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A BLACK MINO WARE CHAWAN (TEA BOWL) :Edo period (1615-1868), 18th/19th century
Of stoneware in a hanzutsu shape with thick lip and Setoguro type black crawling glaze covering the entire vessel with the exception of the foot; encircling the hip is a ring carved by a potter\'s tool
With a lacquered wood storage box and a crepe gomotsubukuro storage bag
4 3/4 x 3 1/2in (11.9 x 8.6cm)

一个黑色的米诺瓦茶碗 江户时期，18/19世纪

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HAYASHI KODENJI (1831-1915):A cloisonné-enamel vase
Meiji era (1868-1912), circa 1900
Of compressed ovoid form with a slightly elongated neck worked in sculpted and fine-gauge silver wire, gold wire, and colored enamels with sparrows in flight and resting on a blossoming prunus above chrysanthemums, the neck and foot with a band of geometric and floral designs, signed on the underside with the mark of Hayashi Kodenji
3 3/4in (9.5cm) high

HAYASHI代码（1831-1915） 分区-釉质瓦塞明治时代，约1900年

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MUSASHIYA WORKSHOP (CIRCA 1900):A set of 12 small silver bowls
Meiji (1868-1912) or Taisho (1912-1926) era, circa 1900
Each cast in silver, set on a low ring foot and decorated on the exterior in low relief with chrysanthemums, cherry blossoms, bamboo, irises, or lotus, stamped on the underside in English, Musashiya and Pure Silver (12)
2 5/8in (6.6cm) diameter

MUSASHIYA工作室（约1900年） 一套12个小银碗明治或大正时代，约1900年

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A KOREAN TEA BOWL OF GOHON TYPE:Joseon dynasty (1392-1897), 17th/18th century
Of stoneware covered with biwa loquat-colored glaze with cream-colored highlights typical of Korean wares made for export to the Japanese market, the bowl thinly potted with shallow horizontal striations encircling the exterior, the foot ring unglazed with chatter marks to the interior; with wood storage box having calligraphy on lid stating Gohonde Chawan and label on reverse of lid certifying that the calligraphy was written by Matsudaira Ise no Kami Tada[]
5 1/2 x 5 3/4 x 2 3/8 (14 x 14.7 x 6.1cm)

一个朝鲜式茶碗 朝鲜王朝，17-18世纪

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A POLYCHROME-ENAMELED AND RELIEF-DECORATED \'DRAGON AND PHOENIX\' JAR AND COVER:Qianlong mark, 20th century
The generously proportioned globular body set over a low foot, the exterior with dragons and phoenix pursuing flaming pearls amidst floral scrolls, each element outlined in relief and painted in polychrome enamels against a marigold-yellow ground, the rim with an apocryphal six-character Qianlong mark in a horizontal line, the domed cover similarly decorated and topped by a double-gourd finial.
11 1/2in (29.2cm) diam.

一个多色浮雕装饰的龙凤罐和盖子 乾隆标志，20世纪

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KINKOZAN WORKSHOP (CIRCA 1900):A large Satsuma bowl
Meiji era (1868-1912), circa 1900
The earthenware bowl flaring out from a stepped side decorated in polychrome enamels and gilt on a crackled glaze with dense cluster of flower blossoms, the rim painted with a broad band of key frets and the foot ring with repeated dots, signed on the underside in gilt and with an impressed signature Kinkozan tsukuru
12 1/4in (31cm) diameter

KINKOZAN工作坊（约1900年） 大约1900年，明治时代有一个大型的相扑保龄球

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AN INLAID SLIP-DECORATED CELADON CUP AND STAND:Goryeo dynasty (918-1392), 13th century
The cup modelled as a chrysanthemum with ten curved petals on a flared stem foot, each of the lobes inlaid in white and iron slip with a chrysanthemum spray below an incised band of scrolling foliage just below the rim, the stand with ten petals extending from the raised central cup support, each of the petals also inlaid in white and iron slip with chrysanthemum sprays, all covered with a celadon glaze pooling bright green
With an unassociated wood storage box
5in (12.7cm) high, overall; 5 3/4in (14.6cm) diameter, stand; 2 7/8in (7.3cm) high, cup

一个镶有滑动装饰的青瓷杯子和支架 高丽王朝，13世纪

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KOMAI OTOJIRO (ACTIVE LATE 19TH CENTURY):A fine inlaid-iron dish
Meiji era (1868-1912), circa 1875-1880
The circular lobed dish set on a ring foot and chiseled and inlaid in gold and silver with a central reserve of Bukan Zenshi raising his arm as if to strike his tiger companion, the surrounding area decorated with ten smaller roundels of landscapes and various geometric patterns, the rim with a band of fruiting grape leaves, signed in silver on the underside in a rectangular reserve Nihon Kyoto no ju Komai sei
8 1/2in (21.6cm) diameter

小井户次郎（活跃于19世纪晚期） 在镶嵌铁碟的末期，明治大约在1875-1880年

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KIYOKAWA (ACTIVE 19TH CENTURY):A set of ten lacquer bowls and covers with plant motifs
Edo period (1603-1868), 19th century
The ten suimonowan of lacquered wood, with a plain brown-black exterior and an individual plant depicted in hiramaki-e on the interior of the bowl and cover, including iris, plum blossom, bush clover, nandina, lily, narcissus, cherry blossom, bellflower, golden lace, and Adonis ramosa, each bowl signed in lacquer in the interior of the foot Kiyokawa-saku (10)
With a wood tomobako storage box and two fabric sleeves
4 1/2in (11.4cm) diameter, each

菊川（活跃于19世纪） 19世纪江户时代的一套十个带有植物图案的漆碗和漆盖

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KIRCHER, ATHANASIUS. 1602-1680.:Prodromus Coptus Sive Aegyptiacus. Rome: Congregatio de propaganda fide, 1636.
4to (220 x 165 mm). Woodcut illustrations in text. [24], 338, [2] pp. 18th-century quarter calf and paper-covered boards, citron leather spine label; occasional browning and foxing.
Provenance: manuscript inscription at foot of title page \"Assist. Galliae dono Auctoris\"; copious late 18th-century manuscript notes in French on front and rear endpapers concerning the study of Coptic and hieroglyphics.

FIRST EDITION, A PRESENTATION COPY (\"dono auctoris\") OF THE FIRST COPTIC GRAMMAR PRINTED IN THE WEST. This is the first issue, with the dedicatee Francesco Barberini\'s coat-of-arms on the title. The title-page inscription suggests this copy was presented by Kircher. Merrill 3; Caillet 5790.

阿塔纳修斯·基尔彻。1602-1680. Prodromus Coptus Sive Aegyptociacus。罗马：宣传大会，1636年。