113. 亚历克西斯·佩斯金 Ribu Endabu,2019年 高清作品[47%]

Ribu Endabu, 2019

图片文件尺寸 : 5293 x 5103px

Alexis Peskine:Ribu Endabu, 2019

clous, feuille d\'or de lune, terre, eau, café et vernis d\'archivage sur bois

nails, moon gold leaf, earth, water, coffee and archival varnish on wood

150 x 110cm.
59 1/16 x 43 5/16in.

亚历克西斯·佩斯金 Ribu Endabu,2019年

116. UTAGAWA KUNIYOSHI(1797-1861) 江户时代,19世纪 高清作品[45%]

Edo period , 19th century

图片文件尺寸 : 5236 x 3938px

UTAGAWA KUNIYOSHI (1797-1861):Edo period (1615-1868), 19th century
A oban tate-e print triptych depicting Raiko\'s retainers Watanabe no Tonna, Sadanobu, and Kunitoki playing go and being interrupted by the Earth Spider\'s demons, signed on the center sheet Ichiyusai Kuniyoshi ga, published by Yamaguchiya Tobei (3)
15 7/8 x 10 1/4in (40.3 x 26cm) each

UTAGAWA KUNIYOSHI(1797-1861) 江户时代,19世纪

117. 汉斯·霍夫曼 让光明存在1955-1961 高清作品[45%]

Let There Be Light  1955-1961

图片文件尺寸 : 3974 x 5919px

HANS HOFMANN:Let There Be Light (And the Sun Beautiful as She Was and Pregnant – Scattered Her Colours All over the Earth)
1955-1961

signed; signed with the artist\'s initials, titled, dated 1955-1961 and variously inscribed on the reverse
​oil on canvas,​ in an artist\'s frame

51 1/2 by 89 1/2 in.
130.8 by 227.3 cm.


汉斯·霍夫曼 让光明存在1955-1961

118. 罗伯特·莫里斯 土丘、壕沟和瀑布,1969年 高清作品[43%]

MOUNDS AND TRENCHES  WATERFALL, 1969

图片文件尺寸 : 5055 x 5965px

Robert MORRIS:MOUNDS AND TRENCHES WATERFALL, 1969
(Cherix, 5 et 12)
Planches I et VIII tirées de la suite « Earth Project »
Ensemble de deux lithographies en couleurs sur BFK Rives
Epreuves d\'artistes signées et annotée « artist\'s proof »
Friends of Modern Art of the Detroit Institute of Arts, éditeur, Detroit
Detroit Workshop, imprimeur, New York
56 x 75,5 cm chaque

罗伯特·莫里斯 土丘、壕沟和瀑布,1969年

120. 梅西亚,佩德罗。1496-1552. 彼得·弥赛亚的对话。威尼斯:普林尼奥·彼得罗桑塔,1557年。 高清作品[35%]

Dialoghi di Pietro Messia. Venice: Plinio Pietrasanta, 1557.

图片文件尺寸 : 4684 x 4636px

MEXIA, PEDRO. 1496-1552.:Dialoghi di Pietro Messia. Venice: Plinio Pietrasanta, 1557.
4to (210 x 151 mm). Woodcut printer\'s device on title page, woodcut headers and initials. Modern quarter morocco and marbled boards. Light soiling around edges, paper repair to top edge of title page and first text leaf.

FIRST ITALIAN EDITION, translated from the 1547 Spanish first edition by Alfonso D\'Ulloa. The dialogues deal with astronomical topics, gastronomy, and medicine. Mexia was was among the first scientific minds of the Renaissance to write for a popular audience. He describes Magellan\'s first circumnavigation of the earth — Mexia himself witnessed Magellan\'s fleet leaving Sanlúcar de Barrameda in 1519 and returning in 1522. Brunet III, 1689 (1547 edition).

