图片文件尺寸 : 5413 x 3944px
Tony Cragg:
Early Forms
1993
incised with the artist\'s initials, numbered 4/4 and incised with the foundry mark Raimund Kittl, Düsseldorf
bronze
72.5 by 46.5 by 56 cm.
28 9/16 by 18 5/16 by 22 1/16 in.
This work was executed in 1993, and is number four from an edition of four plus one artist\'s proof.
托尼·克拉格 1993年早期表格
图片文件尺寸 : 4117 x 5411px
MARK TITCHNER:
Momma, 2007
steel, wood, plastic, acrylic and iron rods with electric motor
70 x 19 1/2 x 19 1/2 in.
117.8 x 49.5 x 49.5 cm.
马克-蒂什内尔 Momma，2007年
图片文件尺寸 : 4567 x 3873px
Pablo Picasso:Quatre visages (Ramié 436), 1959
White earthenware ceramic pitcher with colored englobe and glaze, marked 129/300, with \'Edition Picasso\' and \'Madoura\' stamps on the underside.
height 9in (22.9cm)
巴勃罗·毕加索 四个面
图片文件尺寸 : 4505 x 4264px
AUGUSTE RODIN:Étude pour Polyphème
signed and numbered \'A. Rodin no. 6/8\' (on the right of the pedestal), inscribed \'© By Musee Rodin 1987\' and inscribed with the foundry mark \'E. Godard Fondr\' (on the rim of the pedestal)
bronze with black patina
43.5 cm (17 1/8 in). high
Conceived circa 1906, this bronze version cast by the Émile Godard Foundry for the Musée Rodin in 1987 in an edition of 12 numbered 0/8-8/8 and II/IV-IV/IV.
八月日 Polypheme 43.5厘米高的研究
图片文件尺寸 : 5299 x 5144px
Joan Miró:6 plates from Album 21 (6 works) (Mourlot 1126; 1127; 1128; 1136; 1141; 1142), 1978
Six lithographs in colors on Arches paper, unsigned proofs from the Album 21 portfolio (aside from the edition of 75), each with printed registration marks (before the sheets were cut down), each published/printed by Maeght Éditeur/Mourlot, Paris, each with the blindstamp \'RGM\' of the Paris dealer R. G. Michel, each the full sheet. (6 works)
each 20 5/8 x 28in (52.4 x 71cm)
胡安·米罗 专辑21中的6盘
图片文件尺寸 : 4597 x 5428px
PIERO FORNASETTI (1913-1988) :Group of Eight Cook Dinner Plates
porcelain, each signed with Fornasetti for Fleming Joffe LTD. mark
diameter 10in (26cm)
皮埃罗·福纳塞蒂（1913-1988） 八人组厨师餐盘
图片文件尺寸 : 4814 x 5063px
ETEL ADNAN:Déjeuner au soleil
2016
signed and numbered 1/3 on a label affixed to the reverse; signed, numbered 1/3 and marked with the Maison PINTON label woven into the reverse
wool tapestry
162 by 243 cm.
63 3/4 by 95 11/16 in.
This work was executed in 2016 and is number 1 from an edition of 3.
埃特尔阿德南 2016年阳光午餐
图片文件尺寸 : 5229 x 5756px
Pablo Picasso:Picador (Ramié 176), 1952
White earthenware clay, oxidized paraffin decoration, white enamel, from the edition of 500, marked \'Edition Picasso\', with the \'Madoura Plein Feu\' pottery stamp on the underside.
diameter 6in (15.2cm)
巴勃罗·毕加索 Picador
图片文件尺寸 : 4557 x 5741px
Mark Grotjahn:
Untitled (Colored Butterfly White Sides 691)
2007
signed, titled, dated 2007 and numbered #691 on the reverse
colored pencil on paper
65 3/4 by 47 3/4 in.
167 by 121.3 cm.
