeed so finely executed, both in the drawing and engraving, that there are few plates even at this day which excel them\" (Field 1212, French edition). Sabin 4934.

皮卡特，伯纳德。1673-1733年。 已知世界各国的仪式和宗教习俗。伦敦：克劳德·杜·博斯克，1731-39年。

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LE BRUN, CORNELIUS. 1652-1727/28.:Voyages De Corneille Le Brun ... Moscovie, en Perse ... Vol. I II. Amsterdam: Freres Wetstein, 1718.
2 volumes. Folio (330 x 210 mm). Engraved frontispiece in volume 1, title-pages printed in red and black, engraved portrait frontispiece in volume 2, 2 (of 3) double-page engraved maps, 115 engraved plates, many double-page, some folding, the majority with multiple images, and numerous engraved illustrations in text. Modern quarter morocco and red cloth. Paper repair to portrait, a few small tears, some penciled marginalia, scattered spotting and browning.

FIRST EDITION IN FRENCH of Le Brun\'s travels to Russia, Persia, India and Java, copiously illustrated with flora, fauna, native studies, costumes, antiquities and views. Also included are two particularly wide folding panoramas, one of Moscow and a second of Isfahan. Following an initial voyage to the Levant, \"In 1701, Le Bruyn started on the second of his journeys taking a ship to the country of the Samoyeds, and then proceeding to Moscow. Traveling by way of Asia Minor, he arrived in Persia where he remained for the years 1704-05. Leaving Persia he proceeded [by ship] to India [stopping at Cochin], Ceylon and the East Indies [i.e. Batavia]. He returned by much the same route, residing in Persia between 1706 and 1707 and describing the ruins of Persepolis and Pasargades\" (Howgego). Brunet III, 911; Cohen-de Ricci 610; Howgego B177; Lipperheide 546; Wilson p 33.

棕色的，科尼利厄斯。1652-1727/28年。 棕色科内尔之旅…莫斯科，波斯…第一卷和第二卷。阿姆斯特丹：韦茨坦兄弟，1718年。

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LATER EUROPEAN HISTORY.:8 titles:
1. HOWARD, WILLIAM. The Speech of Wil. Howard; Late Lord Viscount Stafford: Upon the Scaffold on Tower Hill.... [London]: 1680. Small 4to. 4 leaves. Late 19th century half tree calf and marbled boards. Joints tender, margins slightly trimmed, light browning.
2. DRAKE, JAMES. Historia Anglo-Scotica. London: 1703. 8vo. Rebacked contemporary paneled calf. Moderate to heavy browning throughout.
3. [ANONYMOUS.] The Dying Speeches and Behaviour of the Several State Prisoners. London: 1730. 8vo. Late 19th century half mottled calf and marbled boards. Joints starting, rubbed, boards chipping at edges, title page tipped to a binder\'s stub, scattered spotting and even browning.
4. SCHERBATOV, M., Editor. Journal de Pierre le Grand depuis l\'année 1698. London: 1773. 2 parts in 1 volume. 8vo. 18th century mottled sheep, red and green morocco gilt lettering pieces on spine. Rubbed, browning and spotting.
5. [ANONYMOUS]. Copies of the Original Letters and Despatches ... to The Emperor Napoleon at Dresden. London: 1814. 4to. Text in English and French. Contemporary boards, paper lettering piece on spine, edges untrimmed. Joints starting, corners bumped, soiling and browning to covers, light browning and spotting throughout.
6. LAS CASES, EMMANUEL, COUNT DE. Memorial de Sainte Helene. Journal of the Private Life and Conversations of the Emperor Napoleon at Saint Helena. London: 1823. 2 volumes. 4to. Folding plan in Volume II. 20th century red and white cloth, gilt titles on spine, edges untrimmed. Rubbed, staining and soiling to covers, dampstaining to first few leaves of Volume I, browning and spotting throughout.
7. HERZEN, ALEKSANDR. Memoires de l\'Imperatrice Catherine II. London: 1859. 8vo. Early 20th century half vellum and boards, red morocco gilt lettering piece. Browning and spotting.
8. RABUTIN-CHANTAL, MARIE DE. Lettres Choisies de Madame de Sévigné. Paris: 1862. Numerous engraved portrait plates. Publisher\'s pebbled cloth stamped in black and gilt. Rubbed, some chipping to spine ends, browning and foxing throughout, some heavy.