梅西亚,佩德罗。1496-1552. 彼得·弥赛亚的对话。威尼斯:普林尼奥·彼得罗桑塔,1557年。

earthly油画图片- 高清earthly绘画作品- 代表作全集 中艺名画下载


113. 亚历克西斯·佩斯金 Ribu Endabu,2019年 高清作品[47%]

Ribu Endabu, 2019

图片文件尺寸 : 5293 x 5103px

Alexis Peskine:Ribu Endabu, 2019

clous, feuille d\'or de lune, terre, eau, café et vernis d\'archivage sur bois

nails, moon gold leaf, earth, water, coffee and archival varnish on wood

150 x 110cm.
59 1/16 x 43 5/16in.

亚历克西斯·佩斯金 Ribu Endabu,2019年

116. UTAGAWA KUNIYOSHI(1797-1861) 江户时代,19世纪 高清作品[45%]

Edo period , 19th century

图片文件尺寸 : 5236 x 3938px

UTAGAWA KUNIYOSHI (1797-1861):Edo period (1615-1868), 19th century
A oban tate-e print triptych depicting Raiko\'s retainers Watanabe no Tonna, Sadanobu, and Kunitoki playing go and being interrupted by the Earth Spider\'s demons, signed on the center sheet Ichiyusai Kuniyoshi ga, published by Yamaguchiya Tobei (3)
15 7/8 x 10 1/4in (40.3 x 26cm) each

UTAGAWA KUNIYOSHI(1797-1861) 江户时代,19世纪

117. 汉斯·霍夫曼 让光明存在1955-1961 高清作品[45%]

Let There Be Light  1955-1961

图片文件尺寸 : 3974 x 5919px

HANS HOFMANN:Let There Be Light (And the Sun Beautiful as She Was and Pregnant – Scattered Her Colours All over the Earth)
1955-1961

signed; signed with the artist\'s initials, titled, dated 1955-1961 and variously inscribed on the reverse
​oil on canvas,​ in an artist\'s frame

51 1/2 by 89 1/2 in.
130.8 by 227.3 cm.


汉斯·霍夫曼 让光明存在1955-1961

118. 罗伯特·莫里斯 土丘、壕沟和瀑布,1969年 高清作品[43%]

MOUNDS AND TRENCHES  WATERFALL, 1969

图片文件尺寸 : 5055 x 5965px

Robert MORRIS:MOUNDS AND TRENCHES WATERFALL, 1969
(Cherix, 5 et 12)
Planches I et VIII tirées de la suite « Earth Project »
Ensemble de deux lithographies en couleurs sur BFK Rives
Epreuves d\'artistes signées et annotée « artist\'s proof »
Friends of Modern Art of the Detroit Institute of Arts, éditeur, Detroit
Detroit Workshop, imprimeur, New York
56 x 75,5 cm chaque

罗伯特·莫里斯 土丘、壕沟和瀑布,1969年

120. 梅西亚,佩德罗。1496-1552. 彼得·弥赛亚的对话。威尼斯:普林尼奥·彼得罗桑塔,1557年。 高清作品[35%]

Dialoghi di Pietro Messia. Venice: Plinio Pietrasanta, 1557.

图片文件尺寸 : 4684 x 4636px

MEXIA, PEDRO. 1496-1552.:Dialoghi di Pietro Messia. Venice: Plinio Pietrasanta, 1557.
4to (210 x 151 mm). Woodcut printer\'s device on title page, woodcut headers and initials. Modern quarter morocco and marbled boards. Light soiling around edges, paper repair to top edge of title page and first text leaf.

FIRST ITALIAN EDITION, translated from the 1547 Spanish first edition by Alfonso D\'Ulloa. The dialogues deal with astronomical topics, gastronomy, and medicine. Mexia was was among the first scientific minds of the Renaissance to write for a popular audience. He describes Magellan\'s first circumnavigation of the earth — Mexia himself witnessed Magellan\'s fleet leaving Sanlúcar de Barrameda in 1519 and returning in 1522. Brunet III, 1689 (1547 edition).

梅西亚,佩德罗。1496-1552. 彼得·弥赛亚的对话。威尼斯:普林尼奥·彼得罗桑塔,1557年。