马克·格罗特加 无 题2007
图片文件像素：5663 x 4147 px
米谢·弗龙-
Jean-Michel Folon * - Zeitgenössische Kunst I-
(Brussels 1934–2005 Monaco)
La pêche miraculeuse (Buste aux poissons) / The Miraculous Catch (Bust with Fish), 2005, bronze, signed and numbered HC 2/2 (from an edition of 2 + 2 EA + 2 HC) with the foundry mark: Romain Fils, h 81 cm w 43 cm.
This work will be included in the artist’s forthcoming catalogue raisonné currently being prepared by the Fondation Folon.
This work is registered at the Fondation Folon with the number F400 and is accompanied by a certificate of authenticity.
Provenance:
European Private Collection
The 比利时 artist Jean-Michel Folon (1934-2005) has left a universal mark on the collective imagination of the last third of the 20th century through his posters, illustrations, television animations, and his numerous exhibitions. A humanist, he left behind a figurative and poetic body of work rooted in traditional techniques, which was atypical for an environment dominated by conceptual art. Folon turned to sculpture in the early 1990s, having initially focused on paper-based techniques (inks, silk-screen printing, watercolour), thus providing him with a new challenge.
His sculptures are inspired by ethnographic art and characterised by their frontality and corporality, from the Cyclades to the Etruscans, from African masks to Amerindian totems. They are largely centred on the human being and embody themes that were once treated graphically and thus project the artist\'s universe into atypical and natural environments: landscapes, gardens, parks, interiors.
La pêche miraculeuse (Buste aux poissons) [The Miraculous Catch (Bust with Fish)] from 2005 presents the artist’s favoured Everyman, the character with the hat, onto whom everyone can project themselves. He is holding an armful of fish. This bust sculpture is a variation on a theme that Folon had explored with a few years earlier in his Fontaine aux poissons [Fountain with Fish], which has been shown to the public on numerous occasions at major exhibitions, notably in Florence in 2005. The quality of the patina of this remarkable Catch is typical of Folon\'s quasi-pictorial quest for sculpture. It drew this comment from the sculptor.
“You make impressionist sculptures, these are the patinas of a painter and each of your sculptures will be unique because you will never be able to do the same thing twice.”
César
图片文件尺寸 : 5413 x 3944px
Tony Cragg:
Early Forms
1993
incised with the artist\'s initials, numbered 4/4 and incised with the foundry mark Raimund Kittl, Düsseldorf
bronze
72.5 by 46.5 by 56 cm.
28 9/16 by 18 5/16 by 22 1/16 in.
This work was executed in 1993, and is number four from an edition of four plus one artist\'s proof.
托尼·克拉格 1993年早期表格
图片文件尺寸 : 4117 x 5411px
MARK TITCHNER:
Momma, 2007
steel, wood, plastic, acrylic and iron rods with electric motor
70 x 19 1/2 x 19 1/2 in.
117.8 x 49.5 x 49.5 cm.
马克-蒂什内尔 Momma，2007年
图片文件尺寸 : 4567 x 3873px
Pablo Picasso:Quatre visages (Ramié 436), 1959
White earthenware ceramic pitcher with colored englobe and glaze, marked 129/300, with \'Edition Picasso\' and \'Madoura\' stamps on the underside.
height 9in (22.9cm)
巴勃罗·毕加索 四个面
图片文件尺寸 : 4505 x 4264px
AUGUSTE RODIN:Étude pour Polyphème
signed and numbered \'A. Rodin no. 6/8\' (on the right of the pedestal), inscribed \'© By Musee Rodin 1987\' and inscribed with the foundry mark \'E. Godard Fondr\' (on the rim of the pedestal)
bronze with black patina
43.5 cm (17 1/8 in). high
Conceived circa 1906, this bronze version cast by the Émile Godard Foundry for the Musée Rodin in 1987 in an edition of 12 numbered 0/8-8/8 and II/IV-IV/IV.
