Keith Haring:Three Eyes Screenprint in colours, 1982, on wove, from the edition of 2000, printed by Fleetwood Press, published by Tony Shafrazi Gallery, New York, the full sheet printed to the edges, 215 x 225mm (8 1/2 x 8 7/8in)(SH)
David Shrigley:Stop Panicking Screenprint in colours, 2021, on Somerset wove, signed with the initials, dated and numbered 56/125 in pencil verso, published by Jealous Gallery, London, the full sheet printed to the edges, 560 x 753mm (22 x 29 5/8in)(SH)(unframed)
Christopher Wool:The Show is Over, 2013 Offset lithograph on wove paper, published by Gagosian Gallery, London, the full sheet. sheet 47 1/8 x 31in (119.7 x 78.7cm)
Victor Vasarely:Holld, 1988 Screenprint on plexiglass multiple, signed in ink and numbered 67/200, published by Editions Circle Gallery, New York. 26 1/2 x 7 x 7in (67.3 x 17.8 x 17.8cm)
Keith Haring:Three Eyes Screenprint in colours, 1982, on wove, from the edition of 2000, printed by Fleetwood Press, published by Tony Shafrazi Gallery, New York, the full sheet printed to the edges, 215 x 225mm (8 1/2 x 8 7/8in)(SH)
David Shrigley:Stop Panicking Screenprint in colours, 2021, on Somerset wove, signed with the initials, dated and numbered 56/125 in pencil verso, published by Jealous Gallery, London, the full sheet printed to the edges, 560 x 753mm (22 x 29 5/8in)(SH)(unframed)
Christopher Wool:The Show is Over, 2013 Offset lithograph on wove paper, published by Gagosian Gallery, London, the full sheet. sheet 47 1/8 x 31in (119.7 x 78.7cm)
Victor Vasarely:Holld, 1988 Screenprint on plexiglass multiple, signed in ink and numbered 67/200, published by Editions Circle Gallery, New York. 26 1/2 x 7 x 7in (67.3 x 17.8 x 17.8cm)