图片文件尺寸 : 4949 x 5384px
ALFRED JENSEN:Untitled
1973
outer: dated 1973 and inscribed Seasons Greetings
inner: inscribed Dear Hank: Merry Christmas and Happy New Year from Peter Anna Regina and Alfred Jensen
oil, gouache and ink on paper
folded: 5 by 3 7/8 in.; 12.7 by 9.8 cm.
full sheet: 5 by 7 3/4 in.; 12.7 by 19.7 cm.
阿尔弗雷德·詹森 无标题1973
图片文件尺寸 : 4025 x 3968px
Richard Onyango:Waridi 1977 (TRBS) Seasonal rain, (série Old bus)
2009
signé, daté et situé \"Richard Malindi Kenya 2009\" en bas à droite, titré en bas à gauche
acrylique sur toile
signed, dated and situed \"Richard Malindi Kenya 2009\" lower right, titled lower left
acrylic on canvas
80 x 100cm.
31 1/2 x 39 3/8in.
理查德·翁扬戈 无 题
图片文件尺寸 : 4180 x 4471px
Richard Adams:Sun-Dripped Honey
signed and dated \'Richard Adams 2013\' (at right edge)
varnished pastel and gouache on paper, laid on board
29.5 x 42cm (11 5/8 x 16 9/16in).
together with a further varnished pastel and gouache on paper, The Four Seasons, by the same hand
(2)
理查德·亚当斯 阳光滴落的蜂蜜
图片文件尺寸 : 4128 x 4548px
KUBO SHUNMAN (1757-1820):Edo period (1615–1868), early 19th century
A surimono shikishiban print showing objects used during the Momo no sekku (literally the Seasonal Festival of the Peach, but commonly known as Hinamatsuri, Dolls\' Day or Girls\' Day), including tachibina dolls and two lacquered cases for holding painted shells for the kai-awase game, with a poem, signed Sho sei
8 1/4 x 7 3/8in (30 x 18.7cm)
库博·顺曼（1757-1820） 江户时期，19世纪初
图片文件尺寸 : 5345 x 4292px
BURGESS (JAMES):
伯吉斯（詹姆斯） 西印度考古调查。《关于Kathiawad和Kachh古物的报告》，是考古调查第二季的结果……1874-75，第一版，印度博物馆，1876年
![Nova totius terrarum orbis geographica ac hydrographica tabula. Amsterdam: [c.1635].](http://www.minghuafuzhi.com/2022/12/02144204973.jpg)
图片文件尺寸 : 4764 x 5156px
:Nova totius terrarum orbis geographica ac hydrographica tabula. Amsterdam: [c.1635].
Hand-colored double-page map, 410 x 550 mm, Dutch text on verso, 3 decorative cartouches, one flanked by maidenheads, one representing the new world with native dress, the other possibly representing Europa, bordered by 22 vignettes (4 Elements; 4 Seasons; Sun, Moon and 5 known planets; 7 \"Wonders of the World\"), 2 inset views of the world from the Polar regions, compass roses, several ships and sea creatures. Framed. Reinforcement to verso of centerfold, but a clean, attractive example.
\"Celebrated as the supreme examples of the map maker\'s art\" (Shirley Mapping of the World 255). 4th state as often found.
无 题 全球新的地理和水文表。阿姆斯特丹：[c.1635]。
图片文件像素：4956 x 4842 px
安杰洛·萨韦利-
Angelo Savelli * - Zeitgenössische Kunst I-
(Pizzo Calabro 1911–1995 Dello/Brescia)
Untitled, 1973, signed and dated on the reverse, acrylic on canvas on tulle, 163 x 136 cm, framed
This work is registered in the Archivio Angelo Savelli curated by Luigi Sansone and is accompanied by a photo certificate of authenticity
Provenance:
Kodama Collection, Osaka (label on the reverse)
European Private Collection
Angelo Savelli. The master of white
Angelo Savelli. The master of white, Marca, Catanzaro, until 30 March 2013
Calabrese by birth, Roman by training and 美国 by maturity, Savelli continues to be an isolated case within post-war art.
Savelli’s season of transition from figuration to abstraction is, under the banner of light, a sort of dynamic of the sign that weaves nervous filaments in an entirely emotional space.