八月日 Polypheme 43.5厘米高的研究
图片文件尺寸 : 5299 x 5144px
Joan Miró:6 plates from Album 21 (6 works) (Mourlot 1126; 1127; 1128; 1136; 1141; 1142), 1978
Six lithographs in colors on Arches paper, unsigned proofs from the Album 21 portfolio (aside from the edition of 75), each with printed registration marks (before the sheets were cut down), each published/printed by Maeght Éditeur/Mourlot, Paris, each with the blindstamp \'RGM\' of the Paris dealer R. G. Michel, each the full sheet. (6 works)
each 20 5/8 x 28in (52.4 x 71cm)
胡安·米罗 专辑21中的6盘
图片文件尺寸 : 4597 x 5428px
PIERO FORNASETTI (1913-1988) :Group of Eight Cook Dinner Plates
porcelain, each signed with Fornasetti for Fleming Joffe LTD. mark
diameter 10in (26cm)
皮埃罗·福纳塞蒂（1913-1988） 八人组厨师餐盘
图片文件尺寸 : 4814 x 5063px
ETEL ADNAN:Déjeuner au soleil
2016
signed and numbered 1/3 on a label affixed to the reverse; signed, numbered 1/3 and marked with the Maison PINTON label woven into the reverse
wool tapestry
162 by 243 cm.
63 3/4 by 95 11/16 in.
This work was executed in 2016 and is number 1 from an edition of 3.
埃特尔阿德南 2016年阳光午餐
图片文件尺寸 : 5229 x 5756px
Pablo Picasso:Picador (Ramié 176), 1952
White earthenware clay, oxidized paraffin decoration, white enamel, from the edition of 500, marked \'Edition Picasso\', with the \'Madoura Plein Feu\' pottery stamp on the underside.
diameter 6in (15.2cm)
巴勃罗·毕加索 Picador
图片文件尺寸 : 4557 x 5741px
Mark Grotjahn:
Untitled (Colored Butterfly White Sides 691)
2007
signed, titled, dated 2007 and numbered #691 on the reverse
colored pencil on paper
65 3/4 by 47 3/4 in.
167 by 121.3 cm.
马克·格罗特加 无 题2007
图片文件像素：5663 x 4147 px
米谢·弗龙-
Jean-Michel Folon * - Zeitgenössische Kunst I-
(Brussels 1934–2005 Monaco)
La pêche miraculeuse (Buste aux poissons) / The Miraculous Catch (Bust with Fish), 2005, bronze, signed and numbered HC 2/2 (from an edition of 2 + 2 EA + 2 HC) with the foundry mark: Romain Fils, h 81 cm w 43 cm.
This work will be included in the artist’s forthcoming catalogue raisonné currently being prepared by the Fondation Folon.
This work is registered at the Fondation Folon with the number F400 and is accompanied by a certificate of authenticity.
Provenance:
European Private Collection
The 比利时 artist Jean-Michel Folon (1934-2005) has left a universal mark on the collective imagination of the last third of the 20th century through his posters, illustrations, television animations, and his numerous exhibitions. A humanist, he left behind a figurative and poetic body of work rooted in traditional techniques, which was atypical for an environment dominated by conceptual art. Folon turned to sculpture in the early 1990s, having initially focused on paper-based techniques (inks, silk-screen printing, watercolour), thus providing him with a new challenge.
His sculptures are inspired by ethnographic art and characterised by their frontality and corporality, from the Cyclades to the Etruscans, from African masks to Amerindian totems. They are largely centred on the human being and embody themes that were once treated graphically and thus project the artist\'s universe into atypical and natural environments: landscapes, gardens, parks, interiors.
La pêche miraculeuse (Buste aux poissons) [The Miraculous Catch (Bust with Fish)] from 2005 presents the artist’s favoured Everyman, the character with the hat, onto whom everyone can project themselves. He is holding an armful of fish. This bust sculpture is a variation on a theme that Folon had explored with a few years earlier in his Fontaine aux poissons [Fountain with Fish], which has been shown to the public on numerous occasions at major exhibitions, notably in Florence in 2005. The quality of the patina of this remarkable Catch is typical of Folon\'s quasi-pictorial quest for sculpture. It drew this comment from the sculptor.
“You make impressionist sculptures, these are the patinas of a painter and each of your sculptures will be unique because you will never be able to do the same thing twice.”
César