后来的欧洲历史。 8个标题：

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BRY, JOHANN THEODOR DE. 1561-1623; and JACQUES LE MOYNE. C.1533-1588.:Brevis Narratio eorum quae in Florida Americae provincia Gallis acciderunt ... Frankfurt am Main: Johannes Wechel for T. de Bry, 1609 [engraved title and colophone dated 1591].
Folio (338 x 220 mm). Engraved title, colored engraved arms on dedication leaf, engraved sectional title \"Indorum Floridam provinciam inhabitantium eicones,\" engraved vignette of Noah\'s Arc on )(3r, ALL COLORED IN A CONTEMPORARY HAND, 42 numbered half-page engravings after Le Moyne above Latin letterpress descriptions, engraved folding map \"Floridae Americae Provinciae recens exactissima descriptio\" (398 x 445 mm), additional leaf \"Mendae quaedam...\" bound in at end. Modern morocco gilt. All leaves mounted on stubs, section title laid down, folding map laid down, trimmed with minor chipping along edges, lacking blank H6, colored leaves slightly shorter, some light browning and staining.

Second Latin edition (most plates in first state, see below) of the second part of de Bry\'s \"Great Voyages.\" This is the foundation book \"of any Florida collection because of its first printing of the Le Moyne narrative. Lawrence Wroth has characterized it as the most informative and satisfactory of all the books on the Huguenot colony in Florida. The fascinating plates of Florida Scenes and life engraved by De Bry after Le Moyne\'s drawings, make this an indispensable Florida items. Le Moyne\'s narrative was first published in French, Paris 1586\" (Streeter). The map was considerable interest: Hondius based his maps of the area in 1606 on this one, \"the atlas in which it occurred was Mercator\'s and his fame was enough to prolong its authority until the Blaeu VIRGINIAE partis australis, c. 1638\" (Burden 79). Plates in first state except 8, 10, 16, and 17. Church 146; Sabin 8784; Streeter 1172.

布里，约翰·西奥多，1561-1623年还有雅克·勒莫恩。约1533-1588年。 布雷维斯·纳拉蒂奥（Brevis Narratio）是美国佛罗里达州位于法国省的人物……美因河畔法兰克福：约翰内斯·韦切尔（Johannes Wechel）为T.de Bry创作，1609年[雕刻的标题和文字标记日期为1591年]。

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PABLO PICASSO:Fifteen Gold Medallions:
i. Dormeur - stamped with the artist\'s signature and numbered \'Picasso 1398 14/20\' (on the reverse); 1 7/8 in (4.8 cm) (diameter)
ii. Visage aux mains - stamped with the artist\'s signature and numbered \'Picasso 1407 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
iii. Visage tourmenté - stamped with the artist\'s signature and numbered \'Picasso 1408 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
iv. Joueur de flute et cavaliers - stamped with the artist\'s signature and numbered \'Picasso 1410 13/20\' (on the reverse); 2 in (5 cm) (diameter)
v. Poissons - stamped with the artist\'s signature and numbered \'Picasso 1411 11/20\' (on the reverse); 2 in (5 cm) (diameter)
vi. Profil de Jacqueline - stamped with the artist\'s signature and numbered \'Picasso 1412 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
vii. Taureau - stamped with the artist\'s signature and numbered \'Picasso 1413 3/20\' (on the reverse); 2 in (5 cm) (diameter)
viii. Visage larvé - stamped with the artist\'s signature and numbered \'Picasso 1424 14/20\' (on the reverse); 2 in (5 cm) (diameter)
ix. Visage géométrique aux traits - stamped with the artist\'s signature and numbered \'Picasso 1426 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
x. Jacqueline au chevalet - stamped with the artist\'s signature and numbered \'Picasso 1428 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
xi. Visage dans un carré - stamped with the artist\'s signature and numbered \'Picasso 1435 11/20\' (on the reverse) and stamped with the 916 hallmark gold (on the chain ring); 2 in (5 cm) (diameter)
xii. Tête en forme d\'horloge - stamped with the artist\'s signature and numbered \'Picasso 1437 12/20\' (on the reverse) and stamped with the 916 hallmark gold (on the reverse); 2 in (5 cm) (diameter)
xiii. Vallauris - stamped with the artist\'s signature and numbered \'Picasso 1437 11/20\' (on the reverse) and stamped with the 916 hallmark gold (on the chain ring); 2 in (5 cm) (diameter)
xiv. Visage au carton ondulé - stamped with the artist\'s signature and numbered \'Picasso 1438 10/20\' (on the reverse); 2 in (5 cm) (diameter)
xv. Centaure - stamped with the artist\'s signature and numbered \'Picasso 1439 13/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)

Each stamped with the artist\'s signature and the François Hugo reference and edition numbers (on the reverse); with the François Hugo hallmark and the French assay mark for gold (on the chain ring)
Fifteen repoussé-ciselé gold medallions; each in its own unique wooden presentation box

Conceived in 1956 and each executed after 1967 in a numbered edition of 20 plus 2 exemplaires d\'artiste and 2 exemplaires d\'auteur

巴勃罗·毕加索 十五枚金牌