Then, at the turn of the 1950s, came the choice to work exclusively in white. This was nothing to do with the Monochrome Malerei and the Manzonian achromia of the same years. Savelli thinks differently, of a purified idea of structure, of the point at which the formal mechanism manifests itself to the essential degree, before any attribution.
Savelli works primarily on the spatial dimension. He gives life to real places that breathe a formal mysticism that becomes a transcendental mood: one could say he works through paradox, giving an appropriate and unrelated physical consistency to the abstractness of geometry.
His work is above all silent. It is the poetic condition that Savelli chooses, and never relinquishes in decades of lucid, sweetly estranged research.
图片文件尺寸 : 4509 x 4595px
KATSUKAWA SHUNSHO (1726-1792), KATSUKAWA SHUNZAN (ACTIVE CIRCA 1781-1801), KATSUKAWA SHUN\'EI (1762-1819), KATSUKAWA SHUNKO (1743-1812), AND IPPITSUSAI BUNCHO (1765-1792):Seven hosoban prints and a chuban tate-e print
Edo period (1615-1868), 1773-1791
The first of actor Otani Hiroji III, signed Shunsho ga, actor Otani Hiroji III as Naoe Saemon, signed Shunsho ga, and actor Bando Matataro IV as Bando Taro, both from the kaomise (seasonal inaugural play) Gohiiki Kanjincho, 1773; actor Segawa Kikunojo III as the Geisha Otori, 1791, censor\'s seal kiwame; and another actor print, both published by Tsuruya Kiemon (Senkakudo), signed Shun\'ei ga; actor Nakajima Mihoemon II as Yamana Sozen, 1778, signed Shunko ga; a Beauty at Sumaya, published by Nishimuraya Yohachi (Eijudo), signed Ippitsusai Buncho ga; the last of Hanaogi of the Ogiya, kamuro Yoshino, and Tatsuta, signed Shunzan ga (8)
12 3/16 x 5 3/4in (31 x 14.6cm) each hosoban, approximately
8 7/8 x 6 3/4in (22.4 x 17cm)
长川顺昭（1726-1792）、长川顺赞（活跃于1781-1801年）、长川顺义（1762-1819年）、长川顺子（1743-1812年）和一品斋本町（1765-1792年） 江户时期，1773-1791年，七幅霍索班版画和一幅楚班州画
图片文件尺寸 : 4949 x 5384px
ALFRED JENSEN:Untitled
1973
outer: dated 1973 and inscribed Seasons Greetings
inner: inscribed Dear Hank: Merry Christmas and Happy New Year from Peter Anna Regina and Alfred Jensen
oil, gouache and ink on paper
folded: 5 by 3 7/8 in.; 12.7 by 9.8 cm.
full sheet: 5 by 7 3/4 in.; 12.7 by 19.7 cm.
阿尔弗雷德·詹森 无标题1973
图片文件尺寸 : 4025 x 3968px
Richard Onyango:Waridi 1977 (TRBS) Seasonal rain, (série Old bus)
2009
signé, daté et situé \"Richard Malindi Kenya 2009\" en bas à droite, titré en bas à gauche
acrylique sur toile
signed, dated and situed \"Richard Malindi Kenya 2009\" lower right, titled lower left
acrylic on canvas
80 x 100cm.
31 1/2 x 39 3/8in.
理查德·翁扬戈 无 题
图片文件尺寸 : 4180 x 4471px
Richard Adams:Sun-Dripped Honey
signed and dated \'Richard Adams 2013\' (at right edge)
varnished pastel and gouache on paper, laid on board
29.5 x 42cm (11 5/8 x 16 9/16in).
together with a further varnished pastel and gouache on paper, The Four Seasons, by the same hand
(2)
理查德·亚当斯 阳光滴落的蜂蜜
图片文件尺寸 : 4128 x 4548px
KUBO SHUNMAN (1757-1820):Edo period (1615–1868), early 19th century
A surimono shikishiban print showing objects used during the Momo no sekku (literally the Seasonal Festival of the Peach, but commonly known as Hinamatsuri, Dolls\' Day or Girls\' Day), including tachibina dolls and two lacquered cases for holding painted shells for the kai-awase game, with a poem, signed Sho sei
8 1/4 x 7 3/8in (30 x 18.7cm)
库博·顺曼（1757-1820） 江户时期，19世纪初
图片文件尺寸 : 5345 x 4292px
BURGESS (JAMES):
伯吉斯（詹姆斯） 西印度考古调查。《关于Kathiawad和Kachh古物的报告》，是考古调查第二季的结果……1874-75，第一版，印度博物馆，1876年
图片文件尺寸 : 4764 x 5156px
:Nova totius terrarum orbis geographica ac hydrographica tabula. Amsterdam: [c.1635].
Hand-colored double-page map, 410 x 550 mm, Dutch text on verso, 3 decorative cartouches, one flanked by maidenheads, one representing the new world with native dress, the other possibly representing Europa, bordered by 22 vignettes (4 Elements; 4 Seasons; Sun, Moon and 5 known planets; 7 \"Wonders of the World\"), 2 inset views of the world from the Polar regions, compass roses, several ships and sea creatures. Framed. Reinforcement to verso of centerfold, but a clean, attractive example.
\"Celebrated as the supreme examples of the map maker\'s art\" (Shirley Mapping of the World 255). 4th state as often found.
无 题 全球新的地理和水文表。阿姆斯特丹：[c.1635]。
图片文件像素：4956 x 4842 px
安杰洛·萨韦利-
Angelo Savelli * - Zeitgenössische Kunst I-
(Pizzo Calabro 1911–1995 Dello/Brescia)
Untitled, 1973, signed and dated on the reverse, acrylic on canvas on tulle, 163 x 136 cm, framed
This work is registered in the Archivio Angelo Savelli curated by Luigi Sansone and is accompanied by a photo certificate of authenticity
Provenance:
Kodama Collection, Osaka (label on the reverse)
European Private Collection
Angelo Savelli. The master of white
Angelo Savelli. The master of white, Marca, Catanzaro, until 30 March 2013
Calabrese by birth, Roman by training and 美国 by maturity, Savelli continues to be an isolated case within post-war art.
Savelli’s season of transition from figuration to abstraction is, under the banner of light, a sort of dynamic of the sign that weaves nervous filaments in an entirely emotional space.
Then, at the turn of the 1950s, came the choice to work exclusively in white. This was nothing to do with the Monochrome Malerei and the Manzonian achromia of the same years. Savelli thinks differently, of a purified idea of structure, of the point at which the formal mechanism manifests itself to the essential degree, before any attribution.
Savelli works primarily on the spatial dimension. He gives life to real places that breathe a formal mysticism that becomes a transcendental mood: one could say he works through paradox, giving an appropriate and unrelated physical consistency to the abstractness of geometry.
His work is above all silent. It is the poetic condition that Savelli chooses, and never relinquishes in decades of lucid, sweetly estranged research.
图片文件尺寸 : 4509 x 4595px
KATSUKAWA SHUNSHO (1726-1792), KATSUKAWA SHUNZAN (ACTIVE CIRCA 1781-1801), KATSUKAWA SHUN\'EI (1762-1819), KATSUKAWA SHUNKO (1743-1812), AND IPPITSUSAI BUNCHO (1765-1792):Seven hosoban prints and a chuban tate-e print
Edo period (1615-1868), 1773-1791
The first of actor Otani Hiroji III, signed Shunsho ga, actor Otani Hiroji III as Naoe Saemon, signed Shunsho ga, and actor Bando Matataro IV as Bando Taro, both from the kaomise (seasonal inaugural play) Gohiiki Kanjincho, 1773; actor Segawa Kikunojo III as the Geisha Otori, 1791, censor\'s seal kiwame; and another actor print, both published by Tsuruya Kiemon (Senkakudo), signed Shun\'ei ga; actor Nakajima Mihoemon II as Yamana Sozen, 1778, signed Shunko ga; a Beauty at Sumaya, published by Nishimuraya Yohachi (Eijudo), signed Ippitsusai Buncho ga; the last of Hanaogi of the Ogiya, kamuro Yoshino, and Tatsuta, signed Shunzan ga (8)
12 3/16 x 5 3/4in (31 x 14.6cm) each hosoban, approximately
8 7/8 x 6 3/4in (22.4 x 17cm)
长川顺昭（1726-1792）、长川顺赞（活跃于1781-1801年）、长川顺义（1762-1819年）、长川顺子（1743-1812年）和一品斋本町（1765-1792年） 江户时期，1773-1791年，七幅霍索班版画和一幅楚班州画